Blues Image
Blues Image was an American rock band formed in Tampa, Florida, in 1966, renowned for their Latin-infused sound and the 1970 hit single "Ride Captain Ride," which peaked at number four on the Billboard Hot 100 chart and earned a gold certification for over one million copies sold.[1][2] The band originated with guitarist and vocalist Mike Pinera (1948–2024), drummer and vocalist Manuel "Manny" Bertematti, percussionist and vocalist Joe Lala, bassist Malcolm Jones, and initial keyboardist Emilio Garcia, who was replaced by Frank "Skip" Konte in 1968; after relocating from Miami to Los Angeles and signing with Atco Records, they gained recognition in the late 1960s psychedelic and blues-rock scene.[3][4] Blues Image released their debut album Blues Image (1969) and second album Open (1970, featuring "Ride Captain Ride") before core member Pinera departed in late 1969 to join Iron Butterfly; this led to lineup changes including additions of vocalist Denny Correll and guitarist Kent Henry for their third and final album Red White & Blues Image (1970), after which the group disbanded by the end of the year.[3][1][5]History
Formation and Early Career
Blues Image was formed in 1966 in Tampa, Florida, initially operating as a blues cover band drawing from British blues influences such as the Yardbirds.[6] The founding members were guitarist and vocalist Mike Pinera, drummer and vocalist Manny Bertematti, percussionist and vocalist Joe Lala, keyboardist Emilio Garcia, and bassist Rafi Mailman.[4] Mailman departed shortly after the band's inception and was replaced by bassist Malcolm Jones. Shortly after the band's inception, Garcia departed to pursue a career as a pilot and was replaced on keyboards by Frank "Skip" Konte.[7] The group began performing in local Florida clubs, where they honed their sound through regular gigs and gradually transitioned to original compositions that fused traditional blues with emerging psychedelic elements, reflecting the era's musical evolution.[6] This shift was evident in their role opening Tampa's first psychedelic venue, Dino's, which helped establish their reputation in the regional scene.[5] In 1968, Blues Image relocated to Miami, becoming instrumental in the creation of the innovative Thee Image club and serving as its house band for a year, where their extended jams attracted diverse audiences including national acts like the Grateful Dead.[4] Their performances at the venue drew attention from record label representatives, culminating in a signing with Atco Records later that year.[6]Breakthrough and Peak Success
Blues Image achieved their commercial breakthrough with the release of their self-titled debut album in 1969 on Atco Records, which peaked at No. 112 on the Billboard 200.[8] Recorded at Wally Heider's Studio III in Hollywood, California, the album emphasized the band's raw, energetic style derived from their extensive club performances in Miami venues like Thee Image, blending blues-rock with Latin influences.[9][10] The band's momentum continued with their second album, Open, released in April 1970, which reached No. 147 on the Billboard 200.[11] Recorded at American Recording Company in Studio City, California, the LP featured contributions from core members, including songwriting by guitarist Mike Pinera and keyboardist Skip Konte.[12] The standout track, "Ride Captain Ride"—co-written by Pinera and Konte—was issued as a single in spring 1970, climbing to No. 4 on the Billboard Hot 100 and the Canadian RPM 100 Top Singles chart; it was certified gold by the RIAA on August 4, 1970, for sales exceeding one million copies.[13][2] The single's success propelled Blues Image into the spotlight as a summer anthem of 1970, boosting radio play and visibility.[14] This led to increased touring, including opening slots for major acts like Iron Butterfly, which heightened their profile amid the era's rock circuit.[15] However, the rapid rise to fame strained internal dynamics, with tensions emerging over creative directions and personal commitments, including Pinera's brief considerations of departure before ultimately leaving the band later that year.[16]Disbandment and Later Developments
In fall 1969, during the recording of Open, Blues Image experienced key lineup changes as guitarist and co-founder Mike Pinera departed the group to join Iron Butterfly. He was replaced by guitarist Kent Henry, formerly of The Third Power, and vocalist Denny Correll, altering the band's dynamic amid ongoing touring commitments.[4] The band pressed forward with these adjustments, releasing their third and final album, Red White & Blues Image, in May 1970 on Atco Records. Compiled primarily from previously unreleased outtakes and demo recordings, the album featured contributions from both the original and revised lineups but failed to chart or replicate the commercial momentum of their prior hit single.[17][18] Facing mounting pressures from the unexpected success of "Ride Captain Ride," which intensified touring demands, Blues Image officially disbanded in late 1970. Brief attempts to continue without the original core members, including a short-lived project involving remaining personnel, dissolved quickly due to waning cohesion.[19][4] In the aftermath, keyboardist Skip Konte joined Three Dog Night as a second keyboardist in 1973, while percussionist Joe Lala contributed to Stephen Stills' 1972 album Manassas.)Musical Style and Legacy
