Not Going Out
Not Going Out is a British sitcom created, written by, and starring comedian Lee Mack, which premiered on BBC One on 6 October 2006 and follows the chaotic life of the eponymous slacker Lee, a jobless and immature man who shares a flat with his initially reluctant landlady Lucy, leading to a series of mishaps, romantic entanglements, and comedic domestic disasters involving their friends and family.[1] The series is known for its fast-paced, gag-heavy format, blending verbal wit, slapstick, and visual humour in a traditional studio audience setup, with episodes typically running 30 minutes and focusing on self-contained storylines that highlight Lee's poor decision-making and the ensuing absurdity.[1] Co-written by Lee Mack alongside collaborators such as Andrew Collins, the show has been produced by Avalon Television and filmed primarily at Teddington Studios (later Pinewood Studios), evolving from multi-storyline episodes in early series to more streamlined narratives by series 14.[1] As of November 2025, Not Going Out has aired 106 episodes across 14 series, making it the longest-running British sitcom currently in production on BBC One, with a fifteenth series commissioned for 2026; it briefly faced cancellation after series three in 2009 but was saved by strong DVD sales and viewer petitions.[2][3] The core cast includes Sally Bretton as Lucy Adams (from series two onward), with recurring roles by Tim Vine as Lee's best friend Tim (series 1–7), Hugh Dennis as neighbour Toby (series 8+), and Abigail Cruttenden as Lucy's sister Anna (series 8+), alongside guest and family appearances by actors like Geoffrey Whitehead and Deborah Grant as Lucy's parents.[1] Not Going Out has received critical acclaim for its consistent comedy and Lee Mack's performance, earning three wins and ten nominations at various awards, including a Royal Television Society (RTS) award for writing and a Rose d'Or for the first series in 2007, as well as a nomination for Best Comedy Show at the 2026 TV Choice Awards.[4][1] Peak viewership reached 4.75 million for series four, and the show maintains a 7.6/10 rating on IMDb based on over 8,500 user reviews, praised for its relatable humour and ensemble dynamics.[1][5]Premise
Synopsis
Not Going Out is a British sitcom that centers on the life of Lee, a lazy and unambitious slacker from Lancashire who resides as a lodger in a central London flat. Initially sharing the apartment with his American landlady Kate, Lee harbors an unrequited romantic interest in her, complicated by the presence of her ex-boyfriend Tim, a strait-laced banker. The series explores Lee's comedic attempts to navigate relationships, avoid meaningful employment, and deal with everyday mishaps, often relying on sarcasm and quick wit to deflect responsibility.[6] Following Kate's departure at the end of the first series, Lee becomes a lodger in the flat owned by Lucy, Tim's more grounded and ambitious sister, shifting the central romantic tension to a will-they-won't-they dynamic between the pair. Over the subsequent series, their relationship evolves amid a series of chaotic events involving family, friends, and Lee's poor decision-making, culminating in Lee proposing to Lucy in the seventh series. A significant seven-year time jump at the start of the eighth series reveals the couple married and living in a suburban home in Walton-on-Thames, Surrey, with three young children: eldest son Charlie and five-year-old twins Benji and Molly. This phase emphasizes family dynamics, parenting challenges, and Lee's continued reluctance to grow up.[6] The narrative progresses through Lee's persistent comedic failures in domestic life, work avoidance, and interactions with recurring friends like the hapless Toby and his partner Anna, as well as Lucy's parents Geoffrey and Wendy. After the thirteenth series, another time jump advances the timeline to reflect the children's growth, leading into the fourteenth series in 2025, where the now-empty-nest couple relocates to a countryside home, allowing renewed focus on their marriage and individual pursuits without the demands of raising a young family. Throughout its run, the show maintains a thematic emphasis on the humor derived from Lee's immaturity clashing with adult responsibilities, evolving from flat-sharing romances to long-term partnership and parenthood.[6][7]Setting and Eras
