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Gouache

Gouache is a type of water-soluble, opaque paint made from natural pigments bound together with a water-soluble gum, typically gum arabic, and often incorporating inert white pigments like chalk or zinc oxide to achieve its characteristic density and matte finish.^[1] Unlike transparent watercolors, gouache forms a thicker layer that prevents the underlying paper or surface from showing through, allowing for bold, vibrant applications similar to acrylics but with a velvety, non-glossy appearance.^[1]^[2] The medium, known as "bodycolour" in English-speaking contexts since the late 15th century, derives its modern name from the French term gouache, which emerged in the 18th century to describe this opaque variant of watercolor techniques.^[1] Historically, gouache has roots in ancient practices, with evidence of similar opaque water-based paints used by Egyptian artists for illuminated manuscripts and murals,^[3] though its formalized development in Europe is associated with Renaissance artists like Raphael, who employed large-scale gouache works as cartoons for tapestry designs in the early 16th century.^[4]^[5] Initially relying on lead white for opacity, the medium transitioned to safer zinc oxide (Chinese white) in the 19th century, coinciding with its popularity among Impressionists and Post-Impressionists such as Paul Cézanne and Henri Matisse for studies and preparatory works.^[1]^[2] Key characteristics of gouache include its versatility in layering—building from dark to light tones due to its opacity—and its ability to be reactivated with water even after drying, though it becomes brittle if overworked without proper additives like honey or glycerin for flexibility.^[1]^[6] It is commonly applied to paper, board, or canvas with brushes, sponges, or even fingers, producing flat, graphic effects ideal for illustration, graphic design, and fine art.^[1] In the 20th century, gouache gained prominence in commercial art, including posters and animation cels, as well as in modern abstract works by artists like Pablo Picasso, who valued its quick-drying properties and intense color saturation.^[7] Today, it remains a favored medium for its portability and environmental friendliness, often used in plein air painting and educational settings to bridge traditional and contemporary techniques.^[6]

Definition and Characteristics

Definition

Gouache is an opaque, water-soluble paint medium consisting of natural or synthetic pigments ground in water with a binder, typically gum arabic or dextrin, and frequently incorporating inert white fillers such as chalk or zinc oxide to achieve its characteristic high opacity and matte surface.^[8]^[9] The pigments provide color, while the binder holds the particles together and allows the paint to adhere to surfaces when dry, with water serving as the solvent for application.^[8] These fillers, often calcium carbonate (chalk) or zinc oxide, increase the paint's body and light-scattering properties, enabling even the darkest colors to appear more vibrant without transparency.^[9] The term "gouache" originates from the 18th-century French adaptation of the Italian "guazzo," which referred to a watery painting technique or splash, itself derived from the Latin "aquatio" meaning "watering" or "irrigation."^[10] As a variant of watercolor, gouache is distinguished by its elevated pigment-to-binder ratio and the inclusion of opacifiers, producing a velvety, non-reflective finish that contrasts with the luminous translucency of standard watercolors.^[9] Fundamentally, gouache differs from transparent watercolors in its composition, as the latter lack white fillers and rely on thinner pigment suspensions for light to pass through the paper support, resulting in lower opacity and greater luminosity.^[11] Unlike tempera, which employs an egg yolk or casein emulsion as its binder for a more durable, film-forming quality, gouache uses water-soluble gums or starches that maintain its reworkability when moistened.^[12]^[13]

Physical Properties

Gouache paint exhibits a high degree of opacity primarily due to its elevated pigment concentration compared to transparent watercolors, allowing it to cover underlying layers effectively without allowing light to pass through.^[14] This opacity is further enhanced in many formulations by the addition of white fillers such as calcium carbonate or titanium dioxide, which scatter light and contribute to the paint's dense coverage.^[15] Upon drying, gouache develops a velvety matte finish that minimizes surface reflection, distinguishing it from the glossy sheen of oil paints and providing a uniform, non-shiny appearance ideal for graphic and illustrative work.^[16] As a water-based medium bound primarily with gum arabic, gouache remains water-soluble even after drying, forming a sensitive film that can be reactivated by re-wetting, which facilitates corrections and reworking during the artistic process.^[14] This re-wettability, while advantageous for manipulation, necessitates the use of fixatives or varnishes to achieve long-term permanence and protect the artwork from accidental reactivation or environmental moisture.^[16] In contrast to permanent acrylics, this property underscores gouache's versatility but requires careful handling in finished pieces to maintain stability.^[17] Gouache possesses a thicker, more viscous consistency than watercolors, often likened to yogurt or cream, owing to its higher binder-to-water ratio, which allows for bold application without excessive spreading.^[18] It dries relatively quickly—typically within minutes—faster than watercolors due to this formulation, enabling efficient layering but demanding prompt blending to avoid hard edges.^[19] A notable characteristic is the color shift from wet to dry states, where vibrant, saturated hues appear darker and more intense when wet but lighten and take on a subtler matte tone upon drying, a phenomenon attributed to the evaporation of water and the pigment-binder interaction.^[20] The lightfastness and archival quality of gouache depend significantly on the pigment quality, with professional-grade paints employing high-quality, lightfast pigments that resist fading under prolonged exposure to light, ensuring longevity comparable to other artist materials.^[21] Student-grade formulations, however, may incorporate less stable pigments that can fade over time, reducing archival viability.^[18] For optimal permanence, artists should select paints rated for excellent lightfastness, such as those meeting ASTM standards, to preserve color integrity in museum or gallery contexts.^[22]

