Andy Hui
Andy Hui Chi-on (born 12 August 1967) is a Hong Kong singer, actor, and Cantopop artist renowned for his emotive vocals, extensive discography, and contributions to the local entertainment industry over nearly four decades.[1] Hui entered the music scene as the first runner-up in the fifth Annual New Talent Singing Awards in 1986, securing his debut contract with PolyGram Records that same year and launching a prolific career that includes over 40 albums.[2] His breakthrough came in the 1990s with hits like the 1994 ballad "Am I Really In Your Heart," which showcased his signature style blending heartfelt lyrics with melodic arrangements, followed by later successes such as "Lover A" in 2013.[3] Throughout his tenure, Hui has garnered numerous accolades, including the 2005 Ten Outstanding Young Persons award and multiple nominations at the Chinese Music Awards, such as Favorite Male Singer in 2013, cementing his status as one of Hong Kong's most beloved male vocalists.[4][5] In parallel to his music endeavors, Hui has built a substantial acting portfolio, appearing in television series like the 2006 TVB drama To Grow with Love and various films, leveraging his charismatic onscreen presence to diversify his fame.[4] On a personal note, he has been married to fellow Cantopop superstar Sammi Cheng since a private ceremony in Bali in 2013, following their reconciliation after an earlier breakup.[6] Their relationship faced significant public scrutiny in 2019 when a leaked video from late 2018 surfaced showing Hui in a compromising situation with actress Jacqueline Wong, leading to widespread media coverage and a temporary career hiatus; however, Cheng publicly forgave him, and the couple has remained together.[7] Hui staged a professional comeback in 2023 with his Human world tour, including a solo concert in Singapore, and continued performing, including the Big Four concert series in 2025, reaffirming his enduring appeal in the industry.[3][6]Early life
Birth and family background
Andy Hui was born on August 12, 1967, in British Hong Kong to a Chinese father and a Vietnamese mother.[8] He was the youngest of nine siblings in a large family of modest means.[9] The family resided in a small flat in the Wong Tai Sin district, an urban public housing estate characterized by economic hardship during the late 1960s and 1970s.[9] Growing up in this environment, Hui experienced the challenges of poverty in a densely populated area plagued by poor security and frequent petty crime.[8] His mother's habit of singing lullabies to him fostered an early appreciation for music within the household.[9] Family dynamics were marked by close-knit support amid limited resources, with Hui's father providing quiet encouragement despite his reserved nature.[9] This upbringing in Hong Kong's bustling urban landscape during the 1970s shaped Hui's resilience and connection to the city's working-class culture.[9]Education
Andy Hui attended primary school in Hong Kong, initially enrolling at an unnamed institution where institutional biases against left-handedness prompted a transfer. His mother advocated for the change, securing admission to Confucian Tai Shing Primary School (孔教學院大成小學) in Wong Tai Sin, where the principal permitted him to write with his left hand. He completed his primary education there in the early 1980s, describing the experience as formative in building positive values.[10] For secondary education, Hui began at Christ College (基督書院) in Kowloon City, where his academic performance started strong but declined amid distractions from social activities with mostly male peers. By Form 5, his grades necessitated repeating the year, leading to a transfer to Ho Kwok Pui Chun College (now known as Confucian Tai Shing Ho Kwok Pui Chun College, 孔教學院大成何郭佩珍中學) in Tai Po. He completed Form 5 there before moving to Delia Memorial School (Hip Wo) (地利亞修女紀念學校（協和）) in Kwun Tong for Form 6, a co-educational environment where renewed focus improved his results; he even considered pursuing Form 7 pre-university studies to attend university.[11] His family supported these transitions, reflecting their encouragement of his educational choices.[10] Throughout his teenage years at these schools, Hui showed no notable involvement in formal music clubs or performances, but his growing passion for music and the performing arts emerged informally, influencing his ultimate decision to forgo traditional academic paths in favor of an entertainment career.[10]Career
Beginnings in music
