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Back That Azz Up

"Back That Azz Up", also released in a censored version as "Back That Thang Up", is a hip-hop song by American rapper Juvenile featuring production and vocals from Mannie Fresh and vocals from Lil Wayne, issued as the second single from Juvenile's 1998 album 400 Degreez on June 11, 1999. Produced by Mannie Fresh, the track embodies the New Orleans bounce style with its bass-heavy beat and call-and-response structure, instructing women to dance provocatively by shaking their buttocks. The song propelled 400 Degreez to quadruple platinum status by the RIAA, signifying over four million units sold in the United States, driven by its infectious rhythm and Juvenile's distinctive delivery. It peaked at number 19 on the Billboard Hot 100, marking a breakthrough for Cash Money Records in mainstream markets, and has since been certified triple platinum for the single itself, reflecting combined sales and streaming equivalents exceeding three million. Widely recognized for mainstreaming twerking as a dance phenomenon, the track's explicit lyrics and video faced initial radio hesitancy over vulgarity but endured as a party anthem, influencing hip-hop's Southern wave and earning annual commemorations like "Back That Azz Up Day" in New Orleans.

Origins and Production

Development and Writing

"Back That Azz Up" originated during sessions for Juvenile's album , with the hook composed by Juvenile (Terius Gray) roughly five to six months before the single's February 1999 release. The track's explicit lyrics reflect New Orleans music's party-oriented style, emphasizing call-and-response and dance instructions rooted in local traditions. Mannie Fresh (Byron O. Thomas), Cash Money Records' primary producer, developed the beat, drawing from regional "slab" cadences and string samples to create its bouncy, bass-heavy foundation. After hearing Juvenile's hook, Fresh contributed a verse, later describing the synergy as "magical" for its immediate energy. Lil Wayne (Dwayne Carter), a teenage Hot Boys member, added the outro verse, enhancing the track's playful, syrupy tone. Songwriting credits list Gray, Carter, and Thomas as co-writers, covering lyrics and composition. Final vocals were recorded in a rushed Nashville session on Music Row, amid last-minute album refinements. Juvenile initially questioned its single viability, prioritizing other tracks, yet its raw depiction of club culture proved pivotal.

Recording Process

The track "Back That Azz Up" was recorded in , during sessions for Juvenile's third studio album , as one of the final songs completed, just two days after "". produced the song, rapidly programming the beat on an drum machine in approximately two minutes, layering a simplified New Orleans and tuned bass elements—without keyboards—over Juvenile's pre-existing raps, which had initially been laid to a Triggerman . Creative tensions marked the process, with Juvenile initially resisting Fresh's beat and describing the studio environment as a "war" due to disagreements on direction. Under tight deadlines, Juvenile improvised the hook's ad-libbed phrases such as "yeah" and "huh" on the spot, without prior writing, after expressing dissatisfaction with earlier vocal takes and opting to overhaul them. Fresh contributed an original verse positioned earlier in the track, but Juvenile requested its relocation to the end, leading him to adapt his flow to align with Fresh's style for better cohesion. Lil Wayne recorded his featured verse during these sessions, contributing to the song's collaborative sound.

Release and Commercial Performance

Single Release and Promotion

"Back That Thang Up," the radio-edited version of "Back That Azz Up," was released as the second single from Juvenile's third studio album on February 24, 1999, via in partnership with Universal Records. The single was available in formats including promotional CD and 12-inch vinyl pressings, featuring contributions from on production and additional verses, alongside an appearance by . Juvenile initially expressed skepticism about the track's potential as a , doubting its appeal beyond local New Orleans circles. Promotion efforts focused on leveraging the song's explicit, dance-oriented content to build buzz in radio markets and club scenes. The accompanying , directed and released around mid-1999, depicted women performing the song's titular "back that thang up" dance moves—early mainstream exposure of —amid scenes with Juvenile, , and , which aired on networks like and to amplify its visual and rhythmic hook. Cash Money's grassroots marketing, rooted in the label's New Orleans origins, emphasized street-level play and live performances to drive organic popularity, aligning with the label's rising national profile following the album's November 1998 release.