Materials and Preparation

Paints and Binders

Gouache paints are formulated using a variety of pigments selected for their opacity, color intensity, and lightfastness to ensure durability in finished artworks. Natural pigments, such as earth colors including ochre, umber, and sienna, provide inherent opacity and excellent permanence due to their mineral-based composition.^[23] Synthetic pigments, like phthalocyanine blues and greens, cadmium yellows and reds, and ultramarine blue, offer vibrant hues and are chosen for their stability, though some exhibit semi-transparency that contributes to layered effects when combined with opacifiers.^[24]^[25] The primary binder in traditional gouache is gum arabic, harvested from the sap of Acacia trees, which adheres the pigment particles together and imparts flexibility to the dried paint film while allowing re-wetting.^[14] Honey or glycerin is often added as a humectant to maintain moisture and prevent cracking, enhancing the paint's workability.^[26] Preservatives, such as isothiazolinones, are incorporated to inhibit bacterial and mold growth in the water-based medium.^[27] Preparation of gouache begins with grinding dry pigments into a fine powder, then mixing them with the gum arabic binder solution and water to create a creamy paste; this mixture is either extruded into metal or plastic tubes for portability or poured into pans to dry into solid cakes.^[28] Fillers like kaolin (china clay), calcium carbonate (chalk), or titanium dioxide are blended in to increase body and achieve the characteristic opacity without shifting the pigment's hue.^[15] Artist-grade gouache features higher pigment loads—typically providing superior coverage and color strength—compared to student-grade versions, which use lower pigment concentrations and more extenders to reduce costs while maintaining basic usability.^[29]^[30]

Supports and Tools

Gouache painting requires supports that can absorb moisture while maintaining structural integrity, as the medium's water-based nature demands surfaces resistant to warping or buckling. Heavyweight, cold-pressed watercolor paper, typically weighing 300 grams per square meter (gsm) or more, is the most recommended support, providing the necessary absorbency and texture for even paint application.^[14] Alternatives include illustration boards made from acid-free materials, which offer a smooth, rigid surface suitable for detailed work, and primed canvas or canvas pads, which must be prepared with gesso or acrylic primer to ensure adhesion and prevent the paint from flaking.^[31] Preparation techniques, such as stretching paper on a board using gummed tape or sizing with watercolor medium, help secure the support and minimize distortion during wet application.^[14] Brushes for gouache should feature soft, flexible hairs that retain moisture and pigment for smooth, controlled strokes, mirroring those used in watercolor but with an emphasis on versatility for opaque layering. Synthetic brushes mimicking sable or squirrel hair are widely favored for their durability, affordability, and ease of cleaning, while natural options like kolinsky sable provide superior snap and point for fine details, and squirrel hair excels in holding large amounts of paint for broad washes.^[32] Common sizes range from fine round brushes (sizes 0 to 2) for intricate lines and textures to larger flats or washes (sizes 1/2 inch to 1 inch) for covering areas efficiently.^[33] Proper care involves rinsing brushes in clean water immediately after use, reshaping the tips, and storing them horizontally to prevent hardening or damage to the ferrules.^[34] Beyond brushes and supports, gouache artists rely on several auxiliary tools to facilitate mixing, application, and preservation of the medium's fluidity. Non-porous mixing palettes, often made of plastic or acrylic with multiple wells, allow for clean color blending without absorption, while separate water containers—typically two jars, one for rinsing and one for diluting—help maintain paint consistency.^[14] Sponges provide textural effects or gentle lifting of dried paint, and masking fluids applied with applicators protect reserved areas from unintended coverage, removable once dry without damaging the underlying surface.^[14] Effective storage and maintenance are crucial to prevent gouache from drying and cracking, preserving its usability across sessions. Airtight palettes with silicone seals or moisture-retaining films keep paints hydrated by trapping humidity, often enhanced by placing damp paper towels beneath the paint wells.^[35] Storing tubes or palettes in a cool, dark environment away from direct sunlight further inhibits premature drying, ensuring the binder remains pliable and colors vibrant.^[36]

Techniques and Application

Basic Techniques

Gouache's opacity and water-solubility enable several foundational application methods that allow artists to achieve varied effects with relative ease. One primary technique is wet-on-wet application, where wet gouache is applied to a pre-wetted surface to create soft, blended transitions similar to watercolor, but the paint's inherent opacity provides greater control for even coverage without excessive bleeding.^[37] This method is particularly useful for rendering smooth gradients or atmospheric backgrounds, as the diluted paint flows freely while maintaining vibrancy.^[38] In contrast, the dry brush technique involves loading a brush with gouache and removing most excess moisture on a paper towel or rag before lightly dragging it across the surface, producing textured, velvety strokes that highlight the paint's matte quality.^[38] This approach is ideal for depicting natural elements like foliage, fur, or rough surfaces, as it imparts a broken, stippled appearance without full coverage.^[37] Building coverage in gouache typically begins with thin washes applied in darker tones to establish a base, gradually layering more concentrated paint to increase opacity and depth. Artists dilute the paint with water—often starting with a ratio such as one part paint to several parts water for initial translucent layers—allowing each to dry before adding subsequent coats for controlled buildup.^[37] This process leverages gouache's ability to layer opaquely while preserving its matte finish in final applications.^[38] Correction is facilitated by gouache's re-wettable nature; excess or errant paint can be lifted by gently re-wetting the area with a clean, damp brush or sponge and blotting away the softened pigment, enabling adjustments even after partial drying.^[37] This forgiving quality makes gouache accessible for beginners, as mistakes can be rectified without permanent damage to the underlying support.^[39]