Andy Hui entered the Hong Kong entertainment industry through the 5th New Talent Singing Awards, a singing competition organized by Television Broadcasts Limited (TVB) in 1986. At the age of 19, he competed against numerous aspiring performers and achieved first runner-up, a position that highlighted his vocal talent and stage presence amid a field that also included future stars like Leon Lai. This accomplishment provided Hui with significant exposure in the local media and music circles.[12][13][14] Following his success in the contest, Hui signed a recording contract with Capital Artists, a label under PolyGram Records (now part of Universal Music), later that year. This deal marked the beginning of his professional music career, allowing him to transition from amateur performer to signed artist in the competitive Cantopop landscape. The contract enabled him to focus on recording and development under established producers, building on the momentum from his TVB appearance.[15][16] In 1988, Hui released his self-titled debut album Andy Hui on Capital Artists, which introduced his smooth vocal style to the Cantopop audience. The album featured ten tracks, including key songs such as "傷得徹底" (Thoroughly Hurt), "荒謬的愛情" (Absurd Love), and "夢魂牽" (Dream Soul Entwined), blending romantic ballads with pop arrangements typical of mid-1980s Hong Kong music. While not an immediate chart-topper, the release established Hui as a promising newcomer in the Cantopop scene, contributing to his gradual rise among emerging male vocalists during a decade dominated by established icons like Leslie Cheung and Alan Tam.[17][16]Musical success and awards
Andy Hui rose to prominence in the Cantopop scene during the 1990s and 2000s, achieving commercial success with key albums such as Come on! Enjoy the Best (1993) and May Flower (1997), which included chart-topping singles like "女人香" (Perfume of a Woman) and "半生人" (Half a Life). These releases solidified his status as a leading male vocalist, with hits that dominated radio airplay and sales charts in Hong Kong.[18] His accolades during this period included multiple wins at the RTHK Top 10 Gold Songs Awards, where he was named Outstanding Singer in 1997, 1998, 1999, 2000, 2001, 2002, and 2003. Hui also secured the Most Popular Male Singer award at the TVB Jade Solid Gold Best Ten Music Awards Presentation in 1997, 1998, 1999, 2000, and 2001, reflecting his widespread appeal and consistent chart performance. These victories culminated in several "Top Ten Chinese Gold Songs" recognitions, highlighting his contributions to Mandarin and Cantonese music.[5] In 2004, veteran singer Alan Tam designated Hui as one of the "New Four Heavenly Kings" alongside Hacken Lee, Leo Ku, and Edmond Leung, acknowledging their emergence as successors to the original Cantopop icons. The following year, in 2005, Hui received the Ten Outstanding Young Persons award from the Junior Chamber International Hong Kong, honoring his impact on the local music industry through innovative performances and philanthropy.[19]Acting career
Andy Hui transitioned into acting in the early 1990s, shortly after establishing himself as a prominent Cantopop singer, with his film debut in the supernatural comedy Demoness from Thousand Years (1990), where he played a supporting role.[20] His musical fame opened doors to on-screen opportunities, allowing him to leverage his charismatic stage presence in crossover projects. By the 2000s, Hui had expanded his portfolio to over 20 films, often portraying relatable everyman characters in genres ranging from action to romance.[21] In romantic comedies, Hui demonstrated versatility, notably in Love Is Not a Game, But a Joke (1997), where he starred as one of three friends in a lighthearted contest of affection, blending humor with his signature affable charm.[20] Other key films included The First Shot (1994) and Dr. Mack (1995), which highlighted his ability to handle comedic timing amid ensemble casts. However, his film roles frequently received mixed critical reception, with box office performances varying; for instance, First Shot achieved modest commercial success in Hong Kong theaters, reflecting the competitive landscape of the era's local cinema.[21] On television, Hui made significant appearances in TVB series, starting with early roles in Police Cadet '88 (1988) and evolving to lead parts in modern dramas like To Grow with Love (2006), where he portrayed a multifaceted protagonist navigating family and romance.[20] These productions often integrated his singing talents, as seen in musical drama elements that showcased his vocal performances alongside acting, enhancing viewer engagement in storylines centered on emotional expression. His TV work underscored a smoother adaptation to scripted narratives compared to films, though overall on-screen success remained moderate, with popularity tied closely to his music career's fluctuations.[20] The shift from singer to actor presented challenges for Hui, including typecasting as the "nice guy" archetype and competition from established performers in Hong Kong's vibrant entertainment industry. Critics noted his earnest delivery but occasional limitations in dramatic depth, contributing to a career marked by steady but not blockbuster-level acclaim in acting.[20]Hiatus and resurgence
