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What a Fool Believes

"What a Fool Believes" is a song written by and , best known for the 1978 recording by the American rock band , which features McDonald on lead vocals and became one of the band's signature hits. The track, characterized by its smooth, style with prominent keyboards and a shuffling rhythm, explores themes of and lingering illusions in a past romance, where the protagonist clings to false hopes upon reuniting with an ex-lover. Released as the lead single from the Doobie Brothers' eighth studio album, Minute by Minute (1978), the song marked a shift toward a softer, more R&B-influenced sound for the band during McDonald's tenure as primary vocalist following Tom Johnston's departure. It achieved massive commercial success, topping the Billboard Hot 100 chart for one week in April 1979 and peaking at number 31 on the UK Singles Chart, while the parent album reached number one on the Billboard 200 and was certified 3× platinum by the RIAA. At the 22nd Annual Grammy Awards in 1980, "What a Fool Believes" won Record of the Year for the Doobie Brothers and Song of the Year for its writers, McDonald and Loggins, highlighting its critical acclaim and influence on late-1970s soft rock. The song's enduring legacy includes cover versions by artists such as (on his 1978 album Nightwatch), , and more recently at the 2024 Grammy Hall of Fame Gala, where the Doobie Brothers' recording was inducted in recognition of its cultural significance as one of the era's few non-disco number-one hits. In 2025, Doobie Brothers members Tom Johnston, , and were inducted into the . Its iconic bass line and McDonald's soulful delivery have made it a staple in radio and a frequent reference in discussions of , further cementing its status as a timeless pop classic.

Creation and Composition

Songwriting Origins

"What a Fool Believes" was co-written by and in early 1978 during a collaborative session at home in . The two musicians, who had long expressed interest in partnering on a , finally connected when Loggins arrived one afternoon, eager to compose together. McDonald had already developed an initial and lyric, which he shared reluctantly, fearing it might seem too unconventional. McDonald provided the initial piano riff, chords, and verse, drawing inspiration for the chorus melody from the sharp, rhythmic drive of 1960s pop singles by acts like the , particularly tracks such as "Sherry" and "Walk Like a Man," which evoked a nostalgic bounce he aimed to modernize. Loggins contributed the bridge melody, helped refine the —including expansion on the verses—and co-developed the and narrative centered on themes of and , where a man clings to illusions of lingering affection from a former partner who has moved on; the were inspired by the theme of self-delusion in Brenda Lee's "As Usual." The pair worked organically at the , blending their ideas into a cohesive structure over the course of a couple of days, with the finalized via phone. McDonald later reflected on the session's efficiency, noting how Loggins' enthusiasm propelled the song forward despite his own initial doubts about its pop sensibility. Originally intended as the title track for Loggins' upcoming album Nightwatch, released in July 1978, the song captured their shared vision of emotional vulnerability wrapped in an upbeat facade, marking the start of a fruitful creative . Loggins recorded a version for the album, but the track soon found its way to through band connections.

Musical Elements and Influences

"What a Fool Believes" is widely classified as a yacht rock staple, blending smooth R&B-infused elements with vocals and complex chord progressions that feature extended harmonies such as 7ths, 9ths, and 13ths. The genre's characteristic polished production and laid-back groove are evident in the track's structure, which emphasizes emotional introspection through its melodic phrasing. Key musical features include a 4/4 supporting a steady at approximately 120 beats per minute, creating an upbeat yet contemplative pace. The song's iconic riff drives the arrangement, complemented by layered vocal harmonies that add depth and texture to the . Michael McDonald's delivery further enhances the soulful, ethereal quality, blending seamlessly with the backdrop. The track draws influences from the rhythmic style of The Four Seasons and early soul, as McDonald has noted the song as an homage to those driving, syncopated patterns. Additionally, Steely Dan's sophisticated production techniques inform its clean, intricate sound, reflecting McDonald's prior involvement with . His background in contributes to the R&B undertones, infusing the framework with gospel-like vocal inflections and harmonic richness.

