Billy Howle
William Walter Douglas Howle (born 9 November 1989), known professionally as Billy Howle, is a British actor recognized for his performances in independent films and major productions.[1] Born in Stoke-on-Trent, Staffordshire, to a schoolteacher mother and a university lecturer father, Howle is the second of four sons and trained at the Bristol Old Vic Theatre School before breaking into television and film.[1] His early career featured a lead role in the 2014 British drama series Glue, marking his transition from stage to screen.[1] Howle's breakthrough in cinema came with supporting roles in Christopher Nolan's Dunkirk (2017), where he portrayed a petty officer, and the period drama On Chesil Beach (2017), opposite Saoirse Ronan.[2] Subsequent credits include the historical film Outlaw King (2018) as Edward, Prince of Wales, and a brief appearance as Rey's father in Star Wars: Episode IX – The Rise of Skywalker (2019).[2] On television, he has earned acclaim for portraying real-life figures, such as Charles Sobhraj's associate in the BBC/Netflix miniseries The Serpent (2021) and a detective in the thriller The Perfect Couple (2024).[2] Howle has also appeared in stage productions, including a 2022 portrayal of Hamlet at the Bristol Old Vic.[3] His work often emphasizes emotionally complex characters, contributing to his reputation in both arthouse and mainstream entertainment.[4]Early life
Family background and upbringing
Billy Howle was born William Walter Douglas Howle on 9 November 1989 in Stoke-on-Trent, Staffordshire, England.[2][5] He grew up as the second of four sons to a mother who worked as a schoolteacher and a father who was a music professor and composer.[6][2][7] Owing to his father's academic positions, including teaching at the University of Kent, the family relocated frequently during Howle's early years, moving about 12 times across various locations in England before finally settling in Scarborough, North Yorkshire, when he was around 10 years old.[2][8][9] He was primarily raised in Scarborough, where the household emphasized artistic exposure, surrounded by music and performance due to his parents' professions.[6][10] Howle has characterized his Scarborough childhood as "feral," shaped by liberal parenting that allowed significant freedom amid the frequent disruptions of relocation.[6][11]Education and training
Formal acting education
Billy Howle undertook formal acting training following secondary school, beginning with a one-year foundation course at an unspecified drama school.[10] He then enrolled at the Bristol Old Vic Theatre School, a conservatoire affiliated with the Bristol Old Vic theatre, where he completed a three-year intensive program in acting.[3][12] The curriculum emphasized practical skills including voice, movement, text work, and ensemble performance, drawing on the school's tradition of preparing actors for professional theatre and screen work through small cohort sizes—typically 16 to 20 students per year—and collaborations with the adjacent professional theatre. Howle graduated from the program in 2013, having performed in student productions such as The Little Match Girl during his tenure.[1] This training marked his structured entry into professional acting, distinguishing it from prior informal experiences in community theatre.[10]Career
Early television and theatre roles
Howle's initial foray into theatre occurred through youth and community programs at the Stephen Joseph Theatre in Scarborough, where he engaged in acting workshops, including clowning, following secondary school.[10] His professional debut on stage came in 2003 at age 13, appearing in the world premiere of Alan Ayckbourn's Rounders at the same venue as part of its affiliated Rounders youth theatre ensemble.[13] These early experiences laid the groundwork for his formal training at Bristol Old Vic Theatre School, from which he graduated in 2013, though specific student productions from this period, such as The Little Match Girl, marked transitional steps toward professional work.[1] Transitioning to television post-graduation, Howle secured minor roles in 2014, including Joseph in the Channel 4 historical drama New Worlds and Billy Shearwood in an episode of ITV's crime series Vera.[14] These preceded his first major television lead as James Warwick, a troubled farmhand entangled in a rural murder investigation, in the E4 youth-oriented mystery series Glue, which aired from September to October 2014 and garnered attention for its ensemble cast and atmospheric storytelling.[15][3] The role in Glue, written by Jack Thorne, represented Howle's breakthrough in broadcast drama, building on his theatre foundations to establish him in the industry.[3]Film breakthrough and major projects
