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Xanthos

Xanthos is an ancient city in southwestern Turkey, located near the modern town of Kınık in Antalya Province, overlooking the Eşen River valley, and serving as the capital of the ancient Lycian civilization.^[1]^[2] The site features a Lycian acropolis dating to the 8th century BCE and is renowned for its exceptional funerary monuments, including rock-cut tombs, pillar tombs such as the Harpy Tomb (ca. 480–470 BCE), and the Nereid Monument (ca. 380 BCE), which exemplify the distinctive Lycian architectural style influenced by local traditions and later Hellenistic elements.^[1]^[2] Historically, Xanthos emerged as the principal city of Lycia by the 6th century BCE, and was destroyed with a mass suicide of its citizens during the Persian siege under Harpagus in 540 BCE, after which it was rebuilt in stone around 470 BCE. The city experienced another mass suicide in 42 BCE when besieged by the Roman general Brutus, and flourished under Lycian dynasts like Arbinas in the 4th century BCE.^[1] It surrendered to Alexander the Great in 334 BCE without resistance and later thrived under Roman rule, featuring structures like a 2nd-century CE theater seating 2,200 spectators, before declining following Arab raids in the 7th century CE.^[1] Along with the nearby Letoon sanctuary—a cult center dedicated to Leto, Artemis, and Apollo featuring temples and a trilingual inscription from 337 BCE—Xanthos was designated a UNESCO World Heritage Site in 1988 for its outstanding illustration of Lycian cultural fusion with Hellenic influences (Criterion ii) and as an exceptional testimony to a disappeared civilization (Criterion iii).^[2]

Geography

Site Layout

The ancient city of Xanthos occupies a prominent hilltop position on a plateau overlooking the Xanthos River (modern Eşen Çayı), with its core urban area extending across approximately 30 hectares on the eastern bank. The site's topography is characterized by steep slopes and natural ravines that divide the settlement into distinct zones, including the older Lycian Acropolis to the east—fortified along its western side facing the river—and a Hellenistic-Roman Acropolis to the west, which was remodeled over time for defensive and civic purposes.^[3]^[2] The urban layout reflects a blend of Lycian, Hellenistic, and Roman influences, centered around key public spaces such as the Roman agora, positioned northeast of the Lycian Acropolis and overlooked by the theater to the north. The theater, constructed on Hellenistic foundations in the 2nd century BCE and later expanded under Roman rule, features a cavea with a seating capacity estimated at around 2,200 to 4,600 spectators, designed to accommodate performances while integrating with the hillside terrain. Adjacent to the agora lies a large pillared hall, measuring about 16 meters long and 10 meters wide, which may have functioned as a basilica or assembly space in the Roman period. Rock-cut tombs, carved directly into the rocky outcrops around the acropolises and necropolises, exemplify the city's integration of funerary architecture into its natural landscape, with examples dating from the 5th century BCE onward.^[2]^[4]^[5]^[3] Defensive structures from the Hellenistic period enclose much of the city, including robust walls that trace the contours of the acropolises and plateau edges for strategic protection. The southern gate, a key entry point, consists of a single deep corridor flanked by two towers built in Lesbian-style polygonal masonry, originally dating to the late Archaic or early Classical era but incorporated into the later Hellenistic fortifications; subsequent Roman modifications in the 1st century CE added an arched structure with a Doric frieze adorned with busts of deities such as Artemis, Apollo, and Leto.^[6]^[3]

Modern Location

The archaeological site of Xanthos is situated at coordinates 36°21′22″N 29°19′7″E in Antalya Province, Turkey, specifically within the Kaş district near the village of Kınık.^[1] The site lies on a hillside overlooking the surrounding plain, in close proximity to the Eşen Çayı, which represents the modern course of the ancient Xanthos River.^[1] Today, Xanthos functions as an open-air museum under the management of Turkey's Ministry of Culture and Tourism, affiliated with the Demre Museum Directorate, preserving its ancient structures for public access.^[7] Visitors can reach the site via the D400 coastal highway, which connects major tourist areas along the Mediterranean, with Kınık serving as the nearest settlement for local amenities.^[2] As of 2025, the entrance fee is 129 Turkish lira (approximately €3), free for holders of the Museum Pass Türkiye, and the site operates daily with seasonal hours: 08:00 to 19:00 from April 1 to October 31, and 08:30 to 17:30 during the winter months.^[8] Tourism peaks in spring and autumn to avoid summer heat, with the site's UNESCO World Heritage status (as part of Xanthos-Letoon since 1988) drawing international visitors for guided exploration.^[2]