Original Recordings

Kenny Loggins' Version

' recording of "What a Fool Believes," which he co-wrote with , was the first version released, appearing as the third track on side B of his second solo album Nightwatch. The album was issued in July 1978 by . The track has a duration of 3:40 and features Loggins delivering the lead vocals over an arrangement that emphasizes his roots with acoustic elements, distinguishing it from the more polished production of subsequent recordings. Produced by Loggins in collaboration with Bob James, Nightwatch overall blends with contemporary pop influences, and "What a Fool Believes" fits this mold as an album track that garnered modest radio airplay upon release. However, it did not chart as a single and was soon overshadowed by ' rendition.

The Doobie Brothers' Version

The Doobie Brothers recorded "What a Fool Believes" in August 1978 for their album , released later that year on December 1. , who co-wrote the song with , took lead vocals and played keyboards on the track, following Loggins' prior demo version. The band's lineup during this transitional period featured McDonald alongside guitarist , guitarist , bassist , drummers and , and percussionist . The recording clocks in at 3:42. Under McDonald's influence since joining in 1975, the Doobie Brothers shifted their sound toward during this phase, moving away from their earlier rock-oriented style to embrace smoother R&B and pop elements evident in the song's polished production and soulful delivery.

Production Details

The recording sessions for the Doobie Brothers' version of "What a Fool Believes" occurred in August 1978 at Warner Bros. Studios in North Hollywood, California, as part of the band's eighth studio album, Minute by Minute. The sessions were produced by Ted Templeman, who had helmed all of the band's Warner Bros. releases since 1971, emphasizing a live-in-the-studio approach while incorporating layered elements to achieve a refined sound. Technical aspects included the use of 3M 2-inch 24-track tape machines and an API mixing console, allowing for extensive multitracking and experimentation with the song's groove over five to six days of attempts. Key personnel on the track featured on lead vocals and keyboards, including the signature riff played on a 7-foot Steinway acoustic and parts contributed via his 8-voice analog unit. handled guitar and backing vocals, while provided ; played bass, and drums were performed by and , with producer joining Knudsen on the final take for a looser feel. Additional musicians included on overdubs, Andrew Love on , on trumpet for horn accents, on congas, and former band member Tom Johnston on backing vocals. Engineering was led by , who captured the basic tracks and suggested Templeman play to inject energy into . The production involved numerous overdubs, including layered vocal harmonies punched in with a U87 , additional lines by McDonald and Payne, and unconventional percussion like band members stomping on for a retro pop texture. Templeman manually spliced the master from disparate tape sections—approximately 35 boxes worth—combining elements from early takes up to the bridge and later ones for the outro, a labor-intensive process that resolved the song's elusive groove. Mixing, also at the studio with outboard gear like the 1176 , polished the arrangement into the smooth, sophisticated style, with McDonald absent due to exhaustion as Templeman finalized the balances.

Commercial Performance

Chart Achievements

"What a Fool Believes" was released as a single by the Doobie Brothers in January 1979, serving as the lead single from their album Minute by Minute. In the United States, the track debuted at number 73 on the Billboard Hot 100 on January 20, 1979, before ascending to the top spot for one week on April 14, 1979, and totaling 20 weeks on the chart. It also peaked at number 22 on the Billboard Adult Contemporary chart. Internationally, the song achieved significant success, reaching number 1 on Canada's RPM Top Singles chart for one week in April 1979. In , it climbed to number 12 on the singles chart. The track entered the at number 52 in February 1979, eventually peaking at number 31 and spending 10 weeks in the top 100.

