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Will McRobb and Chris Viscardi

Will McRobb (born July 2, 1961) and Chris Viscardi (born January 14, 1962) are an , producing, and creation duo renowned for their contributions to children's programming and feature films, particularly through their long-standing collaboration that began in the late 1980s at . They are best known for co-creating the cult-favorite series (1993–1996), a surreal coming-of-age show that originated as 60-second promotional shorts for the network and evolved into an award-winning half-hour program blending quirky humor, soundtracks, and suburban absurdity. The pair met as students at in , where they bonded over shared experiences of an idyllic childhood, but their professional partnership solidified after both joined —McRobb as a writer and Viscardi in entry-level production tasks such as fetching tapes. Their early work at the network included developing innovative content like the anthology series KaBlam! (1996–2000), which showcased short animated segments and helped define Nickelodeon's creative golden age alongside influences from shows like Ren & Stimpy and The Simpsons. Expanding beyond television, McRobb and Viscardi co-wrote screenplays for several family-oriented films, including the comedy Snow Day (2000) starring Chevy Chase, the animated adventure Alvin and the Chipmunks (2007), and the fantasy The Tale of Despereaux (2008), often emphasizing themes of "geek empowerment" and heightened kid perspectives for comedic effect. In their later careers, Viscardi rose to Senior Vice President of Content Development for Nickelodeon Franchise Properties in 2015, overseeing major brands like SpongeBob SquarePants and executive producing the Emmy-nominated series Sanjay and Craig (2013–2016), while McRobb continued writing and producing projects such as Radio Free Roscoe (2003) and the animated special El Deafo (2022). Their enduring partnership has emphasized creator-driven storytelling that balances humor, emotion, and the strange beauty of youth.

Background

Early careers

Chris Viscardi was born on January 14, 1962, in , New York. He began his professional career at in the late 1980s, initially serving as a in the network's promotions department with a focus on creative development. In this role, Viscardi contributed to the production of short-form promotional materials, including brief spots designed to engage young audiences with original, concise storytelling. Will McRobb entered the entertainment industry in the late 1980s after graduating from , joining Nickelodeon's promotions department as a writer. There, he developed scripts for promotional content, emphasizing emotionally resonant narratives to promote the network's lineup of syndicated shows. Both McRobb and Viscardi attended , where they first met. As his tenure progressed into the early 1990s, McRobb took on expanded responsibilities in animation development, serving as story editor for the inaugural series , where he helped shape episode structures to capture the nuances of pre-adolescent experiences. He also acted as story editor for from 1991 to 1995, overseeing script refinement and contributing writings to select installments during the show's chaotic early production phase. McRobb's early involvement extended to Nickelodeon's pilot development efforts, where he assisted in conceptualizing and refining animated prototypes that laid the groundwork for the network's expansion into . Meanwhile, Viscardi's work on animation concepts in creative development included brainstorming ideas for short animated segments to enhance promotional campaigns, honing skills in visual storytelling that would influence Nickelodeon's evolving content strategy. Their overlapping roles in Nickelodeon's promotions and creative teams during this formative period facilitated their initial professional interactions.

Partnership formation

Will McRobb and Chris Viscardi, who had met as students at , began their professional collaboration in the late 1980s while working in Nickelodeon's promotions department, where they collaborated on short promotional content for the network. In this role, they developed character sketches for two brothers both named Pete, brainstorming ideas for interstitial shorts that captured the quirky essence of childhood to promote Nickelodeon's programming. Their creative synergy quickly emerged, as they shifted from standard rerun promos—such as clips for shows like Mr. Ed and Dennis the Menace—to original 60-second spots that infused the channel with a personal, kid-centric voice. By 1989, McRobb and Viscardi had formalized their early Pete & Pete concepts into promotional vignettes, producing around 18 shorts that aired between programs. These began as humorous advertisements but evolved into more narrative-driven pieces, condensing half-hour story ideas into tight, surreal tales of adolescent adventures in the fictional suburb of Wellsville. The duo's approach emphasized stream-of-consciousness storytelling, blending everyday kid experiences with oddball elements to define Nickelodeon's emerging identity. Their initial joint credits came from co-writing these Nickelodeon interstitials, which gained internal traction and led to expanded opportunities. By 1990, the popularity of the vignettes prompted the transition to pitching longer-form series ideas, including 30-minute specials that built momentum toward a full show. This marked the solidification of their partnership, setting the stage for their signature collaborative dynamic in children's television.

