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Alberto Mielgo

Alberto Mielgo is a visual , , and filmmaker known for his pioneering work in , , and production design, often blending surreal visuals with explorations of human emotion and . Born in , Mielgo has lived and worked internationally in cities including , , , and before establishing bases in and . He founded the Pinkman.TV, through which he has directed and produced innovative projects, including his debut in development. His spans art direction for music videos and video games—such as Gorillaz live performances, The Beatles: Rock Band, and Watch Dogs Legion—as well as television, film , and game cinematics including the 2025 Marathon short. Mielgo's breakthrough came as production designer on Disney's Tron: Uprising (2012), earning him a Primetime Emmy Award for Outstanding Individual Achievement in Animation and an Annie Award for Production Design in an Animated Television Production in 2013. He contributed early artwork and served as visual consultant on Sony's Spider-Man: Into the Spider-Verse (2018). His independent short films, including Pill (2010), Gentrification (2014), and the Oscar-winning The Windshield Wiper (2021), showcase his distinctive style of abstract, emotionally charged animation. Mielgo gained further acclaim with episodes for Netflix's Love, Death & Robots, directing and designing The Witness (2019)—which won three Primetime Emmy Awards, including for Outstanding Short Form Animated Program and Individual Achievement in Animation, plus an Annie Award for Production Design—and Jibaro (2022), which secured two additional Emmys for Outstanding Short Form Animated Program and Individual Achievement in Animation. In total, he has received five Primetime Emmy Awards, one Academy Award for Best Animated Short Film for The Windshield Wiper at the 94th Oscars, and three Annie Awards. Beyond screen work, Mielgo has exhibited his art internationally, including a 2024 presentation at Fondazione Prada in Milan featuring selections from his animation and visual projects.

Early life and education

Upbringing in Spain

Alberto Mielgo was born on April 29, 1979, in , . Raised in the Spanish capital during the late and , he grew up in an environment that fostered his innate curiosity for visual expression. From a very young age, Mielgo exhibited a profound interest in and , describing himself as always aspiring to be an artist. He recalls no phase of his childhood without pencils and paper constantly at hand, indicating an organic, self-driven immersion in artistic pursuits that began in his early years in . This early environment in provided the backdrop for his initial explorations, though specific familial influences on his remain undocumented in available accounts. Mielgo's foundational exposure to art occurred through personal experimentation rather than structured programs, laying the groundwork for his self-taught approach to and design. By his late teens, this self-exploration had solidified his path toward creative fields, leading him to seek opportunities in shortly after completing .

Entry into art and animation

Mielgo developed his artistic skills through self-directed learning, focusing initially on and during his late teens in . As a self-taught , he emphasized practical experience over formal training, drawing from personal exploration to build his foundational techniques in visual storytelling. Around 1996–1997, in his late teens, Mielgo entered the animation industry with his first professional role at a studio in , where he worked as a 2D animator and absorbed industry practices through on-the-job collaboration. This early immersion allowed him to transition from conceptual sketches to animated sequences, marking his initial foray into professional production. Following this, he moved to at age 22 to pursue further opportunities in . As 3D animation began dominating the field in the early 2000s, Mielgo pivoted back to his strengths in painting and concept art, creating detailed illustrations for commercials and films while continuing to refine his self-taught approach to digital and traditional media. To explore his evolving aesthetic, Mielgo launched personal projects under Pinkman.tv in the mid-2000s, directing experimental shorts like Pill, Kill Your Stress, and PINKMAN. These works highlighted his emerging style, integrating painterly textures, surreal narratives, and hand-drawn elements to challenge conventional animation boundaries.

