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Break the Spell

Break the Spell is the third studio album by the American rock band , fronted by singer , and was released on November 21, 2011, by . Produced by , the album marks a shift toward more pop-oriented rock sounds compared to the band's previous efforts, incorporating elements of electronic music and R&B while retaining high-energy anthems. It debuted at number eight on the US chart, selling 129,000 copies in its first week, and was certified gold by the RIAA for shipments of 500,000 units within four weeks of release. The album features 12 tracks, including lead single "," as well as "Crawling Back to You" and "Outta My Head." Daughtry, formed after Chris Daughtry's seventh-place finish on the fifth season of in 2006, had previously achieved multi-platinum success with their self-titled debut album (2006) and (2009), both of which topped the 200. Break the Spell continued this trajectory but received mixed reviews for its polished production and broader stylistic range, with critics noting its appeal to mainstream radio audiences. The album has sold over 500,000 copies in the United States.

Background and development

Concept and inspiration

Break the Spell was conceived by as a more positive and energetic follow-up to the band's 2009 album , shifting toward lyrics that emphasize resilience, hope, and breaking free from stagnation after years of touring the same material. Daughtry described the new direction as "more fist-pumping" and upbeat compared to the previous records, aiming to infuse the music with a rawer, more dynamic energy inspired by classic rock acts like and to avoid repetition and reinvigorate the band's sound. The album's creative origins were deeply influenced by Daughtry's personal experiences following his rise on in 2006, including the challenges of sudden fame, family life as a new father to twins born in November 2010, and evolving band dynamics after the departure of longtime drummer Joey Barnes in 2010, who was replaced by Robin Diaz. These changes prompted a more collaborative songwriting approach among the core members, allowing Daughtry to explore themes of personal renewal and emotional intensity drawn from his post-Idol journey of balancing stardom with everyday resilience. A key artistic decision was reuniting with producer , who had helmed the band's prior albums, to craft a rock-oriented sound blended with accessible pop elements that highlighted Daughtry's powerful vocals and melodic hooks while incorporating sexier, less polished lyrical content. Songwriting sessions began in early 2011 at Daughtry's home studio in , without label-imposed deadlines, enabling organic band collaborations and external contributions. This unhurried process resulted in an abundance of material, with several tracks reserved for the deluxe edition.

Recording

The recording sessions for Break the Spell took place in 2011 across multiple studios in and , including Bay 7 Studios in Valley Village, Sparky Dark Studio in Calabasas, Sunset Sound in , and The Gray Curtain Studio in Nashville. produced the album, marking his third consecutive collaboration with and contributing keyboards and programming throughout. Mike Plotnikoff handled recording engineering, while managed mixing at his studio. The lineup featured on lead vocals, Josh Steely and Brian Craddock on guitars, on bass, and Robin Diaz on drums. Benson's approach emphasized clean, polished production to keep the sound contemporary, incorporating subtle electronic programming alongside layered guitar arrangements for dynamic, anthemic builds in the choruses.

Composition

Musical style

Break the Spell is characterized by a rock sound infused with pop-rock elements, featuring arena-ready choruses and polished production that prioritizes Chris Daughtry's forceful vocals and melodic hooks. The album incorporates driving rhythms and upbeat tempos, creating an energetic and optimistic feel compared to the band's earlier, more brooding works. A notable aspect is the deliberate embrace of crossover influences, evident in collaborations with Nashville songwriters and subtle southern undertones that nod to Daughtry's . It also features spacey synth elements suggesting electronic influences and pop-soul touches akin to R&B. Key sonic features include prominent electric guitars with crunching riffs and layered textures, providing a guitar-driven foundation without overwhelming , alongside dynamic builds that heighten the album's anthemic quality—particularly in tracks like "," which showcases uptempo rhythms and edgy . The production, handled across multiple studios, emphasizes clean, radio-friendly arrangements that allow Daughtry's gritty yet melodic vocal delivery to shine, often supported by harmonious backing elements in choruses. The album's style draws comparisons to contemporaries like for its exuberant mainstream rock energy and to 3 Doors Down and for its sturdy structures, while echoing Bon Jovi's '80s in its hook-laden, fist-pumping choruses. This blend results in a more fist-pumping and breathable sound, shifting toward cheerier, accessible pop-rock vibes that enhance its commercial appeal.