Certifications and Sales

The Doobie Brothers' recording of "What a Fool Believes" earned Gold certification from the (RIAA) in April 1979, denoting shipments of 1 million units, a threshold that qualified for status at the time. This accolade reflected the single's strong initial commercial performance following its release, with the certification later aligning with equivalent recognition under revised RIAA guidelines for historical shipments. In the , the (BPI) awarded the single Silver certification during a update, certifying combined physical sales, downloads, and streaming equivalent to 200,000 units. Canadian sales data from 1979 indicate robust performance, with the track topping the RPM singles chart and contributing to over 50,000 units sold domestically that year, supporting the album 's Gold status from the (CRIA). As of November 2025, the song had surpassed 389 million streams on alone, underscoring its enduring economic impact through digital platforms and driving renewed catalog revenue for Warner Bros. Records.

Reception and Legacy

Critical Reviews

Upon its release in , "What a Fool Believes" received praise from critics for Michael McDonald's soulful vocals and the song's polished production. In a profile, the track was highlighted for McDonald's "silky, emotive voice" and its "tight arrangement," blending pop and R&B elements effectively. However, some reviewers expressed initial skepticism about ' shift toward a smoother, soul-influenced , viewing it as a departure from their earlier rock roots. AllMusic's review commended the song's "unrelenting shuffle groove" and rich production, featuring keyboards and horns that complemented baritone, while noting its lyrical exploration of lingering romantic delusions. This contemporary acclaim underscored the track's emotional resonance, with the production enhancing its themes of unrequited attachment. In retrospective analyses, "What a Fool Believes" has been celebrated as a pinnacle of . ranked it #343 on its 2021 list of the 500 Greatest Songs of All Time, describing it as encapsulating the "smooth-sailing style" of the genre. placed it at #105 in its 200 Best Songs of the 1970s, praising "falsetto-tinged baritone" and the song's "confident strut and emotional depth" in a lounge-funk framework. These evaluations highlight its enduring impact as a sophisticated blend of accessibility and nuance.

Awards and Honors

' recording of "What a Fool Believes" won two at the in 1980: and Song of the Year. These honors recognized the song's songwriting by and , as well as its production and performance by the band. The parent album, , also received significant recognition that year, winning Best Pop Vocal Performance by a Duo or Group with Vocals, while the album itself was nominated for . In 2024, "What a Fool Believes" was inducted into the , honoring its enduring cultural and musical impact as a classic recording. Following the Doobie Brothers' induction into the Rock and Roll Hall of Fame in 2020, "What a Fool Believes" was included in related exhibits and tributes, highlighting its role as a pivotal track in the band's evolution toward and success.

Cultural Impact and Media Use

The song "What a Fool Believes" has played a significant role in the revival of the , appearing in numerous themed playlists and compilations that popularized the genre among younger audiences. It is frequently included in fan-curated playlists inspired by the films, such as those evoking the "Awesome Mix" soundtracks, which helped reintroduce smooth, jazz-inflected to a new generation. The track's sophisticated harmonies and groove have influenced modern acts, contributing to the genre's resurgence through retrospective albums and streaming collections that highlight its enduring appeal. In media, "What a Fool Believes" has been prominently featured in video games, commercials, and television. It appears on the Rock Radio station in (2013), enhancing the game's retro aesthetic and exposing the song to millions of players worldwide. The track was used in Japanese Hybrid advertisements during the 2000s and 2010s, including a 2013 commercial starring Kimutaku that paired its mellow vibe with the car's efficient design. On television, it served as a musical number in the episode "The Power of Power" of the Fox series (2015), where characters perform it in a comedic, post-apocalyptic setting. More recently, the song's title inspired 's 2024 memoir What a Fool Believes, co-written with , which chronicles his career highs and personal struggles, including his time with . This publication has renewed interest in the track amid the band's ongoing tours, where "What a Fool Believes" remains a staple performance, as seen in their 2025 shows featuring original members like .

