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Zeher

Zeher (transl. ) is a 2005 Indian Hindi-language mystery thriller film directed by in his directorial debut and produced by under the banner. The film stars as police officer Siddharth Mehra, as his wife and fellow officer , and as his lover Mathur. It centers on Siddharth's extramarital affair with Anna, the abused wife of a , which spirals into chaos when she dies in a fire, making Siddharth the in a case investigated by Sonia. Released theatrically on 25 March 2005, Zeher is a of the 2003 American film Out of Time starring . The screenplay, written by Mahesh Bhatt, draws from the original film's tense narrative of embezzlement, infidelity, and deception, adapted to a Goa setting with Bollywood sensibilities. The film's soundtrack, featuring compositions by Anu Malik and Mithoon Sharma, became one of its highlights, with the song "Woh Lamhe" sung by Atif Aslam gaining widespread popularity and critical acclaim for its emotional depth. Upon release, Zeher received mixed reviews, praised for its suspenseful plot and performances by Hashmi and but criticized for predictable twists and loose pacing, earning a 5.6/10 rating on from over 2,500 users. Commercially, it performed moderately at the , collecting approximately ₹7.34 nett in against a budget of ₹5 , qualifying as an average grosser. The film marked an early success for Suri and contributed to Hashmi's rising stardom in the mid-2000s through his string of roles.

Background

Development

The story for Zeher was originally conceived and written by , who served as the screenwriter for the project. The film is an of the 2003 American thriller Out of Time, directed by , retaining core plot elements such as a mistaken identity crisis and an elaborate scam while relocating the action to a coastal setting to suit Indian sensibilities. In 2024, actor claimed that stole the idea for Zeher after Tijori pitched an of Out of Time to , with Suri present; Tijori alleged no credit was given. Zeher marked the directorial debut of , a newcomer from the Bhatt family, and was produced by and his brother under their established banner . The script was developed and finalized in late 2004, paving the way for production to begin in early 2005 ahead of its March release. With a total budget of ₹5 , the planning prioritized the film's suspenseful framework and its musical components, including a soundtrack composed by Mithoon Sharma, Roop Kumar Rathod, and , to enhance emotional depth.

Casting

Emraan Hashmi was cast in the lead role of Siddharth Mehra, selected for his rising popularity in the thriller genre following the commercial success of Murder (2004). portrayed Sonia Mehra, marking her return to feature films after a brief hiatus from major projects since her debut in (2000), with her casting emphasizing her capacity to convey emotional complexity in intense narratives. took on the role of Anna Verghese, representing her transition from a successful modeling career to one of her first prominent acting roles in a seductive thriller setup. In supporting roles, Sameer Kochhar played Inspector Rajeev Mathur, Amria appeared as Meera, and featured in a key part, contributing to the ensemble's dynamic. The casting process involved auditions held in and chemistry tests between Hashmi and to ensure on-screen compatibility.

Narrative

Plot summary

The story is set in , where Siddharth Mehra serves as the chief of police while navigating a strained marriage with his wife, , who has initiated proceedings. Despite the marital discord, Siddharth begins an extramarital affair with Varghese, a owner diagnosed with terminal cancer. Desperate to cover her escalating medical expenses, Siddharth impulsively steals ₹25 seized during a recent bust and hands it over to Anna. Soon after, a engulfs Anna's , leaving her presumed dead amid the wreckage, with forensic and the missing funds directly implicating Siddharth in and . As internal affairs launches an —with Sonia, now his estranged wife and a fellow , leading the probe—Siddharth faces mounting pressure to prove his innocence while concealing his . The narrative unravels with revelations that Anna orchestrated the to fake her death and claim a substantial payout, having exploited Siddharth's affections from the start. In a climactic confrontation, Sonia intervenes and shoots Anna, enabling Siddharth to retrieve the pilfered . Siddharth ultimately exonerates himself, returns the funds, and reconciles with Sonia, restoring their relationship.