Layering and Effects

Gouache's inherent opacity enables artists to build compositions by layering from dark to light, starting with broad dark washes or underpainting and progressively adding lighter tones on top. This method ensures that subsequent lighter applications do not lift or mingle with underlying darker layers, avoiding the transparency challenges of watercolors where colors might bleed through. Overpainting is facilitated by the medium's quick-drying nature, allowing clean coverage without disturbing prior applications, which is particularly useful for achieving precise depth and volume in illustrations or landscapes.^[11]^[40] For softer transitions, scumbling involves dragging a thin, irregular layer of lighter gouache over a dried darker base using a dry or nearly dry brush, permitting subtle glimpses of the underlayer to emerge and creating hazy, atmospheric effects like diffused light or textured skies. Due to its re-wettability, gouache requires fully dry layers before scumbling to prevent unintended blending. This technique enhances the medium's versatility, bridging opaque solidity with subtle gradations.^[41]^[42] Textural effects in gouache can be amplified through impasto applications, where the paint is thickened with mediums such as Aquapasto to form raised, sculptural surfaces that capture light and add three-dimensionality to forms like foliage or fabric folds. Drybrush techniques, executed by loading a brush with minimal water and stippling or feathering over a still-damp base layer, yield granular, roughened textures reminiscent of sand or fur, introducing tactile variety without additional tools.^[43] Special effects further exploit gouache's properties; sgraffito, for instance, entails scratching fine lines or patterns into dried layers with a sharp tool like a knife or needle, exposing contrasting colors beneath to define crisp highlights or intricate details such as hair strands or sparkling water. Glazing, though challenging given the medium's opacity, can be approximated by diluting gouache to semi-opaque veils and layering thinly over dried surfaces, subtly shifting hues or unifying tones while maintaining a matte veil rather than true transparency.^[44]^[45] Framing under glass with a mat or spacer—typically 3mm or more—is standard to shield against moisture and dust while preventing direct contact that could cause sticking or mold; this setup preserves the painting's vibrancy over time without necessitating varnish, which can distort colors.^[46]

History

Origins and Early Use

Gouache, an opaque water-based paint, has ancient roots in Egyptian art, where artists mixed mineral pigments with gum arabic to produce vibrant, durable colors for tomb decorations as early as the 18th Dynasty around 1500 BCE. These paints were applied to plastered walls in tombs like those in the Valley of the Kings, creating flat, matte finishes with high opacity achieved through the addition of white fillers such as gypsum or calcite. Laboratory analyses of pigments from Theban tombs confirm the use of acacia gum as the primary binder, which allowed the paints to adhere firmly while maintaining luminosity over millennia in the arid climate.^[47]^[48]^[49] By the medieval era, from the 8th to 15th centuries, opaque water-based paints flourished in Islamic manuscript illuminations, enabling intricate book illustrations with vivid, non-transparent hues; gum arabic was a common binder, facilitating precise application on vellum.^[50] Similar techniques appeared in Byzantine illuminations, using gum binders for opaque pigment layers in religious texts.^[51] In European medieval art, opaque techniques were used in illuminations and preparatory designs, such as in the Book of Kells (c. 800 CE), an Irish illuminated Gospel manuscript, where pigments like red lead and lapis lazuli were bound in glair (egg white) or gum mixtures to create densely opaque patterns. Persian miniatures from the same period, such as those in the Shahnameh tradition (illustrated from the 14th century), showcase the use of opaque layering with gum-bound pigments for dynamic scenes of court life and mythology, emphasizing flat color fields.^[52]^[50] During the Renaissance, gouache's formalized development in Europe is associated with artists like Raphael, who employed large-scale gouache works as cartoons for tapestry designs in the early 16th century.^[5]

Modern Evolution

The invention of the collapsible metal paint tube in 1841 by American artist John Goffe Rand marked a pivotal advancement in gouache production, enabling artists to transport opaque watercolors portably without the paint drying out in traditional pig bladders or on palettes.^[53] This innovation, initially developed for oil paints, extended to water-based media like gouache, facilitating outdoor sketching and the rise of plein air techniques among 19th-century artists. Concurrently, British firm Winsor & Newton pioneered mass production of high-quality watercolors, including gouache in moist cake form by 1835, which standardized pigment dispersion and binder consistency for broader accessibility.^[54] In the 20th century, gouache experienced a revival through its adoption in poster art and commercial illustration, particularly during the Art Nouveau and Art Deco eras. Artists like Henri de Toulouse-Lautrec employed gouache for vibrant preparatory studies and sketches that informed his iconic lithographic posters, leveraging its opacity for bold, flat color effects in depictions of Parisian nightlife.^[55] By the 1920s and 1930s, the medium's matte finish and quick-drying properties made it a staple in Art Deco graphic design, where it was used in pochoir stenciling techniques for fashion plates and advertising illustrations, bridging fine art with commercial applications.^[56] Technological progress further enhanced gouache's appeal, with the introduction of synthetic pigments in the early 1900s yielding brighter, more stable colors resistant to fading compared to earlier natural earths and minerals.^[57] Manufacturers like Winsor & Newton responded by developing specialized lines, such as Designers Gouache in 1937, which incorporated these pigments for uniform opacity suitable for professional illustration. Post-World War II, gouache resurged in fine art, notably through Henri Matisse's innovative cut-out technique from the 1940s, where he applied gouache to paper for large-scale, abstract compositions that emphasized color and form over line.^[58] Culturally, gouache transitioned from its historical role in illuminated manuscripts to a key tool in modern graphic design, reflecting industrialization's shift toward reproducible visual communication. This evolution was evident in the 1930s Works Progress Administration (WPA) projects in the United States, where federal programs employed artists to create public murals and illustrations using gouache for its versatility in detailed, community-oriented works depicting American life.^[59]

