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Carpet

A carpet is a heavy textile floor covering, typically consisting of an upper layer of pile yarns attached to a backing fabric, designed to provide insulation, comfort, and decoration for floors.^[1] The term "carpet" originates from the Old French carpite, referring to a thick, decorated cloth, derived ultimately from the Latin carpere, meaning "to pluck" or "to card," reflecting early production methods involving carded wool fibers.^[2] Carpets have a rich history spanning millennia, with the oldest surviving example being the Pazyryk carpet, a wool pile-woven piece dating to the 5th century BCE, discovered in a frozen Scythian tomb in Siberia's Altai Mountains and featuring intricate motifs of deer, riders, and griffins with approximately 360,000 knots.^[3]^[4] The origins of carpet-making are believed to date back to around 3000 BCE in ancient civilizations of the Middle East, Central Asia, and Egypt, where early carpets were hand-knotted from natural fibers like wool or goat hair to provide warmth and portability for nomadic peoples.^[5] By the medieval period, Islamic artisans in regions like Persia and Anatolia elevated carpet-making into an art form, producing symmetrically or asymmetrically knotted wool or silk pieces with geometric, floral, and figural designs that symbolized cultural and religious motifs, often traded across Europe and Asia.^[6] In modern production, carpets are manufactured using several construction methods, with tufting accounting for over 95% of output in the United States, where yarns are inserted into a primary backing of polypropylene and secured with latex adhesive and a secondary backing.^[7] Other techniques include weaving (such as Wilton or Axminster styles, where pile and backing yarns are intertwined during loom operation), needlepunching (compacting fibers for durable, low-pile surfaces), knitting, and flocking.^[7] Common materials encompass natural fibers like wool, prized for its resilience and moisture absorption, alongside synthetics such as nylon (durable and stain-resistant), polyester (soft and fade-resistant), polypropylene (moisture-resistant and affordable), and triexta (hypoallergenic with built-in stain protection).^[7]^[8] Contemporary carpets vary in texture and style to suit diverse applications, including level-loop piles for high-traffic durability, cut-pile Saxony for plush comfort, and multi-level patterns for aesthetic depth and soil-hiding.^[7] The global industry, valued at over US$70 billion as of 2024 and projected to reach US$114 billion by 2033, is led in revenue by the United States (US$17.85 billion in 2025), particularly Dalton, Georgia—known as the "Carpet Capital of the World"—where innovations like the power loom in 1839 and mechanized tufting in the 1930s revolutionized mass production, shifting from hand-woven wool to synthetic-dominated tufted carpets by the mid-20th century.^[9]^[10] Today, carpets serve functional roles in sound absorption, thermal insulation, and safety while also functioning as cultural artifacts in traditional hand-knotted forms.

Etymology and Usage

Origins of the Term

The English word "carpet" derives from the late 13th century term for a coarse cloth, evolving by the early 14th century to denote a heavy decorated fabric such as a tablecloth or bedspread, ultimately tracing back to Old French carpite ("heavy decorated cloth") and Medieval Latin carpita ("carpet, rug"). This lineage stems from the Latin verb carpere ("to card, pluck, or tear"), referring to the plucking or carding process used in wool preparation for coarse fabrics, rooted in the Proto-Indo-European krep- ("to pluck, gather, harvest").^[2]^[11] By the 15th century, "carpet" in English had shifted to primarily signify a floor covering, distinguishing it from "rug," which entered the language around the same period from Old Norse rogg or Scandinavian rugga ("coarse fabric or animal skin"), typically implying a smaller, portable piece rather than a fixed or wall-to-wall covering. This etymological and usage divergence reflects evolving domestic practices, where carpets became associated with larger, stationary installations, while rugs retained connotations of mobility and versatility.^[2]^[12] In cross-cultural contexts, terms for carpets reveal diverse linguistic roots tied to function and craftsmanship. The Persian qālī (قالی), denoting a knotted pile carpet, has a debated etymology, with theories including derivation from the ancient city of Qala or as a shortened form of Arabic qaliʿun, possibly meaning "place of folding" in reference to prayer rugs.^[13]^[14] Turkish kilim, referring to a flat-woven, pileless rug, derives from Persian gelim and traces further to Ancient Greek kálumma ("covering" or "veil"), via Aramaic galīmā ("blanket or cloth"), highlighting shared nomadic weaving traditions across Anatolia and Central Asia. Arabic sajjāda (سجادة), often used for prayer rugs, stems from the root s-j-d ("to prostrate" or "bow down"), emphasizing its ritual purpose in Islamic practice.^[15] Trade routes, particularly the Silk Road, profoundly influenced carpet terminology by facilitating the exchange of woven goods from Persia, Anatolia, and Central Asia to Europe, introducing phrases like "Oriental carpet" in Western languages by the medieval period to describe imported knotted floor coverings distinct from local cloths. This diffusion not only spread artisanal techniques but also embedded foreign words into European vocabularies, as merchants adopted terms like qālī and kilim to denote exotic, high-value imports.^[16]^[17]

Definitions and Distinctions

A carpet is defined as a textile floor covering consisting of an upper layer of pile or flat-woven textile fibers attached to a backing, typically designed for covering substantial floor areas in residential or commercial settings. According to ISO 2424:2007, textile floor coverings like carpets are categorized based on their construction, including pile height, yarn type, and intended use, distinguishing them from non-textile alternatives. The primary distinction between carpets and rugs lies in size and installation: carpets are generally larger, often exceeding 40 square feet (approximately 3.7 square meters), and intended for fixed, wall-to-wall application, while rugs are portable, smaller coverings—typically under 6.5 feet (2 meters) in length—that do not span an entire room.^[12] Carpets can be either pile (with cut or looped yarns forming a surface) or flat-woven, and they are secured in place, whereas rugs are often hand-knotted or machine-made for easy relocation.^[18] In contrast to mats, which are smaller, utilitarian items made for specific functional purposes like entryway protection or exercise areas and lacking the decorative textile emphasis of carpets, linoleum represents a non-textile floor covering composed of oxidized linseed oil, cork dust, resins, and fillers on a backing, offering a hard, durable surface rather than a soft textile one.^[19] Common subtypes of carpets include area carpets, which are room-sized but removable pieces larger than typical rugs (often starting at 4x6 feet or 1.2x1.8 meters); broadloom carpets, supplied in wide rolls (usually 12 feet or 3.7 meters) for seamless wall-to-wall installation; and modular tiles, which are individual squares (typically 18x18 or 24x24 inches, or 46x46 to 61x61 cm) that interlock for customizable, easy-replacement flooring in high-traffic areas.^[21]^[22] These subtypes may incorporate natural or synthetic fibers, but their classification prioritizes construction and application over material specifics.^[23] In legal and trade contexts, carpets are classified under standards like EN ISO 10874:2012, which establishes a system for resilient and textile floor coverings based on practical requirements such as wear resistance, impact sound insulation, and slip resistance, assigning use classes from 21 (low domestic) to 33 (heavy commercial).^[24] Complementing this, EN 1307:2014 specifically classifies textile floor coverings like pile and woven carpets into domestic (classes 21-23 for moderate to heavy use), commercial (31-33 for moderate to heavy intensity), and luxury classes (LC1-LC5, based on premium durability and appearance retention), determined through tests like the Vetterman drum for appearance change and abrasion resistance.^[23] These classifications guide manufacturers, importers, and specifiers in ensuring suitability for intended environments, such as homes versus offices.^[25]

