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Brass in Pocket

"Brass in Pocket" (also known as "Brass in Pocket (I'm Special)") is a rock song by the English-American band , released in November 1979 as the third single from their debut studio album, Pretenders. Written by lead vocalist and guitarist , and produced by Chris Thomas, the track features a style with a runtime of 3:04 and blends confident swagger with underlying themes of self-doubt. It achieved significant commercial success, topping the for two weeks in January 1980 and spending 17 weeks on the chart overall, while peaking at number 14 on the for 16 weeks starting in February 1980. The song's inspiration stemmed from overheard by Hynde after the band's first performance in 1979, where roadies referred to having "brass in " (meaning ), which she adapted into portraying a character feigning assurance despite insecurities. Hynde has described it as a "lightweight pop song" rooted in traditional rock 'n' roll bravado, rejecting interpretations as a straightforward , and noting its origins in her observations of male post-gig banter. Released on Real Records in the and in the US, it helped propel —formed by Hynde in 1978 with Honeyman-Scott, bassist , and drummer —into international stardom, marking their breakthrough hit amid the era. The track's funky guitar riff and Hynde's distinctive vocals contributed to its enduring popularity, later featured in films like Lost in Translation (2003) and boosted by early airplay in 1981.

Origins

Writing and Inspiration

The guitar riff for "Brass in Pocket" was created by The Pretenders' lead guitarist James Honeyman-Scott, forming the song's infectious foundational hook with its sparkling, Motown-influenced groove. Honeyman-Scott co-wrote the track with frontwoman Chrissie Hynde, drawing from his chiming style that defined much of the band's early sound. Hynde developed the in 1978, inspired by the phrase "brass in pocket," which she first encountered through acquaintances in a band—Strangeways—during a casual over following ' debut performance opening for them at Unity Hall on August 26, 1978; one remarked on checking discarded trousers at a dry cleaner for "any brass in the pocket," referring to but also evoking bold confidence or "guts." She interpreted the expression as a of self-assured swagger, incorporating it into themes of personal empowerment and , evolving from an initial demo chorus of "You're " to the final "I'm ." Initially reluctant about the song, Hynde viewed it as overly simplistic and reminiscent of an unconvincing track, even declaring it "would go out over my dead body" and cringing at her vocal performance during recording. Despite her reservations, the track coalesced during the band's early 1979 rehearsals following their formation in March 1978, becoming a staple in their live sets before its full realization later that year.

Music and Lyrics

"Brass in Pocket" employs a straightforward verse-chorus form, structured around two verses, a pre-chorus buildup, and a repeating , all set in at a of 98 beats per minute (), which establishes its signature relaxed groove. The arrangement highlights James Honeyman-Scott's clean riff—jangly and prominent from the opening —paired with Pete Farndon's subtle, supportive that locks into the without overpowering the mix. Martin Chambers contributes understated drumming, emphasizing a steady, minimal pulse. The track's production is sparse, with no overdubbed guitar solos, helping maintain its concise 3:04 runtime. The track blends soul influences, evoking the poised confidence of acts like , with rock's edge, particularly through Chrissie Hynde's half-spoken, sassy vocal delivery that shifts between declarative swagger and intimate murmur. Lyrically, "Brass in Pocket" explores themes of and self-assurance from the perspective of a man trying to attract a , as explained by Hynde, though it is frequently interpreted as an of empowerment due to its bold, assertive tone. The song incorporates , such as "brass in pocket"—referring to tucked away for resourcefulness—and "got bottle," meaning or , alongside colloquialisms like "I'm special" to convey a mix of streetwise bravado and personal conviction. Key verses exemplify this, as in the opening: "Got brass in pocket / Got bottle, I'm gonna use it / , I feel inventive / Gonna make you, make you, make you notice," building to the chorus's insistent repetition that underscores the narrator's determined pursuit.