History

Lycian Origins and Early Development

According to ancient Greek mythology, Xanthos was founded by the hero Bellerophon, who tamed the winged horse Pegasus and slew the Chimera in the Lycian plain before succeeding to the throne of the local king, thereby establishing the city's legendary origins as a heroic settlement.^[9] Archaeological evidence supports continuous occupation beginning in the late 8th century BCE, marked by the construction of the original Lycian acropolis on a hill south of the later theater, which served as the core of the early settlement with foundations of square buildings indicative of initial urban organization.^[10] Recent excavations suggest possible pre-Lycian layers dating back 400–500 years earlier, potentially to the 12th–13th century BCE, though materials are still under analysis to confirm this extension of the timeline.^[10] By the 6th century BCE, Xanthos had emerged as the principal city-state of Lycia, later serving as a key center in the formalized Lycian League of the early 2nd century BCE.^[2] As capital, it exerted control over Lycian trade networks, with excavations along the main colonnaded street uncovering shops containing balance weights, coins, ceramics, and oil storage jars that attest to commercial activities linking the fertile Xanthos valley to broader Mediterranean exchanges.^[10] This economic dominance supported cultural cohesion, as evidenced by the city's role in preserving Lycian traditions amid growing external influences, including the development of a distinct Indo-European language recorded in early inscriptions.^[2] The early societal structure of Xanthos reflected a warrior-oriented culture, characterized by defensive wooden fortifications on the acropolis that protected against regional threats and symbolized communal resilience.^[11] Initial rock-cut tombs and pillar monuments from the mid-6th century BCE, such as those imitating wooden architecture, indicate elite burial practices tied to dynastic rulers and possibly mass communal rites, underscoring a society that honored collective martial valor through elaborate funerary expressions.^[2] These structures highlight the Lycians' emphasis on heroic lineage and territorial defense, setting the stage for Xanthos's later resistance to foreign powers.^[11]

Persian Conquest and Resistance

The conquest of Xanthos by the Achaemenid Persians occurred around 540 BCE, led by the general Harpagus as part of Cyrus the Great's expansion into western Anatolia following the fall of Lydia. According to Herodotus, the Lycians mounted a fierce defense, initially engaging Harpagus's forces in the plain outside the city, but after being driven back and besieged, they demonstrated extraordinary resolve by gathering their wives, children, and possessions into the acropolis, setting it ablaze, and then launching a final sally in which most perished fighting. Only about eighty families, who had been absent tending flocks, survived to repopulate the city, underscoring the scale of Lycian resistance to Persian domination. Following the conquest, Xanthos was integrated into the Achaemenid administrative structure as part of the satrapy of Lycia, which encompassed the region and its key settlements.^[12] As subjects of the empire, the Lycians contributed significantly to imperial resources, paying an annual tribute of 400 silver talents jointly with neighboring Milyas and Pamphylia, a substantial levy that supported the vast Achaemenid economy. They also provided military contingents, including troops and fifty warships equipped with greaves, cuirasses, cornel-wood bows, and unfeathered arrows, which formed part of the Persian forces during Xerxes I's invasion of Greece in 480 BCE and participated in the broader campaign, including naval support around Thermopylae. In the aftermath of the destruction, Xanthos underwent significant rebuilding, transitioning from predominantly wooden constructions—characteristic of its earlier Lycian development—to more durable stone architecture that mimicked timber prototypes in form but ensured longevity under imperial oversight.^[13] This shift, evident in surviving monumental tombs and structures from the fifth century BCE onward, reflected both local adaptation and Persian influence on regional building practices, with no substantial pre-conquest remains attesting to the fire's devastation.^[13]

