Adrian Lambert
Adrian Lambert (born 26 April 1972) is an English bass guitarist renowned for his contributions to prominent bands in the metal genre, including a stint with power metal outfit DragonForce from 2003 to 2005, as well as his long-term involvement with thrash metal band Biomechanical and progressive rock band Son of Science.[1][2] Lambert joined DragonForce during a pivotal period for the band, performing bass on their second studio album Sonic Firestorm (2004) and the single "Fury of the Storm" (2005), which helped solidify their reputation for high-speed, neoclassical metal.[1] He departed the group in 2005 to pursue other projects.[1] In 2006, Lambert founded Son of Science, a technical metal band blending progressive and fusion elements, where he serves as bassist and primary songwriter.[3] The following year, he became a core member of Biomechanical, contributing bass to albums such as Cannibalised (2008) and Orchestral Empires (2019), and has remained active with the band as of 2025.[1][4] Throughout his career, Lambert has been associated with other metal acts, including a brief role with Intense, showcasing his versatility across power, thrash, and progressive styles.[1] His work emphasizes technical precision and dynamic bass lines integral to complex metal compositions.[2]Early life
Childhood and upbringing
Adrian Lambert was born on 26 April 1972 in Brighton, England.[5] He grew up in this coastal city.[6]Initial musical career
Adrian Lambert was born on 26 April 1972 in Brighton, England.[1] His upbringing in the city fostered his early passion for music, setting the stage for his development as a bassist.[1]Professional career
Time with Intense
Adrian Lambert joined the UK heavy metal band Intense in 2003 as their bassist, marking an important step in his professional career following earlier musical endeavors that honed his technical skills.[7][1] The band, formed in 1991 and known for blending hard rock influences with heavy metal aggression, had undergone lineup changes prior to his arrival, allowing Lambert to integrate seamlessly into the rhythm section alongside vocalist Sean Hetherington, guitarists Nick Palmer and Dave Peak, and drummer Neil Ablard.[8] His addition brought a solid, driving low-end presence that complemented Intense's energetic, riff-heavy sound, which drew from classic British heavy metal traditions while incorporating melodic elements.[9][10] During his tenure from 2003 to 2004, Lambert contributed bass parts to Intense's debut full-length album, Second Sight, recorded at Thin Ice Studios in Surrey, UK, and produced by Karl Groom.[9][1] Released independently in 2004 through Nothing To Say, the album featured tracks like "One Twenty" and "War of Angels," where Lambert's bass lines provided a foundational groove that supported the band's dynamic shifts between heavy riffs and soaring choruses.[11] His playing emphasized precise, aggressive techniques suited to the genre, enhancing the overall intensity of the record without overshadowing the dual guitar attack.[12] This collaboration solidified Lambert's role within Intense, contributing to the album's reception as a strong entry in the UK heavy metal scene.[13] Lambert's time with Intense ended in 2004, coinciding with the band's shift toward further developments, though his brief involvement left a lasting imprint on their early 2000s output.[1] The experience served as a platform for Lambert to refine his contributions to heavy metal ensembles, bridging his foundational skills into more prominent projects thereafter.[7]Tenure with DragonForce
Adrian Lambert joined DragonForce in late 2003 as the band's bassist.[14] His addition came alongside drummer Dave Mackintosh, completing the lineup for the recording of the group's second studio album. Building on his experience with the power metal band Intense, Lambert adapted to DragonForce's technically demanding style, which emphasized rapid tempos and intricate instrumentation.[1] Lambert's primary contributions during his tenure were to the albums Sonic Firestorm (2004) and Inhuman Rampage (2006), where he provided bass lines that supported the band's signature high-speed power metal sound. On Sonic Firestorm, his playing helped define the album's epic, neoclassical elements, while for Inhuman Rampage, he participated in the 2005 recording sessions before departing, contributing to tracks that showcased DragonForce's evolving blend of speed and melody. The band's power metal style, characterized by blistering guitar solos and orchestral keyboards, required Lambert to employ advanced techniques, including fast alternate picking on his six-string bass to match the frenetic pace.[15] On October 28, 2005, Lambert announced his departure from DragonForce to focus on raising his young son, citing the band's intensifying tour schedule as conflicting with family commitments.[16] His exit occurred shortly after the completion of Inhuman Rampage recordings but prior to its release, marking the end of his two-year stint with the group during a period of rising prominence in the power metal scene.Involvement with Biomechanical and Son of Science
Following his departure from DragonForce in 2005, Lambert shifted focus to more personal musical endeavors, including his leadership role in the formation of Son of Science around 2006.[3] This technical-catchy metal project, spearheaded by Lambert on bass, featured contributions from vocalists like Leon Muria and guitarists such as Lee Cassidy and Phil Wickens, emphasizing intricate compositions and melodic elements within a progressive framework.[3] The band produced demo material, including tracks like "The Path" uploaded to their online platforms, though no full-length albums were released.[17] In 2007, Lambert joined Biomechanical as bassist, aligning with the band's thrash and progressive metal sound characterized by complex rhythms and aggressive grooves.[18] This addition completed a refreshed lineup alongside vocalist John K, guitarists Chris Van Hayden and Gus Drax, and drummer Jonno Lodge, marking a new chapter for the London-based group after earlier lineup changes.[18] Lambert's contributions were prominent on Biomechanical's 2008 album Cannibalised, released via Earache Records, where his bass work supported the record's blend of orchestral elements, thrash intensity, and progressive structures on tracks like "Through Hatred Arise."[18] The album, mixed by producer Chris Tsangarides, represented a pivotal output for the band during his tenure.[18] As of 2025, Lambert remains affiliated with both Biomechanical and Son of Science, maintaining these as his primary ongoing commitments, though the bands have seen limited public activity or touring in recent years.[1]Musical style and equipment