Variants

Acrylic Gouache

Acrylic gouache is a contemporary hybrid paint that employs an acrylic polymer emulsion as its primary binder, replacing the gum arabic used in traditional gouache formulations. This composition allows the paint to remain water-soluble and workable while wet, similar to water-based media, but it forms a durable, water-resistant layer upon drying, enhancing longevity and preventing reactivation with water. The high pigment concentration ensures opacity comparable to classic gouache, resulting in a velvety matte finish without gloss or significant color shift from wet to dry states.^[60]^[61]^[62] Developed by Japanese manufacturers in the late 20th century, acrylic gouache was pioneered by brands such as Holbein and Turner to address limitations of traditional gouache, including fragility and susceptibility to cracking over time. Holbein's Acryla Gouache (renamed Acrylic Gouache in 2021) was formulated with a pure acrylic resin base for superior archival stability, while Turner's Acryl Gouache, launched around the same period, emphasized heavy metal-free pigments and quick-drying properties for professional illustration and design. These innovations provide greater resistance to environmental factors, making the paint more suitable for long-term artworks compared to gum arabic-bound versions.^[27]^[63]^[64] In handling, acrylic gouache dries more rapidly than traditional gouache, typically within minutes, and becomes non-reactivatable, which prevents lifting or bleeding in subsequent layers but requires prompt blending. It is highly versatile for mixed media, adhering well to paper, board, canvas, and other surfaces, and can be thinned with water or acrylic mediums for varied effects. Manufacturers incorporate flexibility-enhancing additives to replicate the smooth, matte texture of conventional gouache while ensuring the dried film remains supple and crack-resistant.^[61]^[65]^[66] Primarily available in tube packaging for ease of use and portability, acrylic gouache offers extensive color ranges that align with traditional palettes, including primaries, earth tones, and metallics, but with improved lightfastness ratings. For instance, Holbein provides 109 highly pigmented colors in 20 ml and 40 ml tubes, most achieving ASTM Category I or II for excellent to very good permanence. Turner offers over 200 shades in similar tube sizes, free of heavy metals and with strong opacity, while Liquitex's line, introduced in 2018, features 50+ colors in 59 ml tubes optimized for matte opacity and fluidity. These formulations prioritize professional-grade performance, with lightfastness tested to ensure fade resistance in gallery conditions.^[61]^[62]^[67]

Other Modern Forms

Casein gouache employs a milk-protein binder derived from casein, resulting in harder, more durable films compared to traditional gum arabic-bound gouache. This formulation provides a velvety matte finish and enhanced permanence, making it suitable for applications requiring longevity.^[68]^[69] During the mid-20th century, casein gouache gained prominence in commercial art and illustration due to its fast-drying properties and ability to produce vibrant, opaque colors on paper and board, often serving as a preferred medium before the widespread adoption of acrylics.^[70]^[71] Today, it experiences a revival in eco-friendly lines, valued for its non-toxic, breathable nature and natural composition, with manufacturers like Natural Pigments offering durable, sustainable casein-compatible formulations.^[72]^[73] Designer gouache features high-opacity formulations optimized for graphic design and illustration, providing intense pigmentation and a velvety matte surface ideal for precise, reproducible work. Schmincke's Designers Gouache, for instance, includes 48 colors aligned with the HKS color system, ensuring consistent opacity and suitability for airbrushing or fine detailing in professional design projects.^[74]^[75] These paints often incorporate metallic or interference pigments to achieve shimmering effects, with Schmincke's Genuine Artists' Bronzes offering real metal pigments compatible with gouache techniques for enhanced visual depth in graphic applications.^[76] Experimental forms of gouache involve additives like polyvinyl acetate (PVA), a vinyl-based polymer, to increase flexibility and prevent cracking, particularly for use on animation cels where traditional gouache might become brittle. This modification transforms gouache into a vinyl emulsion-like medium, allowing for smoother application and durability in layered animation artwork.^[77]^[78] Digital simulations of gouache have emerged in software like Adobe Photoshop, where custom brushes replicate the medium's opaque, matte texture and blending behavior through scanned textures and pressure-sensitive settings. These tools enable artists to mimic gouache's fluidity and layering digitally, facilitating hybrid workflows in illustration and concept art.^[79]^[80] Sustainability trends in gouache since the 2010s emphasize plant-based binders to address environmental concerns with gum arabic harvesting, such as overexploitation in arid regions. Brands like Schmincke have introduced HORADAM Naturals, a vegan line fusing watercolor and gouache properties using exclusively plant extracts, resins, and earth pigments for matte, opaque finishes without animal-derived or synthetic additives.^[81]^[82] Daniel Smith Extra Fine Gouache relies on gum arabic as its primary plant-based binder but aligns with broader eco-conscious practices through high-pigment efficiency and lightfast formulations, minimizing material waste in professional use.^[83]^[84] Alternatives like cornstarch or dextrin in experimental recipes further reduce reliance on imported gum arabic, promoting accessible, low-impact production.^[85]^[86]

