Bobby Ball
Bobby Ball (28 January 1944 – 28 October 2020) was an English comedian, actor, singer, and television presenter best known as the shorter, more boisterous half of the comedy double act Cannon and Ball, alongside his lifelong friend and partner Tommy Cannon.[1][2] Born Robert Harper in Oldham, Lancashire (now [Greater Manchester](/page/Greater Manchester)), Ball grew up in a working-class family and left school at 15 to work as a welder at a local engineering firm, where he met Tommy Cannon (born Thomas Derbyshire) in the early 1960s.[1][2] The pair began performing together in northern working men's clubs in 1964, initially as part of a band before transitioning to comedy sketches characterized by Ball's cheeky, anxious persona and Cannon's straight-man role, often punctuated by Ball's signature braces-twanging and catchphrase "Rock on, Tommy!"[2][3][4] Their big break came in the late 1960s with appearances on ITV's Opportunity Knocks, leading to a headline spot at the London Palladium and the launch of their own variety show, The Cannon and Ball Show, which ran from 1979 to 1988 and became a staple of Saturday night British television, attracting millions of viewers with a mix of sketches, songs, and guest stars.[2][5] The duo's appeal lay in their relatable, light-hearted humour rooted in northern English life, earning them sell-out tours, pantomime seasons, and summer shows throughout the 1970s and 1980s.[2][3][6] In the 1990s and 2000s, Ball diversified into acting, appearing in popular sitcoms such as Last of the Summer Wine (2005–2008), Heartbeat (2005–2006), Benidorm (2018), and notably as Missy's father Frank in BBC One's Not Going Out from 2006 until his death, where his warm, grandfatherly role endeared him to new audiences.[7][2] Ball also embraced evangelical Christianity in the early 1980s following a personal spiritual awakening, which influenced his later career through Christian concerts, faith-based talks, and public testimonies about his journey from showbusiness excess to redemption.[8][6][2] Ball died on 28 October 2020 at Blackpool Victoria Hospital from complications of COVID-19, just days after testing positive and being hospitalized for breathing difficulties; his death prompted widespread tributes, including a statue unveiled in 2022 in his adopted hometown of Lytham St Annes, Lancashire, where he had lived for over 25 years.[1][9][10]Early life
Childhood and family
Robert Harper, professionally known as Bobby Ball, was born on 28 January 1944 in Oldham, Lancashire (now part of Greater Manchester), to parents Bob Harper and May Harper (née Savage). His father worked as a rubber factory worker, coming from a family of fairground workers, while his mother was employed in a local cotton mill, reflecting the typical working-class occupations of the region during the post-war era.[2][11][12] The family endured significant poverty in their one-bedroomed terraced house in Oldham during the 1940s, a time marked by the hardships of post-World War II recovery in industrial northern England. Ball grew up in this modest environment alongside his two sisters, including Mavis, sharing the challenges of limited resources and the austere conditions common to many families in the area, though specific experiences of wartime evacuations are not detailed in accounts of his youth.[13][2] From a young age, Ball displayed a precocious interest in performance, forming a double act with his sister Mavis at around seven years old; the siblings entertained audiences in northern England clubs under the name Bobby and Mavis, honing skills that foreshadowed his future career. This early exposure to stage work, amid the lively cultural scene of music halls and local variety shows, instilled a love for comedy and entertainment that contrasted with the everyday struggles of family life.[2][11]Early employment
After leaving High Crompton School in Oldham at around age 15 in 1959, Ball pursued further education in shipping management at Wigan Mining and Technical College, reflecting his family's emphasis on securing stable employment amid working-class roots in Lancashire.[2] Upon completing his studies, he began his professional career as a sheet metal worker and welder at an engineering factory in Oldham, a role that provided practical skills in metal fabrication during the late 1950s and early 1960s.[2] This apprenticeship-like position in the local manufacturing sector was typical for young men from the area, offering hands-on training in a booming industrial environment. In the early 1960s, while employed at the same Oldham engineering factory, Ball met fellow welder Thomas Derbyshire, who would later become known as Tommy Cannon; the two bonded over shared work experiences and Ball's emerging interest in performance.