Television work

Nickelodeon series

Will McRobb and Chris Viscardi co-created the live-action series for , which originated as a series of one-minute vignettes in 1990 before expanding into five half-hour specials and a full series that ran from 1993 to 1996. The show produced 34 half-hour episodes across three seasons, blending surreal humor with coming-of-age stories set in the fictional town of , where everyday suburban life is exaggerated into absurd adventures like battling a that rings for 27 years or dealing with a mother whose metal skull plate picks up radio signals. This distinctive style featured verbal absurdity and , turning mundane challenges—such as summer jobs or first crushes—into whimsical, heartfelt escapades that captured the awkwardness of childhood. The series starred as the introspective older brother Big Pete and as his mischievous younger sibling , supported by a cast including and Judy Grafe as their parents, as the eccentric Artie the Strongest Man in the World, and Alison Fanelli as Big Pete's love interest . McRobb and Viscardi infused the show with cultural references through guest appearances by musicians like , , and , as well as actors such as and , alongside an original soundtrack by the band that enhanced its quirky, alternative-rock vibe. Following the success of Pete & Pete, McRobb and Viscardi co-created the animated anthology series KaBlam! with Robert Mittenthal, which aired on from 1996 to 2000 and showcased diverse animation styles through short segments framed by comic book-themed wraparounds. As executive producers, they oversaw the production of the series, which featured recurring segments such as the stop-motion superhero parody Action League Now!—involving a dysfunctional team of action figures—and the whimsical Life with Loopy, following a girl with a knack for bizarre family encounters. McRobb and Viscardi also served as writers for the wraparound segments starring the energetic and the sarcastic , who introduced and commented on the anthology's varied content, often breaking the in a meta, playful manner. In 2013, McRobb and Viscardi returned to as executive producers and showrunners for the animated comedy , which ran for three seasons and 60 episodes until 2016, centering on the misadventures of 12-year-old Indian American boy and his irreverent pet snake Craig. They guided the show's creative direction, emphasizing themes drawn from authentic childhood experiences—like discovering hidden treasures or navigating family dynamics—while balancing humor, emotion, and surreal elements to evoke the strange beauty of youth, much like their earlier work. Under their oversight, voice casting included as the optimistic Sanjay and as the scheming Craig, with episodes often exploring friendship, rebellion, and cultural identity through high-energy, gross-out comedy tailored for a young audience.

Other television projects

McRobb and Viscardi co-wrote the episode "Mouth Full of Warm Roses" for the short-lived sitcom Brutally Normal, which aired on January 31, 2000. In the story, high school student Russell tasks his friend Pooh with delivering a to the girlfriend of the school's bully, while another character, , receives anonymous affection from a secret admirer, highlighting the duo's knack for quirky teen dynamics reminiscent of their work. They also contributed to NBC's legal dramedy Ed by co-writing the season 1 finale "Windows of Opportunity," broadcast on May 2, 2001. The episode follows Ed Stevens handling a case for an client pressured by his brother to maintain a strict diet, interwoven with subplots involving awkward dates and community efforts, showcasing their ability to blend humor with heartfelt small-town scenarios. McRobb and Viscardi created the Canadian-American teen drama series Radio Free Roscoe (2003–2005), which aired on (now ) and followed high school students running a station, blending drama and humor in 39 episodes across two seasons. Beyond series episodes, McRobb and Viscardi's influence extended to holiday-themed content within anthologies. For , McRobb received a writing credit on the special "O' Christmas Pete," which premiered December 14, 1995, where rallies his family and friends to perpetuate the holiday season indefinitely, clashing with a recalcitrant garbage man intent on hauling away decorations, culminating in a surreal boxing match against . In KaBlam!, the animated variety series they co-created with Robert Mittenthal, they oversaw segments for the Thanksgiving-themed episode "Cramming Cartoons Since 1627" from season 2, aired on December 11, 1997, featuring the "Action League Now!" holiday special where the superhero team navigates chaotic festivities, emphasizing their collaborative approach to eclectic, fast-paced animation shorts.

Film work

Live-action screenplays

McRobb and Viscardi wrote the screenplay for the 2000 family comedy Snow Day, a production directed by and released by . Their narrative foundation drew from their Nickelodeon roots, reportedly evolving from an unproduced script intended as a feature-length extension of their series . The film centers on a chaotic snow day in the fictional town of Valley Peak, , where teenager Hal Brandston () pursues his crush amid school closure antics, while his younger sister Natalie () leads a rebellion against the tyrannical snowplow driver Roger () to prolong the holiday. Featuring as the bumbling weatherman father Tom Brandston, the movie emphasizes whimsical family dynamics and youthful rebellion with comedic elements like improvised snowball fights and a rogue sled chase. It grossed $62.5 million worldwide against a $13 million budget, marking an early success for in theatrical family fare. In 2008, McRobb and Viscardi earned screenplay credits on the British teen comedy , co-written with director and , adapting the first two novels from Louise Rennison's Confessions of Georgia Nicolson series— (1999) and It's OK, I'm Wearing Really Big Knickers (2000). Hired in 2001 to develop the adaptation, the duo helped transform the books' diary-style entries into a cohesive cinematic , retaining the Georgia Nicolson's (Georgia ) humorous voice-over confessions about adolescent insecurities, crushes, and mishaps like disastrous beauty experiments and cat-related chaos. Set in , England, the film navigates Georgia's quest for romance with the "Sex God" Robbie () and her rivalry with a classmate, blending and cultural specifics—like explanations of the town's sleepy retirement vibe for international audiences—with universal teen themes. Cultural adjustments included toning down the source material's edgier title to "Perfect Snogging" at Paramount's insistence for broader appeal, changing a supporting character to Indian heritage to reflect Chadha's style, and ensuring the humor translated across Anglo-American sensibilities; the film received a limited U.S. release on DVD and television via and rather than theaters.