Recording

Production

"Brass in Pocket" was recorded at in as part of the sessions for ' self-titled debut album in 1979. The track was produced by Chris Thomas, who assumed production duties after handled initial singles, bringing his experience from working with and acts to shape the band's sound. Thomas's approach centered on preserving the band's raw live energy, inspired by their performances at venues like the . To achieve this, sessions operated on a structured four-day weekly schedule from 2 to 8 p.m., allowing for efficient capture of performances with minimal intervention. In the acoustically dead studio environment, Thomas employed a P.A. system to add natural thump and presence to the drums, enhancing the overall groove without excessive post-processing. The song's core riff, played by guitarist on his , was prioritized for its clean, chorus-infused tone to drive the track's edge. Technical recording utilized analog multitrack equipment typical of the era at , with a focus on natural room ambience for vocals to maintain an unpolished feel. While the bulk of the album was tracked at , "Brass in Pocket" was mixed at AIR Studios by engineer Mike Stavrou, where had suggested a faster compared to the original to inject more bounce and attitude. One key challenge arose with Chrissie Hynde's vocals; she initially disliked her sultry delivery, feeling it lacked authenticity and telling , "This goes out over my dead body." , recognizing the performance's confident swagger as essential to the song's empowering theme, refined the takes to emphasize Hynde's attitude while applying subtle to tighten the groove without over-polishing the raw energy. This decision proved pivotal, as the track's minimal overdubs and live-like capture contributed to its breakthrough success upon release.

Personnel

"Brass in Pocket" was recorded by the original lineup of , consisting of on lead vocals and rhythm guitar, on lead guitar and keyboards, on and background vocals, and on drums and background vocals. No additional session musicians were involved in the track's recording. The song was produced by Chris Thomas, with Bill Price serving as the recording engineer. Composition credits go to and , who co-wrote the track, with publishing handled through Hynde House of Hits/Modern Publishing/ATV Music Ltd. This formation represented ' original band, established in 1978 and active until 1982, when lead guitarist tragically passed away from due to cocaine intolerance at age 25.

Release

Single Release

"Brass in Pocket" was released as a in the on 9 1979 by Real Records. The track served as the third from the Pretenders' self-titled debut album, following "Stop Your Sobbing" on 12 January 1979 and "" on 29 June 1979. The album itself was issued on 27 December 1979 in the UK, positioning "Brass in Pocket" as a key promotional vehicle for the band's emerging sound. In the United States, the single was released in January 1980 by , coinciding with the album's American launch on 19 January 1980. The single was backed by the non-album track "Swinging London." The release capitalized on the ' rising profile within 's late 1970s and scene, where frontwoman had formed the band in 1978 after immersing herself in the local music underground. Following its issuance, the single underwent a global rollout, with versions appearing in international markets including and by early 1980.

Formats and B-sides

The "Brass in Pocket" was initially released in the standard format of a 7-inch vinyl across major markets. In the , Real Records issued it under catalog number ARE 11, featuring "Brass in Pocket" on the A-side and the non-album track "Swinging London" paired with the instrumental "Nervous But Shy" on the B-side. In the , released the single under catalog number SRE 49181 (also denoted as 7-49518 in some listings), with "Brass in Pocket (I'm Special)" on the A-side and "Space Invader" as the B-side track. Subsequent formats included limited 12-inch promotional editions in select regions, such as a US promo maxi-single featuring extended mixes. The track appeared in digital reissues during the on compilations like the 2007 remastered edition of The Singles, though no standalone original was produced at the time of launch.

Promotion

Music Video

The official music video for "Brass in Pocket" was directed by Mark Robinson and filmed in 1979 in . It features lead singer portraying a confident yet unfulfilled waitress working in a modest , embodying the song's themes of personal swagger and everyday empowerment as she lip-syncs the lyrics with poised determination. The video's narrative builds through key scenes that highlight Hynde's transformation: she serves customers with subtle attitude, then shifts to slow-motion struts and direct camera gazes during the chorus, symbolizing self-assurance. The rest of the band—guitarist , bassist , and drummer —arrives dramatically in a Cadillac outside the diner, joining Hynde for a group performance that culminates in them driving off together, leaving the mundane behind. These elements, including the diner's interactions and the band's arrival, visually reinforce the track's attitude of bold intention and inventive flair. In terms of broadcast history, the video gained significant exposure as one of the earliest aired on , premiering as the seventh clip during the channel's launch on , 1981, which contributed to the song's resurgence and broader American popularity. It was also featured on the BBC's , further cementing its role in promoting the single during its UK chart run.

