Busbee
Michael James Ryan Busbee (June 18, 1976 – September 29, 2019), known professionally as Busbee, was an American songwriter, record producer, musician, and music executive renowned for his versatile contributions to pop, country, and rock genres.[1][2] Born in Walnut Creek, California, and raised in the San Francisco Bay Area, Busbee developed his passion for music early through church involvement and exposure to Christian rock, later transitioning to jazz studies before moving to Los Angeles in 2000 to pursue a professional career.[3][4] Over two decades, he became a Grammy-nominated hitmaker, co-writing and producing chart-topping songs for artists including Maren Morris ("My Church," nominated for Best Country Song at the 2017 Grammys), Pink ("Try," which peaked at No. 9 on the Billboard Hot 100 and No. 1 on the Adult Pop Songs chart), Keith Urban ("The Fighter" featuring Carrie Underwood), Florida Georgia Line ("H.O.L.Y."), and Shakira, amassing 22 Billboard Hot 100 charting tracks.[3][5][6] He produced full albums such as Morris's Hero (2016) and Girl (2019, including 11 of its 15 tracks), while holding key roles like Recording Academy Los Angeles Chapter Governor and co-chair of its Advocacy Committee, and signing a worldwide publishing deal with Warner/Chappell Music.[3][5] Busbee, a father of three, died at age 43 from glioblastoma brain cancer, leaving a legacy as a bridge between pop and country music scenes in Los Angeles and Nashville.[5][3]Early life
Childhood and family background
Michael James Ryan Busbee was born on June 18, 1976, in Walnut Creek, California.[7] He grew up in the San Francisco Bay Area, in a household influenced by his mother's musical tastes. His father hailed from the Deep South, contributing to his appreciation for Southern musical elements.[8] Busbee's mother played a key role in his creative development, often tuning into Hot AC Christian radio stations that exposed him to a blend of jazz and contemporary Christian sounds during his childhood.[5] This supportive environment encouraged his musical inclinations from a young age; at seven years old, he began taking classical piano lessons, marking the start of his hands-on engagement with music.[5][9] The Bay Area's vibrant local music scene further influenced him, providing a backdrop of diverse sounds that shaped his formative years.[3]Education and early musical interests
Busbee began formal piano lessons at the age of seven, cultivating a strong foundation in classical music that continued through his high school years.[3] He demonstrated early proficiency on brass instruments as well, joining his school band in the fourth grade where he initially played the baritone horn, later experimenting with tuba and saxophone before focusing on trombone during high school at the recommendation of his band director.[8] These school band experiences, combined with participation in the Blue Devils Drum and Bugle Corps from eighth grade through high school, honed his ensemble performance skills and deepened his passion for brass instrumentation.[10] After graduating high school, Busbee enrolled at William Paterson University in Wayne, New Jersey, to pursue a degree in jazz performance, securing a scholarship based on his trombone talent.[5] He studied there for two years before returning to the Bay Area.[5] The university's renowned jazz program provided an intensive environment for studying jazz trombone, where he immersed himself in advanced techniques and improvisational styles central to the genre.[9] During his college years, Busbee actively developed his interests in both performance and composition, performing freelance trombone gigs in the New York City area to apply his academic training in real-world settings.[8] This period marked a pivotal shift toward exploring musical arrangement and original creation within jazz contexts, laying the groundwork for his multifaceted approach to music-making.[8]Career
Beginnings in Los Angeles
After graduating from the University of Southern California with a degree in jazz studies, Busbee relocated to Los Angeles in 2000 to pursue opportunities in the music industry. At age 24, he secured an entry-level position at a recording studio, where he began his professional career as an assistant to acclaimed rock producer Eric Valentine, known for his work with artists like Smash Mouth and Queens of the Stone Age. This role immersed Busbee in the fast-paced environment of major-label pop and rock productions, allowing him to gain hands-on experience in studio operations during the early 2000s.