Fact-checked by Grok 2 weeks ago

Alex Da Corte

Alex Da Corte (born 1980) is a Venezuelan-American conceptual artist based in , renowned for his multidisciplinary practice that spans , , , video, and , often transforming everyday consumer objects and pop culture icons into surreal, immersive environments exploring themes of , , and cultural . Born in , Da Corte was raised across locations including , , and , , which informed his bicultural perspective and interest in fragmented personal histories. He studied film/animation and fine arts at the in (2001), earned a BFA from the University of the Arts in (2004), and received an MFA from School of Art (2010). His early aspiration to become a Walt Disney animator evolved into a signature style blending vibrant colors, theatricality, and absurdity, drawing from sources like advertising, Disney characters, and figures such as or to probe psychological complexity and societal undercurrents. Da Corte's career gained prominence through major institutional exhibitions, including his participation in the 2019 , the 2018 International, and the 2022 , as well as solo shows such as the retrospective Free Roses at MASS MoCA (2016), Mr. Remember at the (2022–2023), and The Whale at the Museum of Fort Worth (2025). Notable works include Easternsports (2014), a video reimagining Eastern European life through Western pop tropes; Slow Graffiti (2017), an installation evoking with everyday materials; and Marigolds (2019), a sculptural piece symbolizing memory and loss. His frequently repurposes found objects from grocery stores and commercial spaces into assemblages that critique while inviting viewer immersion, earning him accolades like a 2012 Pew Fellowship in the Arts and the 2023 Rome Prize Fellowship.

Early life and education

Early life

Alex Da Corte was born in 1980 in , to a Venezuelan father from an upper-middle-class background and a white American mother from a working-class family; his parents met in in the 1970s and later married. His childhood was marked by frequent moves, including living in , —where his father's family originated—until around the age of eight, before his family returned to the , where he was raised in locations including , , and other parts of . This bicultural upbringing fostered a sense of immigrant and , as Da Corte navigated life between American suburbia and Venezuelan urban environments. Growing up in a Venezuelan-American household that emphasized Catholicism, Da Corte was immersed in through family traditions, alongside exposure to and everyday objects like cheap plastics and thrift-store finds that evoked middle-class consumer . These elements, combined with his fascination for popular media—including characters like , films, and cartoons—shaped his early worldview. From a young age, he developed interests in , purchasing on the subject with babysitting money, and aspired to become a animator, while his shyness led him to explore performance-like introspection in his private imaginative life.

Education

Da Corte began his artistic training at in , in 1998, followed by studies at Barnstone Studios in Copley, Pennsylvania, in 1999. He continued at the (SVA) in , where he studied Film, Animation, and Fine Arts, completing his program in 2001. This early exposure to animation and film laid the groundwork for his interdisciplinary approach, emphasizing moving image and narrative elements in visual art. He continued his undergraduate studies at the University of the Arts (UArts) in , earning a (BFA) in and Fine Arts in 2004. During this period, Da Corte participated in early group exhibitions at the institution, including Red at Gallery One in 2003 and The Death of All Things Beautiful at the Rosenwald-Wolf Gallery in 2005, which allowed him to experiment with print-based and fine arts techniques in a public context. Da Corte pursued graduate studies at School of Art, receiving a (MFA) in 2010 with a focus on , , and practices. At Yale, he studied closely with artist Jessica Stockholder, whose influence is evident in his experimentation with video and installation works, such as the 2010 piece Chelsea Hotel No. 2, which incorporated everyday objects and vibrant color to create immersive, multi-dimensional environments. His MFA thesis exhibition, The Kind of Dog that Keeps You Waiting, was presented at the Yale Gallery in 2010, marking a pivotal moment in developing his signature blend of media.

Artistic practice

Media and techniques

Alex Da Corte employs a multidisciplinary approach, working across , , , video, and to create immersive environments. His installations often integrate wall-based works, freestanding sculptures, and projected videos, with Da Corte frequently performing as characters within his own video pieces. These media converge to form large-scale, site-responsive setups that emphasize spatial dynamics and viewer interaction. Da Corte's techniques draw from commercial and artisanal methods, including reverse sign painting—a precise process traditionally used for —to render detailed imagery on surfaces. He frequently incorporates ready-mades and found objects, such as everyday consumer products, which he repurposes and combines with custom elements to blur boundaries between the handmade and the manufactured. Vibrant color palettes, featuring bright fluorescents, primary hues, and bold patterns, are applied through and , often inspired by and commercial . Additionally, he experiments with sensory extensions, incorporating elements like scents and temperature variations to enhance the physicality of his installations. In fabrication, Da Corte utilizes industrial materials such as , aluminum, and , which he powder-coats or shapes into sculptural forms, alongside softer substances like , neoprene, velvet, and plexiglass. Representative examples include his "Puffy Paintings," constructed from upholstered neoprene and to create textured, inflated surfaces, and "Shampoo Paintings," made by applying drugstore hair products directly onto canvases for glossy, viscous effects. Other works feature sequin pins, , , and even candles affixed to frames, combining these with found items to build layered, object-based assemblages. He collaborates with a team of fabricators for costumes, sets, and structural elements, achieving a handmade quality that contrasts with the sleek, stylized finish. Da Corte's practice has evolved from early explorations in and in the late 1990s to expansive video and installation works by the , scaling up from intimate, image-based experiments to ambitious, environment-encompassing projects. This progression reflects a shift toward post-minimalist spatial strategies, where objects and projections activate architectural spaces in dynamic, non-linear ways. Into the , his practice continued to expand, with a renewed emphasis on showcased in the 2025 exhibition The Whale at the Modern Art Museum of Fort Worth, alongside collaborations on music videos for artists including , St. Vincent, and [Kim Deal](/page/Kim Deal).