Following the 2019 scandal, Andy Hui's career entered a prolonged hiatus, characterized by limited professional activity from 2019 to 2022, including a withdrawal from public events and stage performances.[22][23] Hui began a gradual resurgence in 2021, resuming work with low-key projects such as filming a musical drama in Taiwan and contributing to select recordings.[24][25] In 2022, he released the single "人與人之間," signaling his return to music production.[26] His first major public stage appearance occurred in 2023 at the "Reminiscing Leslie Live" concert in Hong Kong, a tribute event marking the 20th anniversary of Leslie Cheung's death, where Hui performed alongside other artists. That year, he also launched his "Human Live" world tour, his first solo concert series since the hiatus, including a performance in Singapore on July 1. He issued several singles, including "與自己和解" and "不枉."[22][27][26][28][3] In 2024, Hui released the album 行雷閃電。唔好畀我停我唔係音樂劇原聲大碟, further solidifying his musical comeback.[28][29] As of 2025, Hui remains active, participating in the Big Four's "Happy To See You All" concert series—featuring bandmates Dicky Cheung, William So, and Edmond Leung—held over three nights from August 9 to 11 at the Hong Kong Coliseum, where he celebrated his 58th birthday onstage with performances.[6][30][31]Personal life
Early relationships
In the early 1990s, as Andy Hui rose to prominence in Hong Kong's entertainment industry, his romantic life became a subject of intense media interest, with rumors frequently linking him to fellow performers, including TVB actresses, amid his status as a rising Cantopop star.[32] These speculations were fueled by his collaboration with Sammi Cheng on the 1991 duet "Actually, Do You Have Me in Your Heart?" (其實你心裡有沒有我), which sparked early whispers of a romance between the two, though they kept any personal involvement private for years.[33] The lack of confirmed details about his dating life enhanced Hui's image as an enigmatic, eligible romantic figure, aligning with the heartfelt themes of his ballads and contributing to his appeal as a Cantopop heartthrob.[34] Following his breakup with Cheng in 2004 after a 13-year on-and-off relationship, Hui entered a secret two-year romance with his former assistant of 20 years, Poon Hang Cheung, which she publicly acknowledged in 2010.[35] Media coverage of this low-profile partnership highlighted Hui's preference for privacy outside the spotlight, contrasting with the glamour of his professional world. Subsequently, from approximately 2008 to 2011, Hui dated model Michelle Yu in a three-year relationship that drew tabloid attention when it ended, further underscoring public fascination with his post-breakup personal choices.[36][37] These early partnerships, often shrouded in rumor and discretion, reinforced Hui's reputation as a sensitive romantic idol, with fans and media portraying him as the quintessential Cantopop leading man whose off-stage life mirrored the emotional depth of his music.[33]Marriage to Sammi Cheng
Andy Hui and Sammi Cheng first developed a romantic relationship in the early 1990s, shortly after meeting through their shared work in the Hong Kong music industry and collaborating on the duet "Actually, Do You Have Me in Your Heart?" (其實你心裡有沒有我) in 1991. Their partnership, which began privately around 1991, became one of Cantopop's most enduring celebrity couples, marked by mutual professional encouragement during their rise to fame.[38] After going public in 2001 following a decade of dating, the couple separated in 2004 amid career pressures and personal challenges.[39] The pair reconciled in 2011 after a seven-year hiatus, with Hui confirming their reunion publicly in March of that year during an interview, emphasizing their decision to follow their hearts despite past difficulties. This renewed commitment contrasted with Hui's earlier, shorter-lived relationships in his youth, establishing a more stable foundation for their partnership. By 2012, they had moved in together, further solidifying their bond as they navigated their careers side by side. On August 19, 2013—Cheng's 41st birthday—Hui proposed to her with a ring and roses during a private celebration, leading to an intimate, unregistered vow exchange ceremony on a Bali beach on November 30, 2013, attended only by close family. The couple publicly announced their marriage in December 2013 through media reports and a statement from Cheng's stylist, describing it as a heartfelt union after over two decades of on-and-off romance, though they confirmed it was not legally registered.