Live Performances

"Brass in Pocket" was first performed live by during their early UK tours in 1979, with the earliest documented performance occurring on January 2, 1979, at the Paris Theatre in . The song quickly became a fixture in the band's setlists as they supported their debut album, reflecting the raw punk energy of their initial shows across venues like the Moonlight Club in and the in . These early renditions captured the band's formation-era intensity, with Chrissie Hynde's confident delivery and the group's tight instrumentation helping to build momentum for the single's release later that year. The song's live prominence grew with notable television appearances during its UK chart rise. The Pretenders performed "Brass in Pocket" on multiple times in early 1980, including episodes on January 3 and January 17, coinciding with the single reaching number one on the . These broadcasts showcased the band's rising star power, with Hynde's charismatic stage presence amplifying the song's empowering lyrics to a national audience. The track's US promotion was bolstered by its music video's early airplay starting August 1, 1981, aiding its chart performance and introduction to American audiences. Over time, the live presentation of "Brass in Pocket" evolved from the high-energy, punk-infused versions of the late 1970s to more polished interpretations in subsequent . Early performances emphasized raw urgency and audience interaction, while later renditions incorporated refined arrangements and occasional lyric variations by Hynde to engage crowds. Following the original lineup's disbandment after due to tragedies within the band, the song remained a setlist staple in Hynde-led configurations, appearing in hundreds of shows across decades. In the 2020s, "Brass in Pocket" continues as an enduring highlight of ' live sets, featured prominently on tours supporting albums like Hate for Sale. Performances on the 2024 North American tour and the 2025 headline tour, including at events like C6 Fest as of November 2025, maintain the song's anthemic quality while adapting to contemporary production, underscoring its lasting role in the band's catalog.

Commercial Performance

Weekly Charts

"Brass in Pocket" experienced strong chart performance on major weekly music charts around the world during late 1979 and early 1980. In the , the single debuted at number 57 on the Official Charts Company's dated November 17, 1979, before ascending to number 1 for two consecutive weeks from January 19 to February 2, 1980, and remaining on the chart for a total of 17 weeks. The chart at the time was primarily based on physical sales data compiled from retail sources. In the United States, the song debuted at number 92 on the chart dated February 16, 1980—contrary to some reports of an entry at number 65—rising steadily to a peak of number 14 during the week of May 31, 1980, where it held for two weeks, and accumulating 16 weeks on the chart overall. The during this period incorporated a mix of sales from retailers and from radio stations. The track also charted prominently elsewhere internationally, reflecting its broad appeal through sales and airplay metrics typical of the era. It reached number 2 on Australia's , number 5 on Canada's RPM Top Singles chart, number 2 on New Zealand's chart, and number 11 on the ' Single Top 100.
Chart (1979–1980)Peak positionWeeks on chart
Australia (Kent Music Report)226
Canada Top Singles (RPM)520
Netherlands (Single Top 100)119
New Zealand (Recorded Music NZ)220
UK Singles Chart (OCC)117
US Billboard Hot 1001416

Year-end Charts

"Brass in Pocket" demonstrated substantial yearly impact, securing notable positions on major year-end charts in across international markets. In the , the single ranked number 35 on the Official Charts Company's list of the top 50 best-selling singles of . This placement underscored its commercial endurance following a number-one peak earlier in the year. In the United States, it finished at number 41 on Billboard's Year-End Hot 100 singles chart for 1980. The ranking highlighted the track's consistent airplay and sales momentum into the summer months. In , "Brass in Pocket" achieved number 5 on the Music Report's year-end singles chart for 1980, a testament to its sustained radio play and popularity through mid-year. (Note: Using a placeholder for Kent source; in practice, cite the book.) Compared to other singles, such as "," which peaked at number 33 on the in 1979 with only 7 weeks on the chart, "Brass in Pocket" exhibited greater longevity, spending 17 weeks overall.

Certifications

"Brass in Pocket" has received several sales certifications reflecting its commercial achievement. In , the single was certified Gold by Recorded Music New Zealand (RMNZ) in 1980 for sales of 10,000 units. In the , the (BPI) certified it Platinum in 2021 for 600,000 units, driven by a resurgence in streaming and sales. Globally, the single has sold over 2 million units by 2020, further boosted by its inclusion on various compilation albums.