Themes and influences

Alex Da Corte's artistic practice is deeply engaged with core themes including , , , and . These motifs often explore the fluidity of self and the ways in which personal and cultural narratives intersect with desire and ephemerality. His work frequently questions the boundaries of value in art, blending elements of the everyday with profound existential inquiries. Da Corte draws extensively from , incorporating characters and icons such as from and the rapper to evoke layers of , , and familiarity. These references are recontextualized to probe themes of and impulse, transforming archetypes into vessels for examining societal norms around tenderness. Influences from , particularly modernist , inform his vibrant palettes and formal structures, which merge with postminimalist spatial experiments to create immersive, hybrid experiences. Additionally, the glossy aesthetics of commercial design and permeate his oeuvre, challenging distinctions between and mass-produced imagery. Recurring motifs in Da Corte's work include dreamlike environments that evoke surreal immersion and reimagined everyday objects that disrupt conventional perceptions of the familiar. By blending high and low cultural elements, he critiques consumerism's impact on identity and taste, often rendering banal items into symbols of memory and instability. This approach underscores a deliberate crossing of artistic hierarchies to interrogate what holds value in contemporary experience. Da Corte's Venezuelan-American heritage, shaped by his upbringing across , , and , infuses his practice with a sense of cultural and . His base further ties his work to the city's urban landscape, where he sources materials from street corners and consumer spaces to reflect on intimacy and local vernaculars. These personal roots amplify his exploration of persona and memory, grounding abstract themes in lived transnational realities.

Exhibitions

Solo exhibitions

Alex Da Corte's solo exhibitions have showcased his interdisciplinary practice through immersive installations, sculptures, videos, and paintings that blend pop culture references with personal introspection. His presentations often transform gallery spaces into narrative environments, emphasizing themes of memory, consumerism, and transformation. In 2016, Da Corte presented Free Roses (April 16, 2016–January 15, 2017) at the Massachusetts Museum of Contemporary Art (MASS MoCA), his largest solo museum exhibition to date at the time, occupying the second-floor galleries with a selection of works spanning the previous decade alongside a major new installation. The show featured neon-bright, exuberant pieces that merged abstraction, modern design, and everyday objects, including plush purple carpet enveloping the space and reimagined minimal classics with colorful sets and enigmatic characters. Da Corte's first major solo exhibition in , Slow Graffiti, opened at the in in 2017, transforming the 600-square-meter gallery into a fractured of immersive . The presentation included a site-specific video remake of (2004), shot-for-shot with altered elements to explore detachment and new potential in everyday objects. At the Kölnischer Kunstverein in in 2018, THE SUPƎRMAN centered on four cinematic video works forming a haunting in the large hall, reviving a multi-faced character from prior projects to delve into human perception and social environments. The 2021 Roof Garden Commission at The Metropolitan Museum of Art, As Long as the Sun Lasts, featured a site-specific kinetic with a contemplative figure in plastic, steel, and aluminum, confronting identity and consumerism amid surreal contexts overlooking . Da Corte's 20-year retrospective, Mr. Remember, at the in Humlebæk, , from 2022 to 2023, marked his largest European survey, focusing on the past decade's formal complexity with an overwhelming visual array of major works that eased the "exquisite pain" of modern life through therapeutic, humorous installations. In 2023, THE DÆMON at Matthew Marks Gallery in immersed viewers in a 1960s-inspired house environment with new paintings and sculptures, including a 24-panel titular work based on 1970s design diagrams, shifting focus from character to atmospheric domestic redesign. That same year, Fresh Hell at the 21st Century Museum of Contemporary Art in , —his first Asian museum survey—presented 11 video installations exploring saturated contemporary life through rebellious, dance-like narratives that bridged societal gaps. The Whale (March 2–September 7, 2025) at the Modern Art Museum of Fort Worth surveyed Da Corte's longstanding relationship with painting through over 40 interdisciplinary works, including an artist-curated selection from the museum's permanent collection to immerse visitors in his performative influences. Parade (November 7–December 20, 2025) at Matthew Marks Gallery in featured eleven new sculptures in a narrative environment, marking Da Corte's first solo show there in over five years and layering pop culture images to nuance everyday life. At Glenstone Museum (from March 20, 2025), Rubber Pencil Devil installed the neon sculpture Rubber Pencil Devil (Hell House) (2022) alongside related videos and works like As Long as the Sun Lasts, proposing sensory bleed into space through color, sound, and texture. In 2025, Mr. Dream (September 25, 2025–February 22, 2026) at Kunsten Museum of Modern Art in , , presented a large solo exhibition of colorful, captivating, and satirical works that took over the main exhibition space.