Materials

Natural Fibers

Wool serves as the primary natural fiber in carpet production, derived from the fleece of sheep through annual shearing.^[26] This renewable material is prized for its inherent properties, including exceptional durability that allows it to withstand heavy foot traffic, resilience that enables it to recover from compression, and natural flame resistance stemming from its high nitrogen content and moisture absorption capabilities.^[27]^[28] Sourcing wool involves sustainable grazing practices in pastoral regions, where sheep are raised on regenerative lands to minimize soil erosion and biodiversity loss, though intensive farming can lead to environmental challenges like increased salinity if not managed properly.^[29] Following shearing, the raw greasy wool undergoes scouring to remove contaminants such as lanolin, dirt, and sweat, followed by carding to align fibers and spinning into yarns suitable for weaving or tufting. These processes emphasize low-chemical interventions to preserve wool's biodegradability and reduce water usage, making it an eco-friendly choice compared to synthetic alternatives that often involve petroleum-based production and higher energy demands.^[30] To enhance performance, wool is frequently blended with other natural fibers like silk for added luster or cotton for improved strength and structure in the foundation.^[31] Silk, sourced from silkworm cocoons, imparts a luxurious sheen to high-end pile carpets but remains delicate and prone to wear under direct sunlight or abrasion.^[32] Cotton, harvested from the Gossypium plant, is commonly used in flatweave carpets for its breathability and affordability, offering a soft, machine-washable surface that resists allergens.^[33] For backing materials, coarser plant-based fibers such as jute from the Corchorus plant or sisal from the Agave sisalana are employed, providing eco-friendly support due to their rapid renewability and low pesticide needs, though they are susceptible to moisture damage and staining in humid environments.^[34]^[35] Historically, wool dominated pre-industrial carpet making in pastoral regions of Central Asia and the Middle East, where nomadic herders had abundant access to sheep fleece, enabling the creation of intricate hand-knotted textiles essential for daily life and trade.^[36]

Synthetic Fibers

Synthetic fibers, also known as man-made or manufactured fibers, are engineered polymers widely used in modern carpet production due to their consistent quality, cost-effectiveness, and tailored performance attributes.^[37] These materials offer advantages over natural fibers, including enhanced durability, resistance to environmental factors, and the ability to be produced in uniform batches for large-scale manufacturing.^[38] Common synthetic fibers in carpets include nylon, polypropylene, polyester, and acrylic, each selected for specific applications based on their chemical composition and physical properties.^[37] Nylon, a polyamide thermoplastic, is the strongest and most prevalent synthetic fiber in carpeting, prized for its high abrasion resistance, resilience, and longevity under foot traffic.^[37] It exists in two primary types: Nylon 6, produced through the ring-opening polymerization of caprolactam, and Nylon 6,6, formed by the condensation polymerization of hexamethylene diamine and adipic acid.^[39]^[40] Nylon's strength stems from its molecular structure, which allows for excellent recovery from compression, making it ideal for high-wear areas; stain-resistant variants are achieved through chemical treatments or solution dyeing.^[37] Despite its robustness, nylon can be susceptible to static buildup and requires periodic cleaning to maintain appearance.^[41] Polypropylene, commonly referred to as olefin, is an inexpensive synthetic fiber composed of at least 85% propylene units, offering superior moisture and stain resistance due to its non-absorbent, chemically inert nature.^[37] This makes it particularly suitable for indoor-outdoor carpets exposed to humidity or spills, as it repels water and resists mildew growth.^[42] Polypropylene is UV-stable and fade-resistant, enhancing its durability in sunlit environments, though it has a lower melting point around 320°F (160°C), which can lead to scorching under intense heat.^[43] Its lightweight and low-static properties further contribute to ease of maintenance in residential and commercial settings.^[41] Polyester, or polyethylene terephthalate (PET), provides a soft, luxurious handfeel in carpets and dries quickly after cleaning, with strong color retention that preserves vibrant hues over time.^[37] Often derived from recycled PET bottles through a process of melting and re-extruding the plastic, it promotes sustainability while maintaining performance comparable to virgin material in terms of clarity and resistance to water-based stains.^[44] However, polyester exhibits lower resilience than nylon, potentially leading to matting in high-traffic zones, though its hypoallergenic qualities make it a family-friendly option.^[45] Acrylic fibers mimic the wool-like texture and warmth of natural fibers, making them a popular choice for blends that enhance softness and aesthetics in carpets at a reduced cost.^[37] Composed of at least 85% acrylonitrile, acrylic resists fading from sunlight exposure and holds dyes well for consistent coloration, but it is generally less durable than nylon or polypropylene, showing wear more readily under heavy use.^[46] Its moisture and mildew resistance adds to its appeal in humid climates, though it may pill or mat over time.^[47] Triexta, a synthetic fiber known as polytrimethylene terephthalate (PTT), offers a soft, resilient alternative with inherent stain and soil resistance built into its molecular structure, making it hypoallergenic and ideal for homes with children or pets.^[48] Partially derived from renewable resources like corn-based sorbitol (1,3-propanediol), it combines the durability of nylon with the softness of polyester, providing excellent recovery from compression and fade resistance, though it may be slightly less abrasion-resistant than nylon in very high-traffic areas (as of July 2025).^[48] The manufacturing of synthetic carpet fibers typically begins with the extrusion process, where polymer chips—such as caprolactam for Nylon 6 or PET resin for polyester—are melted and forced through a spinneret to form continuous filaments.^[37] These filaments are then cooled, drawn to align the molecular chains for strength, and texturized using methods like false-twist or air-jet processes to introduce bulk, crimp, and elasticity, which improve the fiber's coverage and recovery in finished carpets.^[49] Heat-setting follows to lock in the twist, ensuring dimensional stability.^[37] This controlled production yields uniform fibers with predictable performance, often at lower costs than natural alternatives, and allows for innovations like solution dyeing for inherent colorfastness.^[50] Brief blending with natural fibers can enhance specific traits, such as improved moisture wicking, but synthetics dominate for their scalability and consistency.^[37]

Manufacturing Techniques

Hand-Knotted and Woven Methods

Hand-knotted carpets are created using intricate techniques that involve tying individual knots to form the pile, a process rooted in ancient traditions from regions like the Middle East and Asia. The primary method employs Oriental knotting, where yarn is looped around pairs of warp threads to secure the pile. Two main variants are the symmetric Turkish knot, also known as the Ghiordes knot, which fully encircles both warp threads for enhanced durability and is common in Turkish and Caucasian rugs, and the asymmetric Persian knot, or Senneh knot, which wraps around one warp more loosely than the other, allowing for finer details and curvilinear designs prevalent in Persian and Indian carpets.^[51]^[52] The density of these knots, measured in knots per square inch (KPSI), determines the carpet's quality, fineness, and longevity, with higher counts enabling more intricate patterns. Quality hand-knotted carpets typically range from 100 to 1,000 KPSI, where lower densities around 100 KPSI suit coarser, durable weaves, while densities exceeding 300 KPSI characterize fine, detailed pieces.^[53]^[52] This metric reflects the labor intensity, as each knot is tied manually to insert the pile yarn. In contrast, hand-woven methods produce flat carpets without pile, relying on interlocking warp and weft threads in techniques like plain weave or tapestry weaving on upright or horizontal looms. Plain weave alternates weft yarns over and under consecutive warps for a simple, sturdy structure, while tapestry weaving builds pictorial designs by varying weft colors across discontinuous sections, fully covering the warp. Essential tools include shuttles to pass weft yarns through the shed and beaters (or combs) to pack the wefts tightly against each row, ensuring even density.^[54]^[55] The production process for both knotted and woven carpets begins with warping the loom, where strong cotton or wool threads are stretched vertically under tension to form the foundation. Yarns are dyed beforehand using natural or synthetic dyes applied in heated baths for colorfastness, then dried. For knotted carpets, weavers follow a cartoon (design pattern) to tie rows of knots sequentially, inserting weft shots between rows and beating them down with a comb to secure the structure; this continues until the full design emerges. Woven carpets involve passing wefts through the warp shed in patterned sequences. Finishing involves shearing the pile to uniform height for knotted pieces, washing to set colors and remove excess dye, and trimming edges for a polished result.^[54]^[56] Regional variations highlight diverse adaptations of these methods. Persian carpets, particularly from areas like Tabriz, often feature high knot densities exceeding 500 KPSI for exquisite floral motifs, demanding exceptional skill. In contrast, Navajo weaves from Native American traditions employ coarser plain or twill structures on upright looms, with lower densities suited to geometric patterns and practical use, typically without pile knots. These labor-intensive processes underscore the artisanal nature, with a single square meter of a medium-density knotted carpet requiring several weeks of continuous work by skilled weavers.^[57]^[54]

