In meteorology, an afterglow is an optical phenomenon characterized by a broad, high arch of whitish, pinkish, or reddish sunlight visible in the twilight sky after sunset or before sunrise, often persisting long after the primary twilight colors have faded.[1] This glow arises from the scattering of direct sunlight by fine dust particles suspended in the high stratosphere, typically at altitudes above 20 kilometers, which catch and redirect the hues of the sub-horizon twilight arch.[2] The phenomenon is most prominent during the darker half of twilight and can exhibit distinct bright segments interspersed with darker purple bands, creating a striking, elongated display across the horizon.[1]Afterglows are frequently associated with increased stratospheric aerosol loading from natural events, particularly major volcanic eruptions that inject vast quantities of ash and dust into the upper atmosphere.[3] For instance, the 1883 eruption of Krakatoa in Indonesia produced exceptional afterglows observable worldwide, with vivid red displays reported in Honolulu by September 1883 and across Western Europe by November of that year, persisting for years due to the widespread dispersion of volcanic particulates.[3] These events not only enhance atmospheric optics but also contribute to temporary global cooling by blocking incoming solar radiation, as documented in historical meteorological records.[3] Routine, less intense afterglows can occur from background stratospheric aerosols, including meteoritic particles and sulfuric acid droplets from natural atmospheric processes, though volcanic triggers remain the most notable drivers of spectacular instances.[2]The term "afterglow" may also refer to lingering emissions in other scientific contexts, such as the prolonged radiation following gamma-ray bursts in astrophysics or delayed luminescence in phosphors in physics, and metaphorically to a relaxed state following intense experiences.
Definition and Characteristics
Phenomenon Overview
The afterglow is a meteorological optical phenomenon consisting of a broad arch of whitish or pinkish sunlight visible in the twilight sky after sunset. It typically manifests as an elevated band of light in the western sky, the direction of the recent sunset, due to scattered sunlight illuminating high-altitude atmospheric layers. This occurs during twilight, particularly as it progresses beyond civil twilight when the Sun's geometric center is more than 6° below the horizon, providing sufficient indirect illumination for the effect to be observed before full darkness sets in.[4][5][6]The term "afterglow" derives etymologically from the combination of "after," indicating something subsequent, and "glow," referring to radiant light or warmth, with its earliest documented use in 1829 describing the glow in the western sky following sunset. In meteorological contexts, the phenomenon has been formally documented since the early 20th century, including in publications by the American Meteorological Society, such as discussions of the afterglow observed during twilight periods.[7][8]Unlike the vivid, direct colors of sunset produced by low-angle sunlight passing through the lower atmosphere, afterglow persists as a form of indirect illumination, arising from sunlight scattered by particles in the upper atmosphere after the Sun has descended below the horizon. This distinction highlights its role as a post-sunset extension of twilight radiance rather than a primary solar viewing effect.[4]
Visual Appearance and Colors
The afterglow manifests as a prominent horizontal band of light, typically appearing as a broad arch or segment across the western horizon. This feature is elevated approximately 10 to 20 degrees above the horizon and is often observed in the western sky shortly after sunset. In clear atmospheric conditions, the band presents a pinkish-white or rosy hue, contrasting sharply with the darker blue-gray sky around it.[4][1][6]A distinctive phase of the afterglow involves a transient violet or purplelight, appearing during twilight when the Sun is 2 to 6 degrees below the horizon. This purple hue arises briefly from the combined scattering of red and blue wavelengths in the upper atmosphere. The effect creates a pastel purple wash across much of the visible sky, particularly vivid on clear evenings, before transitioning to the brighter pinkish segment.[9][10]The overall duration of the afterglow typically lasts 20 to 40 minutes after sunset, encompassing both the purple light phase and the subsequent bright segment, which persists until the end of nautical twilight when the Sun reaches 12 degrees below the horizon. This timing varies by latitude and season, with shorter durations near the equator (around 20 minutes) and longer ones at higher latitudes due to the Sun's shallower angle. In optimal clear skies, the phenomenon's colors and form provide a striking visual display, enhancing the transition from day to night.[11][12]