Group exhibitions

Da Corte's work has been featured in numerous prestigious group exhibitions, where his installations and video pieces often engage with broader curatorial themes of perception, pop culture, and domesticity. In the 2022 , titled Quiet as It's Kept and curated by Adrienne Edwards, David Breslin, and Daniela Alu, Da Corte presented ROY G BIV, a and ongoing that recreated a gallery space from the , projecting colorful narratives exploring identity and spectacle. At the 58th in 2019, under the theme May You Live in Interesting Times curated by Ralph Rugoff, Da Corte contributed immersive installations including Rubber Pencil Devil (57 Varieties), a multi-channel video work riffing on everyday objects and , and The Decorated Shed, a sculptural of a set from that evoked childhood nostalgia and suburban myth-making, displayed across the Giardini and Arsenale venues. The 57th Carnegie International in 2018, curated by Ingrid Schaffner at the in , included Da Corte's Rubber Pencil Devil, a neon-lit blending elements with references to American television and personal memory, positioned as a welcoming entry point to the exhibition's exploration of joyful resistance and cultural inheritance. More recent group shows have highlighted Da Corte's sculptural and luminous works within ensemble contexts. In A Rose Is at The FLAG Art Foundation in (February 27–June 21, 2025), curated by Jonathan Griffin, Da Corte's contribution joined pieces by artists like and to examine the as a multivalent symbol of , , and . In SHINE ON at Sadie Coles HQ in (February 15–April 27, 2024), a group presentation of sculptural lighting by artists including Martin Boyce and , Da Corte's pieces evoked a playful shop aesthetic, illuminating themes of domestic glow and artificial radiance. Da Corte also participated in A Little After This at A4 Arts Foundation in (December 16, 2023–April 12, 2024), curated by Josh Ginsburg, where his video installation ROY G BIV (2022) contributed to dialogues on thresholds, inheritances, and post-colonial narratives alongside works by other international artists. Earlier, in the 2021 group exhibition Home Life at Matthew Marks Gallery in , curated to ruminate on domesticity during the , Da Corte's Helter Shelter (2020)—a sequined, foam, and Plexiglas wall piece—interacted with works by and Charles Ray to probe the intimacies and instabilities of home. Da Corte has occasionally collaborated with artist Leidy Churchman, as seen in shared contexts like the 2022 , where their respective installations dialogued on landscape and perception. In 2025, as part of the ATLAS project at in (from September 18, 2025), Da Corte's Mouse Museum (Van Gogh Ear) (2022) was presented alongside Claes Oldenburg's Mouse Museum (1965–1977), exploring themes of collection and everyday objects in a museum-like format.

Recognition

Awards and fellowships

In 2006, Alex Da Corte received the Ted Carey Award, recognizing outstanding achievement in fine arts, and the Eisman Travel Scholarship, which supported international travel and research to broaden his artistic perspective early in his career. Da Corte was awarded the Pew Fellowship in the Arts in 2012, a prestigious Philadelphia-based grant providing $60,000 in unrestricted support over one to two years to exceptional regional artists, selected from a competitive pool by expert panels to foster creative development without conditions. This fellowship came shortly after his MFA from and recognized his innovative sculptures and videos exhibited at institutions like , enabling focused studio time and contributing to his rising prominence in . In 2023, Da Corte was granted the Rome Prize Fellowship by the American Academy in , a six-month residency for visual artists that includes a stipend, housing, and access to 's resources to pursue independent projects. The fellowship supported his exploration of classical influences through the project How to Make the Sea Rise, Swell, Get Tempestuous, and Change Color, drawing on historical theatrical designs by figures like Nicola Sabbatini and to create satirical props and a stop-motion animated , deepening his engagement with illusionistic and performance traditions.

Commissions and honors

In 2021, Alex Da Corte received the prestigious Roof Garden Commission from The Metropolitan Museum of Art, creating the site-specific installation As Long as the Sun Lasts, a 26-foot-tall kinetic featuring a blue figure perched on a with an accompanying ladder, fabricated from , fiberglass, and aluminum. This work, on view from April 16 to October 31, 2021, drew on influences from Alexander Calder's mobiles and pop culture icons, blending humor and introspection to explore themes of longing and , and marked the ninth iteration of The Met's annual series, significantly elevating Da Corte's international profile following his 2010 Yale MFA graduation. The sculpture from this commission was subsequently installed at the in as a site-specific presentation from May 17 to October 23, 2022, temporarily displacing Alexander Calder's Little Janey-Waney on the museum's Calder Terrace, underscoring Da Corte's rising status through such high-profile institutional invitations. In April 2025, Da Corte was honored with a feature in Artforum's "Top Ten" section, where he contributed his selections, recognizing his influence in amid ongoing solo exhibitions like The Whale at the Modern Art Museum of Fort Worth. Building on this momentum, Da Corte undertook the Billboard Commission in spring 2025, presenting —an animated artwork inspired by —on the 18th Street billboard adjacent to the park, visible through May 26, 2025, as part of Frieze New York's initiatives. Later that year, for Paris's 2025 Public Program, he installed , Even (2018/2025), a 65-foot-tall of a deflated on from October 20 to 26, 2025, infusing the historic site with American pop culture commentary and further cementing his reputation for transformative public interventions.

Publications

Exhibition catalogs

Alex Da Corte's exhibition catalogs serve as essential documentation of his immersive installations and paintings, often incorporating essays that explore the performative dimensions of his practice, where everyday objects and pop culture references are recontextualized to evoke emotional and cultural resonance. These publications, produced in collaboration with institutions and galleries, highlight the theatricality inherent in his work, blending visual documentation with critical texts that delve into themes of , , and . The catalog The Whale, published by DelMonico Books in association with the Museum of Fort Worth in 2025, accompanies Da Corte's first museum survey of his practice spanning over a decade. Featuring more than forty paintings, drawings, and a , the volume emphasizes as a performative act, with contributions from the artist himself alongside essays by curator Alison Hearst and scholar Kemi Adeyemi, which analyze how Da Corte's vibrant, layered compositions draw from personal and cultural narratives to create a sense of communal and . Published by the in 2023, the retrospective catalog Mr. Remember provides a comprehensive overview of Da Corte's career to date, documenting major installations including the recreated Mouse Museum homage to . Rich in installation photography, it includes essays by critics Delia Solomons and Steven Zultanski that underscore the performative staging of Da Corte's environments, where sculptural assemblages and lighting evoke a sense of nostalgic reverie and psychological depth. Fun Sponge, issued by Publication Studio in 2013 to accompany Da Corte's exhibition at the Institute of Contemporary Art at Maine College of Art in , functions as both a and a 508-page flip-book, capturing the artist's process of absorbing influences from artists like John Roebas and Sean Fitzgerald into his multimedia works. The publication's experimental format mirrors the show's sponge-like absorption of cultural detritus, with images and texts highlighting performative elements such as site-specific sculptures made from found plastics and everyday materials. For the 2019 solo exhibition at Karma Gallery, the catalog Marigolds, also published by Karma, features full-color reproductions of Da Corte's paintings and installations alongside the eponymous by Eugenia Collier and an essay by animator John Canemaker. Limited to 750 copies, it focuses on the symbolic use of marigolds to represent fortune and grief, tying into the performative layering of personal memory and American in Da Corte's output.