Tufted and Machine-Made Methods

Tufting represents the dominant method in contemporary carpet production, accounting for over 90% of all carpets manufactured due to its efficiency in creating large volumes of floor coverings. In this process, yarn is inserted through a primary backing material—typically woven or non-woven polypropylene—using a tufting machine equipped with hundreds to up to 2,000 needles that operate simultaneously, akin to an oversized sewing machine.^[37]^[58] The needles push loops of yarn through the backing to form the pile surface, which can be left intact for loop-pile carpets, known for their durability and resistance to wear, or cut by a series of blades to produce cut-pile styles with a softer, more luxurious texture.^[59]^[60] Industrial tufting machines achieve high speeds, often up to 600 rows per minute, enabling rapid production of broadloom carpets up to 15 feet wide.^[61] Machine weaving, in contrast, simulates traditional knotting through automated looms to produce patterned carpets with greater design intricacy than basic tufting. The Axminster loom, a key system for this method, employs jacquard technology driven by digital design files to position individual pile yarns—typically an 80% wool and 20% nylon blend—into the backing structure, locking them in a U-shaped configuration with warp and weft yarns for enhanced durability.^[62] This allows for complex patterns with up to 16 colors and precise color placement, making it ideal for custom or high-traffic commercial applications where definition and resilience are critical.^[63] The Wilton loom, another jacquard-based system, weaves continuous strands of yarn into the pile and integral backing, raising them via wires or hooks to create cut or loop piles with varying heights and textures.^[64] Unlike Axminster's spool-fed approach, Wilton minimizes waste by running yarns longitudinally, often producing two carpets face-to-face on advanced in-house looms before slicing them apart, resulting in stable, firm constructions suited for patterned designs.^[65] Other machine-made techniques include needlepunching, knitting, and flocking. Needlepunching involves feeding fiber batts or webs through a machine with barbed needles that punch and tangle the fibers into a cohesive, low-pile fabric, often used for industrial or outdoor carpets due to its durability and cost-effectiveness.^[66] Knitting uses warp-knitting machines to interlock yarns into a continuous backing with pile loops, producing seamless, flexible carpets suitable for patterned designs and accounting for a small but notable share of production.^[37] Flocking applies short fiber piles electrostatically or mechanically to a pre-formed base, creating velvety textures for decorative or specialty applications, though less common for heavy-use flooring.^[58] Following tufting or weaving, carpets undergo essential post-processing to ensure structural integrity and aesthetic finish. A latex adhesive, commonly styrene-butadiene rubber (SBR), is applied to the underside to bond the pile yarns to the primary backing, preventing tuft pull-out, after which a secondary backing—such as jute, polypropylene, or foam—is laminated on for added stability and cushioning.^[37]^[67] The assembly passes through a drying oven to cure the adhesive and remove moisture, followed by steaming to set the fibers, prevent curling, and enhance dimensional stability.^[68] Dyeing often occurs in continuous ranges post-construction for solid colors or patterns, using methods like beck dyeing for tweed effects or printing for multi-color designs, ensuring uniform coloration across large rolls.^[37] Innovations in these mechanized methods have focused on precision and scalability, with computer-aided design (CAD) software enabling designers to create and simulate intricate patterns before production, optimizing yarn placement and reducing material waste through AI-assisted tools for repeat management and dimension recalibration.^[37]^[69] Servo motors and digital controls further enhance loom and tufter efficiency, while machine gauge—measured as needles per inch, such as 1/10 gauge for 10 needles per inch across the width—determines carpet density and texture, with finer gauges like 1/12 allowing for higher-resolution patterns in premium products.^[70]^[71] These advancements support high-volume output, with tufting gauges influencing up to 1,440 needles across a standard 12-foot machine for dense, resilient carpets.^[70]

Other Craft Techniques

Hooked rugs represent a distinctive handmade technique originating in 19th-century North America, particularly in regions like Maine and the Canadian Maritime Provinces, where they emerged as an indigenous art form born of practicality and resourcefulness.^[72] The process involves using a specialized hooking tool—resembling a crochet hook—to pull loops of fabric strips or yarn through a coarse backing material such as burlap or linen, creating a textured surface of uncut loops or sometimes sheared pile for added durability.^[72]^[73] Crafters often repurpose recycled materials, including strips cut from worn-out clothing, linens, or discarded sacks, which not only reduced waste but also contributed to the rugs' folk-art aesthetic through varied colors and textures.^[72] This method allows for both simple geometric patterns and intricate pictorial scenes, emphasizing creative expression in domestic settings. Embroidery techniques for carpets, such as appliqué and crewel work, apply fine stitching directly onto a base fabric to produce detailed, pictorial designs that prioritize artistic detail over structural weaving.^[73] In appliqué, fabric pieces are cut and sewn onto a foundation cloth using stitches like buttonhole or running stitch, often layered to form narrative motifs such as floral or animal scenes.^[73] Crewel embroidery, dating back to medieval Europe and flourishing in 17th- and 18th-century England with influences from pattern books, employs wool yarns in chain, stem, or satin stitches on linen or wool bases to create shaded, Jacobean-style landscapes or figures, as seen in early American sewn rugs.^[73]^[74] Styles like Aubusson-inspired embroidery mimic the elegant, flat pictorial tapestries of French tradition through meticulous outlining and filling, though these differ from pile-based methods by focusing on surface decoration.^[73] Needle felting offers a modern, sculptural approach to carpet creation, transforming loose wool fibers into cohesive mats without a loom or weaving.^[75] In the dry needle felting method, barbed needles repeatedly jab through layers of roving or carded wool on a foam base, tangling the scales of the fibers to form a dense, three-dimensional felt that can achieve raised or contoured effects for artistic rugs.^[75] Wet felting, an ancient technique refined in contemporary crafts, involves laying out wool fibers, saturating them with hot soapy water, and agitating through rolling or pressing to interlock them into flat mats suitable for floor coverings.^[75] This process, rooted in millennia-old nomadic practices for durable textiles, emphasizes wool's natural felting properties to produce lightweight, sculptural pieces that highlight texture and form over longevity.^[75] Flatweave variants like soumak and kilim produce pileless carpets through interlocking or wrapping techniques that yield reversible, patterned surfaces ideal for portable floor coverings.^[76] In kilim weaving, weft yarns are interlaced across warps in a slit-tapestry or dovetailed manner, where adjacent color blocks interlock at edges to prevent slits and create bold, geometric designs visible from both sides.^[76]^[77] Soumak, by contrast, wraps continuous weft threads around pairs of warps in a herringbone pattern, forming a thicker, textured fabric that is stronger but less reversible due to visible wraps on the reverse.^[76] These methods, prevalent in Middle Eastern and Caucasian traditions, rely on simple tensioned warps for taut, flat results without the depth of pile weaves. Handmade techniques in this category utilize specialized tools and materials to facilitate fiber manipulation and artistic focus, often prioritizing design flexibility over heavy-duty endurance. Common implements include crochet-like hooks for pulling loops in rug hooking, fine steel needles (sizes 18-24) with wool yarns for crewel embroidery, and multi-barbed felting needles (gauges 36-38) paired with foam pads for needle felting.^[72]^[75] Frames or hoops—such as wooden embroidery hoops, adjustable lap stands for hooking, or simple tension bars for flatweaving—hold base fabrics like burlap, linen, or monk's cloth taut during work.^[72] Materials emphasize natural elements: recycled wool or cotton strips for hooking, carded wool roving for felting, and dyed yarns for embroidery and flatweaves, allowing creators to achieve expressive, one-of-a-kind pieces.^[73]

History

Early Origins and Ancient Carpets

The earliest evidence of textile production that may relate to precursors of carpets appears in the Neolithic period at Çatalhöyük in Anatolia, where impressions and fragments of woven textiles date to the 8th millennium BCE, specifically between 7100 and 5700 BCE. These artifacts, among the earliest known examples of weaving in the Near East and Europe, were made from local bast fibers derived from oak trees rather than flax as previously assumed. Such textiles likely served practical purposes, including as floor coverings or mats for prehistoric settlements. In nomadic contexts of Central Asia during prehistoric times, woven mats and early rugs provided essential insulation against harsh climates, covering tent floors to retain heat and protect against cold ground, as inferred from archaeological patterns in mobile pastoralist societies. In ancient civilizations, floor coverings evolved into more structured forms. In Egypt around 2500 BCE during the Old Kingdom, reed mats were commonly used as durable floor coverings in homes and temples, often depicted in reliefs on offering tables and tomb artifacts to symbolize everyday domestic scenes. Similarly, Assyrian palace architecture from circa 700 BCE incorporated stone threshold slabs carved to imitate woven carpets, featuring intricate floral and geometric patterns that suggest the widespread use of actual textile floor coverings in elite residences. These designs compensated for the perishable nature of textiles in Mesopotamia's arid climate, where organic materials rarely survive. The evolution of materials for these early coverings began with readily available plant-based resources like reeds and rushes, which were abundant in the marshes of ancient Mesopotamia and used for weaving mats and baskets as early as the Neolithic period. By the 3rd millennium BCE, sheep domestication and wool production became central to the region's economy, transitioning floor coverings toward woolen textiles that offered greater durability and warmth. Trade networks through Mesopotamia facilitated the spread of these materials and techniques, exporting wool and dyed fibers across the Near East and influencing neighboring cultures' textile practices. A pivotal artifact illustrating advanced early carpet-making is the Pazyryk carpet, discovered in a Scythian burial mound in Siberia and dated to the 5th century BCE. Preserved intact in permafrost, which prevented decay after water froze the tomb contents, this woolen pile carpet measures approximately 183 by 200 cm and employs symmetrical knotted pile techniques with about 3600 knots per square decimeter. Housed in the State Hermitage Museum, it represents the oldest surviving example of a knotted-pile carpet, featuring motifs of riders, stags, and griffins that highlight sophisticated weaving skills among nomadic groups.