Howle's breakthrough in feature films occurred in 2017 with a supporting role as the petty officer aboard a destroyer in Christopher Nolan's Dunkirk, depicting the evacuation of Allied soldiers from the beaches of Dunkirk during World War II, which earned international attention for its ensemble cast and technical achievements.[16][17] That same year, he received acclaim for his lead performance as Edward Mayhew, a young physicist navigating a troubled marriage, in On Chesil Beach, an adaptation of Ian McEwan's novella directed by Dominic Cooke, opposite Saoirse Ronan, marking his first substantial dramatic lead and showcasing emotional depth in portraying repressed 1960s-era tensions.[18][6][19] In 2018, Howle featured in several high-profile productions, including Michael Mayer's The Seagull, where he played Konstantin opposite Saoirse Ronan and Elisabeth Moss in the Chekhov adaptation, emphasizing themes of unrequited love and artistic frustration.[2] He portrayed Edward, Prince of Wales, in David Mackenzie's historical drama Outlaw King, starring Chris Pine as Robert the Bruce during Scotland's fight for independence in the 14th century.[20] Additional roles that year included the courtier David Rizzio in Josie Rourke's Mary Queen of Scots and a minor part in David Robert Mitchell's Under the Silver Lake.[2] Subsequent major projects include a brief but notable appearance as Rey's father in J.J. Abrams' Star Wars: Episode IX – The Rise of Skywalker (2019), contributing to the Skywalker saga's conclusion. In 2022, he starred as John Komisar in Malgorzata Szumowska's Infinite Storm, a survival thriller based on the true story of rescuer Pam Boiardi (Naomi Watts) saving a stranded hiker on Mount Washington.[15] More recently, Howle led in the drama Kid Snow, announced around 2023, further establishing his presence in independent cinema.[15]Recent and upcoming work
In 2024, Howle portrayed Benji Winbury, the troubled son of a wealthy family, in the Netflix miniseries The Perfect Couple, a murder mystery adaptation of Elin Hilderbrand's novel that premiered on September 5. He led the Australian sports drama Kid Snow as the eponymous washed-up Irish boxer seeking redemption in 1950s Sydney, with the film premiering at the Sydney Film Festival in June 2024 and expanding to U.S. theaters and VOD on February 14, 2025.[16] [21] From September 20 to November 23, 2024, Howle starred as the angry young anti-hero Jimmy Porter in a revival of John Osborne's Look Back in Anger at London's National Theatre, directed by Tamara Abrahams and co-starring Morfydd Clark.[22] Howle appears as Yusuf, a young man navigating unrest between Jerusalem and rural Palestine, in the 2025 historical drama Palestine 36, written and directed by Annemarie Jacir; the film, set during the 1936 Arab Revolt against British rule, held its world premiere at the Toronto International Film Festival on September 6, 2025, with a U.S. trailer released October 23, 2025, and wider distribution pending.[23] [24] [25] He has been cast in the lead role of a B-17 turret gunner in the untitled WWII survival thriller Turret, produced by Noah C. Haeussner and Causeway Pictures, which was announced for sale at the Cannes Marché du Film on May 13, 2025, with principal photography underway but no release date set.[26]Reception
Critical acclaim and achievements
Howle garnered praise for his lead role as Edward Mayhew in the 2018 adaptation of On Chesil Beach, directed by Dominic Cooke, where critics highlighted his ability to convey emotional vulnerability and tragedy's lightness, with The Guardian calling the performance "astonishing" and a potential star-making turn.[6] His supporting role as Petty Officer in Christopher Nolan's Dunkirk (2017) contributed to the film's technical accolades, including three Academy Awards, though individual notices focused on ensemble intensity rather than solo standout. In television, Howle's portrayal of diplomat Alain Guillermic in the 2021 BBC/Netflix miniseries The Serpent drew acclaim for its quiet tenacity and understated pursuit of justice against a charismatic killer, as noted by The Independent, positioning him as a rising figure in crime drama.[27] His theatre work, including Jimmy Porter in John Osborne's Look Back in Anger at the Almeida Theatre in 2024, received positive reviews for embodying the character's raw odium and vitality, with Tatler describing the interpretation as fiercely compelling in a modern staging.[28] Among formal recognitions, Howle was nominated for Best European Actor at the 2024 Septimius Awards for his overall body of work.[29] In 2025, he earned a Best Actor nomination from the Film Critics Circle of Australia for his titular role in Kid Snow, a drama centered on isolation and redemption in rural Australia.[30] These nods reflect growing international attention, though he has yet to secure major competitive wins from bodies like the BAFTAs or Screen Actors Guild.[31]Criticisms and acting challenges