Professional career

Early animation roles in Europe and Asia

Following his initial forays into in , Alberto Mielgo relocated abroad to pursue professional opportunities, beginning with a move to in 2001 at the age of 22, where he lived and worked for approximately seven years. He later extended his international experience to , , and between 2000 and 2010, immersing himself in diverse scenes across and . These relocations allowed Mielgo to engage with varied , drawing from the vibrant studio environments in each city to refine his skills in and design. During this period, Mielgo took on roles as an and at several studios, contributing to feature in supporting capacities. Notably, he worked as an at the London-based Stardust Pictures on ' Sinbad: Legend of the Seven Seas (2003), handling tasks. He also served as an at Fanciful Arts Animation for the production El Cid: The Legend (2003) and for the German-French co-production Jester Till (2003), focusing on keyframe and elements. These early contributions, often uncredited or minor, provided foundational experience in collaborative pipelines. In parallel, Mielgo built his through freelance and work, operating independently across these locations to create personal and commercial pieces. As a self-described successful in the graphic market, he produced digital illustrations and for various clients, supplementing studio gigs and establishing a distinctive style that blended painterly techniques with . This freelance practice was crucial during his moves, enabling adaptability to transient roles and helping amass a body of work that showcased his evolving artistic voice.

Key contributions to major productions

Mielgo served as the Art Director and Production Designer over three years (approximately 2010–2013) for Disney's animated series Tron: Uprising, where he led a team of artists in crafting the show's distinctive cybernetic aesthetic. He oversaw the design of futuristic environments, including neon-lit digital grids and sprawling virtual landscapes that expanded the Tron universe, while developing character visuals that blended organic forms with circuit-like patterns to emphasize the series' themes of identity and rebellion within a computerized world. His creative decisions prioritized a hand-crafted, painterly approach to CGI, ensuring the production maintained a sense of tactile depth amid the high-tech setting, which influenced the overall visual language of the show. In 2015, Mielgo joined Sony Pictures Animation as Production Designer and Art Director for Spider-Man: Into the Spider-Verse (2018), contributing early concept art that shaped the film's groundbreaking multiverse visuals. He focused on exploring diverse stylistic dimensions across parallel universes, creating thousands of drawings, paintings, and storyboards that integrated comic book aesthetics with cinematic techniques, such as dynamic paneling and mixed media textures to represent characters like Miles Morales navigating alternate realities. Mielgo also directed an initial animation test sequence, collaborating with a specialized team including artists like Vaughan Ling and Craig Mullins, to prototype innovative 2D-3D hybrid animation that broke from traditional CGI norms and informed the film's signature fragmented, graphic-novel-inspired look. Though his involvement ended prematurely after nearly two years, these foundational elements persisted in the final production, particularly in the multiverse traversal scenes. Mielgo extended his collaborative expertise to video game media in 2020, directing and designing the cinematic trailer "Tipping Point" for Ubisoft's Watch Dogs: Legion through his studio Pinkman.tv in partnership with agency DDB Paris. In this project, he led a multinational team to visualize a dystopian , incorporating intricate character designs and high-octane chase sequences that captured the game's themes of resistance and , using a blend of photorealistic and stylized to heighten narrative tension. His decisions emphasized immersive environmental storytelling, with detailed urban decay and holographic interfaces that aligned the trailer's aesthetic with the broader franchise while showcasing innovative motion design techniques. Throughout these projects, Mielgo collaborated with prominent studios including and , fostering interdisciplinary teams that integrated his European-influenced artistic vision with American production pipelines to push boundaries in animated storytelling.

Independent directing and production

In 2010, Alberto Mielgo established Pinkman.TV as his independent production studio in , serving as a creative laboratory to explore and visual storytelling unbound by studio constraints. The company enabled Mielgo to take full control over projects, blending his background with digital techniques to produce original content. Mielgo's directing debut came in 2019 with The Witness, an episode he wrote, directed, and production-designed for Netflix's anthology series , marking his transition from art direction roles to leading independent narratives. Produced under Pinkman.TV, the short utilized a hybrid animation pipeline that Mielgo oversaw, combining hand-drawn elements with to create a surreal urban chase sequence. Building on this momentum, Mielgo directed and produced Jibaro in 2022 for the third season of , where he handled writing, visual development, and overall creative direction in collaboration with studios like . The production process emphasized iterative keyframe animation and live-action references, including for its central dance-like confrontation, resulting in a 17-minute piece that highlighted Mielgo's hands-on approach to and . In April 2025, Mielgo expanded his independent ventures into game media with an 8-minute cinematic short for Bungie's Marathon, which he wrote and directed through in partnership with Illusorium Studios. This project involved a team of over 150 artists and focused on establishing the game's sci-fi aesthetic through poetic, high-contrast visuals, underscoring Mielgo's growing role in cross-media production. Ongoing films under continue to explore these experimental boundaries, though specific details remain in development.