Asian and Middle Eastern Traditions

In the Safavid era (1501–1722), Persian carpet weaving reached its zenith, marking a golden age for the craft with the evolution of the classical Persian carpet into highly refined forms featuring intricate medallion designs that symbolized paradise gardens and cosmic order.^[78] These designs, often centered around large, ornate medallions surrounded by arabesques and floral motifs, were produced in royal workshops, particularly in cities like Isfahan, which served as a major hub for artistic innovation under Shah Abbas I.^[79] Isfahan's carpets, such as the 17th-century Medallion and Animal Carpet, exemplified the period's technical mastery, using wool pile on silk warps to achieve a knot density of approximately 300,000 knots per square meter (about 190 knots per square inch).^[80]^[81] Ottoman Turkish carpet production flourished from the 15th to 17th centuries, with distinctive regional styles emerging from workshops in Anatolia, including the Uşak and Holbein patterns that blended geometric and floral elements inspired by silk textiles.^[82] Uşak rugs, woven in the western Anatolian town of Uşak, featured bold medallions and star motifs in a palette of reds, blues, and creams, while Holbein patterns—named after the German painter Hans Holbein the Younger who depicted them—showed small, repeating geometric compartments evoking Islamic tilework.^[83] Court workshops in Istanbul and Cairo produced luxurious prayer rugs during this period, incorporating "saz" leaves—stylized, curling foliage—and mihrab arches to align with Islamic prayer practices, often using silk and wool for elite commissions.^[84] In Central Asia, 19th-century nomadic Turkmen tribes wove carpets that served as portable homes and markers of tribal identity, prominently featuring gul motifs—octagonal, floral emblems representing clan symbols like the Tekke tribe's "göl" or the Yomut's ram's horn patterns.^[85] These hand-knotted wool pieces, such as the Yomut khali main carpets from Turkmenistan or eastern Iran, used asymmetrical knots and earthy reds from natural dyes, with guls arranged in rows to convey protection and heritage amid migratory lifestyles.^[86] By the late 20th century, Afghan carpet traditions evolved into war rugs following the Soviet invasion of 1979, where weavers incorporated political themes like tanks, helicopters, and maps into traditional pile structures, transforming nomadic motifs into commentaries on conflict and resilience.^[87] Mughal Indian carpet weaving emerged in the 16th century under emperors like Akbar, heavily influenced by Persian techniques introduced by immigrant artisans who brought knotted-pile methods and medallion designs to royal workshops in Agra and Lahore.^[88] These Indo-Persian carpets adapted Safavid arabesques with local floral exuberance, using vegetable dyes for vibrant hues, and few surviving examples attest to their luxury status.^[89] In Kashmir, shawl-weaving patterns—fine pashmina twills with paisley and floral motifs—were adapted to floor carpets during the Mughal era, blending Persian symmetry with Indian naturalism to create densely knotted pieces that reflected courtly opulence.^[90] Knotted carpets from regions like Khotan along the Silk Road trace their origins to as early as the 8th century BCE, where artisans produced early pile weaves incorporating dragon motifs symbolizing imperial power and protection, often in imperial yellows and blues.^[91] These carpets, using fine silk warps and wool piles, featured sinuous dragons amid clouds, drawing from Taoist iconography, and by the 18th century, they became prized exports to Europe, influencing Western interior design with their luminous textures and symbolic depth.^[92]

European and American Developments

In medieval Europe, carpet production emerged under Byzantine influences, where intricate floor coverings and textiles inspired early Western adaptations of pile weaving techniques. Spain became a pivotal center during the 13th century, with Mudéjar weaves—characterized by geometric patterns and floral motifs derived from Islamic artistry—flourishing amid Moorish colonization of the Iberian Peninsula. These Spanish carpets, often produced in regions like Alcaraz, represented the only significant pile weave manufacturing in medieval Europe at the time, blending Eastern designs with local wool resources.^[93]^[94] The establishment of royal manufactories marked a shift toward luxury production in 17th-century France. In 1664, Jean-Baptiste Colbert founded the Savonnerie manufactory near Paris to rival Eastern imports, commissioning high-knot-density wool-and-silk carpets using the Ghiordes knot at approximately 90 knots per square inch. These pieces, featuring elaborate floral and allegorical designs, were primarily created for the opulent interiors of Versailles and the Louvre's Grande Galerie, with a monumental order of 93 carpets underscoring their role in Louis XIV's grandeur.^[95]^[96] British industrialization transformed carpet making into a mechanized export industry during the 18th century. Thomas Whitty invented the Axminster loom in 1755 in Devon, enabling the production of multicolored, hand-knotted-style pile carpets that mimicked Oriental patterns while using local wool, and his factory supplied British nobility and exported to colonies. Complementing this, Wilton weaving—adapted from velvet looms in the early 18th century—produced durable looped-pile carpets in Wiltshire, with the first Wilton loom operational by 1741; after acquiring Axminster equipment in 1836, Wilton mills expanded to create intricate, reversible designs for global markets. A key innovation came in 1839 when James Templeton patented the chenille process in Glasgow, allowing efficient production of soft, fringed-pile carpets that boosted British exports to America and beyond.^[97]^[98]^[99] Scandinavian traditions emphasized practical, shaggy-pile rugs rooted in Viking-era textiles. Rya rugs, originating as protective coverings for sailors and hunters with long wool piles up to 10 inches, drew from Byzantine silks traded by Vikings as early as the 9th century; by the 19th century, they evolved into vibrant folk art forms in Norway and Finland, featuring bold geometric motifs and natural dyes for domestic use.^[100] In America, carpet development began with colonial imports of European weaves, transitioning to domestic production in the 19th century. Philadelphia emerged as the industry's hub after William Sprague opened the first woven carpet mill in 1791, employing handlooms for ingrain and Brussels styles; by the late 1800s, the city hosted over 140 firms producing millions in value, leveraging immigrant labor for velvet and Wilton carpets. Native American innovations included Navajo weaving in the 1880s, where weavers in the Southwest blended traditional tapestry techniques with European commercial dyes and upright looms, creating durable, pictorial rugs in regional styles like Two Grey Hills. The 20th century saw tufting revolutionize American manufacturing in Dalton, Georgia—dubbed the "Floorcovering Capital"—starting with Catherine Evans's hand-tufted bedspreads in the 1890s, which evolved into mechanized carpet production by the 1950s, capturing 75% of global output.^[101]^[102]^[103]^[104] Post-World War II, synthetic fibers fueled a boom in both Europe and America, shifting from wool to affordable, durable options like nylon introduced in 1947. U.S. production surged to nearly 90 million square yards by 1948, driven by tufted synthetics in Dalton, while European mills adopted similar innovations for mass-market exports, making wall-to-wall carpeting ubiquitous in suburban homes.^[102]^[104]