Hellenistic and Roman Eras

Following Alexander the Great's invasion of Asia Minor in 334 BCE, Xanthos, as the leading city of Lycia, submitted to Macedonian rule during the winter of 334/333 BCE. According to Arrian's account in the Anabasis of Alexander (1.24), the city surrendered peacefully alongside other Lycian centers like Pinara and Patara, allowing Alexander to secure the coastal region without significant resistance and incorporate Lycia into his empire.^[14]^[15] After Alexander's death in 323 BCE, Xanthos experienced shifting Hellenistic overlordships as his successors vied for control of Anatolia. The city initially fell under the Antigonids before passing to Ptolemaic Egypt, where it remained under Lagid influence throughout much of the third century BCE; it then transferred to Seleucid rule around 201 BCE following the Battle of Paneion. These brief periods of Ptolemaic and Seleucid dominance introduced Greek administrative and cultural elements, but control soon shifted to Rhodian hegemony in 189 BCE after the Roman victory at Magnesia, during which Xanthos became a key member of the newly formed Lycian League, a federation that restored local autonomy under external oversight.^[16]^[15] Roman involvement intensified during the civil wars, culminating in 42 BCE when Marcus Junius Brutus, seeking funds for his campaign against the Triumvirs, besieged Xanthos after the Lycian League refused tribute demands. The city resisted fiercely but was ultimately sacked and largely destroyed, with ancient historians like Appian reporting only about 150 survivors from a population that had sought refuge within its walls (Civil Wars 4.76-82). Reconstruction began under Marcus Antonius (Mark Antony) shortly thereafter, as part of his efforts to consolidate support in the East; by the late first century BCE, Xanthos had been rebuilt as a prosperous Roman provincial center.^[17]^[15] Under imperial Roman rule from 43 CE, when Lycia was annexed as a province, Xanthos flourished economically and architecturally, benefiting from imperial patronage that emphasized urban infrastructure. By the first century CE, the city featured advanced aqueducts channeling water from nearby mountain springs to support public facilities, alongside multiple bath complexes equipped with hypocaust heating systems and mosaic flooring, reflecting Roman engineering and hygiene standards that enhanced civic life. These developments positioned Xanthos as a vibrant hub within the province, integrating Lycian traditions with Roman provincial administration until the later imperial period.^[18]^[15]

Byzantine and Later Periods

During the Byzantine period, Xanthos transitioned into a prominent Christian center within the province of Lycia, maintaining its status as a bishopric from the 4th century CE onward, as evidenced by ecclesiastical records.^[16] The city experienced relative prosperity between the 4th and 6th centuries, marked by urban expansion that included the construction of new residences and religious structures on the acropolis and surrounding plain.^[19] This era saw the erection of several churches, including a richly decorated basilica on the upper acropolis, interpreted as the cathedral, and a mid-6th-century basilical church at the nearby Letoon sanctuary; at least one such structure involved the adaptation of an earlier Roman pagan basilica through the addition of an apse.^[19]^[16] However, Xanthos suffered significant setbacks from natural disasters and external threats. Major earthquakes in the 6th century severely damaged buildings across Lycia, including at Xanthos, prompting repairs but weakening the city's infrastructure.^[20] Compounding these issues, Arab raids in the 7th and 8th centuries led to widespread destruction, such as the burning of the acropolis basilica and the partial abandonment of the site by the late 7th century, though some trade activity persisted into the 8th century.^[19]^[21] The Letoon church was also destroyed around this time, reflecting the broader decline of Lycian coastal settlements under pressure from invasions.^[19] Limited reoccupation occurred in the 10th and 11th centuries, including a smaller-scale rebuilding of the acropolis basilica in the mid-11th century, but this was short-lived; the structure was destroyed following the Byzantine defeat at the Battle of Manzikert in 1071, after which Xanthos saw no significant revival.^[19] By the Ottoman period, the ancient city had long been deserted, reduced to a minor village nearby, though its ecclesiastical legacy endured as a titular see in the Catholic Church, formally recognized in the 20th century but rooted in its Byzantine bishopric history.^[22]^[23]

Archaeology

Excavation History

The archaeological exploration of Xanthos began in the 19th century with British traveler and archaeologist Sir Charles Fellows, who first visited the site in 1838 during his expedition through Lycia, identifying it as a significant ancient ruin.^[24] Fellows returned in 1840–1842 with official support from the British government and the British Museum, leading a team that systematically documented and removed major sculptural monuments from the acropolis to London, marking the earliest organized effort to excavate and preserve the site's artifacts.^[25] Systematic scientific excavations commenced in 1950 under the auspices of the French School at Athens, initiated by Pierre Demargne in collaboration with Henri Metzger and Pierre Coupel, who established the Archaeological Mission of Xanthos to conduct methodical digs across the ancient city.^[26] These efforts, published in the multi-volume Fouilles de Xanthos series starting in 1958, focused on key areas such as the acropolis and continued under Demargne's direction for over a decade, emphasizing stratigraphic analysis and conservation.^[27] From the 1960s onward, the excavations evolved into joint Franco-Turkish collaborations, involving teams from French institutions like the Université Bordeaux-Montaigne and Turkish authorities, which expanded the scope to include long-term site management and annual reporting.^[5] In the 2020s, full control transitioned to Turkish teams, with excavations resuming under the Ministry of Culture and Tourism's "Heritage for the Future" project; a new campaign led by Associate Professor Hasan Kasapoğlu of Atatürk University began in March 2025, prioritizing conservation alongside archaeological work.^[28]