Cover Versions

Versions by Original Artists

Kenny Loggins recorded a live version of "What a Fool Believes" for his 1980 double album Alive!, captured during performances on his supporting tour for Keep the Fire. This rendition features Loggins' solo arrangement with backing band, emphasizing his vocal delivery and the song's yacht rock grooves in a concert setting. Michael McDonald has incorporated the song into his solo live repertoire since the 1980s, often performing it as a highlight of his sets drawing from his Doobie Brothers era. A notable example is his 2017 acoustic rendition at WFUV's Studio A, where he delivered an intimate, soulful take accompanied by guitar. Loggins and McDonald occasionally reunited for joint live performances in later years, including a 1993 rendition of the track on the live album Outside: From the Redwoods. Their collaborations trace back to shared appearances in the , such as the 1988 Christmas Unity concert. The Doobie Brothers featured "What a Fool Believes" prominently in their 1987 reunion tour setlists, including the May 25 concert at in , benefiting the Vietnam Veterans Aid Foundation; this marked the band's first full reunion with since 1982, blending it seamlessly with classics like "Takin' It to the Streets." The group continues to perform the song live regularly during their tours, such as the 50th Anniversary Tour, where it appears near the end of main sets alongside "Long Train Runnin'" and "China Grove," as documented in over 135 shows since 2021.

Matt Bianco's Version

British band released their cover of "What a Fool Believes" in 1991 as the from their fourth studio , Samba in Your Casa. The track features a jazz-pop arrangement infused with Latin influences, transforming the original rock-soul hit into a smoother, more rhythmic reinterpretation led by vocalist Basia Trzetrzelewska's distinctive style. Produced by the band's core members Mark Reilly and alongside Liminha, the song runs for 4:23 and emphasizes elements alongside brass accents, aligning with the album's overall samba-themed sound. The single was issued in multiple formats, including a 7-inch vinyl edition (EastWest YZ625) that paired the A-side "What a Fool Believes" with the B-side "Say It's Not Too Late," another original from the album. A 12-inch version added remixes like "Samba in Your Casa (Cashassa Mix)," while CD singles included extended plays. This release marked Matt Bianco's return to covering American classics after their earlier fusion of pop and jazz, drawing on the band's evolving Latin jazz sensibilities. The cover gained moderate commercial traction, peaking at number 23 on the Irish Singles Chart in February 1992, where it charted for one week. Critically, the version was noted for its upbeat, danceable vibe and execution, receiving radio support across . In , it accumulated around 140 airplays by early , contributing to its regional visibility despite limited broader chart success. Reviewers highlighted the track's energetic Latin flavor as a fresh take on ' original, though some observed it required adjustment from Michael McDonald's iconic vocal delivery. The cover has since appeared on various Matt Bianco compilations, underscoring its enduring place in the band's .

Other Notable Covers

Aretha Franklin recorded a soulful cover of "What a Fool Believes" for her 1980 album Aretha, infusing the track with her signature gospel-influenced vocals and R&B flair. Released as a in the , it peaked at number 46 on the Official Singles Chart. In 1998, Peter Cox, former frontman of Go West, released a pop-oriented version on his self-titled solo debut album, reworking the song with smooth, contemporary production that aligned with late-1990s adult contemporary sounds. The entered the Official Singles Chart at number 39, marking a modest hit during his solo career transition. More recently, Hanson delivered a live performance of the song at the 2024 Grammy Hall of Fame Gala, honoring the Doobie Brothers' original induction with their energetic pop-rock arrangement featuring tight harmonies and upbeat instrumentation. The rendition, captured during the event on May 21, 2024, in Los Angeles, highlighted the track's enduring appeal in live settings. Ninja Sex Party included a comedic rock cover on their 2025 album Under the Covers, Vol. IV, transforming the song into a humorous, over-the-top take with exaggerated vocals and satirical flair characteristic of the comedy duo's style. Released on October 10, 2025, the track exemplifies their approach to reinterpreting '70s and '80s hits for modern audiences. Other covers include live performances by Steely Dan affiliates, such as the supergroup —featuring , , and —which regularly incorporated the into their sets, blending it with grooves during tours in the 2010s. These renditions often peaked in popularity through concert recordings, underscoring McDonald's original co-writing contributions.

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