Yaara
Yaara is a 2020 Indian Hindi-language crime action drama film written and directed by Tigmanshu Dhulia, serving as an official remake of the 2011 French film A Gang Story (also known as Les Lyonnais).[1][2] The film stars Vidyut Jammwal as Phagun, Amit Sadh as Mitwa, Vijay Varma as Rizwan, Kenny Basumatary as Bahadur, and Shruti Haasan as Sukanya, portraying members of the "Chaukdi Gang," a group of lifelong friends entangled in a world of crime including drug smuggling and heists.[3][4] Produced by Azure Entertainment and Tigmanshu Dhulia Films, Yaara explores themes of unbreakable friendship, loyalty, betrayal, and the consequences of a criminal past, spanning several decades from the 1970s to the present.[3][1] Originally slated for a theatrical release, the film premiered directly on the streaming platform ZEE5 on July 30, 2020 (running time: 130 minutes), due to the COVID-19 pandemic, marking it as a ZEE5 Original.[2][5] The narrative centers on the gang's reunion after years of separation following imprisonment, as they navigate personal redemption and face new challenges to aid a comrade in distress, all while grappling with the shadows of their shared history.[4][1] Featuring intense action sequences and emotional depth, Yaara received mixed reviews for its performances—particularly Jammwal's commanding presence and Sadh's nuanced portrayal—but was critiqued for pacing issues and deviations from the source material.[2][4]Background and production
Development
The development of Yaara began in 2014 when director Tigmanshu Dhulia announced the project as an official Hindi remake of the 2011 French crime drama A Gang Story (also known as Les Lyonnais), directed by Olivier Marchal.[6][7] Dhulia drew inspiration from the original film's exploration of deep-seated friendship and betrayal within a criminal gang, reimagining these themes in an Indian setting that spans from the 1950s to the 2010s, focusing on smuggling operations along the Indo-Nepal border in Uttarakhand and northern India, with characters originating from Rajasthan.[8][9] During the scriptwriting process, Dhulia reworked the narrative to infuse Hindi cinema sensibilities, incorporating high-stakes action sequences suited to the protagonists' physicality and amplifying the emotional layers of gang loyalty and interpersonal conflicts to resonate with Indian audiences.[10] The story structure emphasized the evolution of the central characters' bonds over decades, blending crime thriller elements with poignant relational drama while maintaining the core of the French source material.[8] Initial casting considerations reflected the film's dual-timeline needs, with Dhulia originally envisioning Irrfan Khan and Manoj Bajpayee portraying the older versions of the lead characters alongside younger actors Vidyut Jammwal and Amit Sadh; however, Bajpayee opted out early, followed by Khan's withdrawal from the project, leading to adjustments in the ensemble.[11][12] The project was co-produced by Azure Entertainment's Sunir Kheterpal and Tigmanshu Dhulia Films, providing the backing for its ambitious scope.[13] Pre-production unfolded over several months in 2014, with Dhulia conducting location scouting in Rajasthan as early as May to capture the authentic desert terrain and border ambiance essential to the smuggling narrative, ultimately selecting Jaisalmer for its evocative historical and geographical fit.[14] This phase solidified the film's visual and cultural grounding before principal photography commenced later that year.[6]Filming
Principal photography for Yaara began in 2014, with a key schedule in Bhopal, Madhya Pradesh, in October, where director Tigmanshu Dhulia, along with lead actors Vidyut Jammwal and Shruti Haasan, shot key portions over a 20-day schedule.[15] Subsequent sequences were filmed in November 2014 in Jaisalmer, Rajasthan, to capture the arid landscapes essential for the film's smuggling and period-specific scenes.[14] The production utilized real locations in the Thar Desert region for sequences depicting the 1950s and 1990s timelines, while additional sets were constructed in other sites for interior scenes involving gang activities and heists.[16] Further schedules took place in Mumbai, Pune, Uttarakhand, and Delhi, with shooting extending over multiple phases due to logistical hurdles and wrapping by June 2015. Although principal photography wrapped in 2015, post-production extended into 2016, and the film faced several delays before its eventual digital release.[17][18][8] The COVID-19 pandemic significantly impacted the film's rollout, halting final preparations and prompting a shift from a planned theatrical release to a direct-to-digital premiere on Zee5 in July 2020.[19] Cinematographer Rishi Punjabi employed techniques to emphasize gritty realism and period authenticity, using natural lighting in desert exteriors to enhance the film's raw, temporal shifts across decades.[20] Editor Geeta Singh managed the post-production process, integrating dynamic action choreography—such as gang confrontations and heist sequences—with the dramatic character arcs through precise pacing and seamless transitions, supported by minimal visual effects for authenticity.[20][21]Plot and cast
Synopsis