[5][9][11] Under Valentine's mentorship at Barefoot Recording, Busbee quickly advanced from assistant duties to contributing as an engineer and multi-instrumentalist. He handled tasks such as tracking sessions, mixing, and playing various instruments—including guitar, keyboards, and programming—to support Valentine's productions. This period honed Busbee's technical skills in analog and digital recording techniques, emphasizing precision and innovation in a competitive scene dominated by pop and rock acts. His background in jazz improvisation from his education provided a versatile foundation, enabling him to adapt to the structured demands of commercial sessions.[5][9][11] Busbee's early contributions extended to supporting pop and rock projects, where he built a reputation for his engineering prowess and instrumental versatility. He assisted on sessions for emerging and established artists, contributing to tracks that showcased his growing expertise in crafting polished, radio-ready sounds. These experiences in Los Angeles laid the groundwork for his transition into songwriting and production, solidifying his role within the industry's technical backbone during the mid-2000s.[9]Move to Nashville and songwriting success
In 2006, Busbee began commuting to Nashville from his home in Los Angeles, at the invitation of a friend, marking the start of his focus on songwriting in the country music scene. Although he never relocated full-time, he spent significant time there, leveraging his engineering background from LA to contribute to sessions. This period represented a pivotal shift from pop production to country influences, as he immersed himself in Nashville's collaborative environment.[12] Busbee's entry into country songwriting was facilitated by veteran producer Dann Huff, who signed him to a publishing deal around 2007 after being impressed by his demos. This partnership opened doors in Nashville's tight-knit community, where Busbee noted, "If you’re cool and you’re talented, then you’re in," emphasizing the welcoming yet accountable nature of the scene. He quickly networked with established writers and artists, co-writing early hits like "Summer Nights" for Rascal Flatts, which peaked at No. 2 on the Billboard Hot Country Songs chart in 2009, and "Our Kind of Love" for Lady Antebellum, reaching No. 11 the following year. These successes established him among emerging country talents, blending his pop sensibilities with genre traditions.[13][14][6][8] Busbee's songwriting breakthrough came in 2016 with "H.O.L.Y." for Florida Georgia Line, co-written with Nate Cyphert and William Wiik Larsen, which topped the Billboard Hot Country Songs chart for four weeks and achieved multi-platinum status. The track exemplified his ability to infuse modern pop elements into country, solidifying his reputation in Nashville's evolving songwriting circles. Through consistent collaborations, Busbee transitioned from an LA outsider to a key figure bridging pop and country, crediting the community's embrace for his growth despite his West Coast base.[6][15]Production work and collaborations
Busbee transitioned from songwriting to production in the mid-2010s, leveraging his foundational skills in crafting hits to shape full albums that blended pop and country elements. His production debut came with Maren Morris's 2016 album Hero, where he produced the majority of tracks, including the Grammy-nominated single "My Church," which he co-wrote and recorded as a quick demo that became the final version. This project showcased his ability to capture an artist's raw energy, drawing on Morris's influences like church music to create emotionally resonant arrangements that propelled the album to commercial success, peaking at No. 5 on the Billboard 200.[8][5] In 2017, Busbee served as the primary producer for Lady Antebellum's Heart Break, co-producing the album in Los Angeles and co-writing five tracks, including "You Look Good" and "Army." He encouraged the trio—Charles Kelley, Hillary Scott, and Dave Haywood—to experiment with looser phrasing and syncopation while preserving their signature harmonies, resulting in innovative fusions like horn-driven funk on "You Look Good" and laidback southern soul grooves on "Good Time to Be Alive." This approach marked a deliberate shift toward adult-contemporary pop-country, with elements such as R&B-infused guitars and percolating rhythms that refreshed the group's sound and helped the album debut at No. 1 on the Billboard Country Albums chart.[16][17] Busbee's collaborations extended to major artists across genres, often emphasizing multi-instrumental contributions from his background in brass instruments like trombone and saxophone, which informed his versatile arrangements. With Keith Urban, he co-produced three tracks on the 2016 album Ripcord, including the hit "The Fighter" featuring Carrie Underwood, tailoring productions to Urban's dynamic style for a blend of country-rock energy. He worked with P!nk on genre-crossing tracks that highlighted emotional depth, and with Shakira on pop-infused projects that incorporated innovative rhythmic elements, consistently prioritizing the artist's vision to make songs "speak" authentically. These partnerships underscored his role in bridging pop accessibility with country authenticity during the late 2010s.[8][5] Busbee continued his collaboration with Maren Morris on her 2019 album Girl, producing 11 of its 15 tracks. The album debuted at No. 1 on the Billboard Country Albums chart and No. 4 on the Billboard 200, earning a Grammy nomination for Best Country Album and a CMA Award for Album of the Year (posthumously for Busbee). His production emphasized Morris's evolving sound, blending country roots with pop and R&B influences to critical acclaim.[3][18]Founding of Altadena Music