Themes and style

Zeher explores the consequences of as a central theme, portraying how an extramarital unravels the life of its , a entangled in and . The film delves into moral ambiguity within , highlighting the ethical dilemmas faced by Siddharth, who compromises his integrity to his involvement, blurring the lines between duty and personal failings. emerges through the pursuit of truth, as characters confront their secrets, ultimately seeking and justice amid escalating tension. These themes underscore the destructive "poison" of hidden desires, drawing from the narrative's core conflicts to examine relational fragility. Stylistically, Zeher incorporates influences, evident in its moody atmosphere and pacing, which build psychological tension rather than relying on . Mohit Suri's directorial debut emphasizes emotional intimacy within the framework, using a gripping to weave personal drama with mystery elements, resulting in a slick, stylized execution that balances intensity and . The 's 132-minute runtime is structured to gradually escalate , culminating in key twists that heighten the stakes. This approach marks Suri's early style of blending romantic undertones with tropes, creating an engaging yet predictable narrative flow. Visually, the film employs Goa's idyllic beaches and vibrant landscapes as motifs contrasting the characters' dark secrets, symbolizing the hidden dangers lurking beneath seemingly perfect relationships. This genre blend of mystery-thriller and romantic drama amplifies the thematic depth, focusing on internal conflicts and deceit to drive the story forward without overt action sequences. The neo-noir aesthetic, including shadowy lighting and deliberate pacing, enhances the sense of impending doom, reinforcing the film's exploration of moral and emotional peril.

Production

Principal photography

Principal photography for Zeher commenced in early 2005 and wrapped prior to the film's March release, allowing for a swift production timeline on a modest budget. The majority of the exterior scenes were filmed in to evoke the story's sultry, coastal atmosphere, with beaches and clubs in North providing the backdrop for intimate and scenes depicting the central affair, while interior shots, including dialogues and domestic settings, were captured in studios to facilitate controlled environments. Fuwad employed natural lighting to highlight 's vibrant yet ominous ambiance, enhancing the thriller's mood of underlying tension. Despite potential logistical hurdles from the region's weather patterns, the shoot concluded on schedule without major delays. Editor contributed to the production by preparing preliminary cuts of action sequences during filming, enabling efficient integration of quick-paced edits that amplified the film's suspenseful rhythm.

Post-production

The editing of Zeher was handled by , who assembled the final 132-minute cut of the film. The process emphasized non-linear flashbacks to build suspense and maintain narrative tension throughout . The film was awarded a U/A rating by the owing to its portrayal of mature themes, including romance, , and .

Release

Theatrical distribution

Zeher was theatrically released in on 25 March 2005, distributed by across 275 screens nationwide. The film's marketing campaign featured trailers that emphasized its elements and leveraged the rising star power of to attract audiences, with promotions closely tied to the launch on 25 February 2005. Internationally, Zeher received limited releases in markets including the (April 25, 2005) and other regions, distributed by NH Studioz. For home media, the DVD edition was issued in 2006, while as of November 2025, the film is accessible via streaming on platforms including in select regions.

Box office performance

Zeher earned a nett collection of ₹7.34 in , translating to a gross of ₹10.19 domestically. Overseas, the film grossed ₹0.53 , leading to a worldwide total of ₹10.72 according to , though reports a slightly higher worldwide gross of ₹11.06 . Alternate estimates place the worldwide figure closer to ₹10.69 . The film opened with a worldwide weekend collection of ₹3.14 and accumulated ₹5.22 in its first week globally. Produced on a of ₹5 , Zeher achieved a return of approximately 114-121% on its investment based on worldwide gross earnings. Box Office India classified the film as an "Average" performer, while some analyses describe it as a semi-hit. The film's commercial performance received a boost from robust soundtrack sales, which ranked fourth among Bollywood albums that year, alongside the rising popularity of lead actor .