[14] Their friendship quickly extended beyond the factory floor, as Ball, already performing amateur singing under the stage name Stevie Rhythm at local working men's clubs, invited Derbyshire to join him on stage. These initial gigs, often at small venues around Manchester and Lancashire for modest fees, marked Ball's first forays into entertainment while balancing full-time manual labor.[2] Ball's early work experiences underscored a transition from industrial trades to creative pursuits, with his factory job providing financial stability that allowed him to experiment with amateur comedy and singing routines at community events and clubs without immediate financial pressure.[14] These tentative performances, blending vocal numbers with light-hearted banter, honed his stage presence and laid the groundwork for future collaborations, though he remained committed to his welding role until their joint act gained traction.Comedy career
Partnership with Tommy Cannon
Bobby Ball and Tommy Cannon first met in the early 1960s while working as welders at the Crane Fruehauf tractor factory in Oldham, Lancashire.[15][16] Born Robert Harper and Thomas Derbyshire respectively, the pair quickly bonded over their shared sense of humor and interest in performing.[14] Ball, who had begun singing in local pubs on weekends, invited Cannon to join him on stage, marking the start of their collaborative musical endeavors.[17] The duo formalized their partnership around 1965, initially performing as singers in pubs and clubs across Greater Manchester under names like the Harper Brothers.[18] They soon transitioned to comedy, discovering that comedians earned an extra £3 per night compared to singers—a modest but motivating incentive.[19] Adopting the stage names Tommy Cannon and Bobby Ball, they developed a classic double-act dynamic where Cannon served as the composed straight man, setting up jokes for Ball's exuberant, mischievous responses.[20][21] Their earliest performances took place in northern England's working men's clubs, where they honed their routine amid tough crowds of industrial workers.[14] Earnings were meager—often just £6 per night split between them—leading to frequent rejections and the need to balance club gigs with day jobs until they committed full-time around 1968.[19] Despite the hardships of long travels and inconsistent bookings, these years built their resilient stage presence and audience rapport. By 1970, Cannon and Ball achieved a breakthrough through consistent wins in local talent contests and steady residencies at prominent northern clubs, solidifying their reputation on the cabaret circuit.[22] This period of growing popularity in the working men's club scene laid the foundation for their later national success, with audiences appreciating their relatable, high-energy banter.[23]Rise to television fame
Cannon and Ball's entry into national television came in 1968 with their debut appearance on the ITV talent show Opportunity Knocks, hosted by Hughie Green, where they performed as a comedy double act but finished last in the viewer vote.[24] Despite the setback, the exposure helped build their profile from club circuits to broadcast media.[25] Their style, honed in working men's clubs, translated to TV through energetic physical comedy and quick-witted banter, laying the foundation for future success.[18] The duo gained further visibility in 1974 with regular spots on the variety programme The Wheeltappers and Shunters Social Club, a northern-themed revue that showcased club acts in a simulated pub setting.[2] Although not all their segments aired, the unaired footage caught the attention of Michael Grade, then director of programmes at London Weekend Television (LWT), who recognized their potential as light entertainment stars.[26] This discovery in the late 1970s marked their pivotal transition, leading directly to a dedicated series. The Cannon and Ball Show premiered on ITV on 28 July 1979, produced by LWT, and ran for nine series until 1988, with additional Christmas specials extending their run into the early 1990s. The programme blended sketches, musical numbers, and celebrity guests in a fast-paced format tailored for family viewing, emphasizing slapstick humor, sight gags, and recurring catchphrases such as Ball's enthusiastic "Rock on, Tommy!" directed at his partner.[25] Its signature accessibility and warmth resonated with audiences, positioning the duo as reliable fixtures of Saturday night television. At its height in the 1980s, the show regularly drew peak audiences of around 20 million viewers per episode, rivaling contemporaries like Morecambe and Wise and cementing Cannon and Ball's status as light entertainment icons.[27] Critics praised their unpretentious, crowd-pleasing approach, which captured the era's appetite for wholesome, escapist comedy amid shifting broadcast trends.[2]Stage tours and pantomimes