Modern Production and Applications

Industrial Manufacturing

The global carpet industry is a significant sector within the flooring market, valued at approximately USD 58.93 billion in 2024 and projected to reach USD 133.94 billion by 2032, driven by residential and commercial demand for durable and aesthetically versatile flooring solutions.^[105] Major producers include India, which accounts for about 40% of worldwide handmade carpet exports, valued at US$1.39 billion in FY24, alongside China as the leading manufacturer of machine-made carpets due to its cost-effective labor and raw materials, and the United States, which focuses on high-volume production and exports to markets like Canada and Mexico.^[106]^[107]^[108] The Asia-Pacific region dominates production, benefiting from affordable resources, while North America and Europe emphasize innovation in automated manufacturing.^[109] Industrial carpet manufacturing begins with the supply chain's raw material stage, where synthetic fibers such as nylon and polyester—comprising the majority of face fibers—are extruded from polymers in specialized facilities to form continuous filaments.^[37] These fibers undergo texturing, twisting, and heat-setting to enhance resilience, then are dyed or printed before being fed into production lines for tufting, weaving, or knitting. The process continues through backing application, where secondary materials like latex or polyurethane secure the pile, followed by finishing steps such as shearing, steaming, and inspection. Completed carpets are rolled, packaged, and shipped via global logistics networks, often facing disruptions from material shortages, extended lead times, and inflationary pressures on energy and transport costs.^[110]^[111] Labor challenges persist, particularly in developing countries like India and China, where shortages of skilled workers, rising wages, and regulatory compliance issues strain operations and contribute to higher production costs.^[112]^[113] Technological advancements have revolutionized efficiency through automation, including digital printing systems that enable custom patterns with high precision and reduced waste by directly applying dyes to yarns or fabrics via inkjet technology.^[114] Robotics in tufting, such as robotic tufting machines (or "robotuft"), automate the insertion of pile yarn into backing materials, offering programmable control for complex designs and increasing output speeds while minimizing human error in high-volume production.^[115]^[116] Sustainability efforts integrate natural dyes derived from plant sources like indigo for blues, madder roots for reds, and turmeric for yellows, which provide eco-friendly alternatives to synthetic chemicals, reducing water pollution and chemical waste in dyeing processes.^[117]^[118] Quality standards ensure product reliability and environmental safety, with certifications like the Carpet and Rug Institute's (CRI) Green Label Plus program testing carpets for low volatile organic compound (VOC) emissions to meet stringent indoor air quality criteria, verified by independent laboratories.^[119] Durability metrics include yarn twist level, where a higher twist—typically 5 or more turns per inch—enhances fiber resilience against crushing and unraveling, contributing to long-term performance in commercial and residential settings.^[120]^[121] These standards, combined with density measurements, guide manufacturers in balancing aesthetics with functional longevity.^[122]

Installation and Maintenance

Carpet installation involves several standard methods to ensure proper fit, durability, and performance in residential or commercial spaces. The stretch-in method, also known as tackless installation, secures the carpet to the subfloor using tack strips around the perimeter while a separate cushion provides underlay support; this technique requires tools such as a knee kicker for initial positioning and a mandatory power stretcher to apply at least 1% stretch, preventing wrinkles and ensuring tautness.^[123] Direct glue-down installation adheres the carpet directly to the prepared subfloor with a compatible adhesive applied via trowel (typically 1/8-inch U-notch), followed by rolling with a 75-pound roller to eliminate air pockets and promote bonding; this method is suitable for low-profile or moisture-sensitive areas but requires 24-48 hours of restricted traffic for curing.^[123] Double glue-down combines elements of both, gluing a cushion to the subfloor first and then adhering the carpet atop it, using manufacturer-specified trowels and allowing similar curing times; floating installations, where carpet is laid without adhesive or tack strips, are less common for broadloom carpet and typically reserved for modular tiles in temporary setups.^[123] Underlay, or padding, is essential for all installation types except direct glue-down without cushion, providing cushioning that enhances comfort and can reduce impact noise transmission by 20 to 30 decibels in multi-story buildings, and improves thermal insulation by minimizing heat loss through floors.^[124]^[125] Common types include polyurethane foam for general softness and resilience in low-traffic areas, and rubber-based options for moisture resistance in homes with pets or high humidity, with thicknesses limited to 7/16 inch for stretch-in and 3/8 inch for double glue-down to avoid instability.^[123]^[124] Selection should match the space's needs, such as firmer pads for high-traffic zones to extend carpet life or odor-neutralizing variants for pet owners, always prioritizing Green Label certified products to minimize VOC emissions.^[124] Seam sealing is a critical step in all methods to prevent fraying and dirt ingress, involving the application of heat-activated or latex-based adhesive along edges covering the primary and secondary backings without contaminating face yarns.^[123] Buckling, or rippling, is commonly avoided in stretch-in installations through consistent power stretching and proper subfloor acclimation to room conditions (above 50°F), while glue-down methods rely on even adhesive coverage and post-installation rolling to maintain flatness.^[123] Ongoing maintenance is key to preserving carpet integrity, with vacuuming recommended at least weekly using CRI Seal of Approval-certified machines that remove 90-95% of dry soil through slow, overlapping strokes, emptying bags when half full to maintain suction.^[126]^[127] Spot cleaning should follow a blot-don't-rub approach: absorb spills immediately with a white cloth, apply enzyme-based or CRI-approved cleaners sparingly from the edges inward for stains like pet urine, and rinse with cool water while avoiding over-wetting to prevent mold; steam cleaning is discouraged for urine incidents as heat can set odors, opting instead for extraction with a wet vacuum.^[126] Professional hot water extraction cleaning, using certified technicians, is advised every 12-18 months to remove embedded dirt without excessive moisture, extending the typical 10-20 year lifespan of synthetic residential carpets.^[126]^[128]

Commercial and Residential Uses

In residential settings, carpets serve both aesthetic and functional roles, enhancing home interiors with patterns, textures, and colors that contribute to a sense of warmth and comfort. Wall-to-wall installations are commonly used to create cozy living spaces, providing visual cohesion and softening the ambiance in family rooms, bedrooms, and hallways.^[105] Recent trends in the 2020s emphasize eco-friendly materials, such as wool-rich carpets and bamboo blends, which offer sustainable alternatives while maintaining durability and natural aesthetics like earthy neutrals and high-pile textures for a luxurious feel. As of mid-2025, residential carpet sales have declined by 6.1% in square feet compared to 2024, while trends emphasize bold patterns, plush textures, and sustainable materials, signaling a potential commercial sector revival.^[129]^[130]^[131]^[132] Commercial applications of carpets focus on durability in high-traffic environments like offices, hotels, and retail spaces, where they withstand heavy footfall while supporting operational needs. Modular carpet tiles are particularly favored for their ease of installation and replacement, allowing targeted repairs in busy areas without disrupting entire floors.^[133] Many commercial carpets incorporate anti-static treatments to prevent electrical buildup in tech-heavy offices and antimicrobial finishes to reduce bacteria in hospitality settings, ensuring hygiene and longevity.^[134]^[135] Across both sectors, carpets provide key benefits including noise reduction, thermal insulation, and enhanced safety. They can absorb impact sounds by 20 to 30 decibels, creating quieter environments that improve focus in offices or tranquility in homes.^[125] Insulation values typically range from R-2 to R-4 for standard carpet systems, helping retain heat and reduce energy costs by up to several hundred dollars annually depending on climate and usage.^[136] For safety, carpets increase traction with coefficients of friction up to 1.80 on wet surfaces—far superior to hard floors—and cushion falls, reducing injury rates by over 50% in some studies.^[136] The carpet market segments reflect these distinct uses, with luxury handmade options dominating residential demand for their bespoke designs and premium materials like wool, which cater to home renovation trends and personalization.^[105] In contrast, contract-grade carpets prioritize performance for commercial spaces, offering robust, solution-dyed fibers suited to institutional needs. Emerging technologies, such as smart carpets with embedded sensors, are gaining traction for applications like occupancy tracking in offices or fall detection in homes, integrating with automation systems for enhanced functionality.^[137]^[138]