Techniques and influences
Adrian Lambert employs a distinctive set of techniques on the six-string bass, including fast three-finger picking to achieve the high velocities required in power and speed metal contexts. This method allows him to execute intricate runs and riffs with precision, often mirroring guitar parts in complexity. He further incorporates guitar-style solos on bass, adapting shredding and lead techniques typically reserved for higher-register instruments.[19] Complementing these, Lambert utilizes slap and pop for percussive accents and two-handed tapping to create melodic and harmonic layers, enhancing the rhythmic drive in ensemble settings. His overall approach emphasizes speed and technical flair, described as "fast and furious" upon his recruitment to Biomechanical, aligning with the band's thrash-oriented demands.[20] Lambert's style aligns with progressive and heavy metal genres, emphasizing melodic counterpoint, virtuosity, aggressive tone, and soloing capabilities within complex structures.Signature gear
Adrian Lambert primarily employs Ibanez SoundGear series basses in his setup, favoring models designed for extended-range performance and ergonomic comfort. His key instruments include the Ibanez SR1006EFM Prestige six-string bass in a natural flat finish and the Ibanez SR506 six-string bass in black, both noted for their lightweight construction, slim necks, and active electronics that enhance clarity and speed in complex passages.[21] For signal processing and amplification, Lambert relies on the SansAmp Bass Driver DI unit, which serves as a core component for tone shaping by offering tube-like warmth, overdrive options, and direct-to-mixer connectivity during live and studio applications.[22] These selections, particularly the extended-range basses, support Lambert's rapid picking and tapping approaches by enabling fluid execution across a broader fretboard without compromising intonation or sustain.[21]Live performances and achievements
Major tours
During his tenure with DragonForce from 2003 to 2005, Adrian Lambert contributed to the band's extensive touring schedule in support of their album Sonic Firestorm (2004), including headlining shows across Europe and a dedicated UK tour in September 2005 featuring the lineup of ZP Theart on vocals, Herman Li and Sam Totman on guitars, Vadim Pruzhanov on keyboards, Dave Mackintosh on drums, and Lambert on bass.[23] These tours often included support acts such as Angra, helping to build the band's reputation in the power metal scene through high-energy performances emphasizing fast-paced neoclassical elements.[23] A significant highlight was DragonForce's role as opening act for Iron Maiden's Eddie Rips Up the World Tour on its European leg in June 2005, where they performed at major venues including Parc des Princes in Paris, France, on June 25, alongside the same core lineup.[24] Lambert departed from the band in October 2005 amid their ongoing tour commitments, citing the need to spend more time with his young son due to the demanding schedule.[16] After leaving DragonForce, Lambert joined Biomechanical in 2007 as bassist, integrating into a refreshed lineup with vocalist John K, guitarists Chris Van Hayden and Gus Drax, and drummer Jono Lodge. He participated in the band's promotional activities for their album Cannibalised (2008), including live performances at festivals such as Metalcamp in Tolmin, Slovenia, on July 8, 2008, to showcase the record's progressive thrash sound.[18][25] These efforts focused on festival circuits across Europe to promote the album's conceptual themes and orchestral elements.[18]Festival appearances and accolades
During his time with DragonForce from 2003 to 2005, Lambert contributed to main stage performances at several major European metal festivals, including Wacken Open Air in Germany and Graspop Metal Meeting in Belgium.[26][27] The band's set at Wacken Open Air on August 6, 2005, highlighted tracks from their 2004 album Sonic Firestorm, such as "Fury of the Storm" and "Soldiers of the Wasteland," drawing large crowds with their signature speed metal energy.[26] At Graspop Metal Meeting on June 26, 2005, DragonForce delivered a similar high-octane show, featuring songs like "Black Fire" and "Valley of the Damned" to enthusiastic festival-goers.[27] Lambert's festival appearances underscored DragonForce's rising prominence in the power metal scene during this period. While no individual awards for his bass work have been documented, his involvement helped elevate DragonForce to broader recognition, including a Grammy nomination for Inhuman Rampage in 2009.Discography
With Intense
Adrian Lambert served as the bassist for the British heavy metal band Intense from 2003 to 2004, contributing to their debut full-length album, Second Sight, released in 2004.[9][1] The album features Lambert performing bass on all tracks, alongside vocalist Sean Hetherington, guitarists Nick Palmer and Dave Peak, and drummer Neil Ablard.[9] Second Sight was recorded at Thin Ice Studios in Surrey, England, during spring 2003; it was engineered, mixed, and produced by Karl Groom, with mastering handled by Rob Aubrey at Aubit Studios in Hampshire, UK, in June 2003.[9] The track listing for Second Sight includes:- "Premonition" (intro)
- "One Twenty"
- "The Winged"
- "War of Angels"
- "Seeds of Betrayal"
- "The Shape of Rage"
- "As Our Army Grows"
- "As the Seasons Turn"
- "A New Dawn"
- "And Then She Was Gone"
- "The Witch Queen of Elm Street"[9][11]