Uses and Cultural Impact

Artistic and Commercial Applications

Gouache has been widely employed in commercial illustration, particularly for books and magazines during the mid-20th century, where its opaque qualities allowed for vibrant, detailed depictions in advertising campaigns. In the 1950s, artists frequently used gouache to create polished illustrations for print media, such as magazine covers and promotional materials, capitalizing on its ability to produce flat, even color blocks that reproduced well in halftone printing processes.^[87] For poster design, gouache's matte finish and versatility in layering enabled designers to achieve bold, eye-catching visuals suitable for promotional posters, enhancing the medium's role in graphic communication.^[88] Additionally, in animation, gouache proved ideal for backgrounds due to its capacity for solid, uniform color applications, as seen in Disney productions where it facilitated the creation of scenic elements with a clean, non-reflective surface.^[89] In fine art, gouache excels in landscape and portrait painting, offering a matte realism that captures subtle textures without gloss interference. Its opacity allows artists to build luminous effects in landscapes by layering colors over darker grounds, resulting in depth and vibrancy akin to traditional oils but with faster execution.^[90] For portraits, the medium's velvety finish renders skin tones and fabrics with natural subtlety, avoiding the shine that can distract in representational work. Gouache also integrates seamlessly into mixed media practices, where it can be combined with inks for line work or collage elements to add opaque color layers, expanding compositional possibilities in contemporary pieces.^[91] Contemporary applications of gouache extend to fashion illustration, where its fabric-like texture and quick application suit rendering garments and patterns with precision.^[92] In film concept art, including storyboards for productions like those at Disney, gouache supports rapid visualization of scenes through its ability to deliver immediate, adjustable color blocks.^[93] Furthermore, gouache serves as an educational tool in teaching color theory, with its re-wettable pans allowing students to experiment with mixing and harmony in controlled exercises.^[94] These uses highlight gouache's workflow advantages, including its quick drying time that accommodates tight deadlines in professional settings and its portability in tube or pan form, making it suitable for plein air sketching without the encumbrance of heavier media. As of 2025, gouache has seen increased use in digital-hybrid workflows, where traditional applications are scanned and enhanced digitally, and in eco-friendly formulations with non-toxic pigments for sustainable art practices.^[95]^[96]

Notable Artists and Works

Paul Cézanne incorporated gouache elements into his watercolors during the late 1800s, particularly in the 1870s and 1880s, to achieve greater opacity and depth in landscapes and still lifes, as seen in works like Houses at Auvers (c. 1872–1874), which combines transparent watercolor with opaque gouache touches.^[97] This approach allowed him to blend the fluidity of watercolor with the solidity of more traditional media, influencing post-impressionist explorations of form and color.^[98] In the 1890s, Henri de Toulouse-Lautrec employed gouache for vibrant, illustrative works capturing Parisian nightlife, including preparatory studies related to cabaret scenes like La Goulue et Paul Lescau (au Moulin Rouge) (1894), where the medium's bold opacity enhanced the dynamic energy of such subjects.^[99] His gouache pieces, such as Ambassadeurs: Aristide Bruant (1892), demonstrated the technique's versatility in graphic design, bridging fine art and commercial imagery.^[100] By the 1940s, Henri Matisse revolutionized gouache through his paper cut-outs, painting sheets with the medium before cutting and arranging shapes into compositions like Snow Flowers (1950, conceived in the late 1940s), which emphasized flat color and form in a physically accessible way after his illness.^[8] These works, created with gouache's matte finish, marked a late-career pinnacle, influencing abstract and decorative arts.^[101] Andrew Wyeth utilized gouache in his detailed watercolor studies for landscapes, adding earthy opacity to capture the stark Maine terrain and natural textures in rural scenes.^[102] His gouache-infused watercolors, often in darker passages, conveyed emotional isolation. Norman Rockwell frequently turned to gouache for its narrative clarity and opacity in magazine covers, such as early illustrations for Junior Home (1925), where the medium's versatility supported detailed, storytelling compositions for publications like The Saturday Evening Post.^[103] These works highlighted gouache's role in commercial illustration, blending realism with accessible warmth.^[104] Contemporary artist James Gurney employs gouache extensively in fantasy illustrations, as in his Dinotopia series and plein-air studies like Painting an Excavator (2015), where the medium's quick-drying properties enable intricate, imaginative worlds with luminous effects.^[105] His techniques revive gouache for modern digital-age fantasy, emphasizing layered opacity for atmospheric depth.^[106] Gouache holds cultural significance in folk art traditions, appearing in Mexican retablos—small devotional paintings on tin or wood, such as El Niño Jesús de Praga Retablo (1936) by Juan Amadeo Sanchez, which uses gouache to depict saints with vivid, accessible piety.^[107] These ex-votos express gratitude and miracles, sustaining indigenous Catholic practices.^[108] In Indian miniature painting revivals, gouache on wasli paper revives classical techniques in neo-miniature works, as in Bengal school adaptations that blend traditional motifs with contemporary themes, fostering cultural reconnection through opaque, jewel-like colors.^[109] This resurgence, seen in artists like those in the neo-miniature movement, preserves heritage while innovating on historical opacity for modern expression.^[110]