Environmental and Cultural Aspects

Disposal and Sustainability

The disposal of carpets poses significant environmental challenges, primarily due to their dominance in landfills. In the United States, over four billion pounds of carpet enter the solid waste stream annually, accounting for more than one percent by weight of total municipal solid waste.^[139] Synthetic carpets, often made from materials like nylon and polypropylene, decompose very slowly—taking decades or longer in landfills—exacerbating waste accumulation and methane emissions from anaerobic breakdown.^[139] Less than 10% of post-consumer carpets are recycled, with the majority ending up in landfills due to mixed material compositions that complicate separation.^[140] Recycling efforts focus on mechanical and chemical methods to recover materials from post-consumer carpets. Mechanical recycling involves shredding carpets into fibers or granules, which can then be repurposed as padding, underlayment, or fillers in products like automotive parts; this process often uses hammer mills to separate components like calcium carbonate backing.^[141] For nylon-based carpets, chemical depolymerization breaks down the polymer into monomers like caprolactam, enabling the production of new nylon fibers through processes such as alkaline hydrolysis or phosphoric acid treatment with superheated steam.^[142]^[143] The Carpet America Recovery Effort (CARE), established in 2002 as a non-profit collaboration among manufacturers, recyclers, and government agencies, coordinates these initiatives, having diverted more than 5 billion pounds of carpet from landfills as of 2025 through collection programs and market development.^[144] Sustainability in carpet production emphasizes circular economy principles, including certifications and material choices that minimize environmental impact. Cradle-to-Cradle (C2C) certification evaluates carpets for material health, recyclability, and renewable energy use, with products like EcoWorx tiles achieving Silver or higher levels by using 100% recyclable backings and avoiding harmful chemicals.^[145] Natural fiber carpets, such as those made from wool or jute, are biodegradable and decompose naturally at end-of-life, offering lower long-term waste impacts compared to synthetics, though they require more frequent replacement.^[146]^[147] In contrast, recycled synthetic carpets reduce virgin resource use but may persist in environments if not properly managed; however, they can lower overall embodied carbon.^[139] Carbon footprint reduction is further achieved through local sourcing, as proximity of suppliers—like British wool for UK manufacturers—cuts transportation emissions by up to 40% in some cases.^[148] European Union regulations promote sustainable textile waste management, with the revised Waste Framework Directive, which entered into force on October 16, 2025, mandating separate collection of textiles, including carpets, from 2025 to facilitate recycling and reduce landfill use.^[149] This includes extended producer responsibility schemes by 2028 for bulky items like carpets, aiming to boost circularity and ban destruction of unsold textiles.^[150] Innovations in modular recyclable carpet tiles support these goals; for instance, Tarkett's DESSO and Futurity collections feature 100% recyclable EcoBase backings with up to 69% recycled content, allowing easy disassembly and closed-loop reprocessing to minimize waste.^[151]^[152] Similarly, Shaw's EcoWorx tiles use PVC-free, fully recyclable systems certified for multiple life cycles.^[153]

Cultural Significance and Symbolism

Carpets hold profound religious significance in various traditions, serving as sacred objects that facilitate spiritual practice. In Islam, prayer rugs, known as seccade or namazlık, feature a central mihrab motif—an arched niche symbolizing the prayer alcove in a mosque that orients the worshipper toward Mecca, creating a portable sacred space for private communion with the divine.^[154] This design not only guides physical prostration but also evokes architectural and spiritual gateways, blending functionality with devotion. Similarly, in Tibetan Buddhism, pile carpets adorn temple floors and meditation spaces, incorporating auspicious symbols like dragons for power and phoenixes for harmony to invoke protection and enlightenment during rituals.^[155] These floor coverings, influenced by monastic demands, integrate into daily religious life, providing warmth while embodying cosmological balance.^[156] Beyond religion, carpets are revered as artistic masterpieces, with institutions like the Victoria and Albert Museum housing exemplary Persian works such as the 16th-century Ardabil Carpet, celebrated for its intricate silk-and-wool weave and medallion designs that exemplify Safavid-era technical and aesthetic innovation.^[157] Their cultural prestige is underscored by high-value auctions; for instance, a 17th-century Persian sickle-leaf carpet sold for $33.8 million at Sotheby's in 2013, setting a record for antique rugs and highlighting their status as investment-grade art.^[158] Such pieces transcend utility, representing pinnacles of weaving artistry that museums preserve to educate on historical craftsmanship. Symbolism permeates carpet designs, particularly in Oriental traditions where motifs convey deeper meanings. The tree of life pattern, common in Persian and Turkmen rugs, symbolizes fertility, immortality, and the interconnectedness of earth and heaven, drawing from ancient mythologies to invoke prosperity and eternal paradise.^[159] Folklore further elevates carpets' mystique, as seen in the "magic carpet" trope from One Thousand and One Nights, where flying rugs represent swift transport and wish fulfillment, originating in Persian tales and influencing global fantasy narratives.^[160] In modern culture, carpets appear metaphorically in literature and language, reflecting societal attitudes. Idiomatic expressions like "sweep under the carpet" emerged in the mid-20th century, denoting the concealment of problems by hiding them from view, akin to brushing dirt beneath a rug to maintain appearances.^[161] Socially, carpets function as dowry items in tribal societies, embodying a bride's labor and aspirations for fertility and harmony; in Afghan Pashtun communities, handwoven pieces form essential wedding gifts, preserving family heritage through motifs of love and protection.^[162] Preservation efforts target endangered techniques, such as USAID-funded projects in Afghanistan that train weavers in traditional knotting to sustain cultural identity amid modernization, and Spain's UNESCO nomination for the Spanish knot method inherited from Muslim artisans.^[163]^[164]