[40] This private ceremony symbolized their deep emotional commitment, with Cheng later referring to herself as "Mrs. Andy Hui" in personal reflections.[41] Throughout their relationship, Hui and Cheng frequently collaborated professionally, including on duets such as "Unusual Love Fire" released in 2000 and surprise joint performances at concerts, like their 2024 rendition of "Fireworks at the End of the Century" during Cheng's tour.[42][43] They provided mutual support in their careers, with Cheng attending Hui's events and Hui offering encouragement during her acting projects and comebacks, fostering a dynamic of shared artistic growth up to 2019.[44] Their partnership highlighted a blend of personal intimacy and professional synergy, often described by industry peers as inspirational within Hong Kong entertainment circles.[38]2019 scandal and aftermath
On April 3, 2019, a 16-minute video captured by a taxi's dashboard camera showed Andy Hui kissing and cuddling actress Jacqueline Wong in the back seat while traveling from Tai Hang to Lei Yue Mun in Hong Kong, leading to the public revelation of their extramarital affair upon its publication by Apple Daily on April 16, 2019.[45] The footage, sold to the tabloid by the driver for over HK$400,000 (approximately US$51,000), depicted the pair in intimate embraces more than 20 times, sparking widespread outrage and privacy concerns over vehicle surveillance in taxis.[7] Hui, who was married to fellow Cantopop star Sammi Cheng since 2013, later attributed the incident to alcohol consumption but expressed deep remorse for betraying his wife and fans.[46] The following day, on April 16, 2019, Hui held a tearful press conference in Hong Kong, bowing repeatedly in apology to Cheng, their families, and the public while announcing an indefinite suspension of his work to focus on self-reflection.[47] Wong issued her own apology on April 17 via social media, expressing shame over her actions and requesting privacy as she stepped away from the spotlight.[48] Cheng broke her silence on April 18 through an Instagram post, announcing her decision to forgive Hui and emphasizing their commitment to rebuilding their marriage, citing it as a profound lesson that would strengthen their bond.[49] The scandal prompted immediate professional repercussions for Hui, including the cancellation of an upcoming concert and several mainland China engagements.[50] In the ensuing months, Hui and Cheng prioritized personal rehabilitation and family reconciliation, retreating from public life to address the emotional fallout privately. By June 2020, 14 months after the incident, Cheng shared in an interview that their relationship had deepened through the ordeal, noting Hui's significant personal growth and increased resilience, which allowed them to face challenges as a united couple.[51] She described their marriage as stronger, with Hui demonstrating commitment through consistent actions rather than words. The couple's ongoing partnership, evidenced by joint public appearances such as a surprise duet at Cheng's 2024 concert and a celebration of Hui's 58th birthday with friends in August 2025, underscores the lasting reconciliation and renewed stability in their personal lives.[52][6]Discography
Studio albums
Andy Hui's debut studio album, Andy Hui (許志安), was released in 1988 under Capital Artists, introducing his smooth vocal style in Cantopop ballads centered on youthful romance and emotional introspection.[18] This marked the start of a prolific early career, with follow-up releases like Andy Hui (1990) and Alive! (1992) building on themes of love and personal discovery, solidifying his presence in Hong Kong's music scene.[18] In the mid-1990s, Hui's output intensified, with albums such as 喜歡妳是妳 (1993), 從沒這麼愛戀過 (1993), and 男人最痛 (1996) emphasizing heartfelt romantic narratives and relational dynamics, which resonated strongly with audiences.[18] The 1996 release 男人最痛 featured the title track that became one of his signature songs, exploring male vulnerability in love. By 1997, under the new label Go East, albums including 看清楚 (See Clearly), 男人的感慨, and 我的天 我的歌 (Sky of Mine, Songs of Mine) shifted toward deeper emotional reflections, with the latter achieving commercial success by selling over 40,000 copies, Hui's best-selling studio album to date.[18][53][54] The late 1990s saw continued exploration of love and happiness in releases like 甲乙丙丁 (1998), 飛得起 (1998), 相信愛情 (Faith in Love) (1999), 我們都要幸福 (1999), and 真心真意 (Faith with Heart) (1999), maintaining Hui's focus on relational themes while incorporating collaborative elements.