Artist books

Alex Da Corte has produced several artist books that function as autonomous explorations of his conceptual interests, often blending exhaustive visual documentation with narrative reflections on , , and pop cultural icons. These publications stand apart from exhibition-specific by emphasizing self-contained thematic inquiries, frequently incorporating photographic essays, fictional texts, and personal annotations to delve into the artist's obsessions with consumer objects, , and psychological states. One of Da Corte's notable artist books is C-A-T Spells Murder (2018), edited by the artist in collaboration with Sam McKinniss and published by Karma. This 272-page softcover volume compiles 24 stories and fictional essays that probe themes of childhood, horror, and suburban unease, drawing inspiration from R.L. Stine's series while weaving in Da Corte's signature motifs of anthropomorphic animals and domestic . The book features contributions from writers including Alissa Bennett and Bob Nickas, serving as a literary extension of the artist's practice that prioritizes narrative invention over straightforward documentation. In 2020, Da Corte released , published by Walther König and available through Printed Matter, which meticulously documents his longstanding preoccupation with the rapper across four installations spanning from to . Spanning numerous pages of archival pigment prints and installation views, the book traces the evolution of as a cultural in Da Corte's work, using exhaustive photo-documentation to highlight how the musician's persona intersects with themes of fame, alienation, and American mythology. Narrative texts interspersed throughout provide contextual insights into memory and pop iconography, framing the project as a conceptual rather than a mere record. The Dæmon (2023), a 50-page from Matthew Marks Gallery with an essay by Sabrina Tarasoff, emerged as a standalone tied conceptually to Da Corte's of domestic spaces and inner drives. Featuring 24 images of paintings derived from Terence Conran's 1974 design manual The House Book, the volume reimagines household diagrams through a motif—a traversing rooms—to evoke psychological tension and the in everyday environments. Its compact format emphasizes tactile intimacy, aligning with Da Corte's interest in how ordinary objects harbor latent narratives of desire and disruption. Forthcoming in 2025 from Matthew Marks Gallery, The Tomb represents a conceptual volume centered on Da Corte's engagement with the late artist , including an in-depth conversation with curator Elisabeth Sussman that traces the origins of this influence. The book employs narrative texts and visual essays to examine themes of mortality, relic-making, and artistic legacy, positioning Thek's wax sculptures and installations as touchstones for Da Corte's own sculptural language. Through this publication, Da Corte extends his practice into reflective , using photo-documentation to bridge personal memory with broader art historical dialogues. Across these works, Da Corte's artist books consistently favor formats that integrate high-fidelity photographic sequences with evocative prose, creating immersive portals into his thematic obsessions without reliance on contexts. This approach underscores a commitment to pop icons and mnemonic reconstruction, where visual abundance and textual ambiguity invite readers to navigate the blurred lines between autobiography and cultural critique.

Critical reception

Reviews and acclaim

Alex Da Corte's oeuvre has garnered critical acclaim for its surreal, colorful , which fuse personal narratives, art-historical allusions, and pop-culture motifs into dreamlike installations and sculptures that blur the boundaries between fantasy and reality. His vibrant, immersive environments are frequently praised for their ability to evoke both humor and underlying melancholy, drawing viewers into a therapeutic exploration of contemporary existence. This reception is reflected in an active for his works, with consistent auction activity and sales through platforms like Artsy and . Da Corte's prominence is evidenced by solo exhibitions at seven major institutions, including the , MASS MoCA, the , and the . His pieces are held in at least four prominent collections, such as the , the , the Whitney Museum of American Art, and . These inclusions, alongside selections for high-profile biennials, underscore his impact within the world. At the 2022 , Da Corte's ROY G. BIV—a video and performance piece re-creating a gallery space—was hailed for its intoxicating blend of immersive pop elements, rich color palette, and dynamic movement. Critic loved the , noting its buoyant even if it includes an overly obvious art-historical reference. Similarly, his contribution to the 2019 , including the video Rubber Pencil Devil, was commended for its dreamlike probing of and realities, rendered in an exuberant, absurd, and sweetly humorous style. More recent critiques have spotlighted specific projects, such as the 2025 Glasstire review of The Whale at the Museum of Fort Worth, which celebrated Da Corte's blurring of high/low art distinctions and the fluid interplay between painting and sculpture in his works. A 2021 New York Times assessment of his Museum commission, As Long as the Sun Lasts, described it as a provocative, wistful reimagining of icons like , transforming familiar nostalgia into a crowd-pleasing yet poignant commentary on and emotional solace.