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Wilton (Woven) - The Carpet Council
The traditional method of woven Wilton involves running yarn continually through the process creating the carpet pile and the backing.
[60]
3 Common Commercial Carpet Backing Types - Mannington Blog
Aug 6, 2020 · There are basically three categories of backing systems used by all carpet manufacturers. They can be divided into latex, polyurethanes, and thermoplastics.
[61]
http://carpet-machinery.com/3-carpet-tufting-machine.html
[62]
Professional Carpet Design Software | Tuft CAD Tools for CMC ...
AI-assisted drawing tools automatically generate patterns, manage repeats and recalculate dimensions, efficiently optimizing your work.
[63]
Tufting today's carpet - Floor Covering News
Aug 23, 2012 · That means a tufting machine set up at a 1⁄10 gauge has 1,440 needles across the needle bar. And just like a regular sewing machine has one ...
[64]
Flooring Construction Basics
Residential carpet is 3/16, and 3/8 gauge. Gauge is measured in needles per inch across the width. The following diagram describes the number of needles per ...
[65]
The Great Cover Up: American Rugs on Beds, Tables, and Floors
Sep 9, 2007 · The hooked rug is considered an indigenous North American art form with possible origins in Maine and the Canadian Maritime Provinces. By the ...
[66]
[PDF] The great Cover-up: American Rugs on Beds, Tables, and Floors
Hooked-rug designs range from repeated simple geometrics to detailed original pictorials. Printed patterns had become available in the 1850s from Chambers and ...
[67]
[PDF] Heritage Arts Needle Arts - Colorado 4-H
Crewel work has a rich history in Britain, dating back thousands of years. Crewel work is similar to embroidery, utilizing many of the same stitches, but ...
[68]
Felting | Research Starters - EBSCO
Needle felting is performed by repeatedly jabbing at wool fibers with one or more special felting needles. The barbs at the ends of the needles push and pull on ...
[69]
Kilims, Soumaks, & Dhurries
### Summary of Kilim and Soumak Flatweave Techniques
[70]
A Guide to Different Types of Persian Carpet Weaves
Gabbeh carpets are a type of hand-knotted Persian rug that originates from the Qashqai and Luri tribes of southern Iran. They are known for their coarse weave, ...
[71]
"Falcons and Flowers: Safavid Persian Textile Arts" by Carol Bier
The Safavid period in Iran was a golden age for textile arts. It was in the 16th century that the Classical Persian carpet evolved to its fully developed form, ...
[72]
— Isfahan | Columbia Center for Archaeology
Carpets. Carpets: Hand-woven Iranian carpets served practical function and acted as artistic symbols of wealth in. Safavid Iran. They are just one of many ...Missing: era | Show results with:era
[73]
Medallion and Animal Carpet by Isfahan 17th Century
Artwork overview. Medium. wool pile on silk warp and wool and cotton weft. Credit Line. Widener Collection. Dimensions. overall: 437 x 225 cm (172 1/16 x 88 ...
[74]
Silk and Wool: Ottoman Textile Designs in Turkish Rugs - Brandeis
Agnes Geijer proposed that two of the patterns on the so-called Seljuk rugs from Konya and Beyshehir were inspired by silk textiles. Her classic comparison of ...
[75]
[PDF] carpet weavers and weaving in the global market: the case
As trade increased during Ottoman times (1299-1923), Turkish carpets began to be woven for export as well. These carpets can now be found in museums across ...
[76]
[PDF] Prayer Carpets Colloquium
It is one of a group of Ottoman court prayer carpets with characteristic “saz” leaf design, which were woven in Istanbul and Cairo during the 16th and 17th ...Missing: workshops | Show results with:workshops
[77]
[PDF] AN INTRODUCTION TO ORIENTAL CARPETS: The Arthur D ...
Centml Asia, 19th century. Textile. Museum 1980.13.2. Gift of Arthur D. Jenkins. Familial and tribal affiliation and ethnic identity, are re- flected in rug ...Missing: guls | Show results with:guls
[78]
Main carpet (khali), Yomut Turkmen - Powerhouse Collection
This fine main carpet or khali was woven by a woman of the Yomut Turkmen tribe in Turkmenistan or eastern Iran in the late 18th or early 19th century.
[79]
https://archaeology.columbia.edu/magnifying-the-miniatures/isfahan/
[80]
[PDF] Renaissance as Refreshment in the Mughal Empire The Floral ...
The designs attributed to this period share many commonalities with Persian carpets, particularly of the “Herat class” of carpets, in that they are symmetrical ...Missing: influence | Show results with:influence
[81]
Pictures of Comfort and Design: Carpets in Indian Miniature Painting
As a result, early Indian carpet production was heavily Persian influenced. Due to increasing self-sufficiency in production, a characteristic Mughal style ...
[82]
(PDF) The Persian Influence on the Textile Design of Kashmir
The main aim of this research is to understand the influence that is brought by Persia in the textile designing of Kashmir. The culture of Kashmir is influenced ...
[83]
[PDF] Knotted Carpets from the Taklamakan - EdSpace
Together with silk and jade, knotted carpets may be considered a third type of unique merchandise that passed through the Silk Road via Khotan for thousands of.
[84]
On the origin and tipology issues of classic dragon carpets
Since most experts consider the tradition of dragon carpets to be the result of Chinese influence that appeared through the Seljuks and Mongols, the Caucasian ...
[85]
Carpet | Unknown | V&A Explore The Collections
Jun 13, 2006 · Carpet weaving in Spain developed during the Moorish colonisation of the Iberian peninsula. There is evidence as early as the late 12th century ...Missing: Mudéjar | Show results with:Mudéjar
[86]
https://collection.maas.museum/object/467315
[87]
Savonnerie Manufactory - Carpet (tapis) - French, Paris
The initial goal of the Savonnerie manufactory was to imitate knottedpile carpets from the Near East, which were much admired in Europe.Missing: 1664 | Show results with:1664
[88]
Savonnerie Manufactory - Carpet with Fame and Fortitude
A set of ninety-three carpets, of different but related designs, that was being created for the Grande Galerie of the Palais du Louvre in Paris.Missing: 1664 | Show results with:1664
[89]
The Birth of Axminster Carpets
Thus, when he started to make his first carpet on Midsummer's Day 1755, it was his own children, under the watchful eye of their aunt Betty Harvey, who were his ...Missing: British industry
[90]
Our heritage - Wilton Carpets
Discover Wilton Carpets' rich heritage of crafting premium woven carpets for over 300 years, blending timeless British tradition & modern excellence.
[91]
Cutting the weft blanket - TheGlasgowStory
James Templeton (1802-1885) and William Quiglay patented a new method of making soft pile chenille carpets in 1839. ... carpet manufacturing, carpets, chenille ...
[92]
https://www.academia.edu/108581412/On_the_origin_and_tipology_issues_of_classic_dragon_carpets
[93]
Carpet Weaving and Rug Making
The carpets were mostly narrow, woven hall runners, whereas large floor cloths were created by oiling or waxing heavy canvas (like sail cloth, also a local ...Missing: definition | Show results with:definition
[94]
A History of the U.S. Carpet Industry – EH.net
The first US carpet industry emerged at the end of the eighteenth century. Skilled weavers produced carpets and rugs with handloom technology.Missing: 19th | Show results with:19th
[95]
The Navajo Weaving Tradition
The Rug Period (1895-1950) is known for the Navajo use of plant dyes in their weavings and for the regional styles that developed. For the next 40 to 50 years, ...
[96]
https://www.metmuseum.org/art/collection/search/202228
[97]
Carpets and Rugs Market Size, Growth | Global Report [2032]
The global carpets and rugs market size was valued at USD 58.93 billion in 2024. The market is projected to grow from USD 64.19 billion in 2025 to USD 133.94 ...
[98]
Handmade Carpet Industry in India: A Global Carpet Export Leader
India is responsible for around 40% of worldwide exports of handmade carpets. India's carpet export in FY24 stood at US$ 1.39 billion, whereas during FY25 ( ...
[99]
Global Carpets & Rugs - The Freedonia Group
Through 2027, the Asia/Pacific region will remain the top producer of carpets and rugs globally: China will maintain its leading position in machine-made global ...
[100]
Other Carpets in United States Trade
In 2024, the main destinations of United States' Other Carpets exports were: Canada ($18.3M), Mexico ($11M), China ($2.36M), Japan ($1.95M), and Germany ($1.12M) ...
[101]
Top Global Carpet Companies in 2025 02 Jul, 2025 - Renub Research
Jul 2, 2025 · Production is dominated by Asia-Pacific, especially China and India, since labor and raw materials are more affordable there. Europe and North ...
[102]
Carpet Cost Model: Weaving Efficiency into Economics - IMARC Group
Manufacturing Process: The production of carpet entails a succession of accurate and harmonized steps converting raw fibers to resilient and attractive-looking ...Missing: shipping challenges
[103]
Sourcing And Logistics Challenges In The Textile Value Chain ...
Nov 12, 2024 · From raw material shortages and extended lead times to transportation bottlenecks and inventory management hurdles, companies across the textile value chain ...
[104]
Carpet Manufacturers Challenges and Solutions - Rugs Creation
Oct 29, 2025 · Securing high-quality raw materials is a major challenge for carpet manufacturers ... Rising raw material costs, labor expenses, and energy prices ...
[105]
Rug manufacturers wade through labor shortages - Furniture Today
A growing labor shortage is among the biggest concerns for domestic producers of rugs, along with delivery and freight service cost increases. Demand is up for ...
[106]
Innovations in Next-Generation Carpet Production with Digital ...
Digital technologies within carpet machinery offer the potential for more efficient, rapid, high-quality, and flexible production.
[107]
Tufting Robot - EFAB GmbH
eTuft (Robotic Tufting Machine or Robotuft®) is an advanced robotic tufting machine for the production of fashionable tufted carpets and custom-made artificial ...
[108]