[18] Entering the 2000s, his music evolved to include more mature reflections on personal growth and resilience, evident in albums such as Back Up (2004) and In the Name Of... (2006).[55] After a period of reduced output, Hui resumed with On and On in 2011, blending contemporary sounds with enduring themes of love and self-acceptance.[56] His pre-hiatus work culminated in the 2017 EP 18oz, a collaborative effort with bands like Dear Jane and RubberBand, weighing in at four tracks that revisited emotional depth through modern lenses, equivalent to "18 ounces" of creative input from multiple artists.[57] Overall, Hui's studio discography spans over two decades, with sales exceeding 80,000 units across his catalog, underscoring his enduring impact in Cantopop through themes of love, relationships, and personal evolution.[53][58]Live albums and compilations
Andy Hui's live albums capture the energy of his concert performances, serving as key milestones in his career and often featuring medleys of his Cantopop hits alongside new arrangements. His debut live recording, 好許志安98演唱會, released in 1998, documented an 18-track performance from his rising phase, including staples like "我的天我的歌" and "一走了之."[59] This was swiftly followed by the double-CD Andy Hui 99 Live in Concert in 1999, which highlighted his vocal range through live renditions of early successes and drew strong attendance at the Hong Kong Coliseum.[60] By 2001, Andy Hui Concert 2001 emerged as a vibrant set with medleys such as "Super Medley: 花花宇宙/聽身體唱歌/失憶周末" and tracks like "世紀末煙花," emphasizing his evolving stage presence. Advancing into the 2010s, Hui's live releases marked significant anniversaries and comebacks. The expansive On and On 25 週年演唱會 (On and On 25th Anniversaries Live), issued in 2011, spanned 31 tracks over two hours, commemorating 25 years in music with overtures, classics like "戀愛片段," and guest appearances, performed across multiple Hong Kong shows.[61] Similarly, Come On 許志安2015 演唱會 in 2015 showcased his resilience post-personal challenges, featuring high-energy sets of hits including "垃圾天堂" and interactive fan segments during a sold-out tour. Reflecting his resurgence after the 2019 scandal, a live single "與自己和解 (Ongoing Live)" was released in 2023 from ongoing performances, symbolizing reconciliation and renewed audience connection without a full album by 2024. Hui's compilations anthologize his discography, often tying into career phases or label retrospectives, with selections drawn from studio works for thematic coherence. Early examples include 世紀末精選 (Century End Collection) in 1999, a 17-track overview of millennial-era ballads and uptempo numbers like "怎麼舍得你."[62] The 2000 release 男人心精選輯 focused on introspective themes, compiling 10 emotional tracks such as "女人之苦" to appeal to his core fanbase. On Hits (2002) expanded to 18 songs, blending hits like "天下之大" and "活在當下" in a special edition that underscored his mid-career versatility.[63] Later compilations emphasized collaborations and milestones. 愛音樂三人行 (2006), a 45-track set spanning nearly three hours, gathered Hui's contributions alongside peers in a love-themed anthology under Go East Entertainment. The Big Hits (2010) curated 12 essential tracks, including "愛到底," to mark a decade of hits amid group projects like Big Four.[64] Post-2010 retrospectives, aligned with Capital Artists' 40th anniversary series, included Unique (華星40系列) around 2011, a selective hits package revisiting early breakthroughs, and Break and Reform Collection (華星40系列), remastering 1991 originals for archival appeal up to 2020 reissues.[26] These editions highlight Hui's enduring legacy without new 2024 compilations noted.Filmography
Feature films
Andy Hui began his acting career in Hong Kong cinema in the late 1980s, appearing in over 35 feature films spanning action, comedy, romance, and thriller genres, often leveraging his singing background for musical or charismatic roles. His contributions to the industry highlighted the crossover appeal of Cantopop stars in film, where his vocal talents enhanced romantic and ensemble comedies, helping to bridge music and cinema audiences during Hong Kong's vibrant 1990s golden age.[65][21] In his early films, Hui typically took supporting roles in action-comedies and horror flicks, building visibility alongside major stars. Notable appearances include Here Comes a Vampire (1990), a supernatural comedy where he played Myths in a tale of ghostly encounters at a police station, and Girls Without Tomorrow 1992 (1992), a gritty drama portraying street youth struggles. His breakthrough came with Future Cops (1993), an action-comedy adaptation of Street Fighter characters, where as Yu Kei-On, he contributed to the film's high-energy ensemble dynamics; it grossed HK$18.3 million at the box office, marking a commercial hit that showcased Hui's comedic timing in sci-fi parody.