Animated screenplays

McRobb and Viscardi received story credit for the 2008 animated film , a adaptation of DiCamillo's Newbery Medal-winning children's book. Their contributions shaped the core narrative of the rat-mouse adventure, centering on Despereaux Tilling, a brave and literate mouse banished to the kingdom's dungeon for violating mouse traditions by conversing with humans and showing compassion toward a princess. The story emphasizes themes of courage, forgiveness, and unlikely alliances in a fantastical world blending medieval aesthetics with whimsical elements. The film featured a notable voice cast, including as Despereaux, as Roscuro the rat, and as Princess Pea. In 2007, McRobb and Viscardi co-wrote the screenplay for , a live-action/CGI hybrid reboot directed by Tim Hill for 20th Century Fox, reviving the classic 1950s-1960s animated characters created by Sr. The script follows struggling songwriter Dave Seville (Jason Lee), who discovers three anthropomorphic chipmunks— (voiced by ), (Matthew Gray Gubler), and Theodore ()—living in his home and transforms them into a pop sensation, blending family comedy with musical performances of contemporary songs. The film grossed over $365 million worldwide against a $60 million budget, establishing a lucrative with setups for sequels through escalating antics and the chipmunks' rising fame. Chris Viscardi received co-screenplay credit on (2021) alongside Kevin Sullivan, tying into his ongoing Nickelodeon collaborations with the franchise originating from creator Chris Savino's . Produced by and released on , the film follows Lincoln Loud (voiced by Asher Bishop) and his family discovering Scottish royal ancestry during a trip to Loch Loud, incorporating musical numbers and adventure elements that expand the show's chaotic sibling dynamics. While primarily animated, the project reflects Viscardi's influence on properties amid the network's explorations of live-action extensions for , such as a planned TV movie announced in 2020. Chris Viscardi served as a co-writer on the screenplay for Plankton: The Movie, a 2025 Netflix animated musical comedy that premiered on March 7, 2025. Co-written alongside Mr. Lawrence and Kaz, based on a story by Lawrence, the film focuses on the diminutive villain Sheldon J. Plankton (voiced by Mr. Lawrence) whose world-domination schemes are upended when his computer wife Karen (Jill Talley) launches her own plan to destroy Bikini Bottom, forcing Plankton to team up with SpongeBob (Tom Kenny) and other characters like the Gal Pals. Viscardi's work on the spin-off highlighted Plankton's backstory and comedic anti-hero arc, incorporating musical numbers and franchise callbacks to deepen the lore of the underwater world created by Stephen Hillenburg. The film debuted with 14.3 million views during its premiere weekend on Netflix.

Later collaborations and legacy

Recent projects

Following their earlier successes, McRobb and Viscardi shifted toward executive production roles in live-action television, including the 2000 sitcom , which they co-created and for which they served as co-executive producers and writers. The series, centering on the comedic rivalry between a retired CIA agent and his former neighbor, was ordered for 13 episodes, of which 8 aired in 2000 before cancellation due to low ratings, with the remaining 5 unaired. In 2009, they co-created and executive-produced the short-run Canadian sitcom The Assistants for The N network, a comedy exploring the chaotic professional and personal lives of young assistants to a celebrity self-help author. Produced with 13 episodes, the series had a limited airing schedule and did not achieve renewal, reflecting their continued interest in ensemble workplace humor. From 2015 to 2018, Viscardi served as Senior Vice President of Content Development for Franchise Properties, where he oversaw creative strategies for major franchises including and led revivals such as the Hey Arnold! TV movie. In parallel, McRobb executive-produced the Apple TV+ animated series (2021–present), adapting Louise Fitzhugh's novel into a about an aspiring spying on her neighborhood; the show has aired 20 episodes across two seasons. Their joint involvement in SpongeBob content extended to Viscardi's co-writing role on (2025), a Netflix animated musical feature developed from 2020 onward, focusing on the villainous thwarting his wife Karen's world-domination plot with aid from SpongeBob and friends; announced in June 2024, it premiered on March 7, 2025. In April 2025, Viscardi joined the leadership team of The Kids' Table, a new company focused on developing and producing premium kids' and family content for brands and creators.

Awards and influence

McRobb and Viscardi earned a Emmy nomination in 2015 for Outstanding Children's Animated Program for their work as executive producers on . The series , which they co-created, received a nomination in 1994 for the episode "Apocalypse Pete." Their partnership significantly shaped the surreal and whimsical style of 1990s programming, blending everyday suburban life with eccentric, dreamlike elements that influenced the network's approach to children's comedy. This legacy persists in fan-driven revivals, including the original cast's appearances in music videos such as Real Estate's "Water Underground" in 2023, which recreated the show's aesthetic and paid homage to its quirky charm.

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