Cannon and Ball embarked on national stage tours in the late 1970s, capitalizing on their burgeoning television fame to perform in major UK theaters, where they delivered updated versions of sketches originally developed for The Cannon and Ball Show. These live engagements allowed the duo to connect directly with audiences through high-energy variety acts, often featuring musical numbers and audience interaction, drawing sell-out crowds during the 1980s at venues like the London Palladium.[28][29] The pair made annual pantomime commitments a cornerstone of their live work, beginning with their debut in Jack and the Beanstalk in 1975. From 1977 onward, they appeared regularly in holiday productions across the UK, such as Dick Whittington at Stockport's Davenport Theatre, where they played Idle Jack and his mate Tom. They frequently took on comedic roles like the Ugly Sisters in Cinderella, including a notable run at Lincoln's Theatre Royal in 2011, blending their signature slapstick with family-friendly adaptations of classic routines to appeal to all ages.[30][31][32] Spanning over 40 years, their pantomime career included more than four decades of festive seasons, with the duo maintaining a presence even as television opportunities waned; a highlight was their 2019 portrayal of the comedic villains in Jack and the Beanstalk at Stoke-on-Trent's Regent Theatre, marking a return after the previous year's record-breaking success. In the 1990s and 2010s, they faced the challenge of sustaining audience interest post their TV peak by refreshing material and touring smaller theaters, ensuring their live act remained viable through consistent bookings.[33][34][35] Pantomimes proved particularly vital as a revenue source in their later decades, providing steady income amid financial setbacks like a 1992 tax debt that necessitated packed schedules of stage work to repay over £1 million (equivalent to approximately £2.3 million as of 2025).[35][36] These holiday runs not only bolstered earnings but also preserved their status as enduring variety entertainers.[35][37]Other professional work
Film appearances
Bobby Ball made limited appearances in feature films, with his most notable role coming in collaboration with his long-time comedy partner Tommy Cannon. Their joint venture, The Boys in Blue (1982), marked Ball's prominent cinematic debut as part of the duo, where he portrayed the hapless Police Constable Bobby Ball opposite Cannon's Police Constable Tommy Cannon. Directed by Val Guest, the film depicts the pair as incompetent officers in the fictional village of Little Botham, who resort to inventing crimes to prevent the closure of their rural police station—a plot loosely inspired by the 1938 comedy Ask a Policeman.[2][38] Prior to this, Ball had an early, minor role in the American comedy-crime film Win, Place or Steal (1974), directed by Richard Bailey, playing a character credited as the Professor in a story about three gamblers who steal a racetrack betting machine. This appearance predated the height of Cannon and Ball's fame and represented one of Ball's few pre-duo screen credits.[39][40] Ball's later film work remained sparse and largely solo, with no major additional feature films alongside Cannon. The Boys in Blue served as an extension of the duo's lighthearted, slapstick television style, achieving modest commercial success upon its release but not spawning further major cinematic projects for the pair.[2][41]Solo endeavors and later roles
In the later stages of his career, Ball pursued solo acting roles in various British television series, showcasing his comedic timing outside the duo format. He appeared as the character Lenny in three episodes of the BBC sitcom Last of the Summer Wine from 2005 to 2008,[42] and Frank, the eccentric neighbor and father figure, in Not Going Out, a role he took on starting with guest appearances in 2009 and continuing regularly until his death in 2020, with posthumous appearances in the 2020 Christmas special and series 11 in 2021.[3][43] These performances highlighted Ball's ability to blend humor with character depth in ensemble casts. Additionally, he appeared as Barry in the Sky1 series Mount Pleasant from 2011 to 2017, contributing to the show's family-oriented comedy.