Scientific Explanation
Atmospheric Scattering Mechanisms
The afterglow phenomenon arises primarily from Mie scattering of sunlight by fine dust particles and aerosols suspended in the high stratosphere during twilight, supplemented by Rayleigh scattering from air molecules. As the sun dips below the horizon, its light traverses an extended path through the atmosphere, undergoing multiple scattering events. Rayleigh scattering by molecules much smaller than the wavelength of visible light preferentially removes shorter blue wavelengths from the direct beam, allowing longer red and orange wavelengths to persist and redden the twilight sky. These reddened rays are then scattered forward by larger stratospheric particles (0.1-10 μm) toward the observer, producing the characteristic high arch of glow opposite the sunset.[13]The intensity of Rayleigh scattering follows the relation I \propto \frac{1}{\lambda^4}, where I is the scattered intensity and \lambda is the wavelength of light; this inverse fourth-power dependence explains the strong preference for scattering shorter wavelengths like blue (around 450 nm) over longer ones like red (around 650 nm). In the context of afterglow, the extended optical path length during civil twilight (sun 0° to -6° below horizon) and nautical twilight (sun -6° to -12° below horizon) depletes blue light early, while redlight from higher solar elevations scatters into the observer's view later, sustaining the illumination for 30-60 minutes post-sunset.[14]The Earth's atmosphere, stratified by density and composition, contributes to the vertical gradient observed in afterglow. Upper layers (above 20 km), with lower molecular density, scatter residual violet and blue light to produce purple tints near the zenith, while denser lower layers (below 10 km) enhance pink and red scattering due to increased path length and multiple bounces, creating a banded or layered appearance across the sky. This effect is modeled by dividing the atmosphere into discrete shells with exponentialdensity decay, such as air density \rho(z) = \rho_0 e^{-z/H} where H \approx 8 km is the scale height.[13]Mie scattering becomes particularly dominant for afterglow when larger particles, such as aerosols with sizes comparable to visible wavelengths (0.1-10 μm), are present in the atmosphere. Unlike Rayleigh scattering, Mie scattering exhibits weaker wavelength dependence and strong forward-directed asymmetry, often modeled by the Henyey-Greenstein phase function, which intensifies reddish hues by preferentially forwarding longer wavelengths toward the observer during the prolonged twilight illumination. This mechanism supplements Rayleigh scattering to deepen the afterglow's color saturation under typical aerosol loadings.[13]Afterglow visibility requires a clear upper atmosphere to permit unobstructed penetration of sunlight to high altitudes for effective molecular scattering, but it can be intensified by thin high-altitude cirrus clouds (typically 8-12 km), which further diffuse and reflect the reddened light, extending the glow's duration and brilliance as observed in historical accounts of post-sunset cloud illumination.[15]
Influence of Aerosols and Environmental Factors
Aerosols, such as fine dust, smoke, or volcanic particles suspended in the atmosphere, significantly modify the intensity and coloration of afterglow by enhancing scattering processes. These particles, typically larger than air molecules, promote Mie scattering, which preferentially scatters longer wavelengths like red and orange, leading to more vivid hues during twilight. For instance, volcanic ash from eruptions introduces stratospheric sulfate aerosols that intensify colors, sometimes producing a distinctive "volcanic purple light" through combined scattering and ozone absorption effects.[16][17]Urban pollution and wildfire smoke further alter afterglow appearance by introducing anthropogenic or biomass-burning aerosols that can either dull the glow through excessive absorption or redden it via enhanced forward scattering of sunlight. Smoke particles from wildfires, often in the 0.1–1 μm size range, scatter blue light more efficiently while allowing reds to dominate, resulting in intensified crimson tones at the horizon. Similarly, smog from industrial emissions increases atmospheric turbidity, which can extend the duration of the afterglow but often mutes its vibrancy in heavily polluted areas.