Major Monuments and Artifacts

The major monuments and artifacts of Xanthos showcase the unique Lycian architectural and sculptural traditions, blending local, Greek, and Persian influences in funerary and public structures. Among the most prominent are the pillar tombs on the acropolis, which served as dynastic memorials for Lycian rulers. These include the Harpy Tomb, a marble pillar tomb dating to 470–460 BCE, featuring reliefs of winged female figures—initially interpreted as harpies but now identified as sirens carrying souls—depicting scenes of banqueting and offerings to a seated figure, possibly a ruler or deity. The tomb's sculptures, originally positioned at the top of a 5.7-meter pillar, were removed and are now housed in the British Museum.^[29] Another iconic structure is the Nereid Monument, constructed around 390–380 BCE as a temple-like tomb on a high podium for the Lycian ruler Erbinna (Arbinas). This elaborate edifice, resembling an Ionic Greek temple with freestanding female figures (nereids, or sea nymphs) between its columns, is adorned with friezes illustrating battles, processions, and mythological scenes that highlight the cultural synthesis of Lycian elite patronage. Measuring approximately 7 meters in height, it influenced later Hellenistic architecture, such as the Mausoleum at Halicarnassus, and its sculptures were transported to the British Museum following excavations in the 1840s.^[30]^[2] The Tomb of Payava, a barrel-vaulted limestone sarcophagus from 375–362 BCE, exemplifies Lycian sarcophagi with its detailed reliefs depicting banquet scenes, a Persian satrap with attendants, athletic contests, and battles involving cavalry. Inscribed with Lycian text identifying Payava as a local official under Persian rule, the tomb's gabled roof features lion heads, sphinxes, and friezes of hunts, underscoring themes of power and legacy. Its lid and main body were acquired by the British Museum in 1848.^[31]^[32] Public monuments include the Xanthian Obelisk, a monolithic pillar tomb from circa 400 BCE, standing about 4 meters high on a two-step base and originally topped by a funerary chamber and statue. This structure bears the longest known Lycian inscription (TL 44), alongside Milyan (Lycian B) and Greek texts on its faces, commemorating the dynast Kheriga's achievements and providing key insights into Lycian history; it remains in situ northeast of the Roman agora.^[3]^[33] The Roman theater, rebuilt in the 2nd century CE on Hellenistic foundations after an earthquake in 141 CE, accommodated an estimated 2,800 to 4,600 spectators and features a well-preserved two-story stage building (scaenae frons) with five doors to the orchestra, decorated with columns, niches, and masks for dramatic performances. Positioned west of the agora, its architecture reflects Roman imperial adaptations of Greek theatrical design.^[34]^[2] Many of Xanthos's sculptural artifacts, including those from the Harpy Tomb, Nereid Monument, and Payava Tomb, were excavated during Sir Charles Fellows' expeditions between 1838 and 1844, with Ottoman permission, and shipped to the British Museum in 1842, where originals are displayed alongside site replicas for preservation and study.^[35]

Recent Discoveries

In 2025, archaeological excavations at the ancient city of Xanthos in Antalya's Kaş district revealed significant evidence of ancient Mediterranean trade networks through the discovery of various artifacts. These included parts of scales, weights, coins, nails, metal objects, roof tile fragments, ceramics, and storage vessels used for oils, suggesting robust commercial activities in the region during antiquity.^[28] The digs, which commenced in March 2025 and are ongoing at both Xanthos and the nearby Letoon sanctuary, continue to yield insights into Lycian economic connections.^[10] A notable publication in 2025 detailed the prohedria—honorary marble seats—from Xanthos's theater area, originally documented during earlier seasons but analyzed in the context of modern artistic reinterpretations. These seats, reserved for dignitaries, highlight the site's Hellenistic and Roman performative culture.^[21] Ongoing surface surveys associated with the 2025 excavations have also identified scatters of Hellenistic pottery, contributing to understandings of settlement patterns and material exchange in the Xanthos Valley.^[28] Since 2020, conservation initiatives at Xanthos have incorporated digital mapping technologies to enhance site documentation and preservation, alongside assessments for structural vulnerabilities, including those from regional seismic events. These efforts support restoration projects aimed at protecting key monuments like the theater and tombs from environmental degradation.^[2]