Themes and songwriting

Break the Spell explores central themes of from negativity, personal growth, relationships, and , marking a shift toward more uplifting narratives compared to the melancholy tone of Daughtry's earlier albums. The lyrics often delve into emotional struggles and . This progression is evident in tracks that transition from introspective reflections on loss and to celebrations of and strength. The songwriting process for the album emphasized collaboration, led by frontman alongside band members Josh Steely, Brian Craddock, and , with additional contributions from external writers such as and . Inspired by personal milestones like the birth of Daughtry's twins and experiences of loss among friends, the process focused on crafting relatable, radio-friendly narratives that balance vulnerability with broad emotional appeal. Songs like "Crawling Back to You," co-written with Frederiksen, address the cycle of toxic relationships through an apologetic lens, highlighting the difficulty of breaking free from harmful patterns. In contrast, "Start of Something Good" exemplifies and new beginnings, drawing from Daughtry's own story of meeting his to convey and the excitement of positive change. Other tracks, such as "Renegade," reinforce themes of personal growth and defiance against stagnation, portraying a spirit that empowers listeners to escape unfulfilling situations. Through these examples, the album's songwriting prioritizes authentic, emotionally resonant stories, underscoring Daughtry's evolution as a songwriter.

Release and promotion

Release

Break the Spell was released on November 21, 2011, by and in the United States. The album was made available in both standard and deluxe editions, with the deluxe version featuring the standard 12 tracks plus four bonus tracks: "Who's They", "Undefeated", "Breakaway", and "Face the Night". Primary formats included and digital download. The release occurred simultaneously in Canada via Sony Music Canada. In the United Kingdom, the album was issued on the same date through Sony Music Entertainment UK. Initial promotion included pre-order options on digital platforms, offering early access to select tracks from the deluxe edition as instant gratification content. The album's packaging featured abstract, dark-toned artwork evoking themes of liberation and intensity, aligning with the title's metaphorical concept.

Singles

The from Break the Spell, "", was released on September 27, 2011. It served as an introduction to the album's rock-oriented sound, with a directed by Chapman Baehler featuring live performance footage from the band's concerts. The second single, "Crawling Back to You", followed on October 4, 2011, and achieved moderate success, peaking at number 41 on the and number 15 on the Rock Songs chart. The accompanying , directed by Laurent Briet, emphasized themes of longing and reconciliation, aligning with the song's introspective lyrics, and premiered on October 26, 2011. Promotion included targeted radio airplay on rock and adult contemporary stations to build momentum ahead of the album's release. "Outta My Head" was issued as the third single on March 13, 2012. The track, co-written by , incorporated pop-rock elements with a collaborative hook, and its was directed by Shane Drake. An exclusive remix version was made available to digital buyers, enhancing its crossover appeal on streaming platforms. The fourth single, "Start of Something Good", arrived on September 4, 2012, closing out the album's promotional cycle. This upbeat anthem received an acoustic version as a b-side exclusive on digital platforms, offering fans a stripped-down interpretation that highlighted the band's versatility. Overall, the singles' campaigns focused on music videos, radio pushes, and digital exclusives like remixes and acoustics to sustain interest in Break the Spell's themes of personal renewal.

Tour

The Break the Spell Tour was announced on January 17, 2012, to promote Daughtry's third studio album, Break the Spell, and commenced on March 20, 2012, at in , with the band headlining arenas and amphitheaters primarily across . The tour encompassed over 100 performances in total, including international dates, and concluded on October 19, 2012, at the Gulf Bike Week festival in , . The first leg spanned March 20 to May 1, featuring around 25 shows with opening act SafetySuit, while the second leg ran from May 10 to June 13 across the western and southern United States, supported by acts like Lifehouse on select dates. Later portions included a fall co-headlining run with 3 Doors Down from November 17 to December 16, accompanied by P.O.D. as special guest on most dates, and festival appearances such as Carolina Rebellion on May 5 in Concord, North Carolina, and Rock Allegiance on September 1 in Hershey, Pennsylvania. Setlists highlighted debuts of new album tracks like "Renegade," "Outta My Head," and "Crawling Back to You," blended with staples from prior releases such as "Feels Like Tonight," "What About Now," and the encore "It's Not Over," often incorporating acoustic segments for audience sing-alongs. Production emphasized fan engagement, with frontman frequently descending to the front row during songs and encouraging crowd participation, alongside standard rock tour elements like large video screens and album-themed merchandise sales.