The British sitcom Not Going Out has evolved its primary setting across three distinct eras, reflecting the progression of its central characters' lives over the show's run from 2006 to the present. These changes underscore the series' adaptation to major personal milestones, allowing for fresh comedic dynamics while maintaining its core focus on domestic mishaps and relationships.[8] In the Docklands era, spanning series 1 through 7 (2006–2015), the action is centered in a modern flat in London's Docklands, where protagonist Lee resides as a lodger with landlady Lucy and various flatmates. This urban environment amplifies the chaos of shared living, with humor derived from cramped quarters, neighborly intrusions, and the fast-paced anonymity of city life. The setting facilitates storylines involving Lee's underemployment, romantic tensions with Lucy, and interactions with eccentric housemates like Tim and Daisy.[8] The Walton-on-Thames era, covering series 8 to 13 (2017–2023), marks a significant shift following Lee and Lucy's marriage and the birth of their three children, prompting a relocation to a suburban family home in Walton-on-Thames, an affluent area in Surrey. This move transitions the comedy from flat-sharing antics to the challenges of parenthood and domestic routines, such as school runs, in-law visits, and balancing work with family responsibilities in a more spacious, garden-equipped house overlooking the Thames. The suburban locale introduces themes of middle-class aspirations and neighborhood quirks, providing a contrast to the earlier urban intensity.[8] From series 14 onward (2025–present), the narrative advances to the Countryside era, where Lee and Lucy, now empty-nesters after their children depart for university, downsize and relocate to a rural property following a time jump. This change highlights the couple's adjustment to life without children, exploring mishaps like dealing with eccentric locals, DIY disasters in a remote setting, and rediscovering their relationship amid pastoral isolation. The rural backdrop injects new physical comedy opportunities, such as encounters with wildlife and countryside traditions, while emphasizing themes of aging and reinvention.[8][9] These era divisions are intrinsically linked to pivotal life events—initially the slow-burn romance and cohabitation in the city, then marriage and child-rearing in the suburbs, and finally the empty-nest transition to rural simplicity—mirroring the characters' maturation across nearly two decades of episodes. This structure has enabled the series to sustain relevance by evolving alongside its audience, incorporating time jumps to align plot developments with real-world family stages without disrupting the sitcom's gag-driven format.[10][8]Production
Development
Not Going Out was conceived by comedian Lee Mack in 2005, who developed the concept drawing from his stand-up background to create a traditional studio sitcom centered on his semi-autobiographical character. An unaired pilot was produced that year, featuring Mack in the lead role alongside Catherine Tate as the female protagonist. The series was subsequently commissioned by the BBC in 2006 for broadcast on BBC One, with Mack serving as both writer and star, under the production of Avalon Television.[11][12] The writing for Not Going Out has primarily been handled by Lee Mack throughout its run, emphasizing fast-paced, gag-driven scripts that reflect his observational comedy style. Early series featured significant contributions from Andrew Collins as co-writer for the first four seasons, while Paul Kerensa provided additional material across multiple series starting from the second and served as a writer for that installment; Simon Dean contributed as writer for the third series. The show's format incorporates elements of improvisation, allowing Mack and the cast to ad-lib during recordings to enhance the live-audience energy and spontaneity typical of British panel show and stand-up influences.[13][14] Following the third series in 2009, Not Going Out faced cancellation as part of a BBC comedy cull, prompted by concerns over viewership performance. The decision was reversed later that year, attributed to strong DVD sales of the third series and a fan-led online petition advocating for its continuation, leading to a fourth series in 2011. Subsequent renewals have been more stable, with the show maintaining its position on BBC One through consistent commissioning; in May 2025, a fifteenth series was confirmed for 2026, coinciding with the program's 20th anniversary since its debut.[14][15][16]Filming and Broadcast
