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Booty Call

Booty Call is a buddy comedy film directed by in his directorial debut and written by Takashi Bufford. The film stars as Bunz and as Rushon, alongside as Lysterine and as Nikki. It follows two friends on a chaotic double date in search of condoms, leading to a series of comedic mishaps across . Produced and distributed by (a Entertainment division), the film emphasizes themes of and through humor. The plot centers on Rushon, who has been dating Nikki for seven weeks and hopes to advance their relationship physically. When Nikki suggests a double date with her friend Lysterine and Rushon's buddy Bunz, the evening spirals into absurdity as the men desperately hunt for protection, encountering various obstacles including a suspicious and a wild car chase. Filmed primarily in Toronto standing in for , the movie features a soundtrack with R&B and tracks that complement its urban comedy vibe. Released theatrically on February 26, 1997, Booty Call opened in 1,272 theaters and earned $6.4 million in its first weekend. It ultimately grossed $20.1 million at the domestic , against a modest estimated under $10 million, marking a commercial success for the low-budget . Critically, the film received mixed reviews, holding a 31% approval rating on based on 13 reviews, with praise for the cast's chemistry but criticism for its formulaic plot and crude humor. Over time, it has gained a for its energetic performances and '90s .

Overview

Synopsis

Rushon, a nervous and upwardly mobile young man played by , has been dating the assertive and self-assured Nikki, portrayed by , for seven weeks and is eager to consummate their . To make the evening more comfortable, Nikki insists on a double date, pairing her vivacious best friend Lysterine () with Rushon's carefree best friend Bunz (), a smooth-talking who relies on comedic to charm women. The group starts the night at a lively , where initial awkwardness gives way to flirtation, particularly as Bunz's humorous and win over the initially skeptical Lysterine. Back at Nikki's upscale apartment, the romantic tension builds, but the men soon realize they lack condoms for , turning the evening into a frantic quest for . Nikki's mischievous complicates matters by stealing and chewing on the only they locate, heightening Rushon's anxiety about proceeding responsibly. Meanwhile, Bunz and Lysterine, more adventurous, retreat to a where Lysterine introduces kinky elements like and a "bungee sex" contraption using elastic cords suspended from the ceiling; the setup leads to chaos as Bunz struggles with the unconventional apparatus, mistaking the dog's toe-licking for his own actions in a dimly lit . Desperate, Rushon and Bunz venture out into the late-night city, first attempting to break into a closed , which spirals into a comedic chase with security guards. Their pursuit escalates to a 24-hour , where bungled attempts and further pursuits force the group to flee, resulting in minor injuries that land them in . There, a clerical error places Rushon on the operating table for an unintended vasectomy—nearly costing him his testicles—averted only when he mentions lacking insurance, prompting a frantic correction. In the hospital confusion, a brief mix-up occurs where Bunz ends up in the wrong room with Nikki, underscoring the night's farcical pairings before the couples reunite. Amid the escalating mishaps, character motivations shine through: Rushon's nervousness stems from his desire for a meaningful beyond a , while Nikki's assertiveness pushes the group forward, refusing to compromise on safety or spontaneity. Ultimately, the group secures condoms from an unlikely source during the hospital ordeal, allowing the couples to return home and successfully consummate their relationships. resolves with the pairs committing to deeper, exclusive relationships, transforming the chaotic booty call into unexpected romance.

Cast and characters

The principal cast of Booty Call features as Rushon, an uptight and sexually frustrated young man navigating the early stages of a with his Nikki. Davidson's portrayal highlights Rushon's cautious and overthinking personality, which often clashes with the more impulsive events of the night. stars as Bunz, Rushon's laid-back best friend known for his crude humor and carefree attitude toward romance. Foxx brings a dynamic energy to Bunz, emphasizing his role as the comic foil whose relaxed demeanor contrasts sharply with Rushon's rigidity. Vivica A. Fox plays Lysterine, Nikki's bold and no-nonsense best friend who joins the group for a double date setup. Fox's performance marks one of her early turns in comedic roles, showcasing Lysterine's sassy and direct traits amid the film's buddy comedy dynamics. Tamala Jones portrays Nikki, a confident woman eager to deepen her bond with Rushon while facilitating the evening's social plans. Jones depicts Nikki as supportive yet assertive, contributing to the ensemble's interplay of romantic tensions. Supporting characters include Scott LaRose as , a quirky cab driver whose eccentric behavior adds to the night's chaotic escapades.

