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Wanz

Michael Wansley (born October 9, 1961), known professionally as Wanz, is an American R&B, soul, and hip-hop singer, songwriter, and rapper from Seattle, Washington. He gained worldwide prominence in 2012 at age 51 by recording the iconic hook for "Thrift Shop," a single by fellow Seattle artists Macklemore & Ryan Lewis that topped charts in nine countries, sold over 10 million copies, and earned two Grammy Awards. Before his breakthrough, Wanz balanced a day job as a software —including stints at until 2010—with a decades-long music career that began in the . He studied jazz at for seven years and performed in local bands such as Boys Will Be Boys (a /rock cover group he joined after moving to in 1986), Bag O’Nasty, Life Ring, The Fighting Cocks, and The Ghetto Monks, the latter releasing albums High Steppin’ (1997) and Pop Vulture (2000). He also released music independently, posting tracks on platforms like and , and occasionally performed under the alias TeeWanz. The success of "Thrift Shop"—discovered by through a mutual connection at Seattle's Streetlevel Records—propelled Wanz into the spotlight, leading to tours with , appearances on shows like , and features in the song's music video, which amassed over 340 million views by 2013. Post-fame, he pursued music full-time, releasing his solo single "Tell Me One More Time" in 2013, collaborating with artists like on a tribute, and performing the at Mariners games. In 2016, Wanz published his debut book, #The Book of Wanz, a collection of inspirational phrases, parables, and sayings drawn from his life experiences and tweets during the "Thrift Shop" era. Wanz has remained active in the Seattle music scene into the 2020s, collaborating on tracks like "Pacific Summer" with artist Quincy Q in 2023. His deep-toned vocals and resilient journey from to chart-topping artist continue to inspire, highlighting themes of perseverance and late-blooming success in the music industry.

Early life

Childhood and family

Michael Wansley, professionally known as Wanz, was born on October 9, 1961, in . His family soon relocated to , where his father was stationed at the Fort Richardson Army base, immersing him in a working-class military household during his early years. In Anchorage, Wanz displayed an early affinity for music, beginning to sing publicly around age five on the school playground with soulful renditions of songs like Three Dog Night's "." One anecdote recounts his mother rushing to check on him, mistaking his passionate performance for distress during a playground scuffle, only to find him joyfully singing. This working-class environment, combined with exposure to diverse sounds via 1960s and 1970s AM radio—including , , and —nurtured his eclectic musical tastes from a young age. The family later moved to , where Wanz grew up in neighborhoods like the Central District, further shaped by local cultural influences and family encouragement. His father's resilient outlook, encapsulated in the advice "No matter how many times you get knocked down you always get back up," provided motivational grounding amid these formative experiences. Wanz continued singing at family gatherings and local events, while participating in church and school choirs that honed his vocal skills and connected him to Seattle's burgeoning music community.

Education and initial musical training

Wanz, born Michael Wansley in , on October 9, 1961, began his formal musical education in local schools, where he participated actively in choral programs. He sang in and high school choirs, earning awards and competing in regional events that honed his performance skills and introduced him to ensemble singing. These experiences, combined with his involvement in church choirs from a young age, provided foundational training in vocal technique and group harmony, supported by encouragement from his family during childhood. Pursuing higher education, Wanz enrolled at Central Washington University as a music major in the 1980s, focusing on jazz studies over seven years while balancing coursework with musical pursuits. He worked toward a degree in music education, participating in university ensembles that exposed him to genres such as R&B, soul, and jazz, which shaped his versatile baritone vocal range. He completed his bachelor's degree in music in 2018 after interruptions for family and career obligations. To support himself, he took part-time jobs during his student years, navigating the demands of academics alongside self-taught bass playing and informal performances.