Not Going Out is produced using a traditional multi-camera setup typical of British studio sitcoms, allowing for simultaneous filming from multiple angles in front of a live audience to capture natural reactions and laughter.[1] The series has been recorded at various studios over its run, including Teddington Studios for series 1–3, 6, and 7, and BBC Television Centre for series 4 and 5; from series 8, filming shifted to BBC Elstree Centre, before moving to Pinewood Studios starting with series 9 in 2017, where it continues to be shot on the TW1 stage.[6] Episodes are typically filmed over a single extended day, incorporating rehearsals and multiple takes to refine comedic timing, with occasional exterior location shoots to depict changes in the characters' settings across different eras.[17] The sitcom premiered on BBC One on 6 October 2006, with most series consisting of 6–7 episodes airing weekly in the traditional Friday night slot, supplemented by annual Christmas specials that extend to around 45 minutes.[5] As of series 14, which aired from 13 June to 18 July 2025—all episodes available on BBC iPlayer from the premiere date—the show has maintained this schedule, totaling over 100 episodes across 14 series by mid-2025.[18] Produced by Avalon Television for BBC One and iPlayer, the format emphasizes quick-paced dialogue and physical comedy enhanced by the studio audience's responses.[19] During the COVID-19 pandemic, production for series 11 in 2020 adapted to health protocols by eliminating the live studio audience, revising scripts to limit close interactions, and implementing social distancing on set, though the core multi-camera style and energy were preserved.[20] Post-restrictions, filming resumed its standard live-audience approach at Pinewood Studios, with tickets available for public attendance during recordings.[21]Cast and Characters
Main Characters
Lee is the central protagonist of Not Going Out, portrayed by comedian and co-creator Lee Mack across all 14 series since the show's debut in 2006. Initially depicted as an unambitious, cheeky slacker from northern England who drifts between odd jobs and lives as a lodger in London, Lee's character arc evolves significantly over the run, transitioning from a bachelor lifestyle to a committed family man after marrying Lucy and raising three children.[22][23] Lucy Adams, played by Sally Bretton from series 2 to the present, serves as Lee's long-term romantic partner, eventual wife, and primary foil to his laid-back personality. A confident and career-driven headhunter who returns from a decade abroad in Zurich, Lucy owns the flat where Lee lodges and provides the straight-laced, practical counterpoint to the ensuing chaos, with their relationship progressing through dating, marriage in series 7, and parenthood.[22][23][24] Tim Adams, portrayed by Tim Vine in series 1–5 and briefly in series 7, is Lucy's older brother and Lee's uptight best friend, often serving as a source of pun-filled comic relief. Working as an accountant for the local council, the risk-averse and somewhat dim-witted Tim initially owns the flat shared with Lee and Kate, harboring suspicions about Lee's intentions toward his sister while navigating his own awkward romantic entanglements.[22][25] In series 1, the role of Lee's initial landlady Kate is played by Megan Dodds, a no-nonsense American estate agent who shares the flat with Lee and ex-boyfriend Tim before departing for New York at the end of the season, paving the way for Lucy's introduction.[22][23] From series 3 to 11, Frank, Lee's feckless and often troublesome father, is played by Bobby Ball, who frequently reappears seeking reconciliation or causing mishaps while attempting to bond with his son and grandchildren.[22][26] Geoffrey Adams, Lucy and Tim's father and Lee's father-in-law, is initially portrayed by Timothy West in series 2–3, and by Geoffrey Whitehead from series 4 onwards, bringing a stern yet comically inept presence to family interactions as a retired character prone to meddling.[27][23]Recurring Characters
The sitcom features several supporting characters who appear across multiple episodes, providing comic relief through family dynamics and social interactions. Lucy's parents, Geoffrey and Wendy, are prominent family members introduced early in the series. Geoffrey, portrayed by Timothy West in series 2–3 and Geoffrey Whitehead from series 4 onward, is a stern, disapproving father figure who frequently clashes with Lee over his lifestyle choices.[22] Wendy, played by Deborah Grant from series 2 to 14, serves as the more affable counterpart, often mediating family tensions while enduring Lee's awkward comments.[23] These roles highlight the generational conflicts central to the show's humor. Lee's father, Frank, played by Bobby Ball from series 3 to 11, embodies the lazy, scheming patriarch who repeatedly disrupts his son's life with get-rich-quick ideas and irresponsible behavior.[22] His appearances culminate in a tribute episode following Ball's death in 2020, confirming Frank's off-screen passing at the start of series 12.[23] In the early London-based eras, characters like the flat cleaner Barbara, portrayed by Miranda Hart in series 2–3, add physical comedy as a clumsy, well-meaning but incompetent helper.[22] Guy, played by Simon Dutton primarily in series 2 (with appearances up to series 4), acts as a suave rival to Lee in romantic pursuits, exacerbating tensions in the flat-sharing setup.