[66][67] By 1994, in Wonder Seven, Hui portrayed Superman in another superhero spoof, evolving from minor parts to more prominent comedic supports, emphasizing his physical humor in fast-paced, effects-driven productions typical of Wong Jing's style.[68][69] Transitioning to romantic leads in the mid-1990s, Hui starred in lighter fare that capitalized on his pop idol image, blending charm with heartfelt narratives. In Love, Amoeba Style (1997), he played Brad Pitt in a quirky romance about identity swaps and love triangles, receiving praise for his affable performance in a genre blending comedy and sentimentality. Comedies like Happy Hour (1995), where he was Hung Hoi-Sing in a tale of bar buddies' misadventures, and Dr. Mack (1995) as Dr. Sam So in a medical farce, highlighted his versatility in ensemble casts, contributing to the era's feel-good blockbusters. These roles marked his shift toward leading romantic parts, with films like Feel 100%...Once More (1996) as Alan in a youth romance, underscoring his appeal in coming-of-age stories amid Hong Kong's post-handover cinematic optimism.[70][71][72] The 2000s saw Hui diversify into thrillers and dramas, often in more serious or villainous capacities, reflecting his maturation as an actor beyond idol roles. In Koma (2004), he portrayed Dr. Raymond Tsui Wai in a psychological suspense film about organ theft and amnesia, earning acclaim for his intense depiction of moral ambiguity in a genre staple directed by Law Chi-Leung. Ensemble blockbusters like 72 Tenants of Prosperity (2010), where he appeared as a store singer in a modern remake of a classic comedy, achieved massive success with HK$34.4 million in box office earnings, demonstrating Hui's enduring draw in star-studded, community-focused narratives. Later entries, such as Claustrophobia (2008) as Ken in a tense kidnapping thriller and Nessun Dorma (2016) dual role as Fong Mo-Chit/Ngai Man-Yin in a stalker suspense, solidified his contributions to Hong Kong's thriller revival, blending subtle menace with emotional depth. Overall, Hui's filmography evolved from comedic supports to multifaceted leads, influencing the genre-blending style of local cinema while amassing critical nods for adaptability in over two decades of output.[73][74]Television roles
Andy Hui's television career began in the late 1980s with supporting roles in TVB productions, marking his transition from singing contests to acting. His debut came in the police drama Police Cadet '88 (1987), where he portrayed a supporting character in a 40-episode series focused on training academy life.[20] This early exposure helped establish him within Hong Kong's broadcast landscape, leveraging his vocal talents alongside dramatic performances.[20] Throughout the 1990s and 2000s, Hui took on increasingly prominent roles in TVB dramas, often blending acting with musical segments that highlighted his singing career. Notable examples include lead performances in action-comedy series like Super Cop (1992), where he played the main role of Tsau Dak Pui across 20 episodes, and romantic comedies such as Silken Hands (1990) as Chan Gau in a 10-episode run.[20] In To Grow with Love (2006), a 21-episode modern drama, Hui starred as Dai Hei (Daniel), contributing both acting and the duet ending theme "Ms Piggy" with co-star Myolie Wu, which integrated live performance elements into the narrative.[20] Other significant contributions include supporting roles in epic fantasies like The Monkey King: Quest for the Sutra (2002) as Long Ma over 40 episodes, and investigative shorts such as ICAC Investigators (2009).[20][75]| Year | Title | Role | Network | Episodes | Notes |
|---|---|---|---|---|---|
| 1987 | Police Cadet '88 | Supporting Role | TVB | 40 | Debut acting role |
| 1990 | Silken Hands | Chan Gau (Main Role) | TVB | 10 | Romantic comedy |
| 1991 | Bet on Best Bet | Main Role | TVB | 20 | Early lead |
| 1992 | Super Cop | Tsau Dak Pui (Main Role) | TVB | 20 | Action series |
| 2002 | The Monkey King: Quest for the Sutra | Long Ma (Supporting Role) | TVB | 40 | Fantasy adaptation |
| 2006 | To Grow with Love | Dai Hei / Daniel (Main Role) | TVB | 21 | Included musical duet theme |
| 2006 | Silence | Zuo Jun (Supporting Role) | CTV | 19 | Suspense drama |
| 2008 | Dressage to Win | Supporting Role | TVB | Unknown | Sports-themed |
| 2009 | ICAC Investigators | Guest Role | TVB | Unknown | Anti-corruption series |
| 2017 | Margaret & David: Ex | Lok Ki (Main Role) | ViuTV | 30 | Modern romance |