Career

Early professional pursuits

Prior to achieving widespread recognition, Michael Wansley, known professionally as Wanz, maintained a steady career in in , which provided financial stability to pursue music as a hobby. He began working as a software tester around 2000, primarily as a contractor at until leaving in 2010 for another testing job in , which he held until late 2012. This role, involving rigorous testing of software systems, offered benefits like stock options and , enabling him to invest in equipment and self-teach techniques during challenging periods, such as the economic downturn of 2009–2012. Wanz's early musical pursuits spanned multiple genres, including rock, pop, funk, R&B, and soul, through involvement in various local Seattle bands starting in the mid-1980s. After relocating to Seattle in 1986 with the pop/punk/rock cover band Boys Will Be Boys, he formed Bag O’Nasty that same year and later Life Ring in 1989, a funky ensemble active for about five years. In the 1990s, he played bass with The Fighting Cocks, while the late 1990s and early 2000s saw him fronting The Ghetto Monks, a funk/rock group that served as the house band for Sports Radio AM 950, performing live during broadcasts. Additional gigs included occasional appearances with The Rangehoods, the R&B cover band Gruuvbox, and from 2007 to 2012, the soul-oriented Robert Stewart Band at small Eastside venues. These performances, often in clubs and local spots, drew on his vocal training from a music education degree at Central Washington University, allowing versatility across styles like blue-eyed soul. Under stage names such as TeeWanz, Wanz engaged in independent songwriting and minor recording efforts throughout the and , though without attracting major label interest despite persistent submissions. He produced several home recordings and contributed hooks to local projects in the early , while participating in open mics and leveraging radio features, such as those with The Ghetto Monks, to showcase original material. This part-time dedication to music, spanning over two decades of band involvement from 1986 to 2011, exemplified his commitment amid a day job, as he continued writing and performing despite limited commercial breakthroughs.

Breakthrough and mainstream success

In 2012, Wanz was contacted through a mutual connection at Seattle's Street Level Records by producer for on "Thrift Shop," a track by . At the time, the 50-year-old software quality assurance engineer recorded the infectious chorus—"I'm gonna pop some tags, only got twenty dollars in my pocket"—in a single take during a 15- to 30-minute session at a Seattle studio, earning an initial flat fee of $1,000. "Thrift Shop" was released as the lead single from the duo's debut album on August 27, 2012, and quickly ascended to No. 1 on the chart in November 2012, marking the first independently distributed track to top the chart since 1996. The song's success propelled Wanz into the spotlight at age 51, leading him to quit his job on October 15, 2012, after his employer encouraged him to pursue music full-time. He joined on tour, performing to sold-out arenas worldwide, and appeared in media interviews highlighting his late-career breakthrough, such as in where he discussed transitioning from corporate life to stardom. The track earned a Grammy Award for Best Rap Song at the in 2014, along with Best Rap Performance. By 2015, "" had achieved diamond certification from the RIAA, signifying 10 million units sold or streamed in the U.S., and has amassed over 1.5 billion streams on as of November 2025. Its , released on August 29, 2012, amplified its cultural impact, satirizing and promoting thrift shopping as an affordable, stylish alternative, which resonated globally and boosted interest in secondhand retail trends.

Independent releases and ongoing projects

Following the success of his feature on Macklemore & Ryan Lewis's "Thrift Shop," Wanz transitioned to independent artistry, leveraging the exposure to establish his solo catalog through self-released projects distributed via platforms like Bandcamp and streaming services. His debut EP, Wander, arrived in 2014, featuring five tracks including the title song and covers like Daft Punk's "Get Lucky," showcasing his soulful R&B style with themes of introspection and love. The project marked his first full independent effort, produced under his own Wanz0Matic Music LLC imprint. Subsequent releases built on this foundation, with the tribute album To: Nate Dogg in 2020 honoring the late rapper through a single track featuring , Grynch, and Crytical, blending hooks with Wanz's signature baritone. In 2022, he dropped the EP #NDY (Not Done Yet), a four-track collection emphasizing with songs like "Go Where the Love Is" and "In the Mornin'," released via for wide digital availability. That same year, "In the Mornin'" stood out as a , highlighting uplifting morning routines and personal renewal. In 2023, he collaborated with hip-hop artist Quincy Q on the single "Pacific Summer." By 2024, Wanz continued his output with singles "Sweet Dreams," a collaboration with G. Bradford exploring dreamy escapism, and "I'm Back" alongside Ben Braun and G 5000, signaling a return to high-energy performances post-pandemic. These tracks, distributed through independent labels like G. Bradford Music LLC, reflect his ongoing evolution toward motivational anthems. In 2025, he featured on "Summer Silverado" and joined the Recording Academy's 2025 New Member Class as part of its Pacific Northwest Chapter. Amid these releases, Wanz maintained an active performance schedule, adapting to the era with virtual collaborations streamed online to connect with fans globally. He has since resumed local shows, including national anthem performances at venues like Funko Field, fostering community ties in his hometown. Complementing his music, Wanz's official website, thewanz.com, serves as a hub for direct fan engagement, offering merchandise, subscription updates, and exclusive content to build a loyal audience as of 2025.

