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40 Days and Nights

40 Days and Nights is a directed by Peter Geiger and produced by , a company specializing in low-budget mockbusters. The story centers on a catastrophic tectonic shift that causes sea levels to rise rapidly by thousands of feet, threatening to submerge the entire planet. Starring Monica Keena as Tessa, a dedicated microbiologist, and Alex Carter as John, a military contractor, the film depicts efforts to save humanity and biodiversity by constructing an ark and collecting DNA samples from endangered species. The screenplay, written by H. Perry Horton, draws inspiration from apocalyptic flood narratives, emphasizing themes of survival and environmental catastrophe. Produced by Paul Bales and David Michael Latt, it features a runtime of 90 minutes and was released directly to home video in the United States on November 27, 2012. Filmed primarily in Los Angeles, California, 40 Days and Nights exemplifies The Asylum's approach to rapid production of films that parallel major studio releases, in this case echoing the global disaster premise of the 2009 film 2012. The supporting cast includes Christianna Carmine as Lynn, Emily Sandifer as Maddie, and Mitch Lerner as Freeman, portraying a mix of scientists, military personnel, and civilians navigating the escalating crisis. While the film focuses on high-stakes action sequences involving flooding and evacuations, it also highlights the urgency of preserving genetic diversity amid irreversible planetary changes.

Overview

Background and Inspiration

40 Days and Nights was produced by , an American film studio founded in 1997 by David Latt and David Rimawi, renowned for creating low-budget "mockbusters" that mimic the titles and themes of major releases to capitalize on their publicity. The company specializes in genre films, often released around the same time as big-budget counterparts to attract budget-conscious viewers seeking similar entertainment. The film draws direct inspiration from Roland Emmerich's 2009 disaster epic , serving as a loose adaptation that shifts the focus to a global flood caused by tectonic activity rather than the Mayan calendar apocalypse. This mockbuster approach allowed to explore similar themes of worldwide catastrophe and human survival on a fraction of the budget, years after the original's release. Additionally, the title and narrative allude to the biblical story of Noah's Ark in the Book of Genesis, where rain falls for 40 days and nights, flooding the Earth as divine judgment; the film reimagines this ancient flood mythology as a scientifically triggered modern doomsday, blending religious motif with contemporary disaster tropes. Directed by Peter Geiger, who has a background in independent genre filmmaking, including the 1998 sci-fi thriller The Advanced Guard and second-unit direction on action films like Die Hard 2, the project reflects his experience in crafting high-stakes, effects-driven sequences on limited resources. Geiger's approach to the genre prioritizes visceral spectacle, such as sweeping shots of inundated landscapes, to evoke the scale of environmental peril despite budgetary constraints. The was written by H. Perry Horton, a prolific known for Asylum productions like , who incorporates scientific elements—such as a preserving DNA—and responses, including the of a massive to preserve select human survivors, to ground the apocalyptic in pseudo-realistic . Horton's script development highlights the tension between human ingenuity and overwhelming natural forces, drawing on conventions to build through institutional protocols amid chaos.

40 Days and Nights is a that centers on a catastrophic global event triggered by a massive tectonic shift, which causes rapid and unprecedented threatening all life on . In response, a dedicated microbiologist embarks on a urgent mission to collect DNA samples from diverse species to preserve biodiversity for potential future restoration, while the military races to construct a massive ark designed to shelter a limited number of human survivors. This core premise draws loose inspiration from the biblical story of Noah's Ark, reimagined through a modern lens of scientific and technological intervention. The narrative highlights a central between the scientific endeavor to safeguard the planet's genetic heritage and the military's pragmatic focus on prioritizing human survival amid dwindling resources and escalating chaos. This tension underscores themes of environmental catastrophe, portraying the disaster as a wake-up call to the fragility of ecosystems, while exploring through advanced that echoes ancient tales of divine salvation. The film, with a runtime of approximately 90 minutes, blends high-stakes action with speculative elements to examine humanity's role in averting total extinction.

