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Adam Platt

Adam Platt is an American journalist, food critic, and author best known for his long tenure as the chief restaurant critic for New York magazine from 2000 to 2022, during which he reviewed thousands of restaurants and shaped discourse on the city's culinary scene. Born to a U.S. diplomat father, Platt spent parts of his childhood abroad, including attending the American School in Japan, where he played on the basketball team. He graduated from Georgetown University's School of Foreign Service and later earned a degree from Columbia University's School of Journalism. Platt's career began with contributions to publications such as Esquire, the New York Observer, Condé Nast Traveler, and The New Yorker before he succeeded Gael Greene as New York magazine's restaurant critic in July 2000. In this role, he became renowned for his incisive, often humorous reviews that blended personal anecdote with cultural analysis, earning him the James Beard Foundation Journalism Award for Restaurant Reviews in 2009. After stepping down as critic in 2022, Platt transitioned to a contributing role at New York magazine and its food vertical Grub Street, where he continues to write on topics ranging from fine-dining trends to political influences on cuisine. His 2019 memoir, The Book of Eating: Adventures in Professional Gluttony, published by Ecco, chronicles his evolution from accidental food writer to professional "glutton," drawing on decades of global eating experiences. Platt resides in Greenwich Village with his wife and two daughters.

Early life and education

Family background and childhood

Adam Platt was born in Washington, D.C., the eldest son of , a career in the U.S. Foreign Service, and Sheila Platt, a clinical social worker. His father served in various diplomatic posts across , leading to a nomadic family life that profoundly shaped Platt's early years. The Platt household was marked by frequent relocations, with the children attending multiple as they adapted to new environments. Platt grew up alongside his two younger brothers: , an acclaimed actor known for roles in films and television, and Nicholas Platt Jr., who pursued a career in before transitioning to and . The family's peripatetic lifestyle, driven by Nicholas Sr.'s assignments, fostered a sense of adaptability amid constant change, with the brothers often bonding over shared explorations in foreign cities. During the 1960s and 1970s, much of Platt's childhood unfolded in Asia, including stints in (1962–1963), (1964–1968), (1973–1974), and (1974–1977), where the family lived in cities like and . These postings immersed the young Platt in diverse cultures, where family meals became a vital bridge to understanding local traditions—ranging from Taiwanese dishes prepared by household cooks to Japanese and dumplings shared during outings. Such experiences, including motorcycle rides through with his father and experimenting with regional specialties like in , highlighted food's role in easing the anxieties of expatriate life and sparking Platt's lifelong fascination with global cuisines.

Academic career

Adam Platt completed his high school education at the in , graduating in the mid-1970s, where he played on the school's team, serving as backup center for the champion ASIJ Mustangs. Platt then pursued undergraduate studies at University's School of Foreign Service, where he earned a around 1980. The program's emphasis on international affairs cultivated his early interests in and culture. Following this, he undertook graduate work at Columbia University's Graduate School of Journalism, completing a in the early 1980s with a focus on reporting and writing skills essential for investigative and . These experiences, influenced briefly by his childhood travels abroad, positioned as a later vehicle for exploring societal and cultural dynamics.

Professional career

Early journalism

Adam Platt launched his journalism career in the early 1980s as a freelance writer, contributing to publications such as Esquire, the New York Observer, Conde Nast Traveler, and The New Yorker. In the mid-1980s, drawing on his undergraduate degree from Georgetown University's School of Foreign Service, Platt served as a stringer and editor for magazines specializing in Asia and diplomacy, often reporting from regions tied to his family's diplomatic background. After earning a in journalism from in the late 1980s, Platt shifted to New York-based work in the early , freelancing for publications such as , where he covered general assignments on , travel, and culture. These experiences allowed him to refine a precise, observational style through diverse reporting, laying the groundwork for his later specialization.