[18][19]Seasonal variations in aerosol loading, such as higher dust concentrations in summer or elevated pollen levels during spring, can enhance afterglow visibility in specific regions by acting as additional scattering agents. In arid areas, dust storms contribute to brighter, more persistent glows, while pollen grains—comprising up to one-third of aerosol particles in some environments—reflect sunlight and alter optical depth, potentially amplifying color saturation. These biogenic aerosols are particularly influential in temperate zones where blooming seasons coincide with clear twilight conditions.[20]A notable example is the 1991 Mount Pinatubo eruption, which injected approximately 20 million tons of sulfur dioxide into the stratosphere, forming persistent sulfate aerosols that brightened global afterglows for up to two years by increasing scattering efficiency. This led to widespread reports of more spectacular sunsets and extended twilight durations worldwide. Satellite measurements indicate that aerosol optical depth (AOD) values exceeding 0.1 during this period roughly doubled the brightness of scattered light in the visible spectrum compared to pre-eruption baselines.[21][22]
Observation Guidelines
Optimal Timing and Conditions
The afterglow is best observed immediately following sunset during the early stages of civil twilight, when the Sun is 2° to 6° below the horizon, allowing for the display of lingering colors from atmospheric scattering. This timing aligns with periods of extended twilight, such as near the summer solstice at mid-latitudes (30°–60° N/S), where the Sun's oblique path prolongs the phenomenon for up to 30–60 minutes total, providing ample opportunity to witness the evolving hues. At lower latitudes (0°–30° N/S), equinoxes offer optimal viewing due to the Sun's near-vertical descent, resulting in a more concentrated burst of color shortly after sunset, though the overall twilight duration is shorter (around 20–25 minutes). Visibility is enhanced from latitudes 0° to 60° N/S, where standard sunset transitions occur; in polar regions beyond 66.5°, extended afterglow versions appear during the brief transitions from midnight sun to polar night, lasting hours due to the shallow solar angle.[23]Ideal weather conditions include clear skies with low humidity to minimize haze and ensure sharp visibility of the horizon, though lightaerosol presence—such as from distant wildfires or mild pollution—can intensify red and purple tones by enhancing scattering without obscuring the view. Overcast skies or heavy cloud cover should be avoided, as they block the necessary direct and indirect sunlight, while excessive pollution or high humidity often diffuses colors into a washed-out gray. The purple phase, resulting from the interplay of red sunset light and overlying blue twilight sky, persists for 5–10 minutes post-sunset and demands immediate attention, as it fades rapidly into deeper blue hour tones. A full moon near the horizon can interfere by adding extraneous light, diluting the afterglow's subtlety, so moonless evenings are preferable.[24][9]For effective observation, utilize astronomy apps like Stellarium to calculate precise sunset times, twilight phases, and horizon elevations based on your location, enabling anticipation of the afterglow window. Photography enthusiasts should employ wide-angle lenses (e.g., 14–24mm equivalents) to capture the expansive sky, with camera settings at ISO 100–400, aperture f/8–f/11 for depth, and shutter speeds of 1–30 seconds on a tripod to balance exposure during the dimming light. These techniques maximize the capture of the afterglow's gradient from horizon glow to zenith blue, particularly in the brief purple interval.[25]
Viewing Locations and Techniques