Music

Soundtrack development

The soundtrack for Zeher was primarily composed by , who handled the majority of the tracks to blend melodic romanticism with the film's tense thriller atmosphere, while additional compositions came from , Roop Kumar Rathod, Jal (the Pakistani band), and Naresh . The lyrics were penned by and , whose words emphasized emotional depth to complement the narrative's themes of and . Recording sessions occurred throughout 2004 in studios, with creating an initial demo of his track "Woh Lamhe Woh Baatein" in just two days using his bedroom setup before refining it professionally with the production team. A pivotal decision in the soundtrack's development was the adaptation of the Pakistani band Jal's existing song "Woh Lamhe" for the film, which reworked under the guidance of producer ; this marked 19-year-old singer Atif Aslam's debut as a playback artist, selected for his raw emotional delivery that suited the thriller's intensity. The opportunity arose when Bhatt approached Naresh ('s father and a veteran composer) for the project, but recommended his son, leading to swift approval after the demo presentation to director and the team. Quadri and Azmi's lyrics for tracks like "Woh Lamhe Woh Baatein" were rewritten from the original to better align with the film's context, ensuring a seamless fusion of cross-border musical influences. The album comprises eight tracks and was released on 25 February 2005 by T-Series, ahead of the film's theatrical premiere. Composers and lyricists focused on syncing the songs with key emotional beats in the plot, such as using "Agar Tum Mil Jao" (composed by ) to underscore scenes of illicit romance and longing between the protagonists. This integration was achieved during sound mixing, where musical cues were precisely timed to heighten the thriller's suspenseful undertones without overpowering the romantic core.

Track listing and commercial success

The soundtrack of Zeher consists of eight tracks, blending romantic ballads, remixes, and instrumental pieces composed by , , Roop Kumar Rathod, Jal, and Naresh Sharma.
No.TitleSinger(s)Length
1"Agar Tum Mil Jao (Female)"4:47
2"Woh Lamhe Woh Baatein"5:04
3"Right Here Right Now"Jal3:53
4"Ye Dooriyan"Roop Kumar Rathod5:23
5"Dheere Dheere", 5:16
6"Jaane Ja Jaane Ja", 5:12
7"Aye Bekhabar"5:56
8"Woh Lamhe Woh Baatein (Remix)"3:56
The album achieved significant commercial success, selling approximately 1.8 million units and ranking as the fourth highest-selling Bollywood soundtrack of 2005. The "Woh Lamhe Woh Baatein", featuring Atif Aslam's vocals, topped music charts for several weeks and became one of the year's most popular tracks, contributing substantially to the album's overall performance. The played a key role in promoting the film, with music videos showcasing the cast, including and , which helped drive radio airplay and video views ahead of the theatrical release. Its blend of melodic compositions and crossover appeal, particularly through Pakistani artists like and Jal, enhanced its market impact in both and overseas markets.

Reception

Critical response

Upon its release, Zeher garnered mixed reviews from critics, with praise for its suspenseful elements and performances tempered by criticisms of its pacing and originality as a remake of the 2003 Hollywood film Out of Time. On , the film holds a 50% Tomatometer score based on four reviews. As of November 2025, it has a user rating of 5.6 out of 10 on , derived from 2,509 votes. Positive responses highlighted the film's mature approach to themes of and , as well as its engaging aspects. Jaspreet Pandohar of awarded it three out of five stars, commending the "mature handling of sexual themes" without resorting to Bollywood clichés, the suspenseful blend of mystery and relationship drama, and Mohit Suri's promising directorial debut with believable performances from and . Critics also pointed to shortcomings in the screenplay and structure. of described Zeher as "barely watchable," faulting its slow pace in the first half, predictable twists, and weak screenplay that failed to elevate the narrative beyond routine intrigue, though she noted it picked up post-interval as decent timepass. Other reviews offered balanced takes. of IndiaFM (now ) rated it 2.5 out of five stars. Overall, the critical consensus positioned Zeher as a decent mass-appeal bolstered by Anu Malik's memorable music, particularly tracks like "Agar Tum Mil Jao," but hindered by its overt remake familiarity and uneven execution. In 2025, marking the film's 20th anniversary, director reflected on its production and impact in several interviews, including discussions on how "" reshaped music trends in Bollywood.

Awards and nominations

At the held in 2006, Zeher received two nominations in the music categories: was nominated for Best Male Playback Singer for the song "", marking his debut recognition in Bollywood, while was nominated for Best Female Playback Singer for "Agar Tum Mil Jao". Neither nomination resulted in a win. The film also earned a nomination at the 7th International Indian Film Academy (IIFA) Awards in 2006 for Best Male Playback Singer, again for 's performance on "". No wins were recorded for Zeher at the IIFA ceremony. The soundtrack's recognitions were primarily in playback singing categories, with no major awards or nominations for , , or overall achievements. These early accolades for , particularly Aslam's nomination, played a key role in his in the Indian film industry, establishing him as a prominent following his debut with the film.

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