Genre Characteristics and Influences
Blues Image's music is primarily rooted in blues-rock, characterized by a hard-edged sound that incorporates psychedelic elements and Latin infusions, particularly through the percussion work of Joe Lala, which added rhythmic complexity drawn from his Cuban heritage.[1][20] The band's style emphasized improvisational jams, stemming from their origins as a club act in Tampa's vibrant scene, where extended live performances allowed for spontaneous exploration of blues structures infused with emerging psychedelic textures.[21] Guitarist Mike Pinera's fiery solos provided a dynamic lead voice, often layered over Skip Konte's prominent organ riffs, creating a thick, energetic texture that blended raw blues intensity with proto-progressive flourishes.[20] Dual vocals from Pinera and drummer Manny Bertematti added harmonic depth, alternating between gritty blues delivery and more melodic phrasing. The band's influences drew heavily from the British Invasion's blues revival, as evidenced by their jamming sessions with acts like Cream and the Yardbirds during early performances in California, which honed their high-energy, guitar-driven approach.[20] American blues artists and figures like Jimi Hendrix also shaped their sound, with Hendrix himself praising Blues Image as one of the best up-and-coming bands for their passionate, unrehearsed style.[21] Latin rhythms, inspired by the Florida music scene and Lala's background in Latin jazz—echoing influences from John Coltrane and Charlie Parker—infused their tracks with conga and percussion layers, distinguishing them from standard blues-rock ensembles.[21] This fusion extended to subtle funk and ethereal elements, reflecting the late-1960s psychedelic shift toward meditation and alternative expression in rock.[20] Over time, Blues Image's sound evolved from the more straightforward blues focus of their 1969 self-titled debut, which prioritized raw guitar-organ interplay and club-derived jams, to the 1970 album Open, where pop hooks were integrated for broader radio appeal while retaining Latin and psychedelic undertones.[22][12] Their production style consistently favored a live-feel aesthetic, capturing the band's energetic performances with minimal polish to preserve the improvisational spirit, as heard in tracks like "Ride Captain Ride," which exemplifies the pop-blues fusion.[20] This approach underscored their commitment to emotional depth over commercial refinement, aligning with broader trends in late-1960s rock experimentation.[21]Cultural Impact and Post-Band Careers
Blues Image's "Ride Captain Ride," released in 1970, has endured as a staple of classic rock radio and playlists, often symbolizing the escapist themes of 1970s counterculture with its narrative of a mysterious voyage undertaken by 73 men on a futuristic ship.[19] The track, which peaked at number 4 on the Billboard Hot 100 and earned gold certification, remains the band's defining contribution, frequently featured in retrospectives on one-hit wonders and yacht rock-adjacent sounds.[2] Despite the group's limited discography, the song's psychedelic-blues fusion helped bridge raw blues roots with emerging arena rock sensibilities, influencing perceptions of genre evolution in the era.[23] The band's overall legacy is constrained by its one-hit wonder status, with no subsequent singles achieving comparable success, leading to their swift disbandment in 1970.[24] However, "Ride Captain Ride" has seen renewed appreciation in the 2020s through streaming platforms, where Blues Image garners approximately 176,000 monthly listeners on Spotify as of November 2025,[25] and inclusion in rock retrospectives highlighting forgotten gems of the period. Covers by notable acts have sustained its footprint, including Blood, Sweat & Tears in 1975, Phish in live performances (notably reviving it in 2010 after an 11-year hiatus), and a 2025 version by Joe Lynn Turner and Marcus Nand.[26] No formal band reunions have occurred, though tributes like these covers and mentions in one-hit wonder compilations underscore its lasting, if niche, cultural resonance.[27][28][29] Following the band's 1970 breakup, members pursued diverse paths in rock and session work. Guitarist and co-writer Mike Pinera joined Iron Butterfly shortly after, contributing to their 1970 album Metamorphosis and remaining until 1971; he later formed Ramatam, served as Alice Cooper's guitarist from 1980 to 1982, released solo albums, and continued performing with Iron Butterfly reunions until his death on November 20, 2024, at age 76.