High elevations, such as those found in the Rocky Mountains or the Alps, provide unobstructed views of the horizon, allowing observers to experience the afterglow with minimal interference from terrain or structures. These locations enhance visibility due to the reduced atmospheric path length for light scattering, particularly in clear conditions. Coastal regions, including the Pacific Northwest, offer clean air with low aerosol content, which contributes to sharper and more vivid afterglow displays by minimizing haze.Effective techniques for viewing afterglow include positioning oneself facing west, toward the direction of the setting sun, to observe the lingering glow across the western horizon, where scattered sunlight illuminates the twilight sky. Using a tripod for time-lapse photography allows documentation of the afterglow's evolution from bright orange to deeper reds over 20-30 minutes. Mobile applications like PhotoPills or The Photographer's Ephemeris enable precise calculations of the sun's azimuth, helping observers align with the afterglow's peak visibility, typically in the 90-180° arc relative to the sunset point.[26][27]Light pollution from urban areas significantly diminishes afterglow visibility by increasing sky brightness and reducing contrast in twilight colors, making rural settings or national parks ideal for observation. In these low-light environments, the phenomenon appears more pronounced without competing artificial glow. Aerosol effects, such as those from distant volcanic activity, can further enhance clarity or intensity in pristine locations.[28]In Australia, afterglow becomes particularly prominent during the dry seasons (May to October in the north), when low humidity and reduced moisture in the air amplify scattering of longer wavelengths for richer hues. Antarctic expeditions have documented extreme versions of afterglow, such as the vivid pink and purple skies following the 2022 Tonga eruption, where stratospheric aerosols created prolonged and intensified displays observable from research stations.[29][30]Modern technologies like drone imagery and satellite observations confirm afterglow patterns by mapping aerosol distributions and light scattering, as seen in NASA's monitoring of volcanic influences on global twilight effects; however, ground-based viewing remains preferred for immersive, direct appreciation of the phenomenon's subtle color transitions.
Historical Context
Early Observations and Records
Documentation of atmospheric optical phenomena resembling afterglow appears in 18th- and 19th-century European travelogues and meteorological journals, where explorers noted persistent twilight glows, though systematic distinction from general sunset effects emerged later. Regional variations were reported, with clearer skies in the Mediterranean basin facilitating more consistent observations of twilight persistence, as recorded in period journals.[31]Prior to widespread photography in the mid-19th century, accounts relied on qualitative descriptions, sketches, and paintings. These provided insights into afterglow variations but often conflated it with local lighting effects.
Effects of Volcanic Eruptions
Major volcanic eruptions profoundly influence afterglow by injecting sulfur dioxide (SO₂) into the stratosphere, where it oxidizes to form sulfuric acid aerosols that efficiently scatter sunlight, particularly longer wavelengths, resulting in enhanced and prolonged reddish hues during twilight. These aerosols can persist for months to years, significantly extending the duration and intensity of afterglow phenomena compared to non-volcanic conditions.[32][33]The 1815 eruption of Mount Tambora in Indonesia, one of the largest in recorded history, released vast amounts of SO₂, leading to the "Year Without a Summer" in 1816 and notable enhancements to twilight glows across Europe and North America, where observers reported unusually vivid orange and red sunsets persisting for months.[34][35]Similarly, the 1883 eruption of Krakatoa produced widespread vivid red and purple afterglows observable globally for up to three years, creating dramatic "blood sunsets" that were so intense they prompted fire alerts in cities like New York. These optical effects, driven by stratospheric aerosols, have been linked to the inspiration for Edvard Munch's 1893 painting The Scream, where the artist noted a blood-red sky over Norway.[33][36][37]In the 20th century, the 1963 eruption of Mount Agung in Bali injected aerosols into the stratosphere, increasing global optical depth to approximately 0.01–0.03 and providing a key case study for climatic perturbations through measurements of atmospheric transmission.[38] The 1991 eruption of Mount Pinatubo similarly elevated stratospheric aerosoloptical depths to 0.1–0.15 globally for about two years, as quantified by satellite and ground-based observations, further demonstrating how such events amplify afterglow visibility.[21]The impacts of these eruptions extended to remote regions, including the Arctic, where enhanced afterglows were documented in ship logs and meteorological records, illustrating the global circulation of stratospheric aerosols.[39]
Related Phenomena
Similar Twilight Effects
