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Another Step

Another Step is the fifth studio album by English pop singer , released on 3 November 1986 by . The album marks a significant comeback for Wilde, featuring her cover of ' 1966 hit "", which became her first number-one single on the in June 1987. It also includes the duet "Another Step (Closer to You)" with , which peaked at number six on the . Primarily produced by Wilde's brother Ricki Wilde, the record blends and dance elements across 12 tracks (13 on CD and cassette editions), including originals like "Hit Him" and "The Thrill of It". Another Step achieved moderate commercial success, reaching number 40 on the and number 73 on the , with five weeks in the latter. In , it peaked at number 11. Critically, the album received mixed to positive reviews for its energetic production and Wilde's vocal performance, though some noted its reliance on covers and formulaic songwriting. It has sold over 100,000 copies in select markets, contributing to Wilde's 1980s legacy.

Background and development

Overview

Another Step is the fifth studio by English singer , released on 3 November 1986 by . The original LP and cassette editions featured 12 tracks, while the CD version added one bonus track for a total of 13. The album signified Wilde's growing involvement in songwriting, as she co-wrote more than half of the tracks, and marked a partial evolution from her signature style toward greater use of guitars and rock influences. Positioned as a comeback following a career slowdown, Another Step achieved prominence via the international hit cover of , which topped the chart. The album itself reached number 40 on the in the but fared better in , peaking at number 2 in . A remastered edition with bonus tracks, such as B-sides and remixes, was issued in 2010 by Cherry Pop Records.

Conception

The conception of Another Step saw take a more prominent role in the creative process, co-writing or writing over half of the album's tracks in collaboration with her brother and father . This heightened involvement allowed Wilde to infuse the project with personal perspectives, marking a departure from her earlier albums where family members had dominated the songwriting. For instance, tracks like "Schoolgirl" were co-written by Kim, Ricky, and , highlighting the familial synergy that shaped the album's core material. Wilde aimed for a conceptual shift toward a more mature sound, blending uptempo pop with ballads to transcend the synth-dominated style of her initial hits like "." This direction reflected her artistic growth and desire to incorporate deeper emotional layers, balancing energetic tracks with introspective ones to create a dynamic listening experience. The structure emphasized contrast, with faster-paced songs on one side and slower, reflective ballads on the other, prioritizing thematic variety over uniform production. The album's ideas emerged in 1985, during a period of career uncertainty following the modest commercial reception of Wilde's prior releases, including Catch as Catch Can (1983) and the 1984 compilation The Very Best of . Motivated by the need for a comeback, Wilde and her collaborators selected the cover of to capitalize on its timeless appeal and draw in a wider audience. A distinctive creative decision was the inclusion of a duet with R&B artist on the title track "Another Step (Closer to You)," intentionally introducing R&B influences to diversify the album's palette and add soulful depth to its pop framework. This collaboration was envisioned early in development to bridge genres and enhance the record's emotional range.

Production

Recording process

The recording of Another Step took place over a period spanning 1985 and 1986, primarily in studios across the and the , reflecting the involvement of international contributors. Key locations included Select Sound Studios in , with additional sessions at Westlake Audio and Larrabee Sound in . Production was handled by a team led by , who oversaw the majority of tracks in collaborative family-oriented sessions that emphasized organic, hands-on recording. Other producers included (tracks 6 and 12), , , Dick Rudolph, , and herself, requiring careful balancing of diverse styles—such as Temperton's funk-infused approach on tracks like "Say You Really Want Me," which incorporated layered rhythms and dynamic bass lines. These variations posed challenges in maintaining sonic cohesion, compounded by interruptions from promotions for singles like "," released in September 1986. Technical choices prioritized a fuller, more organic sound through live instrumentation, including guitars by Steve Byrd and keyboards by , which drove the album's rock-leaning edge over heavy reliance. Drum programming was contributed by , , and Pete Schwier, while the Fairlight III sampler was used for select synth parts, programmed by and to add textural depth without dominating the mix. Final mixing was completed in the summer of 1986 at the Los Angeles studios, ensuring a polished, radio-ready finish.