Robo-Tufting Technology: Transforming Rug Manufacturing
Feb 16, 2024 · Robo-Tufting Technology refers to the automated process of making rugs using robotic machinery that precisely inserts pile yarn into a backing ...
[109]
A recent (2009–2021) perspective on sustainable color and textile ...
These dyes are extracted from natural plant parts including stems, roots, flowers, leaves, fruits, and peels.
[110]
https://www.imarcgroup.com/insight/carpet-cost-model
[111]
Green Label Plus - The Carpet and Rug Institute
Look for the CRI Green Label Plus logo as proof that the product has been tested and certified by an independent laboratory and has met stringent criteria for ...
[112]
10 Tips for Understanding Carpet Labels | HowStuffWorks
Carpet that has a high twist level of 4 or more will also be more durable and less likely to unravel. Carpet doesn't have to be dense to be durable, as long as ...
[113]
Expert Guide: How To Judge Carpet Quality
The twist measures how tightly the fibers are twisted, and a twist of 5 or higher means the carpet is durable and can resist crushing.Missing: standards | Show results with:standards
[114]
Carpet Test List | Professional Testing Laboratory
Explore Professional Testing Laboratory's comprehensive carpet test list, offering quick-turnaround testing for commercial & residential carpet materials.
[115]
[PDF] CRI 105 - STANDARD For INSTALLATION of RESIDENTIAL CARPET
12.0 Direct Glue Down. Direct Glue Down is an installation method where carpet is directly adhered to the substrate using the proper adhesive. 12.1. Layout.
[116]
The Importance of Carpet Cushion
Do you like a soft or a firmer feel underfoot? Do you have pets? If so, you might want a moisture-resistant or odor neutralizing cushion. Or one made with a ...
[117]
Cleaning and Maintenance - The Carpet and Rug Institute
Have your carpet professionally cleaned every 12 to 18 months or more frequently if necessary. Don't use a steam cleaner when dealing with urine spots because ...
[118]
[PDF] Carpet Maintenance and Troubleshooting Technical Bulletin
Jul 27, 2017 · Although some change will eventually occur in the texture of your carpet, routine vacuuming combined with periodic deep cleaning, as recommended ...
[119]
[PDF] and Poly-Fluoroalkyl Substances in Aftermarket Carpet Treatments ...
Additionally, the average lifespan of a carpet ranges from 10 to 20 years, which indicates that. PFASs will continue to persist in homes and environments for ...
[120]
10 carpet trends interior designers are embracing in 2025
Apr 8, 2025 · From cozy earthy neutrals to retro, nostalgic prints, bring a stylish new look to your floor with the biggest carpet trends.Missing: 2020s blends
[121]
Trends in Luxury Eco-Friendly Flooring - Salon Prive Magazine
Oct 5, 2024 · Popular eco-friendly options in luxury homes include reclaimed wood, bamboo, cork, and wool carpets. These materials not only boast ...
[122]
Commercial Carpet Tiles - Hotel | Hospitality | High Traffic
Commercial carpet tiles—also known as modular carpet squares—are a smart, flexible solution for hospitality and high-traffic commercial environments ...Missing: applications anti- static antimicrobial treatments
[123]
Anti-static Graphic Carpet Tiles for Commercial, Offices and Hotels
Meets B1 fire rating (GB 18587) and anti-static standards (GB/T 18044-2008). Ideal for high-end hotels, lobbies, and designer spaces. 800g/m² pile weight, 7.5mm ...Missing: applications antimicrobial treatments modular
[124]
Commercial Carpet & Carpet Tile Solutions | Junge's Flooring MN
Durable solutions for high-traffic areas; Modular options for flexible office configurations; Stain-resistant fibers that maintain appearance.
[125]
DESSO SoundMaster acoustic backing underlay | Tarkett
Carpet in general reduces the impact of sound by between 20 and 30 decibel**. Great sound absorption. DESSO SoundMaster achieves an improvement in sound ...
[126]
[PDF] Ergonomic Design Issues and Carpet: A Review
Other research has confirmed that pile carpet with a pad on a concrete floor reduces impact forces by ~7% compared with vinyl tile on a concrete floor (Gardner ...Missing: underlay | Show results with:underlay
[127]
https://carpet-rug.org/wp-content/uploads/2018/08/Carpet-Maintenance-and-Troubleshooting.pdf
[128]
Carpet and Rug Market Size, Share | CAGR of 9.1%
Smart carpets are also emerging as a new growth area. These advanced products can include embedded sensors that connect to home automation systems for functions ...Missing: grade | Show results with:grade<|control11|><|separator|>
[129]
Identifying Greener Carpet | US EPA
May 13, 2025 · Over four billion pounds of carpet enter the solid waste stream in the United States every year, accounting for more than one percent by weight ...
[130]
Recycled carpet-reinforced composites from post-consumer ...
Carpets significantly contribute to landfills, forming 3.5 % of the U.S. landfill waste, with less than 10 % being recycled. This study uses intact carpets ...<|separator|>
[131]
[PDF] Carpet Recycling 101
x Size reduction – Shredding x Calcium Carbonate Reduction – Hammer mills or Textile Tearing. x Leaves Non-Nylon components to be recycled via some other method ...
[132]
Chemical Recycling Processes of Nylon 6 to Caprolactam
Oct 15, 2023 · Chemical recycling of polyamide 6 can become profitable at the industrial scale. Alkaline and acidic hydrolysis and alcoholysis are the most promising pathways.
[133]
[PDF] Utilization of Carpet Waste - P2 InfoHouse
Monomer recovery involves the depolymerization of nylon 6 pellets using phosphoric acid and superheated steam.
[134]
CARE Launches Website - Carpet America Recovery Effort
CARE was established in January 2002 as a result of a Memorandum of Understanding for Carpet Stewardship (MOU), a national agreement signed by members of ...
[135]
Promising Practices :: Carpet America Recovery Effort
Since CARE began in 2002, we know approximately 500 million pounds of old carpet have been recovered. That number is growing each year. On January 27th we ...
[136]
EcoWorx® Tile Carpets - Cradle to Cradle Products Innovation Institute
Patcraft's EcoWorx® carpet tiles are carpet tiles built on the EcoWorx® backing system. ... This product has been certified according to the Version 4.0 Draft 2 ...
[137]
Natural Vs Synthetic Rugs - Difference & Environmental Impact
Sep 15, 2023 · Biodegradable: Jute carpets are biodegradable and do not contribute to environmental waste Whereas synthetic carpets are non-biodegradable ...
[138]
Is Carpet Sustainable? The Best Eco-Friendly Carpet Options
Jul 12, 2022 · The carpets made from natural, renewable resources are biodegradable at the end of their life. They can also grow with little to no fertilizer ...
[139]
Sustainability - Wilton Carpets
We already benefit from the proximity of our primary raw material suppliers – we create a smaller carbon footprint by sourcing British-grown wool to form the ...
[140]
Revised Waste Framework Directive enters into force - Environment
Oct 16, 2025 · New rules for the management of used textiles and textile waste: All separately collected textiles will be considered as waste, ensuring a ...Missing: WEEE carpets
[141]
Waste Framework Directive & textiles: ENVI votes - ERP Global
Mar 13, 2024 · Moreover, it widens the scope: newly adding EPR for bulky textile items, such as mattresses or carpets by 2028. These products usually end up in ...
[142]
The 100% recyclable DESSO Futurity carpet tile collection
The Futurity collection has 100% recyclable EcoBase, 69% total recycled/bio-based content, 100% yarn recycled content, and 0.78 kg CO2/m2 carbon footprint.Missing: innovations | Show results with:innovations
[143]
Recyclable Carpet Tiles — Tarkett Group
Jul 19, 2022 · Tarkett's carpet tiles are 100% recyclable, designed to be disassembled for recycling, and have a closed-loop system, with the lowest circular ...
[144]
EcoWorx Carpet Innovations - Shaw Property Solutions
The world's first Cradle to Cradle Certified™ Silver, fully recyclable, PVC-free commercial carpet tile is engineered for performance, durability and ...
[145]
Mihrab (Prayer Niche) - The Metropolitan Museum of Art
The most important element in any mosque is the mihrab, the niche that indicates the direction of Mecca, the Muslim holy pilgrimage site in Arabia, ...
[146]
Auspicious Carpets: A Tibetan View of Aesthetics
Here we will find that the Tibetan monastic demand for carpets was the most significant impetus in Chinese production.
[147]
Symbolism in Traditional Tibetan Carpets - artelino
Nov 3, 2010 · Tibetan carpets use symbols for luck, well-being, and long life. Dragons symbolize power, dragons and phoenix represent unity, and ...Missing: temple cultural
[148]
https://wiltoncarpets.com/sustainability/
[149]
Persian rug sold at auction for record $33.8m - BBC News
Jun 6, 2013 · A 17th Century Persian rug has sold for $33.8m (£21.8m), a sum triple the previous auction record for a carpet.
[150]
https://erp-recycling.org/news-and-events/2024/03/waste-framework-directive-textiles-envi-votes/
[151]
The History of the Magical Flying Carpets - Ancient Origins
Whilst magic carpets are perhaps most commonly associated with the stories found in the Thousand and One Nights, magic carpets have also been mentioned in the ...
[152]
Sweep under the rug - Idioms by The Free Dictionary
This allusion to hiding household dust or debris by sweeping it under a rug or carpet was used figuratively only from the mid-twentieth century. It appeared in ...Missing: origin | Show results with:origin
[153]
Unravelling the Afghan art of carpet weaving - Al Jazeera
Jan 29, 2015 · Some may be specially made as wedding gifts for a bride's dowry. But the role of carpets in daily life doesn't end there. The hatchloo – the ...
[154]
Carpet Weaving Project (USAID) - SWRCA
Aug 29, 2025 · Cultural Preservation: By revitalizing carpet weaving, the project helped preserve Afghanistan's rich cultural and artistic traditions.
[155]
Spain to preserve carpet weaving technique inherited from Muslims
Oct 31, 2022 · The Spanish government has applied to UNESCO to preserve the Spanish knot, a technique that was inherited from the Muslims during the Andalusian ...