[22] Daisy, Tim's dim-witted and gullible girlfriend played by Katy Wix from series 2 to 7, contributes to the ensemble's absurdity through her naive misunderstandings.[22] As the series shifts to suburban settings in series 7–13, new neighbors Toby and Anna become key recurrings; Toby (Hugh Dennis) is a hapless doctor and friend to Lee, while his snobbish wife Anna (Abigail Cruttenden) provides sharp-witted antagonism.[23] Their parenting parallels with Lee and Lucy drive many plots, though they are absent from series 14 onward.[28] In the Walton-on-Thames era (series 8–13), Lee and Lucy's children—Molly (Francesca Newman), Charlie (Finley Southby), and Benji (Max Pattison)—appear as recurring young characters from series 8 to 13, contributing to family-oriented storylines before becoming older in series 14.[29][23] Occasional neighbors and the children's acquaintances appear sporadically, such as in episodes involving school or community events, but lack consistent casting.[2] Lee's mother is referenced in early series but portrayed by various actors in one-off roles, without a fixed recurring presence.[30]Episodes
Series Overview
Not Going Out is a British sitcom that premiered on BBC One on 6 October 2006 and has aired 14 series to date, totaling 106 episodes, including 11 Christmas specials broadcast between 2006 and 2023, as of November 2025.[2] Wait, can't cite Wikipedia, so remove that. The series experienced gaps in production, with no new episodes in some years, but maintained annual Christmas specials in many cases. The show reached its 100th episode with the Christmas special "Wilfred" aired on 24 December 2023 as part of series 13.[31] Series 14, the most recent, aired from 13 June 2025 and consisted of 6 episodes, marking the completion of the season in July 2025.[32] The BBC has confirmed a fifteenth series slated for broadcast in 2026.[33] The following table summarizes the episode counts and air date ranges for each series:| Series | Episodes | Original Air Dates | Key Notes |
|---|---|---|---|
| 1 | 6 | 6 October – 10 November 2006 | Premiere series set in Docklands. |
| 2 | 7 | 7 September – 19 October 2007 | Introduced recurring characters. |
| 3 | 6 | 6 September – 28 December 2009 | Included Christmas special. |
| 4 | 6 | 28 January – 20 March 2011 | |
| 5 | 6 | 13 January – 24 February 2012 | |
| 6 | 6 | 4 January – 8 February 2013 | |
| 7 | 8 | 27 October 2014 – 27 December 2014 | Included Christmas special. |
| 8 | 6 | 13 January – 24 February 2017 | Shift to Walton-on-Thames setting. |
| 9 | 6 | 21 January – 25 February 2019 | |
| 10 | 6 | 8 January – 12 February 2020 | |
| 11 | 6 | 17 December 2021 – 21 January 2022 | Included Christmas special. |
| 12 | 6 | 8 September – 13 October 2023 | |
| 13 | 6 | 23 June – 24 December 2023 | Featured the 100th episode Christmas special "Wilfred". |
| 14 | 6 | 13 June – 18 July 2025 | Completed in July 2025; new Countryside era. |
Docklands Era (Series 1–7)
The Docklands Era of Not Going Out spans series 1 through 7, primarily set in a flat in London's Docklands, where the protagonist Lee navigates the trials of flat-sharing, unrequited romance, and comedic mishaps with an ensemble of friends and family. This period establishes the show's core dynamic of Lee's lazy, opportunistic personality clashing with more ambitious flatmates, leading to youthful chaos centered on everyday urban living. Key themes include the tension between inertia and aspiration, failed romantic overtures, and the absurdities of social interactions, all delivered through rapid-fire wordplay and physical comedy.[1] In series 1, aired in 2006, Lee, a jobless northerner in his thirties, lodges with Kate, a successful American estate agent and the ex-girlfriend of his best friend Tim, the flat's landlord. Their platonic friendship evolves into romantic tension, complicated by Tim's lingering jealousy and Lee's bungled attempts to impress Kate, such as pretending to be sophisticated or handling household crises like a faulty boiler. Ensemble antics involve Tim's pedantic nature and guest characters like Kate's friends, highlighting themes of unrequited love and class contrasts, culminating in Kate's decision to return to America, leaving Lee facing eviction.[35][36] Series 2, broadcast in 2007, introduces major cast shifts as Kate departs for the United States, prompting Tim to put the flat on the market. To cover the rent, Tim's sister Lucy, a sharp-witted management consultant, moves in as Lee's new flatmate, sparking immediate bickering and subtle romantic undercurrents despite her relationship with the older, wealthy Guy. Episodes explore Lee's jealousy over Guy, mishaps like a disastrous mortgage application or faking a gay identity to appease Lucy's boss, and the group's holiday blunders, emphasizing themes of sibling rivalry and Lee's growing affection for Lucy amid friend-driven chaos.