The Belt of Venus, also known as the anti-twilight arch, appears as a pinkish to reddish band arching across the sky opposite the setting sun, positioned above the dark band of Earth's shadow and visible during the early stages of civil twilight.[40] This phenomenon occurs simultaneously with afterglow but in the opposite direction: the Belt of Venus in the east after sunset, while afterglow is in the west; both appear near their respective horizons, where longer-path sunlight scatters through the upper atmosphere to produce its characteristic rosy hue.[41]Alpenglow manifests as a warm, reddish illumination on mountain summits and high terrain shortly after sunset or before sunrise, when direct sunlight no longer reaches the observer but indirect reddened light reflects off atmospheric particles onto elevated surfaces.[42] Unlike the broad sky glow of afterglow, alpenglow is terrain-dependent and often displays similar pink and orange tones derived from the same reddening of sunlight, enhancing the visual drama of twilight in mountainous regions.[43]Crepuscular rays, or twilight rays, emerge as visible beams of sunlight streaming through breaks in clouds or gaps in terrain, projecting across the sky during the afterglow phase to add structured, radiating texture to the otherwise diffuse illumination.[44] These rays converge perspective toward the horizon due to the observer's viewpoint, piercing the colorful twilight backdrop and highlighting aerosols that scatter the light.[45]The blue hour precedes afterglow in the evening twilight sequence, featuring a predominance of blue wavelengths in the sky that gradually shift to deeper purples as the sun descends further below the horizon, creating a cool, serene transition before the warmer glows emerge.[46] All these effects, including afterglow, stem from Rayleigh scattering by air molecules—which favors shorter blue wavelengths during longer paths—and Mie scattering by larger aerosols, which contributes to the reddening, though their distinct geometries yield diffuse glows versus directional beams.[47] These shared scattering principles are explored in greater detail in the Atmospheric Scattering Mechanisms section.
Distinctions from Other Optical Displays
The afterglow differs fundamentally from the aurora borealis or australis, as it arises from the scattering of residual sunlight by atmospheric particles rather than the excitation of atmospheric gases by charged solar particles guided by Earth's magnetic field.[1][48] Unlike the aurora, which displays dynamic structures in greens, reds, and purples primarily at high latitudes during geomagnetic storms, the afterglow produces a static, diffuse pinkish or whitish glow near the western horizon after sunset, visible globally during twilight without any polar confinement or spectral variety beyond sunset hues.[49]In contrast to the foreglow, its morning counterpart that mirrors the post-sunset illumination of high-altitude dust before sunrise in the eastern sky, the afterglow typically appears more vivid due to the rapid darkening of the lower sky after sunset, enhancing the contrast of the glow near the western horizon.[50][1] Both phenomena stem from Rayleigh and Mie scattering of sunlight by stratospheric aerosols.[49]The afterglow lacks the prismatic color separation and geometric precision characteristic of rainbows or halos, relying instead on diffuse scattering rather than refraction or reflection in water droplets or ice crystals. Rainbows form through internal reflection and dispersion in raindrops, yielding a spectrum of colors in a circular arc opposite the sun, while halos result from hexagonal ice prisms in cirrus clouds producing 22° or 46° rings around the sun or moon—neither of which involves the broad, horizon-spanning twilight illumination central to afterglow.[1]This near-horizon position near the western sky after sunset allows the afterglow to persist for 20–30 minutes or longer after the direct twilight arch fades, outlasting transient glints such as sun pillars or crepuscular rays that depend on immediate solar visibility.[1]As a purely meteorological phenomenon driven by Earth's atmospheric scattering, the afterglow should not be confused with astronomical glows like the zodiacal light, which originates from sunlight reflected by interplanetary dust along the ecliptic plane and appears as a faint, elongated pyramid during true astronomical twilight rather than the colorful, aerosol-enhanced glow of afterglow.[51][1]
Cultural Impact
Representations in Art and Literature