Howle's portrayal of Dutch diplomat Herman Knippenberg in the 2021 BBC/Netflix miniseries The Serpent drew criticism for his handling of the Dutch accent, with reviewers noting it contributed to a perceived lack of authenticity that made the character resemble a "posh twit" despite his prior strong work in films like Dunkirk.[32] Howle himself acknowledged the difficulty, describing intense self-criticism during preparation and readiness to apologize to Dutch audiences for potential inaccuracies.[33] In the 2018 film adaptation of The Seagull, Howle's performance as the tormented writer Konstantin Treplev was critiqued as weaker compared to the ensemble cast, with the role's unhinged intensity appearing excessive and ill-suited to the cinematic medium, amplifying the character's preposterousness.[34] His depiction of Edward, Prince of Wales, in the 2018 Netflix film Outlaw King was described in some reviews as mannered and constrained by a cartoonish script, though the sniveling antagonism aligned with the historical figure's reputed petulance.[35][36] Howle has discussed personal acting challenges, including a predisposition to brooding, introspective roles that evoke a "bit broken and poetic" quality in himself, which he channels but finds emotionally taxing.[6] He has highlighted difficulties in accents and physical demands, as in On Chesil Beach (2018), where embodying period-specific restraint required overcoming bodily tensions.[19] More recently, diverging from anger-driven characters, such as the affable Benji Winbury in The Perfect Couple (2024), produced an "alien feeling" amid underwritten material that limited depth despite his efforts.[37][38]Personal life
Relationships and privacy
Howle has maintained a low profile regarding his romantic relationships, with limited public information available. In interviews promoting the BBC series Chloe in February 2022, he alluded to being in a long-distance relationship with a girlfriend named Flo Rose, but provided no further details.[39] [40] No subsequent confirmations or updates on this relationship have been reported, and entertainment sources describe him as single with no verified past partners as of available records.[41] As of September 2024, reports suggest he remains privately involved romantically, though his reticence makes confirmation challenging.[42] Howle prioritizes privacy in his personal life, rarely engaging with media inquiries about relationships or family. He has described himself as reserved, aligning with a broader pattern among actors who limit disclosures to protect against public scrutiny.[42] This approach extends to avoiding social media presence focused on personal matters, with no verified accounts sharing intimate details.[43] Interviews, such as those tied to projects like The Serpent and Under the Banner of Heaven, emphasize his professional focus over personal revelations, reinforcing a deliberate boundary between public persona and private affairs.[44]Views on mental health and society
Howle has reflected on his early experiences with depression and anxiety, describing drama school as an initial escape that served as informal therapy, though he warns that relying on acting as a coping mechanism can foster an unhealthy dynamic once it becomes a profession.[45] He has spoken emotionally about elevated suicide rates among young men, linking them to profound shame that impedes dialogue, while noting emerging openness in conversations among peers as a positive shift.[45] To address such issues, Howle conducts drama workshops for at-risk youth in pupil referral units, aiming to help them process emotions constructively and avert paths toward incarceration.[45] In discussing roles depicting mental health crises, such as the suicidal character in Infinite Storm (2022), Howle portrays mental health struggles as a pervasive human thread warranting multifaceted, candid public discourse rather than isolation.[46] He has critiqued persistent stigma in professional environments like theatre, where efforts at pastoral care often appear superficial, compelling individuals to conceal personal suffering to maintain productivity.[3] Regarding society, Howle identifies a rebellious, nonconformist essence as fundamental to artistic creation, involving recognition of worldly constraints and resistance to imposed uniformity to safeguard authentic passion.[47] He has highlighted class-based inequities in the acting field, observing that casting processes frequently privilege candidates from upper-middle-class origins, such as Eton alumni, over others regardless of talent.[6] Broader reflections include calls for humility amid humanity's fleeting existence and scrutiny of authoritarian violence embedded in language and power structures.[47]Filmography
Film roles
Billy Howle's film roles began in 2017 with supporting parts in The Sense of an Ending as young Tony Webster, Dunkirk as Petty Officer, and a lead in On Chesil Beach as Edward Mayhew.[48][16][18] In 2018, he portrayed Konstantin Treplyov in The Seagull and Edward, Prince of Wales, in Outlaw King.[20]| Year | Title | Role |
|---|---|---|
| 2017 | The Sense of an Ending | Young Tony Webster) |
| 2017 | Dunkirk | Petty Officer[16] |
| 2017 | On Chesil Beach | Edward Mayhew[18] |
| 2018 | The Seagull | Konstantin Treplyov[49] |
| 2018 | Outlaw King | Edward, Prince of Wales[50] |
| 2019 | Star Wars: Episode IX – The Rise of Skywalker | Dathan (Rey's father)[5] |
| 2022 | Infinite Storm | John[51] |
| 2025 | Kid Snow | Kid Snow[52] |