[3] Ball also ventured into reality television, participating in the 2012 Strictly Come Dancing Christmas Special, where he partnered with professional dancer Katya Virshilas to perform an American Smooth routine to "White Christmas," earning praise for his enthusiastic delivery.[44] In 2019, he competed on Pointless Celebrities alongside Tommy Cannon, though the appearance underscored his individual charisma in a quiz format.[45] These guest spots extended his visibility into lighter entertainment programming during the 2010s. On the writing front, Ball co-authored the autobiography My Life in 1993 with Tommy Cannon, detailing his early struggles, rise in comedy, and personal challenges, which was later updated as My Life Revisited to include reflections on his later years.[46] While he contributed to scriptwriting for the duo's projects throughout their career, Ball's solo literary efforts emphasized introspective narratives over collaborative humor. Following his conversion to Christianity in 1985, Ball incorporated faith into his professional work from the late 1980s onward, delivering solo gospel shows and evangelical talks at churches and events, where he shared testimonies of faith's transformative impact on his life.[47] These appearances often combined comedy with spiritual messages, as seen in his 2005 talk at Radcliffe Civic Suite on living as a Christian.[48]Personal life
Marriages and children
Bobby Ball married his first wife, Joan Lynn, in 1964.[49] The couple had two sons: Robert, born in 1965, and Darren, born in 1969.[49] They separated in 1970 and divorced in 1972.[49] In 1974, Ball married Yvonne Nugent, with whom he remained until his death in 2020.[2] The couple had one daughter, Joanne, born in the early 1970s.[50] Ball was known as a devoted father who prioritized family stability amid his rising career demands.[2] Ball's sons, Robert and Darren, occasionally pursued showbusiness, forming a comedy and music double act known as The Harper Brothers after attending drama college.[11] His daughter Joanne did not enter the entertainment industry.[50] To support his burgeoning comedy career with Tommy Cannon, Ball and his family relocated from Oldham to the Fylde Coast area, including Blackpool, in the 1970s, later settling permanently in Lytham St Annes around the late 1990s after falling in love with the region during regular performances there.[51]Religious faith and philanthropy
Bobby Ball experienced a profound personal crisis in the mid-1980s, marked by struggles with alcohol and marital issues, which led him to seek spiritual guidance. While performing at the Bradford Alhambra Theatre, he secretly met with the venue's chaplain, Rev. Max Wigley, whose unconditional friendship and discussions about Jesus Christ prompted Ball's conversion to evangelical Christianity in 1985.[47] This transformation marked a turning point, as Ball described it as receiving God's forgiveness and a renewed sense of purpose, fundamentally altering his outlook on life and career.[52] Following his conversion, Ball began incorporating his Christian faith into his comedy routines more openly from the early 1990s onward, using humor to convey spiritual messages and challenge audiences to consider Christianity. In 1995, alongside his comedy partner Tommy Cannon—who converted in 1992—the duo launched The Cannon & Ball Gospel Show, a national tour blending their signature slapstick with personal testimonies and gospel music, which drew capacity crowds across the UK for 27 dates.[47] Ball later toured solo with his Bobby Ball Christian Gospel Show for up to four months annually, performing in theaters and churches to share his faith through comedy, emphasizing themes of redemption and God's love. These endeavors positioned Ball as an evangelist within the entertainment world, where he openly discussed his journey to inspire others.[53] Ball's faith also motivated his philanthropic efforts, as he and Cannon frequently headlined charity concerts to support local causes, particularly those aiding children and families in need. For instance, in 2019, they hosted a fundraising event for the Snappy Trust, a York-based charity providing holidays for disadvantaged children, helping to boost its resources.[54] Earlier performances, such as a special concert that raised over £2,000 to fund a dream holiday for a five-year-old cancer patient, exemplified their commitment to using their platform for tangible community support.[55] Ball was a long-standing supporter of Variety, the children's charity, contributing through performances and advocacy throughout his career.[56] In his later years, Ball continued advocating for his faith through writing, including his 1993 autobiography My Life, which detailed his pre-conversion struggles and spiritual awakening as a core theme of personal redemption.[2] He co-authored The Gospel According to Cannon and Ball in 2007 with Cannon, a book aimed at explaining Christian basics to newcomers, reflecting their shared evangelistic drive.[57] Following Ball's death in 2020, Christian communities paid widespread tributes to his unashamed witness, with friends and biographer Chris Gidney highlighting how his comedic evangelism had touched countless lives and led many to faith, including Cannon himself.[58] Publications like The Times noted his role in revitalizing their act through gospel-infused shows, cementing his legacy as a beloved figure in UK Christian circles.[11]Death and legacy
