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A Time of Destiny

A Time of Destiny is a directed by and co-written by Nava with Anna Thomas. The story, a modern adaptation inspired by Giuseppe Verdi's opera , centers on a immigrant family in , , torn apart by jealousy, elopement, and a father's fatal pursuit, leading to themes of vengeance, loyalty, and wartime redemption. Starring as , the guilt-ridden son seeking to avenge his father's death by targeting his sister's husband Jack (played by ), the film unfolds across pre-war family tensions and intense combat in , where the two men unknowingly form a bond as fellow soldiers. Supporting performances include as the daughter Josie, as the patriarchal father Jorge Larraneta, , and . With a runtime of 118 minutes and a PG-13 rating, it blends , romance, and war genres, emphasizing emotional family dynamics against the backdrop of global conflict. Produced by and Alive Films, the movie was filmed in the of , the Peninsula in (now ), , and to evoke 1940s and war-torn . Notable behind-the-scenes contributions include cinematography by James Glennon, production design by Henry Bumstead, and an evocative score composed by , enhancing the film's operatic tone. Released on April 22, 1988, with a budget of $8.5 million, it grossed $1,212,487 at the U.S. box office but earned acclaim from critics like for its passionate storytelling and strong performances, despite mixed reception for its heightened dramatics.

Production

Development

A Time of Destiny drew its core inspiration from Giuseppe Verdi's 1862 opera , which explores themes of inexorable fate, familial discord, and vengeful pursuit. The film's narrative relocates these operatic elements to a backdrop, centering on a Basque-American family's internal strife amid global conflict. This adaptation transforms the original's 19th-century Spanish nobility into immigrant soldiers and civilians grappling with loyalty and betrayal during the war's final years. The screenplay was co-written by director and Anna Thomas, who had previously collaborated on Nava's debut feature El Norte (1983). Marking Nava's second directorial effort, the script development built on their established partnership in independent filmmaking, emphasizing cultural displacement and personal tragedy. Thomas also served as producer, overseeing the project's evolution from concept to completion. Pre-production efforts included securing executive producers Shep Gordon and Carolyn Pfeiffer, whose involvement through Alive Films helped facilitate the project's advancement. Gordon, known for his work in entertainment management, and Pfeiffer, a key figure in production, provided crucial support in aligning resources for this ambitious endeavor. The production was backed by a of $8.5 million, allocated across script refinement, casting preparations, and logistical planning by Alive Films and distributor .

Casting

The principal roles in A Time of Destiny were cast with portraying the conflicted Martin Larraneta, as the earnest Jack, and as the central figure Josie Larraneta. Supporting performances included and , contributing to the film's exploration of family tensions and wartime bonds. The ensemble featured multiple Academy Award recipients, among them Hurt, Hutton, and Leo as actors, alongside production designer Henry Bumstead, with Channing as a nominee, underscoring the project's draw for acclaimed talent.

Filming

Principal photography for A Time of Destiny began in 1987 and took place across multiple international locations to capture the film's dual settings of a immigrant community and II-era Europe. Filming occurred primarily in , California, where scenes depicting the family's life in America were shot, including at the Pacific Southwest Railway Museum in Campo for railroad sequences. The production then moved to the Peninsula in (present-day ) to film the intense WWII battle sequences, leveraging the region's rugged terrain to stand in for Italian battlefields. Additional shooting took place in the (), , to authentically represent the cultural roots of the immigrant family. The project was a co-production between companies and Yugoslavia's Jadran Film, which provided logistical support for the European portions of the shoot, enabling access to local crews and facilities in . James Glennon oversaw the visual capture, employing dynamic techniques such as a notable of artillery fire in the film's explosive opening sequence to immerse viewers in the war's chaos.