Scholarly analysis

Scholarly analyses of Alex Da Corte's work often highlight his integration of modernist with post-minimalist spatial experiments to interrogate and persona, as seen in the for The Whale (2025), where Alison Hearst describes his paintings as a "mouth of the whale" that digests contemporary , including advertisements and pop icons, to explore themes of desire and invisible labor. Essays by contributors such as Suzanne Hudson, , and Kemi Adeyemi in the catalog further examine how Da Corte's use of everyday materials, like drugstore hair products in his Shampoo Paintings, blurs the boundaries between and commercial detritus, positioning his practice as a of consumer-driven . Discussions of value in art through ready-mades form a core scholarly theme in Da Corte's oeuvre, where cheap, mass-produced objects are elevated to the status of canonical works, challenging traditional hierarchies of artistic worth. In his press materials, this approach is framed as an egalitarian impulse that equates dollar-store items with , fostering reflections on cultural . Art21's profile emphasizes how Da Corte weaves personal narrative with pop references—such as Disney characters and television icons like Mr. Rogers—into surreal videos and installations, remixing these elements to reveal the pervasive influence of commercial on and individual . Curatorial perspectives underscore the dreamlike quality of Da Corte's installations, which disrupt societal norms through playful yet subversive reinterpretations of familiar symbols. In a 2021 Studio International review of As Long as the Sun Lasts at the , the installation's mashup of with Calder-inspired mobiles is analyzed as "imaginative detonations" that make the familiar , prompting viewers to question cultural icons' . Similarly, Phaidon commentary on his ready-made-based works invites contemplation of memory and impulse, noting how they probe "the of , and what constitutes in a " amid pop cultural excess. As a Venezuelan-American , Da Corte's practice has been positioned in scholarly discourse as a distinctive voice in global , bridging personal experiences with broader interdisciplinary trends in , , and . Glenstone's highlights how he flattens hierarchies between historical and popular references, influencing hybrid forms that draw from his training to critique image consumption in a post-pop landscape. This interdisciplinary impact extends to curatorial models that emphasize immersive, multi-media environments as sites for empathetic engagement with societal flux.