Reception

Critical reception

Break the Spell received mixed reviews from music critics. On aggregate review site , the album earned a score of 61 out of 100 based on eight critic reviews, reflecting a generally mixed or average reception. Several reviewers praised the album's energetic hooks, polished production, and radio-friendly appeal. commended its "terrific songwriting and clean, polished production," awarding it a score of 60 out of 100. Billboard highlighted the band's embrace of crossover elements and "Bon Jovi-style power drive" on rock tracks like "" and "Outta My Head," noting its broad commercial potential. appreciated the emotionally resonant delivery and more positive lyrical tone compared to prior releases, describing the songs as "sturdy and fits comfortably down the middle." Critics also pointed to weaknesses, including formulaic songwriting and a lack of innovation. Rolling Stone awarded two out of five stars, criticizing the "middling soft-rock ballads" and overall cheeseball quality despite Daughtry's conviction in performance. Slant Magazine gave it 1.5 out of five stars, arguing that the album reaffirms Daughtry's focus on competence rather than ambition or creativity. Many noted that it lacked the raw emotional intensity of the band's 2006 self-titled debut, favoring an upbeat, mainstream polish instead. Sputnikmusic, however, bucked the trend by calling it the band's strongest effort with improved rock energy and band chemistry, rating it 3.5 out of five. The album drew comparisons to contemporaries like Lifehouse for its post-grunge accessibility, though some distinguished Daughtry's more human emotional core.

Commercial performance

Break the Spell debuted at number 8 on the chart in November 2011, selling 129,000 copies in its first week according to Nielsen SoundScan data. As of the latest available data, the album has sold a total of 540,000 copies in the . On genre-specific charts, it peaked at number 2 on the US Rock Albums chart. Internationally, the album reached number 67 on the and number 32 on the Australian Albums Chart. The (RIAA) certified Break the Spell gold on December 15, , denoting 500,000 units shipped in the United States. Over the long term, the album has maintained steady performance through digital sales and experienced a resurgence in streaming platforms following its initial 2011 release. The chart success of its singles also contributed to sustained interest in the project.

Credits

Track listing

The standard edition of Break the Spell features 12 tracks with a total runtime of 43:47.
No.TitleDurationWriter(s)
1Renegade3:35,
2Crawling Back to You3:45,
3Outta My Head3:31,
4Start of Something Good4:24,
5Crazy3:24, Elvio Fernandes, Greg Wiktorski
6Break the Spell3:44,
7We're Not Gonna Fall3:18, , Zac Maloy
8Gone Too Soon3:35,
9Losing My Mind3:34,
10Rescue Me3:21, Josh Steely
11Louder Than Ever3:34,
12Spaceship3:41, Brian Craddock
The deluxe edition appends four bonus tracks to the standard listing, with no regional variants beyond these formats.
No.TitleDurationWriter(s)
13Who's They3:11
14Maybe We're Already Gone4:21, Josh Steely, Brian Craddock,
15Everything But Me4:28, Josh Steely, Brian Craddock,
16Lullaby2:25

Personnel

The core band for Daughtry's third studio album Break the Spell consisted of on lead vocals, Josh Steely on guitar, Brian Craddock on guitar, on bass, Robin Diaz on drums, and Elvio on keyboards and backing vocals. This lineup, which included Diaz as the band's touring and recording and joining in 2011, remained stable throughout the album's production in 2011 and its promotional cycle into 2012. Howard Benson served as the album's producer, overseeing sessions at studios including Bay 7 Studios in Valley Village, . Recording engineer Mike Plotnikoff handled the primary engineering duties, assisted by Hatsukazu "Hatsy" Inagaki. managed the mixing at Mix LA in , while performed the mastering at Sterling Sound in . Additional credits included A&R direction by Rani Hancock and management by Stirling McIlwaine for Pearl Group Entertainment.

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