Artistic style and influences

Core visual techniques

Alberto Mielgo's digital painting approach prominently features vibrant colors and simple shapes to construct patterns within landscapes, blending elements of and to evoke depth and movement. These compositions often incorporate surreal elements through clean lines and geometric forms, allowing for a painterly yet structured aesthetic that leverages the capabilities of digital tools to encourage bold experimentation without the constraints of . In his animation workflows, Mielgo integrates hand-drawn and painted elements with CG techniques, creating hybrid visuals that maintain an impressionistic essence by focusing on essential details rather than hyperrealism. This includes custom pipelines using software like Photoshop for initial paintings, After Effects for compositing, and CG for and cloth simulation, resulting in dynamic scenes where backgrounds interact fluidly with models. Such methods emphasize simplified textures and graphic to achieve a realistic yet stylized look, avoiding overwhelming detail while enhancing visual clarity. Mielgo's concept art highlights dynamic lighting to guide viewer attention, employing clean digital artifacting and shape-based highlights that simulate natural illumination without mimicking traditional brushwork. This technique draws from his background in painting, where light and texture are rendered through layered digital applications to build atmospheric depth. Post-2010, Mielgo evolved from traditional tools like pencils and paints to hybrid digital processes, incorporating CG animation alongside handcrafted 2D elements to expand creative possibilities in production design. This shift enabled more adventurous compositions, as digital platforms allowed iterative refinement while preserving the tactile feel of his early self-taught painting methods.

Thematic elements and inspirations

Alberto Mielgo's works frequently explore themes of , technology's intrusion on human connection, and raw human emotions such as , lust, and , often through allegorical narratives that challenge conventional heroism. In "Jibaro," for instance, the story delves into through the lens of colonial , portraying the deaf and the as embodiments of conqueror and native, respectively, locked in a cycle of mutual destruction driven by miscommunication and predation. This motif of fractured reflects broader human vulnerabilities, where characters devolve into their worst selves without , emphasizing a predatory dynamic that mirrors toxic interpersonal bonds. Technology appears thematically as a disruptor, with the knight's armor symbolizing artificial barriers that both enable and doom human desires, while the absence of sound underscores in a mechanized world. Mielgo's thematic approach incorporates surrealist and impressionistic elements with dream-like distortions to evoke emotional essence over literal realism, as seen in the fluid, hallucinatory visuals of his animations. He blends this with influences from Japanese anime, appreciating its narrative depth and stylized intensity to infuse dynamic, immersive that heightens emotional stakes, evident in the rhythmic, ballet-inspired sequences of "Jibaro." These elements merge with contemporary digital culture, where Mielgo experiments with hybrid 2D-3D aesthetics to critique modern alienation, drawing parallels to expressionist artists like for raw, contorted figures and Gustav Klimt's ornate patterns in the siren's golden allure. Personal inspirations stem from Mielgo's global travels across European cities like , , and , as well as Asian hubs including , where he absorbed diverse art scenes that informed his fusion of and . Experiences in these locales, combined with visits to natural settings like rural for "Jibaro," shaped motifs of nature's beauty clashing with human violence, paying homage to organic environments while subverting them with surreal predation. and medieval tales, filtered through these travels, further influence recurring symbols of sirens and knights as archetypes of forbidden desire. Post-2019, Mielgo's projects exhibit a shift toward more introspective narratives, prioritizing psychological depth and ambiguous morality over action-driven plots, as in "The Windshield Wiper" and "Jibaro," where personal duality and relational toxicity take center stage to explore inner conflicts. This evolution aligns with his vision of animation as a mature medium for complex, non-redemptive stories that reflect real human flaws, moving beyond spectacle to foster viewer introspection, as showcased in his 2024 exhibition at in , which presented selections from his hybrid animation and visual projects.