Synopsis and Cast

Plot

A Time of Destiny is set in the immigrant community of during the early , introducing the tight-knit Larraneta family led by the patriarchal Jorge, a proud sheep rancher who upholds strict traditions. His daughter, Josie, deeply devoted to her father, falls in love with Jack, a non- from a humble background, and the two elope in a secret wedding on a stormy night, defying family expectations. Enraged by the betrayal, Jorge tracks the newlyweds to their , confronts Josie, and demands she return home, threatening to disown her; torn between love and loyalty, she initially complies, but as Jack pursues them in a car, a tragic ensues in which Jorge is killed when his vehicle crashes off a cliff. Devastated by his father's death, which he blames entirely on Jack, Josie's older brother —a brooding, disowned family member harboring deep resentments—vows revenge and swears to kill the man responsible, setting the stage for an operatic tale of fate and vendetta inspired by Giuseppe Verdi's . Unaware of Martin's intentions, Jack enlists in the U.S. Army as escalates, while Martin follows suit, joining the same infantry unit bound for the brutal Italian campaign without revealing his true motives. In the chaos of combat amid the , the two men unknowingly form a profound bond as battlefield comrades, repeatedly saving each other's lives during fierce engagements against German forces, with Martin grappling internally between his thirst for vengeance and the emerging brotherhood. As the war intensifies, Martin's true identity and purpose unravel during a climactic on the front lines, where he attempts to execute his but is thwarted by the inexorable pull of destiny and shared hardship, leading to a tense and emotional . The narrative explores motifs of inescapable fate, , and , culminating in the survivors' return home for a bittersweet family reunion that heals old wounds amid the scars of war.

Cast

The principal cast of A Time of Destiny includes:
  • William Hurt as Martin Larraneta, the vengeful older brother of Josie who enlists in the U.S. Army during to pursue retribution against his sister's eloper.
  • as Jack, a young American soldier who elopes with Josie on the eve of his deployment to .
  • as Josie Larraneta, Martin's sister and Jack's bride, whose forbidden marriage sparks family conflict.
Supporting roles are filled by:
  • Stockard Channing as Margaret, Jack's supportive mother who navigates the fallout from his decisions.
  • Francisco Rabal as Jorge Larraneta, the authoritarian Basque father who violently opposes Josie's elopement.
  • Concha Hidalgo as Sebastiana, a family member in the Larraneta household.
  • Megan Follows as Irene, a friend connected to the central characters during the wartime narrative.

Release

Distribution

A Time of Destiny was released theatrically in the United States on April 22, 1988, by Columbia Pictures, opening on a limited basis across 216 screens. The film's marketing campaign highlighted its World War II backdrop and the star power of leads William Hurt and Timothy Hutton, positioning it as a dramatic tale of love, revenge, and familial conflict inspired by Giuseppe Verdi's opera La forza del destino. The distributor, , handled the domestic theatrical rollout, while served as a co-producer in association with Alive Films, contributing to the film's financing and presentation. The movie's opening weekend generated $509,397 in ticket sales, accounting for 42% of its eventual U.S. domestic gross. Internationally, the film saw releases in , including under the title Le Temps du destin. The theatrical run in the United States concluded on June 23, 1988, after approximately nine weeks in release.

Home media

A Time of Destiny was released on by in 1988. A edition followed the same year, presented in a 1.33:1 . No official standalone DVD release has been issued by or TriStar, despite the film's distribution by those studios theatrically. However, a double-feature DVD pairing A Time of Destiny with Berlin Tunnel 21 was made available in 2013, distributed through retailers like and . All-region NTSC DVDs, likely from independent labels such as Starvision, can be purchased on platforms including . These editions typically lack widescreen formatting or special features like director commentary. As of November 2025, no official Blu-ray edition exists, with fan discussions highlighting the absence of high-definition upgrades from boutique labels. The film has limited digital availability; it is not currently streaming on major subscription services but is available for free ad-supported streaming on . As of November 2025, it can be accessed on in the and select other countries.