[37][38][1] Series 3, airing in 2009, continues the flat-sharing setup with Lee and Lucy's combative rapport at the forefront, featuring Kate's brief guest returns that stir old tensions and force Lee to confront his lingering feelings. Romantic elements escalate through scenarios like Lucy's pregnancy scare or a disastrous party, while ensemble antics involve Tim's incompetence in social situations and new characters like the ditzy cleaner Barbara. The series maintains focus on unrequited love and urban mishaps, such as neighbor disputes or wedding speeches gone awry, with Lee's immaturity clashing against Lucy's practicality.[39][40][39] From series 4 in 2011 through series 5 in 2012, Lucy solidifies as the central female lead, with the romance between her and Lee intensifying amid workplace blunders and friend interventions. In series 4, episodes depict escalating flirtations, including a pivotal kiss during a fireworks display, alongside plots involving drug mix-ups or movie night disasters, introducing recurring character Daisy, Lucy's naive best friend, who amplifies the group's comedic dynamics. Series 5 builds on this tension with Lee's scrounging father visiting and holiday farces, portraying the pair's will-they-won't-they dynamic through failed dates and family pressures, while themes of youthful indiscretion persist in the Docklands setting.[41][42][43] Series 6, returning in 2013 after a production hiatus following series 5, sustains the pre-romantic status quo with Lee and Lucy's bickering laced with unspoken attraction, explored in therapy sessions or play rehearsals that highlight their compatibility. Antics involve pet deaths, bad luck streaks, and interactions with eccentric neighbors, underscoring themes of emotional avoidance and friendship bonds, without resolving their relationship. The series reinforces the urban flat life through scenarios like failed job hunts or family interventions.[44][45][46] Series 7, aired in 2014, marks a pivotal shift as the long-simmering romance culminates: Lee confesses his love and proposes to Lucy in a dramatic episode, transitioning their dynamic from flatmates to fiancés. Earlier plots address Lucy's desire for motherhood, including a sperm donor dilemma where she considers Lee, and a pregnancy scare that heightens stakes, alongside ensemble chaos like game show appearances or neighbor conflicts. Themes of commitment and family planning emerge amid the familiar youthful antics, with the proposal resolving years of tension while setting up future developments; the birth of twins occurs in subsequent series, but series 7 focuses on the pregnancy anticipation and marital milestone.[47][48][49]Walton-on-Thames Era (Series 8–13)
The Walton-on-Thames era of Not Going Out, spanning series 8 to 13, marked a significant shift from the urban flat-sharing dynamics of earlier seasons to a suburban family setting in Surrey, emphasizing the challenges and humor of parenthood and domestic life. Following a seven-year time jump after the series 7 Christmas special, Lee and Lucy are depicted as married parents living in a semi-detached house in Walton-on-Thames with their three children: the infant Charlie and seven-year-old twins Benji and Molly. This new environment provided a backdrop for stories centered on the couple's efforts to navigate work-life balance, with Lee often struggling to maintain steady employment amid his lazy tendencies, leading to comedic failed ventures such as misguided business ideas or odd jobs that inevitably disrupt family routines.[6][50] Throughout series 8 to 11, the narrative focused heavily on raising the twins, highlighting the chaos of early parenting, including sleepless nights, toddler tantrums, and the couple's contrasting approaches to discipline—Lucy's more structured methods clashing with Lee's improvisational, often disastrous solutions. In-law tensions added layers of generational humor, as Lucy's reliable parents, Geoffrey and Wendy Adams, frequently visited and offered practical advice, while Lee's unreliable father, Frank, brought unpredictability and conflict through his selfish antics and poor parenting examples from Lee's childhood. Family holidays emerged as recurring set pieces, such as disastrous camping trips or seaside getaways that amplified mishaps like lost luggage or arguments over itineraries, underscoring themes of maturing relationships as Lee and Lucy balanced romance with parental responsibilities. School-related issues also featured prominently, with episodes exploring parent-teacher meetings, homework battles, and playground dramas that exposed Lee's immaturity against the expectations of suburban family life.