Chart Performance

"Back That Azz Up," released as a on June 11, 1999, achieved significant commercial success on U.S. charts despite its explicit content limiting radio play in some markets. The track debuted on the dated July 10, 1999, and climbed to its peak position of number 19 on the chart dated November 20, 1999, marking Juvenile's highest-charting at the time until "" reached number 1 in 2004. On the chart, "Back That Azz Up" entered on June 26, 1999, and ascended to number 1 on the chart dated October 9, 1999, underscoring its dominance within the genre. The song also performed strongly on the chart, peaking at number 9. These peaks reflected the track's regional appeal expanding nationally, driven by club play, video airtime on , and word-of-mouth popularity in the scene.
Chart (1999)Peak Position
Billboard Hot 10019
Hot R&B/Hip-Hop Songs1
Hot Rap Songs9

Sales and Certifications

"Back That Azz Up" was certified Gold by the RIAA on an unspecified date in 2005, recognizing 500,000 units in the United States. The single received an upgrade to triple Platinum certification by the RIAA on December 6, 2024, equivalent to 3 million units consumed through a combination of physical sales, digital downloads, and streaming equivalents in the US. No certifications from other countries or organizations, such as Music Canada or BPI, have been reported for the track.

Music and Lyrics

Musical Composition

"Back That Thang Up" is a track produced by , featuring a rapid of 192 beats per minute, which supports its energetic, dance-oriented style. The song is composed in , with a of 4 minutes and 34 seconds, emphasizing repetitive hooks and rhythmic drive suited to New Orleans influences. 's production relies on synthesized keyboards for melodic elements and incorporates intentions of orchestral textures, contributing to the track's layered, bass-heavy sound typical of late-1990s output. The instrumentation centers on programmed drums, including deep 808-style bass kicks, and synth-driven hooks that propel the call-and-response , fostering a party anthem feel without prominent samples in the core . This setup aligns with Mannie Fresh's signature approach, prioritizing over complex while maintaining a minimalist yet impactful . The feel at approximately 96 allows for versatile playback, enhancing its adaptability in club and radio settings.

Lyrical Themes

The lyrics of "Back That Azz Up" center on explicit to women's bodies, with a repeated emphasis on the female posterior as an object of desire. Juvenile opens with lines such as "Girl, you workin' with some ass, yeah, you bad, yeah / Make a spend his cash, yeah, his last," portraying women as physically alluring figures who inspire financial and sexual expenditure in a environment. This establishes a theme of hedonistic pursuit, where physical attributes drive male arousal and behavioral response, framed within New Orleans music's party-centric ethos. The chorus reinforces the call to action: "Girl, you looks good, won't you back that thang up / You'se a big fine woman, won't you back that thang up," directly instructing women to perform a provocative involving grinding or against the male narrator. This motif draws from traditions, promoting physical intimacy through dance as a form of flirtation and , while employing to evoke regional authenticity. Mannie Fresh's extends the bravado, boasting of his appeal—"Head round, make them hoes pop them titties like Jiffy"—further objectifying parts in a competitive, boastful narrative typical of ' style. Lil Wayne's contribution, as a then-teenage rapper, introduces youthful audacity with lines like "I'ma with hair, long hair and then there / Meanwhile, you can get on the back of the Cherry bomb and ride this dick like a rare ," blending immaturity with overt sexual explicitness to assert dominance. Collectively, the verses weave themes of entitlement, bodily commodification, and uninhibited partying, eschewing for raw, physical immediacy that propelled the track's role in popularizing beyond regional scenes. The explicit content, unaltered in the original version, underscores a rejection of in favor of unfiltered street realism, contributing to its polarizing reception amid late-1990s debates on hip-hop's influence.

Reception and Impact

Critical Reception

Upon its release as the second single from Juvenile's 1998 album 400 Degreez, "Back That Thang Up" received acclaim from music critics for its infectious bounce rhythm and Mannie Fresh's production, which exemplified New Orleans' emerging sound. , in a 2018 retrospective review of the album, described 400 Degreez as a "masterpiece" that captured the "sweatiest, funkiest parts of New Orleans culture packaged for export," highlighting the track's role in mainstreaming the genre's party-centric energy. critic Rob Sheffield included the song in his list of the 99 best tracks of 1999, praising Juvenile's confident delivery of lines like "Cash Money taking over for the Nine-Nine and the 2000," which underscored its brash Southern swagger. RapReviews noted the song's deceptively simple chanting style, which made Juvenile's flow accessible and replicable, contributing to its widespread appeal in circles despite the explicit focused on physical attraction and nightlife. However, conservative outlets like Plugged In criticized the track's content, citing a "relentless barrage of f-words" alongside themes of guns and bravado as promoting objectionable elements, reflecting broader debates over 's explicitness in the late . Retrospectively, the song has been lauded for pioneering twerk-influenced dance trends and solidifying ' dominance, with user aggregates on sites like assigning it an average rating of 3.8 out of 5 from over 470 votes, emphasizing its enduring production quality. Critics have attributed its critical endurance to Fresh's minimalistic yet propulsive beat, which prioritized groove over complexity, helping it transcend regional boundaries.