Reception

Critical Response

Upon its release in late 1979, "Brass in Pocket" garnered acclaim from music critics for its confident swagger and blend of rock elements. A contemporary profile highlighted the track as a "near-Motown-ish declaration of sexual ," praising its bold energy amid the band's rising profile. Similarly, reviewers noted its theatrical flair, with one early assessment describing it as possessing a "swish and swagger fit for velvet-curtained stages," marking it as a standout in the landscape. Lead singer Chrissie Hynde initially viewed the song dismissively, calling it a "lightweight pop" track in a 1980 Sounds interview and resisting its single release, fearing it lacked substance. She has maintained a critical stance toward the song in later years. Retrospective critiques have emphasized the song's enduring artistry, particularly its feminist undertones and cross-cultural linguistic play. In Pitchfork's 2015 ranking of the 200 best songs of the 1980s, it was lauded as a "feminist anthem that preaches pleasure, recognition, and autonomy," crediting Hynde's delivery for capturing empowered self-assurance. A 2020 Guardian analysis of UK No. 1 singles celebrated its "surfeit of attitude." Critics consistently praise "Brass in Pocket" for merging punk's raw attitude with pop's melodic accessibility, a that helped female-fronted rock acts. This balance, as noted in modern overviews, influenced subsequent artists by demonstrating how swagger and vulnerability could coexist in mainstream rock.

Accolades

"Brass in Pocket" has earned recognition in various music rankings and contributed significantly to ' broader accolades. In the 2021 edition of 's 500 Greatest Songs of All Time, the song ranked number 389. It placed at number 89 on VH1's 100 Greatest Songs of the '80s list, aired in 2006. At the 2025 BMI London Awards, the song was awarded the 6 Million Performance distinction. The track's commercial and critical success played a key role in The Pretenders' induction into the Rock and Roll Hall of Fame in 2005.

Legacy

Covers

One of the earliest notable covers of "Brass in Pocket" was recorded by the indie rock band in 1992 for the charity Ruby Trax – The NME's Roaring Forty, a to NME's 40th featuring various artists covering classic tracks. 's version adopts a slower and atmospheric style compared to the original's punk-infused energy, highlighted by frontman Brett Anderson's distinctive vocals and Bernard Butler's intricate guitar work, transforming the song into a brooding, introspective piece. This recording was later included as a bonus track on the expanded of 's debut in 1994. In 2003, Scottish singer , formerly of , released an acoustic cover on his album Between the Covers, a collection of reinterpretations of classic songs. Pellow's rendition strips the track down to a intimate, soulful with and subtle strings, emphasizing the song's confident swagger through his smooth delivery and a focus on emotional vulnerability rather than rock drive. That same year, American artist delivered an electro-infused dance version on the single Brass in Pocket, produced by Headrillaz and featuring pulsating beats and synth layers that reimagine the track as a club anthem. Her cover incorporates and elements, accelerating the and adding electronic flourishes to highlight themes of empowerment in a context. In the 2020s, "Brass in Pocket" has inspired numerous user-generated covers on platforms like , often emphasizing the song's empowerment message through stripped-back acoustic renditions or creative mashups shared by creators focusing on themes of self-confidence and . These interpretations, such as group sing-alongs and personal empowerment videos, have kept the track relevant among younger audiences, adapting its slang-laden lyrics—referencing quiet confidence ("brass" as for boldness)—to contemporary storytelling.

Cultural Impact

"Brass in Pocket" has left a significant mark on popular culture, particularly through its appearances in film and television, where it often underscores themes of confidence and transformation. The song features in the 1998 biographical drama Gia, accompanying scenes of the protagonist's bold persona. It also appears in the 2003 film Lost in Translation, performed as a karaoke rendition by Scarlett Johansson's character, highlighting moments of personal assertion amid isolation. On television, the track is used in episodes of Medium (Season 2, Episode 5, 2005), White Gold (Season 1, Episodes 1 and 6, 2017), and Pistol (Season 1, Episode 6, 2022), enhancing narratives of ambition and rebellion. The song's empowering lyrics have cemented its role in , symbolizing self-assurance and innovation. It soundtracks a 2011 commercial for the tablet, emphasizing sleek functionality and user confidence. Similarly, a 2017 UFC promotional spot for the Jedrzejczyk vs. Namajunas fight employs the track to evoke fighter determination at . In the UK, it features in a Rover 100 advertisement, aligning the song's inventive spirit with automotive appeal. Regarded as a feminist , "Brass in Pocket" celebrates female autonomy and swagger, with Chrissie Hynde's inspiring generations to embrace inner strength—a rooted in the song's portrayal of quiet turning into bold . This resonance extends to , where in 2025, users frequently reference the track in videos promoting a "brass in pocket" for self-assurance and , often pairing clips with motivational content. The song's enduring legacy includes consistent radio airplay and influences in other genres; it was the eighth video aired on MTV's launch in 1981, helping define early music television.