References

  1. [1]
    Alex Da Corte - Art21
    Alex Da Corte was born in Camden, New Jersey, in 1980 and lives and works in Philadelphia. The artist received his BFA from the University of the Arts in 2004, ...
  2. [2]
    Alex Da Corte | Whitney Museum of American Art
    Alex Da Corte (born 1980) is an American conceptual artist who works across a range of different media, including painting, sculpture, installation, ...Missing: biography | Show results with:biography
  3. [3]
    Bio - Alex Da Corte — KARMA
    Alex Da Corte (b. 1980) is a Philadelphia-based multidisciplinary artist known for his pop-informed sensibility and embrace of theatricality.
  4. [4]
    Alex Da Corte - Soft Power - The High Line
    Alex Da Corte (b. 1980, Camden, NJ) is a Venezuelan-American artist. Institutional exhibition highlights include the 20-year retrospective Mr. Remember at the ...Missing: biography | Show results with:biography
  5. [5]
    Alex Da Corte | The Pew Center for Arts & Heritage
    Alex Da Corte (Pew Fellow, 2012) scans grocery stores, street corners, and IKEA showrooms to find materials for his assemblages and videos, which utilize ...
  6. [6]
    Alex Da Corte - Galleries + Visiting Artist Programs
    Alex Da Corte is a Venezuelan-American artist based in Philadelphia. He has been the subject of survey exhibitions in 2022–2023 at the Louisiana Museum of ...
  7. [7]
    Alex Da Corte - Glenstone
    Alex Da Corte (b. 1980, Camden, New Jersey) works across a range of media, including installation, video, sculpture, performance, and painting.Missing: biography | Show results with:biography
  8. [8]
    Alex Da Corte, Puppet Master - The New York Times
    Jun 16, 2021 · Born in Camden, N.J., Da Corte is the son of an upper-middle-class Venezuelan father and a white mother from a working-class family in the ...
  9. [9]
    Smashing Icons with Alex Da Corte - SSENSE
    And how long did you live in Venezuela? Until I was eight. I was born in Camden, then we moved to Venezuela, which is where my father and his family are from.Missing: childhood | Show results with:childhood
  10. [10]
    Alex Da Corte by John Haskell - BOMB Magazine
    Mar 17, 2025 · Through videos, paintings, sculptures, and more, the artist transforms pop cultural references—ranging from Big Bird to Eminem—into uncanny, ...Missing: biography | Show results with:biography
  11. [11]
    Artist Alex Da Corte on what he's bringing to his big moment at the ...
    May 1, 2019 · He was born in Camden, N.J., and raised in Pittsburgh and Caracas, Venezuela, where his parents are from. Tall, with dark, close-cropped ...
  12. [12]
    Alex Da Corte Sees What Andy Warhol Missed - Toronto - Designlines
    Sep 26, 2024 · Da Corte grew up Catholic, in a Venezuelan American family. He's also gay and loves costumes and camp. All of these facts seem relevant to ...
  13. [13]
    Alex Da Corte - Matthew Marks Gallery
    Education: Yale University, New Haven, M.F.A., 2010. University of the Arts, Philadelphia, B.F.A. 2004. School of Visual Arts, New York, 2001. Barnstone ...
  14. [14]
    The Roof Garden Commission: Alex Da Corte, As Long as the Sun ...
    After training as an animator at the School of Visual Arts in New York City, he received a BFA in Printmaking/Fine Arts from the University of the Arts in ...
  15. [15]
    Alex Da Corte: A Love Letter | Department of Art History
    Apr 1, 2024 · Created immediately after graduating from the Yale School of Art where he studied closely with Jessica Stockholder, the work is marked by her ...Missing: background | Show results with:background
  16. [16]
    Alex Da Corte - Biography | Sadie Coles HQ
    1980, Born in Camden NJ, USA. 1998, Camden County College, Blackwood NJ, USA ... 2024, Kermit the Frog, Even, Fridericianum, Kassel, Germany, 07 September.
  17. [17]
    The Roof Garden Commission: Alex Da Corte: As Long as the Sun ...
    Alex Da Corte confronts themes of identity and consumerism in his work, placing familiar objects and cultural icons in surprising and surreal contexts.
  18. [18]
    Alex Da Corte: The Whale | Modern Art Museum of Fort Worth
    Da Corte is globally recognized for his hybrid installations marrying painting, performance, video, and sculpture. Immersed in the history of art, design, and ...Missing: early interests
  19. [19]
    Alex Da Corte - Ear Worm at MOCA Toronto
    A dreamlike environment envisioned by Venezuelan American artist Alex Da Corte. Vivid and surreal, Da Corte's work draws from areas of popular culture.Missing: motifs objects
  20. [20]
    Alex Da Corte - Matthew Marks Gallery
    With a keen attention to color and form, Da Corte draws from a wide range of sources, including popular and consumer culture, art history, and modern design.Missing: media materials
  21. [21]
    Alex Da Corte Free Roses | MASS MoCA
    He received a Bachelor of Fine Arts in Printmaking/Fine Arts from the University of the Arts, Philadelphia, and a Master of Fine Arts from the Yale University ...
  22. [22]
    Alex Da Corte's 'Free Roses' Puts His Eccentricities on View
    Mar 27, 2016 · He grew up around Philadelphia in a large, extended, close-knit family and spent several years as a child in Caracas, Venezuela, where his ...Missing: childhood | Show results with:childhood
  23. [23]
    Alex Da Corte - Slow Graffiti - Secession
    Jul 5, 2017 · For his first major solo exhibition in Europe, Alex Da Corte has created a new work for the Vienna Secession. With his immersive ...
  24. [24]
    Alex Da Corte Slow Graffiti - KADIST
    Slow Graffiti was produced for Alex Da Corte's exhibition at the Vienna Secession in 2017. The video is a shot-for-shot remake of the film “The Perfect ...
  25. [25]
    Alex Da Corte – THE SUPƎRMAN - Kölnischer Kunstverein
    Four cinematic works come together at the center of Alex Da Corte's presentation to form a haunting installation in the large hall of the Kölnischer Kunstverein ...
  26. [26]
    Alex Da Corte - Louisiana Museum of Modern Art
    Mr. Remember. 14.7.22 - 8.1.23. An overwhelming, visual experience, this exhibition is the largest to date in Europe with international art-star Alex Da Corte.
  27. [27]
    ALEX DA CORTE THE DÆMON - Matthew Marks Gallery