Musical style and influences

Genres and vocal approach

Wanz's music primarily encompasses R&B, soul, and hip-hop, often incorporating fusions of jazz, pop, and funk that reflect his deep ties to the Seattle music scene. His work draws from the city's eclectic influences, blending smooth, groove-oriented elements with rhythmic experimentation to create a versatile sound rooted in West Coast traditions. As a vocalist, Wanz is recognized for his deep, smooth tones that provide a resonant foundation in performances and recordings. His vocal approach features ad-lib capabilities extending up to the second range, allowing for dynamic shifts from low-end warmth to higher, melodic flourishes. This contributes to a soulful delivery that emphasizes emotional depth and adaptability across genres. In production, Wanz favors pick-driven guitar elements in his earlier compositions, evoking funk-rock textures from his band experiences. Later works shift toward modern hip-hop beats, integrating crisp percussion and layered synths to support his vocal hooks. Wanz's style has evolved from choir-based harmony, honed through extensive vocal ensemble training, to rap-infused hooks that showcase his versatile delivery. This progression highlights a seamless integration of harmonious phrasing with rhythmic, spoken-word elements, defining his multifaceted approach.

Key inspirations and evolution

Wanz's early musical inspirations were deeply rooted in the church choir experiences of his youth in Seattle, where he began singing as a child and developed a foundational appreciation for vocal harmony and performance. These roots extended to formal opera exposure through two stints with the Seattle Opera's production of Porgy and Bess in 2011 and 2018, blending classical elements with his emerging style. As Wanz immersed himself in Seattle's vibrant music scene during the and , local artists and the broader and R&B landscape further molded his sound. He drew significant inspiration from icons like , earning the nickname "the Nate Dogg of North End" within Seattle's circles for his smooth, melodic hooks. This admiration culminated in the 2014 tribute track "To: Nate Dogg," featuring , Grynch, and Crytical, which honored the late singer's legacy while highlighting Wanz's own blend of R&B phrasing and rap-adjacent delivery. Interactions with Seattle's and rock figures, including members of and during his 1990s delivery job, also infused his work with the city's raw, eclectic energy. , a fellow Seattle native, served as a pivotal influence, inspiring Wanz's aspirations for genre-spanning success. Wanz's career evolved markedly from the 1980s, when he arrived in in 1986 and performed in various ensembles. In the early 1990s, he played bass and vocals with local bands like The Rangehoods. By the 1990s and 2000s, he balanced music with while gigging in R&B and groups, gradually shifting toward collaborations in Seattle's underground scene. The 2012 breakthrough on & Ryan Lewis's "Thrift Shop" marked a pivotal turn, propelling him into mainstream at age 51 and enabling a focus on original releases blending his fusion roots with contemporary rap and . This evolution continued into the 2020s with genre experimentation, including opera-infused projects and independent tracks, exemplified by his feature on Quincy Q's track "Pacific Summer" (2023), reflecting his adaptability up to 2025. Throughout his trajectory, Wanz's lyrics often explore themes of personal growth, , and the of late-blooming , mirroring his own from decades of side gigs to global recognition. These motifs are prominently featured in his 2022 EP #NDY, a four-song collaboration with producer Kevin Gardner that embodies the "Do More Of What You Love," emphasizing and in the face of delayed acclaim.

Discography

Extended plays

Wanz's extended plays represent key milestones in his solo career, transitioning from high-profile features to self-directed projects that highlight his R&B and soul roots. The debut EP, Wander, was self-released on August 13, 2013, shortly after his mainstream breakthrough with "Thrift Shop." This five-track collection delves into themes of self-discovery and personal exploration, with the title track "Wander" offering a mid-tempo reflection on life philosophy over production handled by Wanz himself. Other notable tracks include "Get Lucky," a cover infused with Wanz's smooth vocals; "I Will," emphasizing commitment; "Tell Me One More Time," a plea for reassurance; and the closing "The Greatest Gift," inspired by Wanz's reflections on family and gratitude. In a 2013 interview, Wanz described the EP as representing his journey out of personal struggles and reclaiming control over his artistic path. In 2015, Wanz followed with Teleporter, a six-track EP that continued his independent output, blending soulful melodies with introspective lyrics, though specific production details remain limited in available records. The project marked a period of experimentation post-fame, focusing on thematic depth rather than commercial singles. Wanz's most recent EP, #NDY (Not Done Yet), arrived on September 16, 2022, as a four-track self-release under Wanz0Matic Music LLC, underscoring themes of and amid life's challenges. Key tracks include the uplifting "Go Where The Love Is," a soulful about seeking positivity; "In The Mornin'," reflecting renewal; "Anything," highlighting determination; and "The Best Is Not Behind Me," affirming forward momentum. Wanz framed the EP as a that "life is full of semi-colons, as long as we keep breathin', anything is possible," drawing from personal experiences to inspire fans. By late 2025, the EP had garnered steady streaming engagement on platforms like , contributing to Wanz's ongoing independent catalog.