Reception

Critical response

Upon its release, A Time of Destiny received mixed reviews from critics, who praised its emotional intensity and performances while criticizing its melodramatic excess and narrative implausibilities. of the awarded the film 3.5 out of 4 stars, lauding its "strong, pure emotions" of love, hate, and jealousy, as well as the compelling performances by and , which he described as elevating the operatic sweep inspired by Giuseppe Verdi's . In contrast, of faulted the film's "dizzy melodramatic intensity," comparing it unfavorably to low-budget Italian B-movies and noting its overreliance on contrived plot devices like timely accidents and divided loyalties. Similarly, Rita Kempley of highlighted plot implausibilities, such as a conversing with his brother's , arguing that even Hurt's strong presence could not salvage the "rehashed" and vengeful storyline. Aggregate scores reflect this divide, with reporting a 33% approval rating based on three critic reviews as of 2025, underscoring strong acting amid uneven pacing and scripting. included the film among the worst of 1988 in a special episode with , citing its overwrought drama, while Ebert maintained his positive assessment. views have similarly highlighted director Gregory Nava's stylistic ambitions in adapting Verdi's into a World War II-era family , appreciating the thematic exploration of fate and but critiquing the execution as excessively sudsy and narratively confused. Modern analyses often position it as a transitional work in Nava's career, bridging his independent roots in films like El Norte with Hollywood-scale production, though its operatic flourishes are seen as both a strength and a source of tonal inconsistency.

Box office performance

A Time of Destiny opened in limited release on April 22, 1988, across 216 theaters, grossing $509,397 during its debut weekend and ranking 15th at the North American box office. The film reached a peak of 220 screens but saw attendance decline sharply in subsequent weeks, reflecting its brief theatrical run. Its total domestic gross amounted to $1,212,487, accounting for the entirety of its worldwide earnings with no notable international performance reported. With a of $8.5 million, the film represented a significant financial loss, recouping only approximately 14% of its costs primarily due to the restricted national rollout. This underperformance occurred against the backdrop of a robust year, where blockbusters like dominated with over $128 million in domestic earnings.

Soundtrack

Composition

The score for A Time of Destiny was composed by , who crafted a radiant and passionate orchestral work blending operatic elements inspired by Giuseppe Verdi's with motifs evoking the emotional turmoil of . This fusion reflects the film's narrative roots in Verdi's opera, incorporating sweeping choral and string arrangements to underscore themes of fate, conflict, and familial bonds. Morricone's approach emphasized emotional depth, using the orchestra to mirror the story's operatic scope while integrating subtler, period-specific wartime undertones in cues depicting tension and loss. Central to the score is the main theme, "Forgiveness," featuring ethereal vocals by , which serves as the film's emotional anchor and highlights scenes of revenge and budding romance. Another key piece, the love theme "Love and Dreams," employs soaring melodies with choral support to amplify intimate moments, contrasting the score's darker, more percussive elements in action sequences. These tracks exemplify Morricone's signature style, where vocal and instrumental layers create a sense of inexorable destiny without overpowering the dialogue. Morricone collaborated closely with director during the composition and recording phases, ensuring the music aligned with the film's dramatic arcs. The score was recorded in with a full , a process that allowed Nava to oversee sessions over several weeks, capturing the lush, symphonic quality essential to the operatic influences. This Roman highlighted Morricone's expertise in blending classical grandeur with cinematic pacing, resulting in a that echoes Verdi's motifs of predetermined tragedy to deepen the film's exploration of and .

Release

The soundtrack album for A Time of Destiny, composed by , was released in 1988 by Virgin Movie Music. It features original compositions by Morricone, totaling 44 minutes and 30 seconds in duration. The track listing for the vinyl release is as follows:
  • "Forgiveness"
  • "The Daughter"
  • "Heroes"
  • "The Storm"
  • "Jorge"
  • "The Letter"
  • "For Josie"
  • "The Night Patrol"
  • "Rifac - The Storm II"
  • "Lunga - The Home and the Land"
  • "Brotherhood"
  • "Jack, A Soldier's Prayer"
  • " - The Bell Tower"
The album was issued in multiple physical formats, including vinyl LP, cassette, and . Subsequent reissues, such as the 2014 limited-edition remastered CD by Quartet Records, expanded the track list to include additional cues from the score and introduced digital availability on streaming platforms. Commercially, the album achieved limited success and did not reach significant chart positions, though it has garnered a dedicated among enthusiasts of Morricone's film scores. The original packaging featured drawn from the film's promotional imagery, depicting key visual elements like dramatic landscapes and character silhouettes. in early editions highlighted the score's incorporation of operatic motifs, reflecting the film's inspiration from Giuseppe Verdi's La forza del destino.

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