In visual art, the afterglow has been depicted as a dramatic atmospheric phenomenon, often evoking emotional intensity. Edvard Munch's iconic painting The Scream (1893) features a swirling, blood-red sky that researchers have linked to the vivid sunsets caused by stratospheric dust from the 1883 Krakatoa eruption, which persisted for years and inspired Munch's diary entry about a "blood-red" twilight sky "like a flame" over Oslo.[37] Similarly, J.M.W. Turner's sunset paintings following the 1815 Tambora eruption, analyzed through color ratios, capture luminous red and orange arches in the sky, reflecting the enhanced aerosol optical depth from volcanic activity, as quantified in studies of his works.[52]In literature, particularly Romantic poetry, afterglow and twilight served as metaphors for transience and the passage of time. William Wordsworth's The Prelude (1850) includes evocative descriptions of twilight scenes, symbolizing the shift from youthful innocence to mature reflection and the ephemeral nature of human experience amid nature's sublime power.[53] These motifs often conveyed melancholy or serenity, as seen in 19th-century works where the lingering glow represented fleeting beauty and emotional introspection, aligning with Romantic ideals of nature's transient splendor.[54]Japanese ukiyo-e artist Katsushika Hokusai incorporated afterglow-like skies into his series Thirty-six Views of Mount Fuji (1830s), where vibrant, layered hues in prints such as South Wind, Clear Sky evoke the warm, diffused light of post-sunset atmospheres framing the mountain's silhouette.[55] In Māori oral traditions, sunsets were described with terms like "Te Tamanui-te-rā-kā" (the burning sun), symbolizing fiery celestial phenomena in cosmological narratives.[56]
Modern Interpretations and Media
In the realm of photography, Ansel Adams pioneered the capture of afterglow through his iconic twilight landscapes of Yosemite National Park in the 1940s, where he emphasized the dramatic illumination of peaks like Half Dome during the fading light of dusk.[57] These black-and-white images, such as those in his Yosemite series, showcased the subtle gradients of post-sunset glow against granite formations, influencing generations of landscape photographers.[58] In contemporary digital culture, afterglow has become a staple of social media trends, with photographers worldwide using the hashtag #Afterglow to share sunset scenes featuring lingering sky hues, often in coastal or mountainous settings to evoke serenity and ephemerality.[59]In film and television, afterglow serves as a cinematographic tool for emotional depth, particularly in natural-light sequences that transition scenes with warm, residual twilight. For instance, in The Revenant (2015), director Alejandro G. Iñárritu and cinematographer Emmanuel Lubezki harnessed golden hour and post-sunset lighting during wilderness shoots to heighten tension and isolation, relying entirely on ambient conditions without artificial sources.[60] This approach not only amplified the film's raw aesthetic but also underscored afterglow's role in conveying introspection amid harsh environments.[61]Symbolically, afterglow extends beyond meteorology into wellness culture, where it metaphorically represents the euphoric state following intense physical activity, akin to a "post-workout high" of elevated mood and energy.[62] This usage draws from the lingering warmth of twilight to describe endorphin-driven clarity and relaxation after exercise.[63] In environmental art, afterglow inspires works addressing climate change's effects on atmospheric clarity, such as the 2020 installationAfterglow by Nigel Cummings and Carolina Aragon, which visualizes air pollution's impact on sky visibility through community-engaged landscapes, prompting reflection on clean air access amid global warming.[64]Since around 2011, mobile applications like PhotoPills have incorporated astronomical and weather data to forecast afterglow conditions, aiding travel photographers in predicting optimal sunset timings and light quality for captures worldwide.[65] These tools simulate solar paths and atmospheric effects, enabling precise planning for the post-sunset glow in remote locations.In music and advertising, afterglow evokes emotional residue, as seen in INXS's 2005 track "Afterglow" from their album Switch, which uses the term to symbolize the bittersweet persistence of memories and relationships, paying tribute to late frontman Michael Hutchence while resonating with themes of lingering affection.[66] Though not meteorologically literal, the song's soft rock balladry has influenced ads portraying transitional moments of calm reflection.