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Making Handmade Watercolors from scratch. - WetCanvas
May 14, 2020 · So I bought some raw off eBay and made a 2 parts water one part gum chunks by weight and added 25mL 5% phenol. I didn't want to add more phenol as that should ...anti-microbial for use in making watercolor paints - WetCanvasMaking Gouache Paint - WetCanvas: Online Living for ArtistsMore results from www.wetcanvas.com
[27]
https://www.verajkent.com/blog/why-gouache-the-evolution-and-chemistry-of-gouache-paints
[28]
Artist vs Student grade paint - Anna Bregman Portraits
Student grade paint ranges will not only use a lower percentage of pigment in each tube, but will also create their colours from cheaper pigments. Artists' ...
[29]
Professional Grade Vs. Student Grade: Which Paint is Right for You?
Pigment load refers to how much physical pigment is in a mixture of paint. Professional grade paints have higher pigment load. Student grade paints have lower.<|control11|><|separator|>
[30]
Painting Supports - Preparing | Golden Artist Colors
Today"s most common supports include acid-free papers, illustration board, cotton canvas, linen, polyester canvas, masonite, aluminum, and various wood panels ...Missing: heavyweight | Show results with:heavyweight
[31]
A Guide to Brushes | Guide to Artist Paintbrushes - Jackson's Art
Unlike squirrel hair, goat hair has more body and resilience. That being said, it still lacks the snap of sable or synthetic fibres. Goat brushes are ideal for ...
[32]
A Field Guide to Watercolor Brushes - Lisa Spangler
Nov 11, 2021 · Natural and synthetic squirrel brushes have great carrying capacity but have softer points and are best used for laying in initial washes and ...
[33]
A Question of Brushes - Jane Blundell Artist
Jan 3, 2015 · Watercolour brushes are made from Sable (of various quality), Squirrel and Synthetic, by and large. Don't use hog or other harsh haired brushes for watercolour.
[34]
Transon Paint Storage Palette Box 24 Wells Airtight ... - Amazon.com
Airtight and Watertight box - 6 locks, silicone latex seal, keep your paint moist, also suitable for storing other stuff that requires air-tight condition. 24 ...
[35]
Keeping Your Gouache Paint Fresh: Tips and Tricks - - Cecile Yadro
Aim to store your paints in a cool room to prevent them from drying out too quickly. Avoid direct sun or heat on the tubes.Fast Drying Times · Storing Your Gouache... · Spraying Water Mist On The...
[36]
https://cecileyadro.com/keeping-your-gouache-paint-fresh/
[37]
Gouache Painting Techniques
### Summary of Gouache Painting Techniques
[38]
https://myreeves.com/blogs/gouache/gouache-painting-techniques
[39]
https://www.dickblick.com/categories/painting/gouache/
[40]
Essential Gouache guide - KUM GmbH & Co. KG
Scumbling is a technique where a light, dry layer of paint is dragged over an underlying color to create a hazy, soft effect. This works well for: • Misty ...
[41]
Glazing Techniques, Scumbling, Oil Painting Advice - Artists Network
What's the difference between glazing, scumbling and washing? Peter Kostoulakos, Lowell, MA. A. Although you can apply the terms glaze, scumble and wash to ...
[42]
Creating granulation with watercolour - Winsor & Newton
Aquapasto Medium: A translucent gel that increases the viscosity of watercolour and gouache, Aquapasto allows you to thicken your paint for a raised, impasto- ...
[43]
Painting With and Over Gouache - Artists Network
Gouache can be used to correct mistakes, create effects, and as a semi-opaque glaze to mute or soften colors. It can be sponged off for manipulation.
[44]
Watercolor Technique - Scratching - Learn to Paint Watercolor
Nov 9, 2022 · Sgraffito, or scratching, is a watercolor technique where you scratch dry pigment to expose the paper's white, used to regain highlights.
[45]
https://www.learntopaintwatercolor.com/blog/createsparklinglight
[46]
Fixatives Are Not All the Same - Jackson's Art Blog
Aug 29, 2014 · Good water-resistance after 2 coats. SpectraFix Spray Fixative The only water-based fix, it is very slow-drying and wets the paper so unless ...Missing: gouache | Show results with:gouache
[47]
11 Best Gouache Varnish and How to ... - Acrylic Painting School
Nov 29, 2022 · If you're looking for the best water-based satin varnish for gouache, Pebeo Gouache Varnish is an excellent choice. It is an acrylic-based spray ...
[48]
Paint Like An Egyptian! - The Metropolitan Museum of Art
Jul 20, 2020 · They were ground down to a fine powder and then mixed with a binder (something to hold it all together) such as gum Arabic.
[49]
[PDF] Art and Eternity: Nefertari Wall Paintings - Getty Museum
binders were preferred for ancient Egyptian wall paintings. Use of ... available samples of gum arabic and the binding medium in the wall paintings.
[50]
[PDF] ANCIENT EGYPTIAN PAINTINGS
in the present work it is necessary to go back twenty-five years and more, when Nina M. Cummings married Nor- man de Garis Davies and took up her abode in ...
[51]
Painting the Palace of Apries I: ancient binding media and coatings ...
Feb 20, 2018 · The use of plant gums as binding media appears to have been widespread in ancient Egypt based on several attestations: paint from stone columns ...
[52]
The Production of Miniature Painting - Brown University Library
Gum arabic was the most common vegetale binder used by Persian and Indian artists alike. Artists have used this material for centuries for its excellent ...
[53]
Raman spectroscopy analysis of pigments on 16–17th c. Persian ...
In order to explore the palette of pigments used during this period of Persian art, four illuminated Persian manuscripts from the 16th and 17th centuries were ...
[54]
[PDF] HISTORY OF EGG TEMPERA PAINTING - Koo Schadler
Egg tempera is often said to date back to ancient Egypt. Egyptian artists “tempered” pigments with a variety of water-based binders: gum arabic, ...Missing: religious | Show results with:religious