In December 2018, songwriter and producer Busbee established Altadena Music as a publishing and artist development company dedicated to identifying and nurturing emerging talent in the music industry.[19] The venture was structured as an exclusive joint venture with Warner Bros. Records, providing a full suite of services including recording, songwriting, and production support to foster long-term careers for artists and songwriters.[20] This initiative built on Busbee's extensive production experience, allowing him to transition toward greater independence in talent cultivation.[21] Altadena's goals emphasized an intentional, personalized approach to artist development, integrating Busbee's expertise in songwriting and production to create cohesive creative environments for new voices across genres.[22] The company entered into a worldwide publishing agreement with Warner/Chappell Music to support its songwriting roster, alongside a creative partnership with Red Light Management for additional resources in artist management.[23] Leadership included General Manager and Vice President of Creative Daniel Lee, Nashville Creative Director Noreen Prunier, and Los Angeles Creative Director Kelly Benini, who collaborated closely with Busbee to execute the company's vision.[19] Among its initial projects, Altadena co-signed country artist Ryan Griffin in October 2018 through a joint deal with Warner Music Nashville, marking one of the company's first major artist commitments and highlighting its focus on blending country and soul influences.[24] This signing exemplified Altadena's early efforts to develop promising talents by combining Busbee's production oversight with publishing opportunities, setting the stage for further signings and releases under the label.[25]Personal life and death
Family life
Busbee was married to Jessie Busbee, with whom he shared a close partnership before starting a family.[26] The couple had three daughters, who were the center of their family life as they resided in Los Angeles during much of Busbee's career there.[4][27] Despite the demands of his songwriting and production schedule, which often involved travel between Los Angeles and Nashville, Busbee maintained a strong focus on family.[27]Illness and death
In the summer of 2019, Busbee was diagnosed with glioblastoma, an aggressive form of brain cancer.[5][4] He underwent treatment for the condition, which progressed rapidly in the ensuing months.[28][29] Busbee died on September 29, 2019, in Los Angeles at the age of 43.[5][4] He was survived by his wife, Jessie, and their three children, including a newborn daughter.[4]Legacy
Awards and nominations
Busbee received several notable nominations and awards from major music industry organizations during his career, particularly in the country and pop genres, recognizing his songwriting and production contributions. These accolades highlighted his ability to blend contemporary pop elements with country traditions, earning him peer respect in Nashville's competitive scene. In 2017, Busbee earned three Grammy nominations for his work on Maren Morris's debut album Hero and the single "My Church". Specifically, he was nominated for Best Country Album for Hero (shared with producers Brad Hill and Maren Morris), which showcased his production of tracks blending country storytelling with pop accessibility. Additionally, as co-writer with Maren Morris, he received a nomination for Best Country Song for "My Church," a gospel-infused anthem about the redemptive power of music that peaked at No. 5 on the Billboard Hot Country Songs chart and exemplified Busbee's lyrical depth in elevating personal narratives to universal appeal. He was also nominated as producer for Best Country Solo Performance for "My Church". The Grammy Awards, voted by the Recording Academy's 13,000-plus members, represent the pinnacle of musical achievement, with the Best Country Song category honoring outstanding songwriting craftsmanship in the genre. Although "My Church" did not win Best Country Song (losing to Miranda Lambert's "Vice"), Morris won Best Country Solo Performance for it, underscoring Busbee's collaborative impact. Busbee also garnered recognition from the Academy of Country Music (ACM), which annually honors excellence in country