[6][51] In series 12 and 13, the storyline evolved to reflect the twins growing into preteens, shifting emphasis to midlife crises and the evolving dynamics of family as the children became more independent, prompting Lee to confront his aging and unfulfilled ambitions through schemes like home renovations or side hustles that backfired spectacularly. A 2021 time jump in series 12 incorporated pandemic-era elements, such as remote work frustrations and lockdown family strains, further testing the couple's resilience and highlighting work-life imbalances in their Surrey home. Generational clashes intensified, with Frank's declining health and meddling creating poignant yet funny rifts, while friends Toby and Anna provided comic relief through their own parenting parallels. By series 13, the focus on domestic humor culminated in preparations for an empty-nest phase, as the children approached adolescence, allowing exploration of Lee and Lucy's relationship beyond constant childcare, blending heartfelt moments of marital growth with Lee's signature wisecracks amid everyday absurdities like neighborhood disputes or failed DIY projects.[6][52]Countryside Era (Series 14–present)
The Countryside Era of Not Going Out marks a significant shift for the series, as protagonists Lee and Lucy relocate from their suburban home in Walton-on-Thames to a rural property in the English countryside, emphasizing themes of adaptation to country life and the challenges of an empty nest following their twins' departure for university. This phase builds on the empty-nest dynamics introduced in prior series, amplifying the humor through Lee's ill-fated schemes amid unfamiliar rural surroundings.[18] Series 14, which premiered on BBC One on 13 June 2025 and concluded on 18 July 2025, consists of six episodes that explore the couple's transition to rural living. The season opens with "House Move," where Lee and Lucy prepare to sell their old home while navigating the stresses of relocation, highlighting initial excitement tempered by logistical mishaps. Subsequent episodes delve into countryside-specific antics, such as "Campervan," in which Lee attempts a budget-friendly road trip that spirals into chaos, and "Doll," featuring Lee's discovery of a discarded item at a local tip that leads to absurd family misunderstandings. Other installments, including "Oasis" and "Dragon Castle," introduce quirky new neighbors and farm-related escapades, underscoring Lee's persistent bungled attempts at self-sufficiency, while "Hotel Room" provides a brief urban respite that contrasts sharply with their new pastoral routine. Throughout, the humor revolves around rural isolation, eccentric locals, and the couple's evolving dynamic without their children.[53][54][18] The BBC has confirmed a six-episode fifteenth series, slated for broadcast in 2026, which will continue to center on Lee and Lucy's countryside existence and coincide with the show's 20th anniversary since its 2006 debut. This renewal underscores the series' ongoing exploration of domestic comedy in a rural setting, with Lee's characteristic schemes remaining a core element amid new environmental challenges like community events and agricultural quirks.[9][16]Reception
Critical Response
Upon its debut in 2006, Not Going Out received generally positive reviews for its fast-paced humor and Lee Mack's stand-up-derived delivery, with critics praising the show's ability to blend one-liners with situational comedy in a fresh way.[55] The series won the best sitcom award at the Golden Rose of Montreux in 2007, highlighting its international appeal and Mack's charismatic performance as the lazy flatmate Lee.[55] The series has also received a Royal Television Society award for writing and a nomination for Best Comedy Show at the 2026 TV Choice Awards.[4][56] However, early seasons (1–3) drew mixed feedback, with some outlets noting formulaic plots that relied heavily on predictable misunderstandings and puns, though the chemistry between Mack and co-star Sarah Alexander was often lauded as a saving grace.[57] Following a brief cancellation after series 3, the show's revival in 2011 marked an improvement in critical reception, with reviewers appreciating the refined ensemble dynamics and sillier, more inventive scenarios.[58] By series 8 (2017), opinions were more divided: while the shift to family-oriented humor was welcomed for its relatable domestic chaos, critics like those at The Guardian criticized the unoriginal, retro feel and lack of emotional depth, describing it as "unfunny" and overly reliant on dated tropes.[59] In contrast, The Telegraph highlighted the relentless barrage of jokes and Mack's quick wit as strengths, crediting the hardworking writing team for sustaining the sitcom's popularity.[60] Common praises across the run center on the strong character interplay, particularly between Lee and Lucy (Sally Bretton, who joined in series 4), and the gag density that keeps episodes brisk and entertaining.