Final years and illness
In the later stages of his career, Bobby Ball and his longtime partner Tommy Cannon scaled back from extensive touring commitments due to their advancing age, focusing instead on selective stage and television work through 2020.[25] Their final joint stage production was a pantomime run of Peter Pan at the Crewe Lyceum Theatre, which ran from December 2019 to January 2020.[59] Ball's last professional engagement was a read-through for an episode of the BBC sitcom Not Going Out on 27 September 2020, where he reprised his role as the hapless Frank, just weeks before his illness began.[60] Ball had been managing chronic obstructive pulmonary disease (COPD), a lung condition that contributed to breathing difficulties in his final months.[61] In early October 2020, at the age of 76, he began experiencing symptoms initially thought to be a chest infection related to his COPD.[62] He tested positive for COVID-19 shortly thereafter and was hospitalized at Blackpool Victoria Hospital on 25 October 2020 due to worsening respiratory issues.[26][9] During his 18-day hospital stay, Ball remained characteristically upbeat, joking with nurses and even cheering up fellow COVID-19 patients despite his deteriorating condition.[63] Pandemic restrictions prevented in-person visits from family members, including his wife Yvonne and sons Darren and Robert, but they maintained contact through FaceTime calls, with Yvonne later praising the hospital staff for their compassionate care.[9][61] Ball passed away on 28 October 2020 from complications of COVID-19, compounded by his pre-existing COPD.[26][64]Tributes and influence
Following the announcement of Bobby Ball's death on 28 October 2020, tributes poured in from across the entertainment industry and public. ITV, where Cannon and Ball had starred for nearly a decade in the 1970s and 1980s, described him as a "national treasure" whose "infectious energy and warmth" had entertained generations. Celebrities including Lee Mack, who co-starred with Ball in Not Going Out, expressed devastation, calling him a "genuine star" and "one of the funniest men" they knew.[65] Fans shared widespread grief on social platforms, with many highlighting his role in bringing joy during tough times, and his sons paid an emotional tribute describing him as a "full-of-life" family man whose humor extended to everyday moments.[66] The Variety charity, which Ball supported for decades, mourned him as a "loyal and long-standing" advocate whose comedy had touched millions.[56] Ball's funeral took place on 17 November 2020 at Hope Church in Lytham St Annes, Lancashire, as a private Christian service limited by COVID-19 restrictions.[67] His longtime partner Tommy Cannon served as a pallbearer, visibly emotional during the procession that passed through Blackpool, where fans lined the streets in tribute.[68] Mourners wore Ball's signature red braces as a nod to his on-stage persona, and the event underscored his deep Christian faith, with hymns and reflections on his evangelistic work.[67] A public procession allowed thousands to pay respects, reflecting the broad affection for the comedian in his adopted hometown.[69] In 2022, a life-sized bronze statue of Ball was unveiled in Lowther Gardens, Lytham St Annes, funded by public donations exceeding £100,000, depicting him in a celebratory pose from his 40th birthday.[70] Ball's legacy endures as a cornerstone of British working-class comedy, particularly through his double act with Cannon, blending slapstick, music hall traditions, and relatable northern humor alongside contemporaries like Little and Large.[25] His buoyant, mischievous persona helped sustain the popularity of light entertainment on Saturday nights, with reruns of The Cannon and Ball Show maintaining a devoted audience via platforms like YouTube, where episodes continue to garner millions of views.[71] This accessibility has introduced his work to younger generations, cementing his impact on variety comedy's evolution from live theater to television.