Notable works

Television and streaming projects

Alberto Mielgo served as and for the Disney XD animated series : Uprising (2012–2013), overseeing the visual style for its episodes set in the digital universe. His contributions included designing the show's distinctive cybernetic environments and character aesthetics, which earned him a Primetime Emmy Award for Outstanding Individual Achievement in for the episode "" in 2013. Mielgo's work extended to Netflix's anthology series , where he contributed to short-form animated episodes produced by . For the first volume, he wrote, directed, and served as on "The Witness" (2019), a surreal chase narrative that won three : Outstanding Short Form Animated Program, Outstanding Individual Achievement in , and Outstanding Individual Achievement in Production Design. In the third volume, Mielgo returned for "Jibaro" (2022), handling writing, directing, and character design for its mythological tale of a and a , which secured two additional : Outstanding Short Form Animated Program and Outstanding Individual Achievement in Animation for character design. These collaborations highlighted Mielgo's role in blending painterly visuals with episodic storytelling in streaming anthologies.

Short films and animations

Mielgo's early experimental animations from the late and early , such as "Pinkman" () and "Pill," showcased his distinctive hand-painted, frame-by-frame 2D style, blending with surreal narratives to explore themes of and desire. These personal projects, produced under his Pinkman.tv banner, featured vibrant, textured visuals that prioritized emotional abstraction over linear storytelling, establishing Mielgo's reputation for innovative, artist-driven . Works like "Kill Your Stress" further demonstrated his experimental approach, using looping sequences and bold color palettes to critique modern anxieties in concise, loopable formats. In 2019, Mielgo directed "The Witness," an episode from Netflix's anthology series , where a woman witnesses a brutal murder in an and flees through a surreal, looping cityscape pursued by the killer, only to realize the victim is herself in a cycle of trauma. The short's plot unfolds without , relying on kinetic chases, mirrored , and escalating tension to convey inescapable fate and relational voids. Critically acclaimed for its hypnotic visuals and thematic depth, "The Witness" won the Primetime Emmy Award for Outstanding Short Form Animated Program, along with Emmys for Individual Achievement in and Production Design. Mielgo's 2021 short film follows a man pondering the question "?" through a series of interconnected vignettes depicting diverse romantic encounters, from tender intimacies to chaotic breakups, all rendered in a dreamlike, painterly style. The 15-minute film's episodic structure builds to a poignant reflection on love's multifaceted nature, emphasizing vulnerability and connection amid isolation. It received widespread praise for its emotional resonance and artistic innovation, culminating in a win for Best at the , marking Mielgo's first Oscar.

Visual art and game media

Alberto Mielgo's visual art encompasses a range of static and interactive works, including oil and paintings, digital illustrations, and cinematic contributions to , often blending hand-drawn techniques with digital processes to explore themes and figures. His paintings frequently feature bold, expressive compositions that capture solitude and everyday scenes, as seen in works like Kayla Over a Black Chair Over a Over a Wooden Floor and a Bit of a Mess, executed in on paper. A notable example is the series, which originated as a painted in 2014 but includes a newer iteration presented on his , emphasizing , , and watercolor depictions of transformation. Mielgo's illustrations extend to commercial series, such as those created for campaigns in the early 2010s, where he produced hand-painted sequences like (2010), a short piece using animation derived from original drawings to promote and themes. These works highlight his ability to integrate into , with pieces like and showcasing geometric and figurative styles in personal collections. His Digitalzz series represents a dedicated body of illustrations, focusing on experimental, abstract forms that bridge traditional with computational , available through his online portfolio. In terms of exhibitions, Mielgo held his first solo show in in 2012 at GR Space, presenting a selection of recent paintings and portraits that reflected three years of personal , themed around despite the collaborative urban environment. This underscored his transition toward independent practice, featuring and oil works that emphasized raw emotional narratives over polished . Mielgo has also contributed to game media through directed cinematics that incorporate his illustrative style into interactive narratives. For Watch Dogs: Legion (2020), he directed and designed the "Tipping Point" trailer, a stylized chase sequence through dystopian rendered in a hand-painted, comic-inspired aesthetic reminiscent of his Spider-Verse influences. In 2025, he wrote and directed an eight-minute reveal cinematic for Bungie's Marathon, an extraction shooter, dividing the piece into vignettes that explore and through vivid, poetic visuals blending and practical effects. These game projects demonstrate Mielgo's skill in adapting static techniques to dynamic, narrative-driven formats.