    The artist's first one-person exhibition in Los Angeles in seven years, it consists of an immersive installation featuring new paintings and sculptures.
  28. [28]
    Alex Da Corte Fresh Hell ｜21st Century Museum of Contemporary ...
    Born in Camden, New Jersey in 1980 and lives and works in Philadelphia, Pennsylvania, USA. Da Corte is a Venezuelan-American artist. His work was included in ...
  29. [29]
    ALEX DA CORTE Parade - Matthew Marks Gallery
    The exhibition includes eleven new sculptures presented in a narrative environment. It is the artist's first one-person exhibition in New York in more than five ...Missing: solo | Show results with:solo
  30. [30]
    Alex Da Corte - Glenstone
    Recent works by artist Alex Da Corte, including Rubber Pencil Devil (Hell House), 2022, a neon sculpture commissioned by Glenstone. Opening March 20, 2025.
  31. [31]
    Whitney Biennial 2022: Alex Da Corte
    Jun 6, 2022 · Alex Da Corte's ROY G BIV is both a video installation and an ongoing performance. The video set re-creates a gallery in the Philadelphia Museum ...
  32. [32]
    Whitney Biennial 2022: Quiet as It's Kept
    Titled Quiet as It's Kept, the 2022 Biennial features an intergenerational and interdisciplinary group of sixty-three artists and collectives.<|control11|><|separator|>
  33. [33]
    Alex Da Corte - Art (2019) - La Biennale di Venezia
    Alex Da Corte's immersive works testify to an act of magnetic world-making. He choreographs a dance of objects that signify and imply, without being those ...
  34. [34]
    Alex Da Corte: in May You Live In Interesting ... - Sadie Coles HQ
    Alex Da Corte in May You Live In Interesting Times, 58th International Art Exhibition, 11 May - 24 November 2019, La Biennale di Venezia, Venice, Italy.
  35. [35]
    “57th Carnegie International,” Carnegie Museum of Art, Pittsburgh, PA
    Rubber Pencil Devil, 57th Carnegie International, Pittsburgh, PA, 2018. Alex Da Corte (b. 1980, Camden, NJ) is a Venezuelan-American artist.
  36. [36]
    Alex Da Corte, 57th edition of the Carnegie International - KARMA
    Alex Da Corte, Carnegie International, 57th Edition, curated by Ingrid Schaffner, Carnegie Museum of Art, October 13, 2018–March 25, 2019.
  37. [37]
    A Rose Is - The FLAG Art Foundation
    FEBRUARY 27-JUNE 21, 2025. Click here for the checklist. The FLAG Art Foundation is pleased to announce A Rose Is, an expansive group exhibition that ...
  38. [38]
    Louise Bourgeois, Robert Mapplethorpe and Nicolas Party in A ...
    A Rose Is will feature artworks by Polly Apfelbaum, Arakawa & Madeline Gins, Genesis Belanger, Louise Bourgeois, James Lee Byars, Sara Cwynar, Alex Da Corte, ...
  39. [39]
    SHINE ON - Sadie Coles HQ
    Feb 15, 2024 · This lively assembly of sculptural lights made by artists are busily displayed as a lamp supply shop within the white cube of our Davies Street gallery.
  40. [40]
    Works | SHINE ON - Sadie Coles HQ
    15 February - 27 April 2024 1 Davies Street W1 Martin Boyce A Forest (I), 2009 powder coated aluminium, steel chain, electrical components 185 x 126 x 126 cm
  41. [41]
    A Little After This - A4 Arts Foundation
    Title A Little After This Dates 16 December 2023–12 April 2024 Location Gallery Tagline An exhibition about thresholds and inheritances. Credits. Artists:
  42. [42]
    ROY G BIV - A4 Arts Foundation
    Installation photograph from the 'A Little After This' exhibition in A4 Arts Foundation's gallery. Artwork: Alex Da Corte, ROY G BIV (2022). Video, colour ...
  43. [43]
    HOME LIFE - Matthew Marks Gallery
    Mar 27, 2021 · The exhibition features new works by Alex Da Corte, Robert Gober, and Charles Ray, all exhibited for the first time, together with earlier works.
  44. [44]
    The Pew Center for Arts & Heritage Announces 2012 Pew ...
    Fellowships may be awarded to artists at any stage of their careers. This year's group ranges from Alex Da Corte, a recent MFA graduate who has already ...<|control11|><|separator|>
  45. [45]
    Alex Da Corte | American Academy in Rome
    Alex Da Corte · Profession. Artist, Philadelphia · Project title. How to Make the Sea Rise, Swell, Get Tempestuous, and Change Color · Project description.Missing: awards | Show results with:awards
  46. [46]
    Alex Da Corte to Design Met Rooftop Commission - Artforum
    Feb 12, 2021 · The work, created from stainless steel, fiberglass, and aluminum, and titled As Long as the Sun Lasts, will be on view from April 16 through ...Missing: commissions honors Louisiana retrospective
  47. [47]
    As Long as the Sun Lasts - Louisiana Museum of Modern Art
    May 17, 2022 · The sculpture is from 2021, where Alex Da Corte was invited to create a site-specific installation for The Roof Garden of the The MET in New ...
  48. [48]
    April 2025 - Artforum
    The April 2025 issue of Artforum featuring the work of Jo Baer, Gertrude ... TOP TEN · Alex Da Corte. By Alex Da Corte · Aimee Ng. THE CHECKLIST · Aimee Ng. By ...
  49. [49]
    [PDF] matthew marks gallery - DigitalOcean
    Nov 5, 2025 · Slow Graffiti is the vision of 37-year-old. American artist Alex Da Corte, who lives and works in Philadelphia, where he paints and.<|control11|><|separator|>
  50. [50]
    Press Releases | Page 2 - The High Line
    High Line Art. Alex Da Corte presents Soft Power, a new artwork for the High Line on the billboard adjacent to the park at 18th Street. March 10, 2025 ...
  51. [51]
    In pictures: Frieze week public art puts Manhattan in the pink
    May 7, 2025 · The Venezuelan American artist Alex Da Corte's Soft Power ...
  52. [52]
    A giant Kermit the Frog will soon soar over Place Vendôme | Art Basel
    Oct 10, 2025 · Kermit the Frog, Even by Alex Da Corte is presented by Sadie Coles HQ. Open from October 20 to 26. Free access. Discover the Public Program here ...<|control11|><|separator|>
  53. [53]
    In Art Basel Paris's Public Sector, a Giant Kermit the Frog and More
    Oct 21, 2025 · Alex Da Corte, Kermit the Frog, Even, 2018, as performed at Art Basel Paris in 2025. Photo : Courtesy of the artist and Sadie Coles HQ, London.
  54. [54]
    Alex Da Corte The Whale ARTBOOK | D.A.P. 2025 Catalog Books ...