[5][30][31] Percussionist Joe Lala transitioned to prolific session work, playing congas on Stephen Stills' Manassas (1972), joining Crosby, Stills, Nash & Young's 1974 tour, and contributing to Santana recordings; he also acted in films and TV before dying of lung cancer on March 18, 2014, at age 66.[32][33][34] Keyboardist Skip Konte joined Three Dog Night as second keyboardist from 1973 to 1976, earning gold records on their hits, before shifting to production and currently operating Konte Media.[35] Drummer Manuel "Manny" Bertematti played on The New Cactus Band's 1973 album Son of Cactus and toured with acts like Iron Butterfly and Bobby Womack.[36] Vocalist Denny Correll, who replaced Pinera in 1970, later pursued contemporary Christian music with the band Manna and solo releases before dying of heart failure on November 29, 2002, at age 56.[37] Guitarist Kent Henry, another late addition, recorded with Blues Image on Red White & Blues Image (1970) and later joined Steppenwolf; he passed away on March 18, 2009, at age 60.[38][39]Band Members
Original and Core Lineup
Blues Image's original and core lineup formed in Tampa, Florida, in 1966, consisting of five key members who defined the band's sound through their debut self-titled album in 1969 and the follow-up Open in 1970.[40] This stable group, active together until 1970, blended rock with Latin influences, drawing from their shared Tampa roots and diverse backgrounds.[4] Mike Pinera (1948–2024) served as the band's guitarist, lead vocalist, and primary songwriter, co-founding the group and shaping its psychedelic rock direction with his energetic performances and compositions.[41] Born in Tampa on September 29, 1948, Pinera's guitar work and songwriting were central to the band's early identity. Manny Bertematti (1946–2022), born in Tampa on January 4, 1946, handled drums and provided backing vocals, delivering a solid rhythmic foundation that supported the band's live energy and studio recordings. As a co-founder, his drumming contributed to the cohesive groove on the debut album and Open.[40] Joe Lala (1947–2014), born in Tampa on November 3, 1947, played percussion and sang vocals, infusing the music with Latin flair through congas and timbales that added rhythmic depth and cultural texture to tracks like those on Open.[42] His contributions as a co-founder enhanced the band's fusion of rock and Latin elements during their 1966–1970 tenure.[4] Skip Konte (born 1947), who joined in 1968 from Canon City, Colorado, managed keyboards and vocals, bringing melodic layers and harmonies that enriched the band's sound on their breakthrough recordings.[43][4] His keyboard work was instrumental in the atmospheric quality of the debut and Open.[40] Malcolm Jones, the bassist born in Cardiff, Wales, rounded out the core rhythm section from the band's inception in 1966, providing steady low-end support essential to their live performances and album foundations through 1970.[4] With limited public details on his background, Jones's role anchored the group's early cohesion.[40] In the hit single "Ride Captain Ride" from Open, Pinera delivered the lead vocals, co-writing with Konte, whose keyboards opened the track with its iconic riff; the main guitar solo was performed by Kent Henry.[2]Additional and Replacement Members
Emilio Garcia was the original keyboardist for Blues Image upon the band's formation in 1966, contributing to their early performances in Florida before departing in 1968 to pursue a career as a pilot; he was replaced by Frank "Skip" Konte.[3][19] Kent Henry (1948–2009) joined as an additional guitarist during the recording of Open in 1970 and later replaced Mike Pinera after his departure to join Iron Butterfly, while vocalist Denny Correll (1946–2002) was added to handle lead vocals.[38][44] Henry's tenure brought a fresh guitar dynamic influenced by his prior work in blues and rock circles, and Correll's soulful singing complemented the band's evolving sound during a transitional period.[39] Both joined core members like Joe Lala, Skip Konte, and Manuel Bertematti for live shows and recording sessions.[17] After bassist Malcolm Jones departed in 1970, Blues Image employed occasional touring bassists to fill the role, though specific names from this short-lived phase remain sparsely documented amid the band's declining activity.[45] These additions and replacements contributed to the compilation album Red White & Blues Image, released in May 1970, which featured tracks from earlier sessions alongside new material, but the changes failed to revitalize the group, leading to its disbandment later that year.[17][4]Discography
Studio Albums