[55]
The Book of Kells: A non-invasive MOLAB investigation by ...
Such information is diagnostic of constituting materials (support, pigments, binders, etc.) of these often fragile artworks that can lead to considerations ...
[56]
https://www.nypl.org/node/171023
[57]
https://www.winsornewton.com/blogs/articles/history-of-pigments
[58]
Henri de Toulouse-Lautrec (1864–1901)
May 1, 2010 · The artist frequently employed the spattered-ink technique known as crachis, seen in his series of prints depicting Loïe Fuller ( 1970.534 ).Missing: gouache | Show results with:gouache<|separator|>
[59]
Art Deco: A Research Guide | The New York Public Library
A form of printmaking, pochoir artists used a pain-staking hand-applied process involving gouache watercolor and stencil plates.
[60]
https://www.jacksonsart.com/blog/2011/07/19/what-is-acrylic-gouache/
[61]
The history of gouache – Lefranc Bourgeois EU
Developed around the 15th century following on from Tempera, a water-based technique used in Antiquity, gouache was first used in drawing to highlight volumes ...Missing: Deco commercial
[62]
The Art of the Great Depression - The Metropolitan Museum of Art
Sep 18, 2023 · The precision and detail enabled by watercolor and gouache—techniques that gained popularity among contemporary Pueblo artists during the late ...
[63]
What is Acrylic Gouache? - Jackson's Art Blog
Jul 19, 2011 · Acrylic gouache is opaque, matte acrylic paint. The opacity means it has excellent coverage, the acrylic binder means it is waterproof when dry.
[64]
Acrylic Gouache - Holbein Artist Materials
109 highly pigmented colors in 20ml & 40ml tubes. Holbein Acrylic Gouache moves, reacts, blends and feels like traditional gum arabic gouache.
[65]
ACRYL GOUACHE | TURNER COLOUR WORKS LTD.
The most highly pigmented acrylic! If you love painting, only Turner Acryl Gouache is fully pigmented, totally free of heavy metal pigments, and are light fast.
[66]
Why Gouache? The Evolution and Chemistry of Gouache Paints
Using finely ground pigments and a binding agent, gouache is created in much the same way as watercolor. The pigments provide color, and the quality of those ...Missing: composition formulation
[67]
Holbein Acrylic - A Superb Acrylic Gouache Paint - Jackson's Art Blog
Feb 1, 2018 · ... holbein-acryla-gouache?utm_source=jasblog&utm_medium=product-post&utm_campaign=Acryla020218 ... Established in 1832, UK-based company Derwent have ...
[68]
COMPANY HISTORY | TURNER COLOUR WORKS LTD.
Launches Acryl Gouache, an opaque acrylic paint. Installs Japan's first Cobal Mill. 1985. Becomes the first in the industry to start working on switching to ...
[69]
https://www.decoart.com/blogs/default-blog/what-is-casein-paint-and-how-to-use-it
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https://www.tonyconner.com/casein-painting-introduction-to-a-timeless-medium
[71]
https://www.theartistsroad.net/articles/casein-overlooked-medium
[72]
Web Exclusive: The Case for Casein - Artists Network
Casein is an aqueous painting medium, which is made from milk. Its seemingly odd derivation notwithstanding, casein is fast-drying, durable and permanent.Missing: mid- commercial
[73]
https://www.naturalpigments.com/pigments/choose-by-medium/casein-pigments.html
[74]
Casein Painting: An Introduction to a Timeless Medium - Tony Conner
Casein was widely used by artists and commercial illustrators until the advent of acrylics in the mid-20th century. Today, it is used by artists and as a ...Missing: art | Show results with:art
[75]
Casein - An Overlooked Medium - The Artist's Road
Its original primary function was as an adhesive, but when combined with powdered pigments, it became an important, commonly used paint. Known for its lustrous ...
[76]
https://www.schmincke.de/en/produkte/gouachefarben/horadam-gouache
[77]
https://assets.ctfassets.net/f1fikihmjtrp/11bzLmJSlVw25pqQt7pdO5/69808dfd9baa15a33e9af2ce27ef93d9/SC_gouache_cheats.pdf
[78]
DESIGNERs Gouache (according to HKS®): www.schmincke.de
DESIGNERs Gouache has 48 highly opaque, intensely pigmented colors with a velvety matte finish, based on HKS, and is suitable for airbrush.
[79]
Schmincke Designers Gouache - Jackson's Art
A premium range of Designers Gouache offering vibrant, opaque colors with excellent lightfastness, perfect for illustrations, design, and fine art.
[80]
HORADAM® Gouache: www.schmincke.de
HORADAM Gouache has 48 premium, natural opacity colors made with high-quality pigments, without extra white, and can be used opaque or diluted.
[81]
[PDF] Studio Craft: Cheating with Gouache
The art school “cheat” described by your friend involves mixing colors with PVA glue as a medium. This makes gouache into a “poor-man's vinyl emulsion ...
[82]
PVA - A Polymer In Time | Kremer Pigments Inc. Online Shop
In my own studio practice, in which I make experimental animations using handmade materials, PVA has been a useful additive to acrylics to improve flow, as well ...
[83]
Photoshop Gouache Tutorial by DrewGreen on DeviantArt
Sep 3, 2010 · Here's a simple tutorial on how to get my signature gouache brush in Photoshop. As always, feel free to play around with the settings to get ...Missing: simulation | Show results with:simulation
[84]
Gouache-style Digital Environment Paintings - Domestika
Gouache-style digital paintings created in Photoshop and painted using my custom gouache brush set. Brushes were made using scans of my traditional gouache ...
[85]
HORADAM Naturals: www.schmincke.de
Finest vegan watercolours – the natural fusion of watercolour and gouache · 16 finest colours · Exclusively natural earth pigments and plant resins/extracts · 100% ...
[86]
Schmincke : Horadam Watercolor Paint : Naturals (Vegan)
A unique fusion of watercolor and gouache, Schmincke Horadam Naturals are made exclusively using natural earth pigments, plant extracts, or plant resins.
[87]