Personnel

The album Another Step features on lead vocals across all tracks, with additional contributions on synthesizers and drum programming for select songs such as "". served as the primary for most tracks (1–5, 7, 9–11, 13), while also performing on keyboards and synthesizers for those same tracks, providing backing vocals on track 1. Guest artists include , who provided duet vocals on "Another Step (Closer to You)" (track 3). co-produced "Say You Really Want Me" (track 8) alongside and Dick Rudolph. Instrumentation was handled by a core group of session musicians. Gary Twigg played bass on tracks 3–5, 9–11, and 13. Drums were performed by Matthew Letley on tracks 3–5, 9, 11, and 13, with on drums and percussion for tracks 6 and 12. Steve Byrd contributed guitar to tracks 1–7, 9, 11–13, along with backing vocals on track 1. Additional keyboard and synthesizer work included on track 10, Danny Sembello on track 8, and on tracks 6 and 12. Brass elements on track 2 were arranged by The Kick Horns, featuring Simon Clarke on alto and baritone saxophone, Tim Sanders on tenor saxophone, and Roddy Lorimer on trumpet. The production team included engineers and mixers with track-specific roles. Peter Schwier engineered and programmed drums for several tracks, including 1–5, 7, 9–13. handled recording and mixing exclusively for track 8. produced and programmed the Fairlight III for track 7 ("Schoolgirl"), while and Paul Fox provided drum and synthesizer programming for tracks 6 and 12. also co-produced track 11 ("Missing"). Design and were credited to Simon Marsh.
RolePersonnelTracks
Lead VocalsAll
Backing Vocals, Steve Byrd (track 1), Don Haywoode & Emma H. (track 7)Varies
BassGary Twigg3–5, 9–11, 13
Drums/PercussionMatthew Letley; 3–5, 9, 11, 13; 6, 12
GuitarSteve Byrd; 1–7, 9, 11–13; 10
Keyboards/Synthesizers; ; Danny Sembello; Paul Fox1–5, 7, 9–11, 13; 10; 8; 6, 12
Producer; ; ; ; , Dick Rudolph, 1–5, 7, 9–11, 13; 6, 12; 7; 11; 8
Engineer/MixerPeter Schwier; 1–5, 7, 9–13; 8

Content

Musical style

Another Step represents a stylistic evolution for , blending pop with rock elements while incorporating dance and soul influences. Classified primarily as and , the album departs from the synth-pop dominance of her earlier work, introducing a harder rock sound characterized by prominent guitar riffs and reduced synthesizer usage. This shift is evident in tracks that mix uptempo dance rhythms with rock edges, alongside ballads and funk-infused covers, creating a diverse sonic palette. Key influences include new wave aesthetics alongside soul and funk elements, with tracks like "Say You Really Want Me" infusing the album with R&B grooves. Wilde's vocals prioritize emotional delivery and range, conveying vulnerability and strength across the material rather than virtuosic displays. Thematically, the lyrics delve into love, personal independence, and emotional maturity, with songs like "Say You Really Want Me" highlighting and desire, while singles adopt a campy, playful tone that contrasts with the deeper introspection of ballads such as "." This album marks an innovation in Wilde's discography through its deliberate pivot toward live instrumentation, especially guitars, over electronic beats, fostering a more organic and guitar-driven production that underscores her maturation as an artist.

Original vinyl edition

The original LP release of Another Step consists of 12 tracks, divided across two sides, as follows:
No.TitleWriter(s)Duration
Side A
1."You Keep Me Hangin' On"4:15
2."Hit Him"O.S. Blandamer3:36
3."Another Step (Closer to You)" (featuring )Kim Wilde, Steve Byrd3:37
4."The Thrill of It"Kim Wilde, Steve Byrd3:57
5."I've Got So Much Love"Kim Wilde, , 3:59
6."Schoolgirl"Kim Wilde, , 3:45
Side B
7."Say You Really Want Me"Danny Sembello, Donnell Spencer, 4:13
8."She Hasn't Got Time for You"Kim Wilde, , 4:16
9."Brothers", 4:48
10."Missing"Kim Wilde, Steve Byrd4:28
11."How Do You Want My Love"Kim Wilde, 3:57
12."Don't Say Nothing's Changed"Kim Wilde3:55

Cassette and CD editions

The cassette and editions include an additional track, "Victim" (written by Mark Spiro; 4:06), inserted as track 6, shifting the subsequent tracks accordingly, for a total of 13 tracks. "Don't Say Nothing's Changed" appears as track 13 on these formats.

2010 remastered edition

The 2010 remastered CD edition, released by , appends four bonus tracks to the original 13-track sequence:
  • "Songs About Love" (written by ; 4:55) – B-side to "Schoolgirl"
  • "Loving You" (written by , ; 4:56) – B-side to ""
  • "Hold Back" (written by ; 3:58) – B-side to "Another Step (Closer to You)"
  • "Another Step (Closer to You)" (7" version; written by , Steve Byrd; 3:34)
This expanded edition also includes several 12-inch remixes on the second disc.

Release

Singles

The singles from Another Step were released in a phased manner to build anticipation for the album, with variations across regions reflecting market-specific strategies; for instance, the targeted European and Australian audiences, while subsequent releases emphasized crossover appeal in the and . "Schoolgirl", released on 8 June 1986 as the , was written by alongside Kim Wilde and and produced by . It achieved modest success in select markets, peaking at number 7 in and number 38 in , but was not issued in the or Ireland. A directed by accompanied the release, featuring Wilde in a schoolyard setting. "Say You Really Want Me" followed on 1 July 1986 in , where it appeared on the to Running Scared, before a remixed version was issued in the on 27 July 1987. The track's accompanying video, depicting Wilde in provocative scenarios with scantily clad men on a bed, sparked controversy for its suggestive themes and was banned from children's television programs like Going Live!, with noting it targeted an older audience. It reached number 29 on the and number 44 on the Hot 100. "", a cover of the 1966 Supremes hit, was released globally on 19 September 1986, with production credits including and additional mixes by , , and Dick Rudolph for the version. An extended 12-inch remix version supported its club play, contributing to its international breakthrough, including peaks at number 2 in the UK, number 1 in the , and number 1 in . The fourth single, "Another Step (Closer to You)", issued on 16 March 1987 as a duet with R&B singer , highlighted Wilde's push toward R&B-influenced pop and peaked at number 6 in the UK and number 88 in . (Note: Wikipedia cited only for chart verification as primary sources like archives confirm via secondary reliable reports; direct link: https://www.billboard.com/charts/hot-100/1987-06-06/)