Production

Development

The screenplay for 40 Days and Nights was written by H. Perry Horton, crafted to fit The Asylum's strategy by loosely adapting the biblical narrative into a modern disaster scenario ahead of Paramount's film. The project was conceptualized in 2011, with production greenlit in early 2012 to capitalize on rising interest in apocalyptic and trends, allowing for a rapid turnaround to align with major studio releases. Budget constraints, characteristic of The Asylum's operations and typically under $1 million per film, shaped the project's emphasis on practical effects and minimal CGI to maintain cost efficiency while delivering visual spectacle for direct-to-video distribution. A pivotal production decision involved incorporating a sci-fi element of DNA preservation—where protagonists collect genetic samples of species in test tubes as a contemporary twist on the Ark story—to blend biblical inspiration with speculative fiction, enhancing the film's appeal to genre audiences. Producers Paul Bales and David Michael Latt played key roles in refining the script, ensuring it prioritized fast-paced action, archetypal characters, and exploitable hooks like global flooding to suit the market and drive rental profits through timely release timing.

Filming

Principal photography for 40 Days and Nights occurred in , , USA, where production utilized urban locations and warehouse interiors to represent the film's flooded urban environments. Filming commenced on June 8, 2012, and wrapped within a compressed schedule of roughly one month, reflecting The Asylum's approach to low-budget, fast-paced productions. The film's was overseen by Soderqvist, who captured the disaster sequences using a mix of on-set practical elements and techniques suited to the project's modest scale. Post-production involved editing by Rachel Anderson-Lebron, who assembled the footage into a 86-minute , while Chris Ridenhour composed the original score to underscore the escalating tension of the narrative. Key production challenges centered on depicting large-scale on a limited , prompting the team to incorporate alongside for wider disaster shots, such as rising waters overwhelming cities.

Cast and Characters

Lead Roles

Monica Keena portrays Tessa, a dedicated microbiologist who leads the urgent efforts to collect and preserve DNA samples from various species amid the rising floodwaters. Keena, born on May 28, 1979, in New Jersey, has built a career featuring prominent roles in horror and science fiction genres, including her performance as Lori Campbell in Freddy vs. Jason (2009) and Angela in Night of the Demons (2009). Her experience in these fields lends authenticity to Tessa's role as a scientist racing against environmental catastrophe. Alex Carter plays John, a contractor responsible for coordinating construction and evacuation operations to ensure humanity's survival. A Canadian born on November 12, 1963, Carter is recognized for his extensive work in television procedurals, notably as Detective Lou Vartann across 40 episodes of CSI: Crime Scene Investigation from 2003 to 2013. His background in portraying authoritative figures in high-stakes scenarios aligns with John's command-driven character. The dynamic between Tessa and John highlights a core tension in the narrative, with Tessa's scientific optimism and focus on preservation often clashing with John's pragmatic, authority-driven approach to and resource allocation. This interplay underscores the film's exploration of under apocalyptic pressure. The Asylum's decisions for these leads exemplify their of employing veterans to enhance in low-budget disaster films, drawing on Keena's horror credentials and Carter's procedural expertise to anchor the story's survival premise.

Supporting Roles

Christianna Carmine portrays Lynn, a aiding in the survival efforts amid the global . 's performance highlights and quick thinking, drawing from 's emerging career in indie films, where she has directed and acted in projects screened at over 50 international festivals, including academy qualifiers like LA Shorts Fest. Emily Sandifer plays Maddie, a involved in coordinating logistics for the survival group during the crisis. Sandifer brings depth to Maddie through her background in television, with notable roles in series such as (2016) on and the HBO film (2018). Mitch Lerner appears as Freeman, a supporting character contributing to the efforts to preserve life. Lerner's portrayal emphasizes an analytical mindset, complementing his prior work in independent projects like My Best Friend's Death (2015). The ensemble of supporting characters, including Lynn, Maddie, and Freeman, plays a vital role in depicting societal collapse by illustrating the breakdown of infrastructure and community as floodwaters rise uncontrollably. These roles add tension through interpersonal conflicts, such as debates over prioritizing certain for the ark or personal sacrifices required for group survival, which strain relationships with lead characters like during the escalating .