Singles

Wanz began releasing standalone singles as a lead in the late , leveraging platforms like for initial distribution of tracks that highlighted his R&B and , such as "Give It To You" and "The Closet," uploaded around 2017. These early independent efforts garnered modest streams, with "Give It To You" accumulating over 4,400 plays, reflecting grassroots promotion through and local music networks. In 2020, Wanz issued "Captain" as a single, a self-reflective track emphasizing resilience and personal navigation, distributed via streaming services like and on August 21. This release marked a shift toward more polished production, available for digital purchase and streaming, though it did not achieve significant commercial metrics. The single "In The Mornin'," released independently on on July 22, centers on themes of morning motivation and relational renewal, with lyrics evoking positivity and daily rejuvenation like "filling your cup" upon waking. Also available on major platforms including and , it received positive fan feedback for its uplifting vibe but no notable chart performance. Wanz's recent singles continue his independent release strategy, utilizing for direct artist-to-fan sales alongside broad streaming distribution on , , and to reach global audiences as of 2025. "I'm Back," featuring and released on July 2, 2024, via CDBaby, blends and R&B elements in a comeback , accumulating over 5,000 streams on without entering major charts. "Sweet Dreams," a collaboration with G. Bradford released on September 27, 2024, embodies a smooth, dreamlike R&B vibe with soulful vocals exploring nocturnal romance and escapism, promoted through an official music video on YouTube that emphasizes atmospheric visuals. The track, distributed independently under G. Bradford Music, LLC, has seen steady streaming growth, exceeding 27,000 plays on Spotify as of November 2025.

Guest appearances

Wanz's most iconic guest appearance came on the track "" by , released in August 2012 as the lead single from their debut album The Heist. Ryan Lewis discovered Wanz through Seattle's local and invited him to record the song's infectious chorus hook, which Wanz completed in a single take at a home studio session. The track's playful and Wanz's distinctive delivery propelled it to No. 1 on the for six weeks, marking the first independent single to achieve that feat since 1995, and it earned diamond certification from the RIAA for over 10 million units sold in the U.S. At the in 2014, "" won Best Rap Performance, with Wanz credited alongside and , significantly elevating the visibility of all involved and contributing to the album's seven Grammy nominations, including . In 2014, Wanz collaborated with French rapper Ridsa on the song "Family," featured on Ridsa's debut album Mes Histoires. This international track highlighted Wanz's soulful vocals in a bilingual context, blending English and elements to explore themes of , and it marked one of Wanz's early post-"" ventures into global rap partnerships. That same year, Wanz lent his voice to the On Being Project, recording a custom for the podcast's end-of-show credits, infusing the introspective series with his warm, resonant tone across multiple episodes. Wanz continued contributing to collaborative works in the following years, with his hook-driven style often providing memorable, chart-friendly boosts to partners' projects. Notable post-2014 features include the 2018 single "Getting Mine" by British rapper featuring Wanz, where Wanz's added depth to the motivational rap track. In 2024, he appeared on "Jason X" by independent artist O39, delivering featured vocals that complemented the song's upbeat production. In 2023, Wanz featured on "Pacific Summer" by Quincy Q, which celebrated influences and positioned Wanz's contributions as key to enhancing the tracks' catchy, feel-good appeal; a for the track was released in April 2025. By 2025, Wanz featured on "Summer " by Hightide!, a summery anthem evoking road-trip vibes. In 2025, he appeared on "In My City" by No-More featuring Notes, a track highlighting urban experiences. These appearances underscored Wanz's enduring role in elevating collaborators' releases through his signature vocal hooks, often driving streaming and playlist traction.

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