    In stock 90-day returnsThe Whale is the first exhibition to survey his rich and eccentric relationship with painting over the past decade.
  55. [55]
    Alex Da Corte: The Whale
    Jun 13, 2025 · “Alex Da Corte: The Whale” is the first museum exhibition to survey the Venezuelan American interdisciplinary artist's long relationship with painting.
  56. [56]
    Alex Da Corte: Mr. Remember - Artbook D.A.P.
    90-day returns... Catalog SPRING 2023 Art Monographs, Exhibition Catalog and Schedule ... Alex Da Corte: Mr. Remember. Louisiana Museum of Modern Art. $45.00. Clth, 9.75 ...
  57. [57]
    Publication: Alex Da Corte - Mr. Remember | Sadie Coles HQ
    Published for a major retrospective at the Louisiana Museum of Modern Art in Denmark, and documenting all of his major works to date.
  58. [58]
    Fun Sponge by Alex Da Corte - Publication Studio
    Free delivery over $100This catalogue for his exhibition at the ICA @ MECA also functions as a 400 page flip-book. Artists absorbed within Alex's work include: John Roebas, Sean ...
  59. [59]
    Alex Da Corte: Marigolds - Artbook D.A.P.
    90-day returnsAlex Da Corte: Marigolds. Karma, New York. $30.00. Pbk, 9.5 x 11.75 in. / 52 pgs / 18 color. Pub Date: 1/21/2020 | In stock U.S. $30.00 CAD $42.00
  60. [60]
    Publications - Alex Da Corte — KARMA
    Alex Da Corte, Marigolds. Alex Da Corte Marigolds Karma, New York, 2019. $30 ; Alex da Corte, C-A-T Spells Murder. C-A-T Spells Murder Edited By Alex Da Corte ...
  61. [61]
    Alex Da Corte - True Life - Printed Matter
    Free deliveryThis book exhaustively documents Philadelphia-based installation artist Alex Da Corte's (born 1980) preoccupation with the musician Eminem across four ...
  62. [62]
    Alex da Corte, C-A-T Spells Murder - KARMA Bookstore
    C-A-T Spells Murder Edited By Alex Da Corte and Sam McKinniss. Karma, New York, 2018 272 Pages, Softcover 9 1⁄8 × 6 1⁄2 inches. Edition of 1,000
  63. [63]
    C-A-T Spells Murder ARTBOOK | D.A.P. 2018 Catalog Books ...
    90-day returns... C-A-T Spells Murder. Karma, New York. $25.00. Pbk, 6.5 x ... Artist Alex Da Corte (born 1980) worked with writer and artist Sam ...
  64. [64]
    Alex da Corte True Life ARTBOOK | D.A.P. 2020 Catalog Books ...
    Out of stockThis book exhaustively documents Philadelphia-based installation artist Alex Da Corte's (born 1980) preoccupation with the musician Eminem across four ...Missing: Matter | Show results with:Matter
  65. [65]
    Alex Da Corte THE DÆMON - Matthew Marks Gallery
    $$30.00 15-day returnsPublished on the occasion of Alex Da Corte's 2023 exhibition at Matthew Marks Gallery in Los Angeles, THE DÆMON reproduces the titular painting's 24 panels
  66. [66]
    ALEX DA CORTE The Tomb - Matthew Marks Gallery
    15-day returnsThis book includes an illuminating conversation with curator Elisabeth Sussman in which Da Corte describes the origins of his interest in Thek's work and his ...Missing: Elizabeth | Show results with:Elizabeth
  67. [67]
    About - Alex Da Corte
    THE DÆMON. Philadelphia: Alex Da Corte. James, Jamillah. Rubber Pencil Devil. Copenhagen: At Last Books. Sachs, Sid, Erica Battle, David Breslin, Kim Nguyen ...
  68. [68]
    Alex Da Corte - Auction Results and Sales Data - Artsy
    Find out about Alex Da Corte's auction history, past sales, and current market value. Browse Artsy's Price Database for recent auction results from the ...<|control11|><|separator|>
  69. [69]
    Alex Da Corte: Works for Sale, Upcoming Auctions & Past Results
    Browse the works and learn more about Alex Da Corte. Find upcoming and past auctions and exhibitions featuring their work at Phillips.
  70. [70]
    Alex Da Corte - Artworks for Sale & More | Artsy
    4.8 78 · 8-day deliveryDiscover and purchase Alex Da Corte's artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, ...
  71. [71]
    Whitney Biennial 2022: Quiet as It's Kept - Art Matters
    Aug 28, 2022 · After viewing Alex Da Corte's video, I walked over to where my girlfriend Heather was examine a painting. She had me shut my eyes and listen.
  72. [72]
    The 2022 Whitney Biennial in five key themes - The Art Newspaper
    Apr 6, 2022 · Da Corte's piece is emblematic of another thread running through the 2022 biennial, which is a fascination with collections. The entire video is ...
  73. [73]
    Jerry Saltz: The Whitney Biennial Falters On - Vulture
    Apr 1, 2022 · I loved Alex Da Corte's installation even if it does include an overly obvious art-historical reference to Marcel Duchamp drinking one of ...
  74. [74]
    May You Live in Interesting Times - ArtReview
    Nov 22, 2019 · It features a series of darkly funny digital animations that, like Alex Da Corte's equally dreamlike if cheerier video installation Rubber ...
  75. [75]
    Review: The Blurred Boundaries of Alex Da Corte - Glasstire
    May 31, 2025 · He playfully breaks down the barriers between art forms by merging performance, digital art, music, and editing into one video, which he then ...Missing: interests | Show results with:interests
  76. [76]
    Review: “Alex Da Corte: The Whale” | Glasstire
    Aug 31, 2025 · The exhibition's didactics make much of Da Corte's deployment of untraditional materials to construct “paintings,” but this is a red herring.Missing: techniques | Show results with:techniques
  77. [77]
    On the Met's Roof, a Wistful Fantasy We've Been Waiting For
    Apr 15, 2021 · As Long as the Sun Lasts” is a winsome crowd-pleaser that turns gentle circles without ever getting anywhere.
  78. [78]
    Up on the Met Roof, an Artist Is Taking Big Bird to New Heights
    Apr 2, 2021 · Alex Da Corte, known for provocative, brightly colored installations, will showcase the beloved “Sesame Street'” character at the top of the Met ...
  79. [79]
    [PDF] Alex Da Corte - DigitalOcean
    Alex Da Corte and Jenny Holzer — both trying, in different ways, to ...
  80. [80]
    Alex Da Corte: As Long as the Sun Lasts - Studio International
    May 21, 2021 · Da Corte deftly attaches Calvino's quirky, often metaphysical musings on life and the space/time continuum as well as shelf loads of other ...
  81. [81]
    4 Reasons to Collect Alex Da Corte's $825 Edition
    ### Summary of Memory and Impulse in Alex Da Corte's Work