Cultural and Religious Significance

Inscriptions and Lycian Language

The epigraphic corpus from Xanthos provides crucial evidence for the Lycian language, an extinct Anatolian tongue closely related to Luwian within the Indo-European family.^[36] Inscriptions in Lycian appear primarily on stone monuments, tombs, and public structures, with Xanthos yielding at least 23 identified examples dating from the 5th to 4th centuries BCE.^[37] These texts, written in a dedicated Lycian alphabet derived from Greek with Anatolian influences, have been essential for the language's decipherment since the 19th century, alongside bilingual parallels that allow cross-verification with Greek.^[36] Among the most significant artifacts is the Xanthian Obelisk, a monumental pillar erected in the late 5th century BCE on the acropolis, featuring trilingual inscriptions in Lycian A (standard Lycian), Milyan (a rare dialect variant also called Lycian B, attested in only three known texts), and Greek.^[38] The Greek epigram, comprising 12 lines, praises the dynast Kerei (son of Harpagus) as a wrestler, town conqueror, and warrior, while the longer Lycian and Milyan sections—exceeding 250 lines—narrate dynastic achievements and historical events in a poetic style.^[38] This stele, now in the Istanbul Archaeological Museum, exemplifies bilingual and trilingual formats that highlight Lycian's interactions with Greek under Persian influence, aiding linguistic analysis despite incomplete translations of the non-Greek portions.^[38] Other notable Xanthos stelae include bilingual Lycian-Greek texts, such as those on tomb facades and public pillars, which reveal royal genealogies tracing Lycian rulers back several generations and document treaties or alliances amid regional conflicts.^[36] Religious dedications in these inscriptions invoke local deities like Artemis and Apollo, underscoring Lycian cultural practices distinct from dominant Greek or Persian elements, such as unique funerary rituals and sovereignty claims.^[39] The Milyan dialect's presence on the Obelisk suggests an archaic poetic tradition preserved in Xanthos, potentially representing an older stratum of Anatolian speech.^[38] Overall, Xanthos's inscriptions illuminate Lycian identity as a blend of indigenous Anatolian roots and external Hellenistic pressures.^[36]

Relation to Letoon Sanctuary

The Letoon sanctuary, located approximately 4 kilometers south of Xanthos, served as the primary religious center for the city and the broader Lycian League, connected by a sacred processional road that facilitated pilgrimages and rituals.^[2]^[40] This road, along which Lycians traveled to worship, underscored Letoon's role as a federal sanctuary where political and religious decrees were proclaimed, complementing Xanthos's function as the administrative capital.^[40]^[5] The sanctuary features a triple temple complex dedicated to Leto, Artemis, and Apollo, constructed primarily in the late 5th to 4th centuries BCE during the reign of the Xanthian dynast Arbinas.^[41] The temples, built on podiums with Lycian architectural elements blending local and Greek influences, surround a sacred spring believed to be the site where Leto gave birth to her twins while fleeing Hera's wrath.^[2]^[41] A notable addition is the Nymphaeum, erected in the 2nd century CE under Emperor Hadrian, which channeled the spring's waters and enhanced the site's ritual importance.^[2] Letoon's myths are intertwined with Xanthos's regional lore, particularly the legend of Leto in Lycia, where the goddess, pursued by Hera, sought refuge near the Xanthus River; local peasants denied her water, leading to their transformation into frogs, a tale symbolizing the land's sacred ties to the divine family.^[42] (Ovid, Metamorphoses 6.317–381) This narrative links Letoon directly to the founding ethos of Xanthos, named after the river, emphasizing themes of hospitality and divine protection in Lycian identity.^[42] The sites' shared significance is evident in artifacts like the trilingual stele discovered near the Apollo temple in 1973, inscribed in Lycian, Greek, and Aramaic from 337 BCE, which records a cultic treaty under the Carian satrap Pixodaros and illustrates Lycian religious syncretism and diplomatic practices.^[2]^[41] As complementary elements—Xanthos as the civic hub and Letoon as its spiritual counterpart—the pair exemplifies Lycian religious architecture and communal rituals, designated together as a UNESCO World Heritage site in 1988 for their outstanding universal value.^[2]