Cultural Significance and Influence

"Back That Azz Up," released on June 11, 1999, played a pivotal role in mainstreaming New Orleans , a subgenre characterized by its rapid , call-and-response hooks, and emphasis on dance-oriented rhythms derived from local traditions. The track's infectious beat and explicit directives for physical movement helped propel from regional block parties and skating rinks to national audiences, marking a key moment in the broader dissemination of sounds during the late 1990s. The song significantly influenced dance culture by popularizing —a vigorous hip-shaking motion rooted in New Orleans' second-line parades and African diasporic traditions—as a staple of performance and social gatherings. Its and video, featuring women executing the dance, encouraged widespread imitation in clubs, parties, and media, embedding the move in culture and foreshadowing its later viral resurgence on platforms like . Music analysts attribute this to the track's unapologetic celebration of bodily expression, which resonated in environments like strip clubs where it became a anthem, amplifying its replay value and commercial endurance. In hip-hop's regional evolution, "Back That Azz Up" exemplified and accelerated Southern rap's ascent, challenging East Coast and dominance by showcasing ' production style—led by Mannie Fresh's synth-heavy beats—as a viable alternative for mainstream success. The single's crossover appeal, evidenced by its integration into diverse party settings from to , contributed to the South's eventual genre leadership in the 2000s, influencing subsequent artists in and subgenres. Its legacy persists through annual commemorations, including New Orleans' declaration of June 11 as "Back That Azz Up Day" in 2024 to honor Juvenile's contributions, and ongoing plays in nightlife venues, underscoring its status as a timeless party staple that transcends generational divides.

Criticisms of Content

The song's explicit lyrics, featuring vulgar language and descriptions of sexual acts, resulted in it carrying a Explicit Content label upon release on February 24, 1999, as part of Juvenile's album . To facilitate radio airplay amid concerns over , Cash Money Records produced an edited version titled "Back That Thang Up," substituting "azz" with "thang" and removing profanities, which peaked at number 19 on the while the explicit original reached number 19 on the Hot R&B/Hip-Hop Songs chart. Critics have argued that the track promotes through its of women, reducing them primarily to their physical attributes and encouraging submissive sexual behavior, as evidenced by lines like "Girl, you look good, won't you back that ass up" and references to women's bodies in a dominant . , the producer, noted initial industry resistance, with some executives deeming the content too raunchy and stating "maybe the world [was] not ready for it," reflecting broader apprehensions about its overt sexual innuendo exceeding mere suggestion into direct foreplay-like depiction. The song's emphasis on and female has been described as blurring the boundary between complimentary admiration of the female form and dehumanizing , embedding it within late-1990s Southern hip-hop's patterns of male-centric sexuality. Despite such views, these critiques have not coalesced into widespread formal backlash, with the track's enduring popularity often overshadowing content-based objections. In 1999, Positive Black Talk, Inc., the entity associated with New Orleans rapper (Jerome Temple), initiated a in the U.S. District Court for the Eastern against , Juvenile (Terius Gray), and related parties, asserting that Juvenile's 1998 single "Back That Azz Up" (also released as "Back That Thang Up" in edited form) copied substantial elements, including lyrical hooks and structure, from Jubilee's prior recording "Back That Ass Up." The district court denied motions and allowed the case to proceed to , where the jury, in May 2003, ruled in favor of the defendants after finding sufficient evidence of by Juvenile and no actionable copying of protectable expression. Positive Black Talk appealed to the U.S. Court of Appeals for the Fifth Circuit, which in Positive Black Talk, Inc. v. , Inc., 394 F.3d 357 (5th Cir. 2004), affirmed the lower court's judgment, upholding the jury's determination of and confirming that any similarities involved unprotectable ideas or common tropes in rather than original authorship. The ruling emphasized that defendants bear the burden to prove only after plaintiffs establish access and , a met but ultimately rebutted here through testimony on the song's origins in New Orleans traditions.

Remixes, Covers, and Performances

Remixes and Sampling

"Back That Thang Up" has limited official remixes, with Juvenile releasing a variant titled "Vax That Thang Up" on July 8, 2021, adapting the lyrics to promote vaccination amid hesitancy in New Orleans communities. An additional , the "Juvie Mix" featuring Gwaup, appeared on streaming platforms in 2021, incorporating new verses over the original instrumental. Unofficial and fan-produced remixes, such as the Kaine Legacy uploaded to on July 9, 2025, and a collaboration shared by Juvenile on on August 6, 2025, have circulated online but lack formal release through major labels. The track itself interpolates and samples "Movin'" by (1975) for its bassline and rhythmic elements, alongside a vocal snippet from UGK's "" (1992), as produced by . It has been sampled or interpolated in over 59 subsequent songs, per music database compilations, with notable examples including Drake's "" (2011), which directly lifts the hook for its chorus structure on the album Take Care. More recently, ¥, Kanye West, and Ty Dolla ign's "DO IT" from the August 2024 album Vultures 2 incorporates the instrumental hook and ad-libs, contributing to its viral traction. Other prominent samplings include Shoreline Mafia's "Run It Back" featuring (2017), which reuses the beat for trap-infused flows, and Wiz Khalifa's "Contact" with (2018), blending the sample into contemporary production. These usages underscore the song's enduring rhythmic appeal in hip-hop, often emphasizing its bass-heavy bounce without altering core production credits.