DANIEL SMITH Extra Fine™ GOUACHE
Jul 10, 2025 · DANIEL SMITH Extra Fine™ GOUACHE is a professional artist-grade water media that produces an opaque matte finish.Missing: based binder
[88]
Daniel Smith Extra Fine™ Gouache Review - The Fearless Brush
Mar 4, 2023 · The binder is made of gum arabic, the most common type of binder, and all of the colors in this set are considered extremely lightfast except ...Missing: 2010 | Show results with:2010
[89]
DIY Watercolor and Gouache Paints with Cornstarch - Lost in Colours
Oct 10, 2023 · Creating watercolor paints with cornstarch as a binder allows you to make art supplies more accessible to communities with limited resources.<|control11|><|separator|>
[90]
Self Made Watercolor in Tubes | Too Much White Paper
Jun 21, 2013 · There are alternatives to gum arabic, such as dextrin, that may be cheaper and produce different results. I haven't used it yet, but dextrin is ...
[91]
Meet One Of The Real 'Mad Men,' 1950s Ad Artist Mac Conner
Sep 10, 2014 · Gouache on illustration board. © Mac Conner. Courtesy of the artist ... "Let's Take a Trip Up the Nile" in This Week Magazine, November 5, 1950.
[92]
Gouache Paint 101 for Artists - Domestika
It is made from pigments mixed with a binding agent and a water-soluble binder, typically gum arabic, which gives it a creamy consistency. Unlike transparent ...Missing: fillers | Show results with:fillers
[93]
Disney Studio artist - Background painting for Cinderella (1950)
Title: Background painting for Cinderella (1950) · Maker: Disney Studio artist · Date: 1950 · Culture: American · Medium: Gouache on paper · Dimensions: Framed: 15 × ...
[94]
https://www.mcad.edu/academics/continuing-education/courses/designing-gouache-exploring-color-theory-online
[95]
Mixed Media Painting - John Lovett - Artist
How to combine Ink, Gouache, Gesso, Pastel, Collage, Charcoal and Acrylic with Watercolor to produce a vibrant, interesting Mixed Media Painting.
[96]
Gouache Fashion Illustration Technique
Gouache is that– opaque watercolor that has a more flat and velvety surface. I love it because it looks like fabric, and the painted shape takes on a defined ...
[97]
Designing with Gouache: Exploring Color Theory (Online)
Oct 2, 2025 · Course Description. Gain a deeper understanding of color mixing by executing a series of color charts and designs using limited palettes.
[98]
Grab and Go: Using Gouache for Plein Air - Artists Network
Also, pan gouache is easier to re-wet, which extends the usability of the paint. Pan gouache can even reduce expenses on brushes because, in the arid Southwest, ...
[99]
Sunrise, Conway Castle | The Art Institute of Chicago
A work made of monotype matrix in watercolor and gouache, with brush and green ink ... Paul Cezanne · A work made of transparent watercolor with touches of opaque ...
[100]
Investigation of Paul Cézanne's Watercolors
Nine watercolors by Paul Cézanne in the collection of the Philadelphia Museum of Art were investigated by conducting elemental analysis of major pigments.Missing: 1800s | Show results with:1800s
[101]
Drawings, watercolours and gouaches
... Henri de TOULOUSE-LAUTREC. Preview, Picture Data, Info. Ambassadeurs: Aristide Bruant 1892. Gouache on cardboard, 141 x 95 cm. Private collection. The Wheel ( ...
[102]
Top Ten Gouache Artists From the 18th to the 20th Century
Jul 21, 2022 · 8. Henri de Toulouse Lautrec (1864-1901). Toulouse Lautrec is a Post-Impressionist artist widely known for his posters celebrating Paris' ...
[103]
Henri Matisse - Snow Flowers - The Metropolitan Museum of Art
With scissors, Matisse cut shapes from sheets of paper that his assistants first had colored with gouache. These would be pinned into position and, once ...
[104]
andrew wyeth watercolor technique - WetCanvas
He used Winsor & Newton watercolors (with a few Grumbacher colors) and also made much use of W/N Gouache in his darker, earthier passages. The opaque watercolor ...
[105]
Natural Selections: Andrew Wyeth Plant Studies
Aug 29, 2015 · The exhibition included many rarely seen works on paper by Andrew Wyeth that demonstrate his minute observation and distinctive use of color.
[106]
Cover for Junior Home - Illustration History
Publication. Junior Home ; Publication Date. 1925 ; Medium. gouache and graphite ; Support. Illustration Board ; Illustration Size. composition: 7 × 5 5/16 in. ( ...
[107]
Acquisitions - Norman Rockwell Museum
Jan 4, 2024 · One photo of Norman Rockwell painting Mother's Day cover. Two issues of Columbia magazine with Don Winslow covers ... Gouache on board. 17 ¼ ...
[108]
Painting an Excavator in Gouache - Gurney Journey
Aug 24, 2015 · It's a study for a concept painting of a giant robot which will be part of an upcoming video tutorial called "Fantasy in the Wild.
[109]
Your Questions on Gouache - Gurney Journey
May 19, 2016 · A lot of you have asked me questions about gouache, so I've gathered up the answers here for the benefit of everybody.
[110]
El Nino Jesus de Praga Retablo - artworks - GSA Fine Arts Collection
Artist Juan Amadeo Sanchez ; Year1936 ; Classification painting ; Medium gouache on wood ; DimensionsSupport: 9 1/2 × 6 1/2 in. (24.1 × 16.5 cm).Missing: Mexican folk
[111]
Mexican Folk Retablos: Images of Devotion - Michener Art Museum
Apr 17, 2004 · The exhibition provided an insight into the faith and devotional practices of the Mexican people, and an art form that has influenced such well-known figures ...
[112]
(PDF) It is all in the Details: The Resurgence of Miniature Art in India
Mar 24, 2024 · A new wave of contemporary artists in India marks a resurgence of interest in miniature paintings, reconnecting with our indigenous roots and ...
[113]
Six emerging Pakistani artists leading the Neo-Miniaturism ... - Horijon
Jul 8, 2025 · DANIYAH To me, Neo-Miniature is a contemporary reimagining of South Asian miniature painting. It retains core elements—like gouache on wasli, ...