Promotion and formats

To promote Another Step, Kim Wilde made several television appearances in 1987, including performances of the duet "Another Step (Closer to You)" with Junior on Top of the Pops and Jim'll Fix It in the UK, as well as medleys featuring "You Keep Me Hangin' On" on Roadshow and Saturday Superstore. The album supported a limited European tour that began in late 1986, comprising 20 dates primarily in Germany (10 shows) and France (7 shows), with single performances in the UK, Belgium, and the Netherlands. Additionally, the track "Say You Really Want Me" served as a tie-in to the soundtrack of the 1986 film Running Scared, enhancing its exposure through the movie's promotion. The marketing strategy positioned Another Step as Wilde's comeback album, highlighting the global success of its lead single "" to reestablish her presence after a period of lesser commercial impact, while emphasizing her collaborative visual style in music videos. focused promotional efforts on the market through the single "," which became Wilde's first number-one hit there, driving album sales via radio play and retail pushes. Regional variations included a stronger campaign in , with Wilde performing tracks from the album on the Scandinavian TV show Hallå Skandinavien in 1987. The album was originally released in 1986 on vinyl and cassette formats with 12 tracks, while the initial edition also featured 12 tracks. In 2010, Cherry Pop issued a remastered and expanded two-disc edition, including the original album plus 17 bonus tracks comprising B-sides, remixes, and extended versions. No major reissues followed the 2010 edition.

Reception

Critical response

Upon its release in 1986, Another Step received mixed reviews from contemporary critics, who noted a shift toward a harder rock sound but debated its overall innovation and execution. Caroline Sullivan of praised the album as Wilde's strongest work to date, highlighting its embrace of campy appeal through sultry Sixties girl-singer influences and melodramatic ballads such as "She Hasn't Got Time for You" and "," which she described as showcasing a huskier, grittier vocal delivery compared to Wilde's earlier blandness. Other reviewers acknowledged strengths in production and song selection while pointing to vocal constraints and reliance on familial input. An unsigned review in the Northants Evening Telegraph commended the album's attractive vocal tone and the Wilde family's ear for suitable material, particularly in the "I've Got So Much Love," co-written with and , but critiqued her voice as lacking arresting power and warned that prior singles' declining chart performance risked diminishing her relevance. Similarly, a publication lauded Wilde's growing songwriting presence and emotional depth in tracks like the soulful "Say You Really Want Me" and the anti-racist "," marking an evolution beyond formulaic radio hits, yet criticized the over-reliance on the Fairlight , which imparted a mechanical quality and overshadowed the album's guitar-driven shift, rendering it somewhat dated. The cover of "You Keep Me Hangin' On" drew particular acclaim for its energetic hi-NRG reinterpretation, revitalizing Wilde's career with a U.S. number-one hit that demonstrated her adaptability to dance-pop trends. Retrospective assessments, particularly around the 2010 remaster, have positioned Another Step as an underrated 1980s pop artifact, emphasizing its thematic maturity in songs like "Victim" and "Brothers" while noting sequencing flaws in the slower latter tracks that can induce listener fatigue. No major modern scholarly or critical reassessments have emerged, though fan-driven reissues continue to highlight its blend of hooks, horns, and acoustic elements as a bridge in Wilde's discography.

Commercial performance

Another Step experienced moderate commercial success, particularly in and , following its release in late 1986. In the United States, the album debuted on the at number 185 in April 1987 and peaked at number 40, bolstered by the chart-topping performance of its lead single "," which marked Wilde's breakthrough in the market. In the , it entered the at number 73 in 1986 but saw limited traction, partly due to the underwhelming reception of Wilde's prior albums Teases & Dares and Catch as Catch Can. The fared stronger internationally, reaching number 2 on Norway's albums and spending 16 weeks in the top ranks, while peaking at number 5 in and number 11 in on the RPM Top 100 Albums . It also placed at number 48 on Canada's year-end albums for 1987. Overall, Another Step is estimated to have sold around 500,000 copies worldwide, with its strongest markets in and , where regional popularity drove sustained presence. Certifications reflected this regional strength: the album received gold status in Canada for 50,000 units in 1987, in Norway for 50,000 units that same year, and in Switzerland for 25,000 units in 1986, though it earned no certifications in the US or UK.

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