Production

Development

The for Booty Call originated as a penned by Takashi Bufford and J. Stanford Parker, which was sold to Rastar Productions in 1995 for a mid-six-figure sum and subsequently developed by . The script's premise centered on two friends embarking on a chaotic night pursuing romantic encounters while emphasizing practices, evolving from a for a high-energy . Jeff Pollack was selected to direct, marking his second after his debut with the 1994 basketball drama Above the Rim. Producer , known for his work on socially charged projects like American History X, played a key role in assembling the team and greenlighting the film as a raunchy ensemble aimed at young adult audiences. Additional producers included and John M. Eckert, who helped shape the project's focus on contemporary dynamics with an emphasis on humor derived from sexual mishaps. Pre-production planning allocated a total of $7 million, prioritizing efficient and a fast-paced schedule to capture the film's improvisational comedic . The initial positioned Booty Call as a date-night staple, blending explicit humor with relatable relationship tropes to appeal to demographics. Challenges arose in balancing the script's crude elements with broader accessibility, ultimately resulting in an from the MPAA for pervasive , dialogue, and language, which limited its family-friendly potential but aligned with the film's unapologetic tone.

Filming and post-production

Principal photography for Booty Call commenced on June 3, 1996, and wrapped on July 19, 1996, primarily in , with additional shooting in standing in for New York locales to capture the film's urban vibe. The production team selected authentic city environments, including a for the condom-shopping sequence and an apartment building at 70 Bayard Street in Manhattan's for the women's residence, to ground the comedy in relatable, gritty settings. On set, tensions arose between leads and , stemming from their earlier rivalry on ; during a break, Foxx challenged Davidson to a one-on-one game, leading to a near-physical altercation when Foxx charged at Davidson during a play, requiring crew intervention to prevent a fight. Post-production followed swiftly after principal photography, with editing handled by Christopher Greenbury, resulting in a tight 79-minute runtime suited to the film's fast-paced humor. Visual effects were limited, primarily involving sound enhancements added in post for comedic animal interactions, such as the hissing audio layered over a dog-and-cat chase scene to amplify the slapstick without altering live-action footage. Cinematographer Ron Orieux contributed to the chaotic energy through dynamic framing that emphasized the ensemble's frenzied double-date antics.

Soundtrack

The soundtrack album for Booty Call, titled Booty Call: The Original Motion Picture Soundtrack, was released on February 25, 1997, by , featuring a collection of and tracks that captured the film's urban comedy vibe. The album peaked at number 24 on the chart and number 4 on the Top R&B/Hip-Hop Albums chart, reflecting its commercial appeal amid the era's booming interest in hip-hop-infused film soundtracks. Key tracks include "Can We" by featuring , which opens the and became a notable ; "Don't Wanna Be a Player" by , a smooth R&B cut that underscored romantic tension; and "Call Me" by featuring , adding a playful edge. The original score, composed by , provided instrumental support for transitional and comedic moments throughout the film. In the film, R&B and selections enhance the narrative's humor and energy, with tracks like "Pony" by playing during flirtatious club interactions and upbeat numbers such as "Booty Call" by featuring Mitch accompanying the chaotic double-date sequence at the . beats from songs like "Mona Lisa" by punctuate the film's chase scenes, amplifying the pursuits involving the protagonists' quest. The achieved from the RIAA for sales exceeding 500,000 copies, underscoring its success in tying into the movie's promotional push and the popularity of its featured artists.

Release

Theatrical release

Booty Call had its wide theatrical release in the United States on , 1997, distributed by Releasing. The film was by the of America for non-stop sexuality, including sex-related dialogue and crude humor, and for language. The marketing campaign positioned the movie as a raunchy buddy comedy centered on a chaotic double date and the pursuit of , leveraging the rising star power of , known for his background from . Official trailers emphasized the film's outrageous humor, elements, and themes of and protection, with Foxx's character Bunz providing much of the comedic energy through improvised-style antics. Following its U.S. debut, the film rolled out internationally, reaching urban markets in alongside the North American launch and expanding to the on March 5, 1997, through Columbia TriStar Films. Additional releases occurred in markets such as the on March 5, 1997, and on July 31, 1997, targeting similar comedic audiences with promotional materials adapted to local sensibilities while retaining the core emphasis on the film's irreverent take on relationships and practices.

Home media and distribution

Following its theatrical run, Booty Call was released on and DVD on August 5, 1997, by TriStar in the United States. The initial DVD edition featured a anamorphic transfer preserving the 1.85:1 , along with audio, but lacked extensive extras. In April 2004, issued Booty Call: The Bootiest Edition, an enhanced DVD with filmmaker commentary featuring director , writers Takashi Bufford and Bootsie, and actor ; an alternate ending; a 16-minute "" featurette including and interviews; and bonus trailers. This edition emphasized the film's comedic themes through additional content focused on anecdotes and safe-sex messaging. No official Blu-ray release has been produced to date. Digitally, the film streamed on Max from at least 2020 through early 2024. As of November 2025, it is available for free streaming on and , subscription viewing on (via platforms like Channel and add-on), and rental or purchase on . Internationally, home media rights were managed by Columbia TriStar affiliates, with releases in regions including the (theatrical and video by Columbia TriStar Films in 1997) and (video distribution following a July 1997 theatrical debut). , as the parent entity, has overseen home video and since the early 2000s, including localized DVD editions with subtitles.