[72] Posthumously, Ball received ongoing recognition, including a heartfelt tribute in the final episode of series 11 of Not Going Out, aired in February 2021, where a dedication appeared in the closing credits.[73] In 2022, the series featured a comedic oil painting of his character as a final nod, blending humor with sentiment to honor his 15-year run on the show.[74] Anniversaries of his death have prompted reflections, such as Tommy Cannon's 2022 tribute marking two years, emphasizing their unbreakable bond.[75] A charitable foundation established in his name in 2021 supports community causes in Blackpool and Lytham, continuing his philanthropic spirit.[76] Documentaries have further preserved Ball's influence, including the 2021 YouTube tribute Rock On, Tommy: The Bobby Ball Story, featuring family and co-stars recounting his career highs.[77] In 2025, Tommy Cannon announced a feature-length documentary, Rock On, Tommy!, crowdfunded via Kickstarter to celebrate their partnership's "rollercoaster" journey and lasting laughter.[78] Cannon's memoir This Is Me, released in October 2025, devotes significant space to Ball, weaving personal anecdotes of their friendship, professional triumphs, and the void left by his passing into a broader narrative of resilience in comedy.[79] These efforts underscore Ball's role in shaping British entertainment's emphasis on heartfelt, audience-connecting humor.Works
Filmography
Bobby Ball appeared in numerous television series, films, and specials throughout his career, often in comedic roles either as part of the Cannon and Ball duo or in solo guest capacities. His credits span variety shows, sitcoms, and occasional films, with a focus on light-hearted entertainment. The following table lists his key acting credits chronologically, drawn from verified databases and production records.[42]| Year | Title | Role | Type |
|---|---|---|---|
| 1975 | Win, Place or Steal | Unknown | Film[80] |
| 1979–1991 | The Cannon and Ball Show | Self | TV series (approx. 70 episodes) |
| 1980 | Rhubarb Rhubarb | Self | TV movie[42] |
| 1983 | The Boys in Blue | PC Bobby Ball | Film |
| 1988 | Mr. H Is Late | Driver's mate | Film |
| 1991 | Cannon and Ball's Playhouse | Various characters | TV series[3] |
| 1992–1993 | Juniper Jungle | Various | TV series |
| 1996 | Shooting Stars (Series 2) | Self (guest) | TV series[3] |
| 2000 | The Grimleys (Series 2) | Unknown | TV series[3] |
| 2001 | Casualty | Terry | TV series (1 episode)[42] |
| 2004 | Casualty | Jackie | TV series (1 episode)[42] |
| 2005–2006 | Heartbeat | Topsy Turner | TV series (2 episodes)[81] |
| 2005–2008 | Last of the Summer Wine | Lenny | TV series (3 episodes)[2] |
| 2006–2020 | Not Going Out | Frank | TV series |
| 2007–2008 | Benidorm | Ron Pickford | TV series |
| 2009 | The Fattest Man in Britain | Morris | TV movie |
| 2011–2017 | Mount Pleasant | Barry | TV series[82] |
| 2012 | Strictly Come Dancing Christmas Special | Self (contestant) | TV special[44] |
| 2013 | The Security Men | Duckers | Film |
| 2018 | Benidorm | Ron Pickford | TV series (1 episode)[83] |
| 2018 | Harry Hill's Alien Fun Capsule | Self | TV series (1 episode)[81] |
| 2018 | Last Laugh in Vegas | Self | TV documentary[84] |
| 2019 | The Cockfields | Ray | TV series (3 episodes) |
| 2020 | Rock On, Tommy: The Bobby Ball Story | Self (archive footage) | TV movie[85] |
Discography
Cannon and Ball, the comedy duo comprising Tommy Cannon and Bobby Ball, released a series of singles and albums primarily through the late 1970s to the 1980s, often featuring light-hearted pop covers and original tracks integrated with their comedic style. Their music output was closely linked to their television success, with songs like their theme tune serving as recurring elements in performances. The duo achieved modest chart success, with one notable entry in the UK Singles Chart.[86]Singles
Their singles typically blended pop standards and contemporary hits with humorous twists, though only a few gained significant chart traction. Key releases include:| Title | Year | Label | Peak UK Chart Position |
|---|---|---|---|
| Together We'll Be OK | 1979 | EMI | 17 |
Albums
Cannon and Ball's albums often compiled their singles alongside additional material, emphasizing upbeat pop and novelty songs. They released over a dozen LPs and compilations through the 1970s and 1980s, with some holiday-themed efforts in later years. Representative examples include:| Title | Year | Label |
|---|---|---|
| Rock On Tommy | 1980 | EMI |
| Together | 1982 | EMI |
| The Greatest Love | 1987 | Handshake Ltd. |
| Don't Forget My Christmas Present | 1992 | Telstar |
| I'm Sticking With You | 2007 | Cannonball Records |