Blues Image released their debut studio album, Blues Image, in 1969 through Atco Records.[46] The record peaked at No. 112 on the Billboard 200 chart.[4] Characterized by a raw blues rock sound with psychedelic and Latin influences, the album showcases strong songwriting and musicianship across its tracks.[47] Highlights include "Take Me to the Sunrise," a driving opener, and the extended closer "Reality Does Not Inspire," which runs over nine minutes.[46] The band's second studio album, Open, followed in April 1970 on Atco Records.[48] It reached No. 147 on the Billboard 200.[4] Representing a pop-oriented shift in the band's style, the album incorporates Latin-tinged semi-progressive blues rock elements, highlighted by the smooth lead guitar work of Mike Pinera.[49] Key tracks include the hit "Ride Captain Ride" and the expansive "Take Me."[48] In 2023, a reunion version of Blues Image featuring original member Mike Pinera released Next Voyage on Solar Music.[50] The album revives the band's blues-rock sound with modern production.Compilation and Live Albums
Red White & Blues Image, released in May 1970 by Atco Records, served as the band's final album during their original run and was assembled from outtakes and unreleased material recorded prior to their disbandment.[51] It did not chart on the Billboard 200.[4] The nine-track collection includes songs like "Rise Up," "Behind Every Man," and "Ain't No Rules in California," offering insight into additional compositions developed during sessions for earlier releases.[52] This retrospective effort captured the group's evolving blues-rock style but did not achieve commercial success comparable to their prior work.[53] Subsequent compilations have provided overviews of Blues Image's career highlights and rarities. In 2005, Rhino Records issued Rhino Hi-Five: Blues Image, a digital EP featuring five key tracks such as "Ride Captain Ride," "Parchman Farm," and "Lazy Day Blues," drawn from their studio albums to showcase their signature sound.[54] The 2010 release Ride Captain Ride - Anthology of Classics on Goldenlane Records expanded on this with 18 tracks, incorporating originals alongside covers like "American Woman" and "Born to Be Wild," emphasizing their rock influences and live-energy interpretations.[55] Blues Image produced no official live albums during their tenure or afterward. Unofficial bootlegs from their formative performances as Thee Image in the late 1960s circulate among collectors, documenting early club sets with raw, improvisational blues elements, though none have been formally authorized or remastered.[53] Reissues in the 2000s revitalized access to the band's catalog through remastering. Sundazed Music's 2004 edition of Open improved audio fidelity via digital remastering, retaining the original 10 tracks without bonus material to preserve the album's integrity.[56] A 2005 Collectables Records compilation paired the debut Blues Image with Red White & Blues Image on a single CD, facilitating affordable entry into their discography for modern listeners.[57] These efforts highlight the enduring interest in the band's fusion of blues, rock, and Latin rhythms. A 2023 reissue by Music on CD combined Blues Image and Red White & Blues Image on one CD.[58]Singles and Chart Performance
Blues Image achieved their greatest commercial success through singles released in 1970, with subsequent efforts failing to replicate the breakthrough. Their debut single, "Lay Your Sweet Love On Me" backed with "Outside Was Night," issued in October 1969 on Atco Records, did not enter any major charts, reflecting the band's early struggle for national recognition.[59] The breakthrough came with "Ride Captain Ride" backed with "Pay My Dues," released in May 1970 on Atco Records. This track, drawn from their album Open, peaked at No. 4 on the Billboard Hot 100, spending 14 weeks on the chart.[60] It also reached No. 4 on the Canadian RPM Top Singles chart, marking the band's only significant international hit.[61] The single earned gold certification from the RIAA on August 4, 1970, for sales of 1,000,000 units, and ultimately sold over one million copies worldwide, underscoring its enduring popularity in the rock genre.[2][62] Later that year, Blues Image released "Gas Lamps and Clay" backed with "Do You Feel It" on Atco Records in September 1970. While associated with their compilation album Red White & Blues Image, it achieved modest success, peaking at No. 81 on the Billboard Hot 100 and charting for four weeks.[63] Following the band's breakup in late 1970, a final single "Rise Up" backed with "Leaving My Troubles Behind" was released in 1971 on Atco Records but did not chart, limiting their output to these key 45s and cementing "Ride Captain Ride" as their signature achievement.[59]| Single | Release Date | Label | A-Side Peak (Billboard Hot 100) | B-Side | Other Charts |
|---|---|---|---|---|---|
| "Lay Your Sweet Love On Me" / "Outside Was Night" | October 1969 | Atco | Did not chart | - | - |
| "Ride Captain Ride" / "Pay My Dues" | May 1970 | Atco | No. 4 | Pay My Dues | No. 4 (Canadian RPM) |
| "Gas Lamps and Clay" / "Do You Feel It" | September 1970 | Atco | No. 81 | Do You Feel It | - |
| "Rise Up" / "Leaving My Troubles Behind" | 1971 | Atco | Did not chart | - | - |