Reception and legacy

Critical reception

Upon its release in 1997, Booty Call received mixed reviews from critics, earning a 31% approval rating on based on 13 reviews. awarded the film three out of four stars, praising its raunchy humor and the equal enthusiasm among the four main characters, which lent the a sense of innocence despite its vulgarity. He highlighted the film's non-stop energy and the performers' commitment, noting that it avoided portraying the women as victims in favor of mutual, good-hearted antics. Critics frequently commended the chemistry between and as the bumbling friends Bunz and Rushon, with their improvisational rapport driving much of the film's comedic momentum. Vivica A. Fox's portrayal of the sharp-tongued Lysterine was also lauded for her charisma and commanding presence, adding layers to the otherwise formulaic structure. However, reviewers pointed to the movie's reliance on broad stereotypes and occasional mean-spirited jokes, which strained good taste and veered into outdated or insensitive territory. described it as "an oddly effective comic mix of the politically correct and outre stereotyping," acknowledging its energetic street humor while critiquing the uneven blend. The New York Times' Stephen Holden captured the film's "crude charm" in its bawdy, hyperactive take on safe-sex advocacy, though he noted its fleeting attention span akin to that of a hyperactive child. Overall, contemporary consensus viewed Booty Call as a lively but predictable romp, elevated by its cast but limited by clichéd plotting and provocative undertones. In retrospective assessments during the 2020s, the film has been reevaluated for its contributions to 1990s Black-led comedies, serving as an early showcase for Jamie Foxx's comedic talents and a precursor to later sex farces like American Pie. Critics have highlighted its role in urban ensemble humor, praising the committed performances and its unapologetic promotion of safe sex amid the era's AIDS awareness efforts, even as dated racial stereotypes draw modern criticism. A 2022 analysis argued that the movie's low Rotten Tomatoes score undervalues its physical comedy and relationship insights, positioning it as a time capsule of 1990s escapism.

Box office performance

Booty Call had a production budget of $7 million. The film opened in 1,272 theaters on February 28, 1997, earning $6.4 million in its first weekend and placing fourth at the box office, behind the re-releases of Star Wars: Episode V - The Empire Strikes Back and Star Wars: Episode IV - A New Hope, as well as Donnie Brasco. Its release timing placed it in competition with major titles, including the ongoing run of disaster film Dante's Peak. The movie ultimately grossed $20.1 million domestically, accounting for its entire worldwide total with no significant international earnings reported. Adjusted for inflation to 2024 dollars, this equates to approximately $49.4 million in domestic earnings. The performance reflected a strong draw from urban audiences, particularly African-American viewers who supported the film's buddy comedy style, though it had limited crossover appeal to broader demographics. In comparison to other 1990s urban comedies, Booty Call outperformed films like Def Jam's How to Be a Player (1997), which earned $14.0 million domestically on a similar low budget. Released by Sony Pictures, the film achieved modest profitability, recovering its costs and generating returns through its targeted appeal despite the competitive release landscape.

Cultural impact

The 1997 film Booty Call significantly contributed to the mainstream popularization of the slang term "booty call," referring to a late-night summons for casual sex, which had been coined earlier by comedian Bill Bellamy during his stand-up routines on HBO's Def Comedy Jam in the early 1990s. The movie's explicit focus on the concept through its title, plot, and dialogue accelerated the phrase's entry into everyday vernacular and media, saturating popular culture immediately following its release. Bellamy later reflected on the film's role in amplifying the term's ubiquity, expressing regret over not trademarking it amid its widespread adoption in comedy sketches, songs, and subsequent films. As one of the notable Black-led romantic comedies of the 1990s, Booty Call helped expand the genre by blending raunchy humor with themes of relationships and urban experiences, influencing later ensemble-driven works that centered casts in lighthearted explorations of love and dating. The film marked a pivotal early cinematic role for , transitioning him from his television fame to feature films and showcasing his comedic timing, which critics noted as a standout and foundational to his ascent as a multifaceted entertainer. In the 2020s, Booty Call has experienced renewed interest through streaming availability on platforms like and , often featured in retrospectives on 1990s Black cinema and diversity in media. Modern discussions, including anniversary coverage marking its 25th year in 2022, have reevaluated its portrayal of and practices within the context of evolving cultural norms around relationships. In September 2025, shared behind-the-scenes secrets from the film on , further engaging fans with its legacy. The film's legacy extends to parodies and merchandise, such as a dedicated and t-shirt lines riffing on its themes.

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