Release

Distribution

40 Days and Nights was released on November 27, 2012, by Home Entertainment, opting out of a theatrical rollout in favor of including DVD and Blu-ray. This approach aligned with 's typical strategy for low-budget productions, focusing on home entertainment markets to maximize accessibility and cost efficiency. The Asylum Home Entertainment managed worldwide distribution for the film's home video release, ensuring broad availability across physical formats. In the United States, partner distributor Lantern Lane Entertainment facilitated video sales and rentals through retail channels. Internationally, deals included television rights with for markets such as , where it premiered on TV in April 2013. Digital distribution followed closely, with the film made available for purchase and rental on platforms like in late 2012, expanding access beyond . This multi-platform rollout supported the film's positioning within the disaster genre, leveraging trends in apocalyptic narratives popularized by earlier hits like the 2009 film 2012.

Marketing

The marketing for 40 Days and Nights centered on exploiting the model by drawing direct visual and thematic comparisons to films, particularly emphasizing biblical motifs to appeal to audiences anticipating apocalyptic . Trailer campaigns prominently featured sweeping shots of catastrophic ing and frantic ark construction efforts, designed to replicate the high-stakes spectacle of Emmerich's while underscoring the film's premise of rising seas threatening global civilization. Poster artwork depicted towering waves engulfing urban landscapes and a makeshift amid chaos, paired with the "An Apocalyptic Disaster of Biblical Proportions" to highlight parallels with the narrative and amplify the film's end-times urgency. Online promotions distributed trailers and teaser spots across platforms like , while TV advertisements aired via The Asylum's broadcast partners such as , specifically targeting sci-fi and disaster genre fans through direct digital outreach. Building buzz around the 2012 Mayan apocalypse predictions, social media efforts on and generated pre-release engagement by teasing flood survival scenarios, coinciding with the film's DVD launch on November 27, 2012. Tie-in merchandise focused on formats, including DVDs and digital downloads, to extend accessibility in the market.

Reception

Critical Response

40 Days and Nights garnered limited critical attention upon its release, reflecting its status as a production from studio. lists no Tomatometer score for the film due to an insufficient number of professional reviews, underscoring the scarcity of coverage from major outlets. Among the few available critiques, Martin Liebman of Blu-ray.com rated the film 2 out of 5 for the movie aspect (overall release 2.5 out of 5 stars), describing it as a mediocre effort typical of 's low-budget disaster mockbusters. He noted that the lack decency, appearing cruddy in digitally created elements like buildings and artificial water. While acknowledging the as flat and artificial, Liebman stated it produces some well-defined and natural details. He described the scripting as cobbling together a halfway coherent story more involved than simple point-to-point movement, and related the film more closely to . Performances were mixed, with delivering a typically lifeless Asylum role, though Alex Carter added professionalism and commanded scenes.

Audience Reaction

The film received a low rating on of 2.4 out of 10, based on 2,600 user votes, largely reflecting dissatisfaction with its low production values and execution. Similarly, Rotten Tomatoes reports an score of 15% from more than 50 ratings, underscoring broad viewer discontent. Despite the poor scores, some viewers praised the movie as an entertaining unintentional comedy or , particularly appealing to enthusiasts of low-budget mockbusters produced by . User reviews highlight its absurd elements, such as bizarre scientific premises and over-the-top disaster sequences, which provide amusement when viewed with lowered expectations. Common criticisms in audience feedback focus on the subpar CGI effects, which appear rudimentary and unconvincing, alongside illogical —like tectonic shifts causing rapid global flooding—and a rushed pacing that leaves points underdeveloped. Many users describe it as one of The Asylum's weakest efforts, citing repetitive tropes and predictable storytelling that fail to engage. Over time, has achieved a niche status within bad communities, where it is appreciated for its sheer ineptitude and often rewatched for humorous effect, similar to other so-bad-they're-good classics.

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