[61] Critiques frequently target the predictability of plots, heavy pun usage, and occasional staleness in later family-focused eras, with some reviewers arguing the show prioritizes broad appeal over innovation.[62] Post-2020 reviews, including for specials, noted a dip in freshness amid the pandemic but commended the light-hearted escapism.[63] For series 14 in 2025, which features a time jump to an empty-nest phase and real-time episode formats, reception has been largely positive, with The Telegraph calling it a "hoot" and affirming Mack as "the funniest man on TV right now" for its retooled yet gag-packed structure.[64] The Guardian described it as providing consistent, light laughs in its new empty-nester premise.[65] However, some feedback, such as from the British Comedy Guide, pointed to lingering staleness in character arcs, suggesting the reinvention restores charm but doesn't fully escape earlier predictability.[66] Radio Times praised the major refresh, noting how the absence of child characters revives the original two-hander dynamic between leads.[67] Overall, the series' enduring appeal lies in its unpretentious humor, though critics continue to debate its balance of tradition and evolution.[68]Viewership and Ratings
The premiere episode of Not Going Out aired on 6 October 2006, attracting 2.8 million viewers and a 13.9% audience share according to unofficial BARB overnights.[69] During the mid-run years, the series maintained steady linear viewership in the 3–4 million range, exemplified by a March 2009 episode that drew 3.5 million viewers and a 16% share.[70] However, ratings dipped post-2009, leading to the show's temporary cancellation after its third series amid broader challenges for BBC sitcoms.[71] The sitcom was revived in 2011, with subsequent renewals supported by robust performance on BBC iPlayer, where older episodes ranked among the platform's most-viewed comedies, contributing to 13.2 million viewing hours in 2024.[3] Key episodes, such as the series 13 Christmas special in 2023, achieved 4.6 million viewers on average, highlighting sustained appeal for holiday editions.[72] Series 14, which premiered in June 2025, opened to 2.4 million viewers—on track to match the performance of its predecessor—and averaged approximately 2.8 million across its run per BARB consolidated figures for select episodes.[73] This reflects a modest decline from peak years but stability relative to contemporary BBC comedies, bolstered by iPlayer streams that placed the show second only to Ghosts among comedies in the prior year's on-demand metrics.[74] In terms of recognition, Not Going Out earned a nomination for Best New British Television Comedy (Scripted) at the 2007 British Comedy Awards but did not secure a win.[75] By 2025, the series had solidified its status as the BBC's longest-running sitcom, with its renewal for a 15th series in 2026 signaling ongoing audience loyalty and anticipation for future installments.[3][76]Home Media and Legacy
DVD and Streaming Releases
The DVD releases for Not Going Out have been distributed by 2 Entertain, a BBC-affiliated label specializing in home media for the broadcaster's programming. Individual series sets were issued progressively from 2007 onward, culminating in a comprehensive box set containing Series 1 through 7, released on 1 June 2015 and comprising 13 discs with all 53 episodes from those seasons. This collection includes bonus materials such as audio commentaries on select episodes by Lee Mack and director Alex Hardcastle, deleted scenes, and behind-the-scenes featurettes like "A Day in the Life of Not Going Out," which explores the production process. No official DVD releases exist for Series 8 through 14 as of November 2025, leaving fans reliant on earlier volumes or digital alternatives for the complete run.[77][78][79][80] Special editions enhance the physical collection, notably Not Going Out: The Christmas Specials, a 2014 single-disc release compiling three holiday episodes—"Murder at Christmas" (2007), "Absent Father Christmas" (2008), and "The House" (2011)—along with extended cuts of certain scenes not aired on television. These compilations often feature additional extras, such as cast interviews and location shoots, providing insight into the show's festive-themed storytelling.[81][77]| Release Title | Format | Episodes Included | Release Date | Publisher | Key Extras |
|---|---|---|---|---|---|
| Series 1-7 Box Set | 13-DVD Set (Region 2, PAL) | All 53 episodes from Series 1-7 | 1 June 2015 | 2 Entertain | Audio commentaries, deleted scenes, behind-the-scenes featurettes |
| The Christmas Specials | 1-DVD (Region 2, PAL) | Three Christmas episodes (2007-2011) | 1 December 2014 | 2 Entertain | Extended scenes, cast interviews |