Restaurant criticism at New York

In 2000, Adam Platt was appointed chief restaurant critic for New York magazine, succeeding Gael Greene, who had defined the role since the publication's founding in 1968. His tenure, spanning over two decades, established him as a leading voice in American food journalism, blending rigorous analysis with a focus on New York City's evolving culinary landscape. To preserve objectivity, Platt adhered to strict anonymity protocols, reserving tables under pseudonyms and occasionally deploying stand-ins—trusted companions or scouts—to sample dishes without drawing attention. He eschewed elaborate disguises like wigs or prosthetics, relying instead on early dining times (often 6:30 p.m.) and unannounced visits to capture authentic experiences. Platt dined out four to six times weekly, typically making three or more visits per restaurant to evaluate consistency, service, and execution across meals supported by the magazine's . This methodical approach allowed for nuanced critiques that balanced sensory detail with broader cultural context. Among his standout reviews, Platt awarded four stars to Atera in 2012, lauding chef Matthew Lightner's counter-service as a "stimulating" fusion of foraged ingredients and precise technique that elevated Nordic-inspired innovation. In contrast, his 2008 assessment of Corton earned four stars, praising Paul Liebrandt's restrained molecular-influenced dishes—like butter-poached and velouté—for their technical elegance. These pieces exemplified Platt's discerning style, which often spotlighted ambitious openings while holding them to exacting standards. Platt's work profoundly shaped the New York dining scene, with his reviews serving as a barometer for trends including the peak of at spots like and the mainstreaming of diverse ethnic cuisines from banchan houses to Peruvian ceviches. Over his 22 years, he penned hundreds of reviews, influencing chef decisions, reservation rushes, and public discourse on accessibility and authenticity in a city that became a global food capital. In a June 2022 farewell column, Platt announced his departure after 22 years, attributing the decision to from relentless —"stuff[ing] rich and unhealthy foods down your craw on a daily basis"—and seismic industry shifts, including social media's democratization of opinions and the pandemic's disruption of traditional reviewing. He reflected on the role's evolution from solitary critique to a multifaceted pursuit of "," signaling a new era for food writing.

Later roles and contributions

In 2022, after serving as magazine's chief restaurant critic for over two decades, Adam Platt transitioned to the role of contributing editor, shifting his focus from intensive weekly reviews to longer-form features and essays on broader culinary trends. This change allowed him to step back from the relentless pace of anonymous dining while maintaining his affiliation with the publication and its food vertical, . Platt's recent contributions as of 2025 highlight his evolving perspective on food culture's intersections with society and . In September 2025, he published "What Does Taste Like?" in , an examination of how Washington, D.C.'s emerging right-wing power-dining spots reflect shifting political tastes, favoring hearty, unpretentious fare like bones over traditional staples. Earlier that year, in July 2025, his piece "Is All This Salt Killing Us?" delved into the escalating sodium levels in City's restaurant scene, questioning the implications of chefs' pursuit of maximum in a post-pandemic era of bold, craveable dishes. Beyond print, Platt has extended his influence through platforms, including and interviews that address the future of food journalism amid digital disruptions and industry changes. For instance, in September 2024, he appeared on the "Special Sauce" to discuss the impact of weight-loss drugs like Ozempic on , reflecting on how such trends challenge traditional critics' approaches to appetite and authenticity. He continues to contribute regularly to , offering insights on evolving dining landscapes. Platt established his personal website, platteats.com, in the as a hub for archiving his work and sharing personal essays on and professional eating. This platform has become a key resource for readers interested in his career-spanning reflections. Overall, Platt's post-critic phase has solidified his legacy in adapting restaurant criticism to post-pandemic realities—such as labor shortages and hybrid dining models—and digital shifts, including the rise of AI-generated reviews and social media's role in shaping public taste, ensuring his voice remains pivotal in redefining the field.

Awards and recognition

James Beard Foundation awards

Adam Platt received the James Beard Foundation Award for Restaurant Reviews in 2009 for his incisive pieces "Faux French," "The Mario of Midtown," and "Corton on Hudson," published in New York magazine. These reviews exemplified his signature style, blending detailed culinary assessments with broader cultural observations on New York's dining scene. Platt earned nominations for the same category in multiple years throughout the 2000s and 2010s, including 2007 for his ongoing work at New York magazine and 2011 for reviews such as “Animal Magnetism,” “Making Their Move,” and “Time for a Redo?” These recognitions underscored his consistent excellence in elevating restaurant criticism beyond superficial evaluations to thoughtful commentary on food trends and societal shifts. As the preeminent honors in the culinary industry—often called the "Oscars of the food world"—the Awards affirm the legitimacy of food journalism as a rigorous discipline. Platt's 2009 win particularly boosted his visibility, paving the way for expanded engagements and solidifying his in gastronomic discourse.

Other honors

Platt's professional stature was further highlighted through prominent profiles that underscored his in the culinary world. In December 2013, he publicly revealed his identity as New York magazine's longtime anonymous restaurant critic in a candid feature article titled "Hi, I'm Adam Platt, Your Restaurant Critic," marking a pivotal shift from tradition and affirming his established voice in food journalism. Tied to the release of his 2019 memoir The Book of Eating: Adventures in Professional Gluttony, Platt was featured in a detailed Food52 interview where he reflected on his career trajectory, from early influences to the challenges of professional eating, further cementing his reputation as a leading food critic.