World Heritage Status

The Xanthos-Letoon archaeological sites were inscribed on the UNESCO World Heritage List in 1988 under criteria (ii) and (iii).^[2] Criterion (ii) acknowledges the property's outstanding universal value as an important interchange of human values, particularly in the development of architecture, monumental arts, and town-planning that influenced surrounding regions, such as the Mausoleum at Halicarnassus.^[2] Criterion (iii) recognizes it as bearing a unique testimony to the ancient Lycian civilization, which has largely disappeared, through its distinctive funerary monuments, inscriptions, and architectural forms.^[2] The inscribed property encompasses the ancient cities of Xanthos and Letoon, covering a core area of 126.4 hectares and a buffer zone of 63.4 hectares across Antalya and Muğla provinces.^[43] Management of the site is overseen by Turkey's Ministry of Culture and Tourism, which has designated it as a first-degree archaeological site under national conservation legislation.^[2] Conservation plans were approved for Xanthos in 2001 and for Letoon in 2006, addressing structural preservation and environmental controls.^[2] As of the latest UNESCO assessments, key ongoing challenges include seasonal groundwater rise causing erosion at Letoon, visual pollution from nearby agricultural activities like greenhouses, and the paved road traversing Xanthos, which threatens site integrity; illicit excavations pose a continued risk.^[2]^[44] Mitigation efforts have included the construction of water drainage channels at Letoon in 2006 and plans to close a paved road traversing Xanthos to reduce vehicular damage.^[2] The site's global importance lies in its representation of Lycian civilization's unique contributions to architecture, funerary art, and the Lycian language, serving as a bridge between Anatolian, Greek, Persian, and Mediterranean cultural traditions.^[2] As one of the most complete extant examples of Lycian urban and religious centers, it provides invaluable insights into a civilization that blended indigenous Anatolian elements with Hellenistic influences, underscoring its role in understanding ancient intercultural exchanges.^[2] As of 2025, ongoing excavations at Xanthos have uncovered artifacts like balance weights and coins, providing further insights into Lycian trade and cultural exchanges, while epigraphic missions continue to study inscriptions.^[10] Ongoing preservation initiatives emphasize sustainable visitor management and landscape protection to safeguard this testimony for future generations.^[45]

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[36]
Lycian (5th-1st cent. B.C.) - Mnamon
Another important finding is the obelisk of Xanthos written in Lycian (both A and B) and Greek (TAM E 44). The inscription contains a long description of ...
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Lycian Inscriptions of Xanthos
The Lycian inscriptions of Xanthos include those on tombs, rock walls, and pot shards, some possibly containing personal names.<|control11|><|separator|>
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Xanthus, Pillar of Kherei - Livius.org
Aug 18, 2020 · It contains several inscriptions in Greek, Lycian, and a language known as Milyan (which is known from only one other inscription, found in ...<|control11|><|separator|>
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(PDF) Between Amorges and Tissaphernes: Lycia and Persia in the ...
The Xanthos stele, a multilingual Lycian dynastic monument of the late 5th century BCE, testifies to the importance of diplomatic interaction between ...
[40]
Letoon | Turkish Archaeological News
Mar 28, 2016 · The ancient site of Letoon lies 4 km south of Xanthos and was the leading Lycian religious center. The principal deities of ancient Lycia ...
[41]
Letoon - Lycian Monuments
Based on the numerous inscriptions found in the area, it is thought that these temples were built at the end of the 5th century BCE, during the reign of Xanthos ...Missing: date road
[42]
LETO - Greek Titan Goddess of Motherhood & Demureness (Roman ...
Leto was one of the Titanides (female Titans), a bride of Zeus, and the mother of the twin gods Apollon and Artemis. She was the goddess of motherhood.<|control11|><|separator|>
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Xanthos-Letoon - Maps - UNESCO World Heritage Centre
Buffer Zone. 484-001, Xanthos, Türkiye, N36 21 22.20. E29 19 6.90, 112 ha, 34.4 ha. 484-002, Xanthos bis [outlier], Türkiye, N36 21 20.01. E29 18 54.23, 0.4 ha.
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State of Conservation (SOC 1994) Xanthos-Letoon (Türkiye)
The Xanthos site includes an archaeological area approximately covering the ancient city. This area is crossed by a well-travelled earthen road.
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Xanthos-Letoon - UNESCO World Heritage Centre
... Letoon, forms a whole which was inscribed on the World Heritage List in 1988 under criteria (ii) and (iii). At the time, ICOMOS had underlined in its ...