Awards and recognition

Emmy Awards

Alberto Mielgo has received five Primetime Emmy Awards for his contributions to television animation, spanning art direction, production design, character design, and direction of short-form programs. His first win came in 2013 for Outstanding Individual Achievement in Animation, recognized for his art direction on the episode "The Stranger" from Disney XD's Tron: Uprising, where his innovative visual style blended cyberpunk aesthetics with dynamic lighting and color palettes to enhance the series' futuristic narrative. In 2019, Mielgo earned two Emmys for his work on "The Witness," the debut episode he wrote, directed, and produced for Netflix's Love, Death + Robots. He won Outstanding Short Form Animated Program for the episode's overall execution, praised by the Television Academy for its hypnotic, loop-driven storytelling and seamless integration of hand-drawn and digital techniques that created a disorienting urban chase sequence. Additionally, he received Outstanding Individual Achievement in Animation (Juried Award) as , with the jury highlighting his bold, surreal environments that distorted reality and amplified the theme of inescapable pursuit. Mielgo's 2022 achievements further solidified his acclaim in short-form , securing another two Emmys for "Jibaro," the episode he wrote and directed for the third volume of . The project won Outstanding Short Form Animated Program, lauded for its mythic retelling of a encounter through visceral and fluid motion that immersed viewers in a primal, water-bound conflict without dialogue. He also won Outstanding Individual Achievement in Animation as character designer, with recognition for crafting expressive, textured figures that conveyed raw emotion and cultural in a visually poetic manner. These wins brought Mielgo's total to five Emmys by 2025, all tied to groundbreaking animated shorts that pushed boundaries in visual storytelling and technical innovation.

Academy Awards and other film honors

Alberto Mielgo received significant recognition for his The Windshield Wiper (2021), which he wrote, directed, and produced alongside Leo Sanchez. The film won the for Best Animated at the in 2022, marking Mielgo's first Oscar and highlighting his innovative approach to exploring themes of love through abstract, vignette-style . Prior to the Oscar victory, The Windshield Wiper premiered at the in the section, earning a nomination for the SACD Award and drawing praise for its bold visual experimentation. It also received a nomination for Best at the 2021 Valladolid International , further establishing its critical acclaim in international circuits. These honors underscored Mielgo's transition from art direction roles in larger productions to independent filmmaking, amplifying his influence in the community and opening doors for subsequent projects that blend personal with experimental techniques.

Annie Awards and industry accolades

Alberto Mielgo received his first Annie Award in 2013 for Outstanding Achievement for Production Design in an Animated Television or Other Broadcast Production, recognizing his work on the episode "The Stranger" from the Disney series Tron: Uprising. This accolade highlighted his innovative visual style in blending cyberpunk aesthetics with dynamic animation. Mielgo earned two additional Annie Awards for his contributions to the Netflix anthology series Love, Death & Robots. In 2020, at the 47th Annie Awards, he was honored with the Outstanding Achievement for Production Design in an Animated Television/Broadcast Production for the episode "The Witness," which he directed and designed, praised for its surreal, immersive environments and fluid character integration. In 2023, during the 50th Annie Awards, he won the Outstanding Achievement for Character Design in an Animated Television/Media Production for the episode "Jibaro," noted for its bold, expressive character forms that enhanced the narrative's mythical intensity. These three Annie Awards by 2025 underscore Mielgo's sustained impact on television animation design. Beyond the , presented by ASIFA-Hollywood, Mielgo has received recognition from animation and visual art communities for his broader contributions. In 2024, hosted "Studio Alberto Mielgo," a dedicated project showcasing his and works, affirming his influence in contemporary visual storytelling. He has also been celebrated by peers in the field through events like was a Unicorn, where he served as a speaker and mentor in 2015 and 2017, and contributed artwork for their promotional materials, fostering discussions on innovative techniques.

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    Mar 9, 2015 · I´ve been invited to participate this year at TROJAN HORSE WAS A UNICORN 2015 in Portugal, where I´ll be a speaker and mentor.