Literary works

The Book of Eating

"The Book of Eating: Adventures in Professional Gluttony" was published by Ecco, an imprint of HarperCollins, on November 12, 2019. The 272-page memoir draws on Platt's experiences as a longtime restaurant critic for New York magazine, offering an irreverent account of his career-spanning encounters with food across the globe. Structured as a collection of interconnected essays, the book blends personal , culinary history, and cultural criticism to explore Platt's evolution from early restaurant jobs in places like and to high-stakes dining adventures in cities such as and . Topics range from his formative years washing dishes and grappling with the excesses of professional eating to reflections on iconic meals that shaped his palate, emphasizing the joys and absurdities of a life devoted to . Throughout, Platt reveals personal vulnerabilities, including his struggles with and the physical toll of constant , while delving into family traditions inherited from his parents that influenced his worldview. These autobiographical elements frame not merely as a vice but as a professional necessity and personal lens for understanding culture, setting the memoir apart from conventional reviews by prioritizing over mere . The book received positive critical reception for its humor, candor, and insightful prose; in praised Platt's "eloquence and wit about what being a professional glutton does to his body and to his family," calling it a refreshing departure from pretensions. Similarly, The Guardian's described it as an "extremely entertaining " that candidly addresses the challenges of in criticism. While specific sales figures are not publicly detailed, the book supported a promotional tour that shifted to virtual events in due to the , including appearances at the Montclair Literary Festival and the Potomac School alumni gathering.

Notable articles and essays

Platt's 2013 essay "Hi, I'm Adam Platt, Your Restaurant Critic," published in New York magazine, marked a pivotal moment in his career by publicly revealing his identity after more than a decade of anonymous restaurant reviewing. In the piece, he detailed the practicalities of his disguise—such as using pseudonyms and disguises—and reflected on how the internet and social media had eroded the feasibility of anonymity in food criticism. Platt also critiqued the shifting restaurant landscape, from the elite Eurocentric dining of his early influences to a more democratized, media-driven scene dominated by celebrity chefs and reality TV. Beyond reviews, Platt contributed essays exploring , including a 2013 conversation with in New York magazine that examined the of and its cultural implications. The dialogue addressed how and chain restaurants like had reshaped eating habits worldwide, contrasting them with movements toward local, ethical sourcing. Platt highlighted the tension between convenience-driven and sustainable practices, drawing on Pollan's advocacy for mindful consumption. In travel-food hybrid pieces from the , Platt often wove personal history with culinary exploration, particularly referencing his childhood in . His essay "Old World Eating: The Education of a Food Critic," available on his professional website, recounts family travels across , , , and during the 1960s and 1970s, where diplomatic postings exposed him to diverse street foods and home-cooked meals. Examples include in and banquets in , which shaped his palate and informed his later appreciation for authentic, unpretentious Asian cuisines. Throughout the , Platt's style evolved from detached, objective assessments to more intimate, narrative-driven essays that incorporated autobiographical reflections, a shift that foreshadowed the personal tone of his 2019 memoir The Book of Eating.

Personal life

Marriage and family

Adam Platt married Kathleen Mary Phillips, an architect in private practice in , on June 14, 1997, in . The couple has two daughters: Jane, born around 2000, and Penelope, born around 2003. In a 2016 interview, Platt described his family life as a "cocoon of emotion and support," highlighting the challenges of balancing his demanding career as a restaurant critic with fatherhood, which he considers his greatest achievement. Platt's family has been actively involved in his professional dining experiences, with his daughters occasionally joining him for meals that inform his reviews. For instance, in 2011, Jane and Penelope contributed their preferences to a New York Magazine guide on the city's best ice cream, showcasing their distinct tastes—Jane favoring creamy European-style gelato and Penelope preferring sweeter American varieties. Similarly, in a 2014 review of Ivan Ramen, Platt noted his daughters' strong opinions on noodle dishes, with Penelope emerging as a particular ramen enthusiast in the family. These shared outings reflect how Platt integrates family into his work, exposing his children to diverse cuisines while navigating the logistics of anonymous reviewing. In his writings, Platt has explored the dynamics of family meals and the parental role in shaping children's food exposure, often drawing from home cooking traditions influenced by his wife's background and their collaborative approach to daily meals. During the , he shared fond memories of family cooking sessions as central to their routines, emphasizing how such activities foster emotional bonds amid his irregular schedule. His memoir The Book of Eating (2019) further touches on familial eating habits, portraying the Platt household as one that embraces omnivorous exploration, much like his own upbringing.

Residence and interests

Adam Platt has maintained a long-term residence in , , , since the late 1990s, a location selected for its close proximity to the city's dynamic dining establishments and cultural hubs. He shares this with his wife and two daughters. Platt's personal interests extend beyond his professional pursuits to include explorations of and through home cooking and wine appreciation, shaped by his global upbringing and family life. Following his transition away from full-time restaurant criticism in 2022, Platt has prioritized health and well-being by significantly reducing the frequency of lavish, high-calorie meals that characterized his career.

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