Yaara is a crime drama that chronicles the lives of a group of childhood friends who form a smuggling gang known as the Chaukdi Gang in the arid landscapes of Jaisalmer, spanning from the 1950s to the 1990s.[22] The narrative traces their evolution from youthful camaraderie into a notorious outfit involved in cross-border operations, highlighting the bonds that both unite and strain them over decades of illicit activities.[23] Through a non-linear structure employing flashbacks, the film builds emotional depth by interweaving past and present, revealing how early decisions ripple into later turmoil.[24] Key events revolve around the gang's formation in the mid-20th century, marked by bold ventures in smuggling and gun-running for Naxalite rebels that test their unity, expose vulnerabilities, and spark internal conflicts leading to arrests.[23][25] As tensions escalate, betrayals emerge and lead to arrests, fracturing the group and forcing individual reckonings with their criminal pasts.[22] The story progresses to a pivotal 1997 reunion, where the surviving members converge to rescue a captured comrade, reigniting old loyalties amid mounting dangers.[24] Thematically, Yaara emphasizes the enduring pull of friendship against the inexorable consequences of a life in crime, culminating in revelations that precipitate the gang's dissolution and underscore the fragility of trust.[23] This progression from ascent to downfall serves as a cautionary exploration of loyalty's limits, with the non-linear timeline enhancing the sense of inevitability in their fates.[22]Cast and characters
Vidyut Jammwal leads the ensemble as Phagun (also known as Param), the steadfast leader of the Chaukdi Gang, an orphan who ascends in the criminal underworld through smuggling and arms trafficking before serving a prison sentence and transitioning to a legitimate businessman focused on family stability.[9][26] Amit Sadh portrays Mitwa, Phagun's childhood companion and co-founder of the gang, sharing an orphaned upbringing that forges their deep bond; however, Mitwa's post-prison disappearance and eventual return introduce conflict and elements of betrayal, testing the limits of their loyalty.[26][27] Shruti Haasan plays Sukanya, Phagun's devoted wife and an integral emotional support, who becomes entangled in the gang's operations including gun-running for rebels, leading to her own incarceration and highlighting her role as a grounding force amid the turmoil.[28][26] Vijay Varma embodies Rizwan, a suave and flirtatious member of the core quartet, whose involvement in the gang's exploits evolves into a post-prison pursuit of legitimate business, reflecting the group's shifting aspirations from crime to reform.[29][26][30] In a supporting antagonistic role, Ankur Vikal appears as Fakira (also referred to as Durrani), the rival gang figure whose opposition creates tension and underscores the external threats to the protagonists' fragile alliances.[20][29][31] Kenny Basumatary rounds out the primary gang as Bahadur, the Nepalese recruit whose presence adds cultural diversity and lighter moments to the ensemble, though his backstory remains underdeveloped compared to his comrades.[20][26][32] Throughout the narrative, the characters transition from youthful smugglers united by unbreakable friendship and shared hardships to fractured individuals grappling with redemption, downfall, or doom, illuminating the enduring yet strained dynamics of their brotherhood.[26][27][33]Music
Soundtrack
The soundtrack for Yaara was released digitally on 20 July 2020 by T-Series, comprising five tracks with a total runtime of 22:02 minutes. The music was composed by Gourov-Roshin, Shaan, Ankit Tiwari, and Siddharth Pandit, with lyrics penned by Prashant Ingole, Manoj Muntashir, Sunil Sirvaiya, and REV Shergill.[34] Recorded between 2015 and 2016, the album integrates vocal tracks that underscore the film's central themes of enduring friendship and loyalty through montage sequences highlighting emotional and action-driven moments.[35] Key songs include "Har Dafaa," a romantic ballad composed by Gourov-Roshin and Shaan, featuring singers Shaan and Shruti Rane, which runs for 3:42 minutes and captures the recurring essence of deep bonds akin to first-time encounters.[34] "Bhedi," a high-energy action-oriented track composed and sung by Ankit Tiwari alongside Aishwarya Majumdar, lasts 4:35 minutes and amplifies the film's intense sequences with its pulsating rhythm and lyrics by Manoj Muntashir.[36] Other notable tracks are "Khudkhushi" (4:57 minutes), a introspective piece sung and written by REV Shergill with music by Siddharth Pandit, exploring themes of self-reflection; "Beparvah" (4:12 minutes), featuring REV Shergill and Bhaskar Bharadwaj Bhuyan on vocals with Siddharth Pandit's composition and REV Shergill's lyrics, evoking carefree camaraderie; and "Bikhar Gaya" (4:36 minutes), another REV Shergill-led track composed by Siddharth Pandit, delving into fragmentation and resilience in relationships.| Track No. | Title | Singers | Composer(s) | Lyricist(s) | Duration |
|---|---|---|---|---|---|
| 1 | Har Dafaa | Shaan, Shruti Rane | Gourov-Roshin, Shaan | Prashant Ingole, Sunil Sirvaiya | 3:42 |
| 2 | Bhedi | Ankit Tiwari, Aishwarya Majumdar | Ankit Tiwari | Manoj Muntashir | 4:35 |
| 3 | Khudkhushi | REV Shergill | Siddharth Pandit | REV Shergill | 4:57 |
| 4 | Beparvah | REV Shergill, Bhaskar Bharadwaj Bhuyan | Siddharth Pandit | REV Shergill | 4:12 |
| 5 | Bikhar Gaya | REV Shergill | Siddharth Pandit | REV Shergill | 4:36 |