Live Performances and Covers

Juvenile frequently performs "Back That Azz Up" as a staple of his live sets, with data indicating it as his most-played song across concerts, appearing in approximately 15% of shows. One early notable rendition occurred Theater on April 22, 1999, capturing the track's raw energy shortly after its release. In a more recent intimate setting, Juvenile joined and for NPR's Tiny Desk Concert on June 30, 2023, delivering an exuberant performance that prompted audience demands for an encore—a series first—highlighting the song's enduring appeal in stripped-down formats. To commemorate the track's 25th anniversary, Juvenile launched the Back That Azz Up Tour on July 7, 2024, in New Orleans, with subsequent dates across the through December 31, 2024, often featuring the song alongside collaborations like . Live streams and sessions, such as the Vevo Ctrl performance with on August 28, 2024, extended its reach, while appearances at events like Lil Weezyana Fest on November 2, 2024, reunited Juvenile with and for a high-energy rendition. Additional slots, including Baltimore's AFRAM on June 23, 2025, and a Cash Money battle performance around October 25, 2025, underscore its consistent inclusion in Juvenile's touring repertoire. The song has inspired diverse covers adapting its beat-heavy production to unexpected genres. Illharmonic Orchestra delivered an orchestral interpretation live at Dallas's Winspear Opera House on June 26, 2025, before an audience of over 1,700. String ensemble arrangements, such as a quartet version released on April 18, 2021, and violinist Dominique Hammons's rendition, transform the track into instrumental fare suitable for formal events. Regional adaptations include EZ Band's norteña-style shared on May 22, 2025, infusing elements. Country artist Shaboozey announced development of a country-infused version in September 2025, signaling potential mainstream crossover. While major artist covers remain limited, these reinterpretations demonstrate the song's rhythmic hook's versatility beyond origins.

Legacy

Enduring Popularity

"Back That Azz Up" has maintained substantial commercial viability more than two decades after its 1999 release, evidenced by over 247 million streams on as of 2025. The track's explicit version continues to outperform many contemporary releases, reflecting sustained listener interest driven by its infectious bounce rhythm and party anthem status. Its peak at number 19 on the in November 1999 underscores initial success, but longevity is apparent in ongoing digital consumption. The song's cultural endurance stems from its role in popularizing and New Orleans nationally, elements that persist in trends and hip-hop events. Venues and festivals routinely feature it, eliciting strong crowd responses even among younger audiences familiar via clips and playlists. In 2024, New Orleans officially declared June 11 "Back That A** Up Day" to honor its 25th anniversary, coinciding with Juvenile's tour celebrating the milestone. Adaptations like the 2021 pro-vaccination "Vax That Thang Up" demonstrate the hook's versatility for contemporary messaging, further embedding it in public consciousness. Juvenile's 2023 NPR Tiny Desk Concert, which included the track, garnered widespread acclaim and introduced it to new listeners, affirming its cross-generational appeal. These instances highlight how the song's simple, energetic structure ensures replay value in live settings and media.

Recent Developments

In June 2024, Juvenile announced a tour commemorating the 25th anniversary of "Back That Azz Up," featuring performances across to celebrate the track's enduring appeal in and culture. The city of New Orleans officially proclaimed June 11, 2024, as "Back That Azz Up Day" in recognition of the song's origins in the local music scene and its role in popularizing New Orleans nationwide. A remastered version of the song, featuring Juvenile, , and , was released in March 2024 by , updating the 1998 original audio for modern streaming platforms while preserving its signature production elements. This release coincided with renewed interest, including a Vevo CTRL live session in August 2024 where Juvenile and performed the track, emphasizing its live energy and instrumental bounce. The song has sustained viral traction on social media into 2025, particularly through dance challenges that reinterpret its twerk-centric choreography for younger audiences, with compilations of highlighting intergenerational participation. Live performances continued prominently, including Juvenile's renditions at events such as the 2025 Baltimore AFRAM festival in June and Tequila Fest later that year, underscoring the track's role in festival sets and nostalgic revivals.

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