music through peer and expert voting, emphasizing artistic and technical contributions. In 2017, he won the ACM Award for Vocal Event of the Year as co-producer on Keith Urban and Carrie Underwood's "The Fighter," a duet praised for its emotional intensity and crossover appeal that reached No. 8 on the Hot Country Songs chart. This win highlighted Busbee's production prowess in creating high-impact collaborations that bridged traditional country vocals with modern production values. He shared an Album of the Year nomination for Hero at the ACM Awards, and for Keith Urban's Ripcord, further affirming his role in crafting albums that advanced country's sonic evolution. He was nominated for ACM Producer of the Year in 2018, competing alongside industry heavyweights like Buddy Cannon and Dann Huff for recognition of overall production excellence across multiple projects, including Morris's Hero and Urban's work, though he did not win. Posthumously, Busbee won the ACM Award for Producer of the Year in 2020 for his work on projects including Maren Morris's Girl. At the Country Music Association (CMA) Awards, selected by a vote of over 7,000 music professionals, the track "My Church" reflected its breakthrough status, topping the Billboard Country Airplay chart for four weeks and introducing Morris as a genre innovator. This positioned Busbee among Nashville's elite producers, akin to those behind hits like Sam Hunt's "Body Like a Back Road." Busbee's songwriting was additionally honored by Broadcast Music, Inc. (BMI), which awards based on the number of public performances of affiliated songs, providing a metric of cultural reach across airplay, streaming, and live settings. In 2014, he achieved a rare feat by winning BMI Awards in four categories: Pop (for Florida Georgia Line's "Stay," a multi-week No. 1 blending country with EDM influences), Country (same song, underscoring its genre-crossing airplay dominance), Christian (for Andra Day's "Rise Up," later a soul-pop staple), and London (for international performances). These wins, drawn from BMI's performance data tracking millions of plays, signified Busbee's versatility in crafting hits that resonated globally, with "Stay" alone certified 6x Platinum by the RIAA. Subsequent BMI honors in the 2010s, such as Most Performed Country Songs awards for tracks like Lady Antebellum's "You Look Good," reinforced his consistent impact on country radio playlists.Posthumous tributes
Following Busbee's death in September 2019 from glioblastoma, he received a posthumous Country Music Association (CMA) Award in 2019 for Album of the Year as a producer on Maren Morris's Girl.[18] During the acceptance speech at the 2019 CMA Awards, Morris tearfully dedicated the win to Busbee, her longtime collaborator, stating, "This is for you, busbee," while joined onstage by co-producer Greg Kurstin.[30] Blake Shelton also honored Busbee during the ceremony, reflecting on their shared work and the producer's profound impact on country music.[18] In 2020, Carly Pearce dedicated her song "Show Me Around" to Busbee, whom she described as her mentor and friend who shaped her artistry.[31] Pearce debuted the track live at the Grand Ole Opry in June 2020, explaining it as a tribute not only to Busbee but also to his wife and daughters, capturing themes of loss and heavenly reunion.[32] Later that year, on the first anniversary of his death, Pearce published a heartfelt open letter via ABC News, expressing gratitude for his guidance and affirming, "You live on in every song we made together."[33] Artists continued to acknowledge Busbee's influence in the years following. In 2023, Pearce shared a story of comforting a fan grieving a loss, using "Show Me Around" to connect over the song's origins in Busbee's memory.[34] On what would have been his 49th birthday in June 2025, Pearce posted a tribute highlighting how Busbee's foundational role in her music endures, writing, "You live on."[35]Discography
Songs written
Busbee's songwriting career spanned pop, country, and crossover genres, yielding numerous hits that emphasized emotional depth, resilience, and melodic hooks. Collaborating frequently with artists as co-writers, he contributed to many songs, many of which became chart-toppers through their blend of heartfelt lyrics and accessible structures. His work often explored themes of love's perseverance, personal vulnerability, and triumphant self-discovery, reflecting a style that seamlessly fused pop polish with country storytelling.[6] Among his most impactful contributions was "Try," a 2012 empowerment anthem recorded by P!nk, which Busbee co-wrote with Ben West; the track reached #1 on the Billboard Adult Pop Songs chart, earning platinum certification for its uplifting message of pushing through adversity.[36] In country music, Busbee co-wrote "My Church" with Maren Morris in 2016, a gospel-infused ode to music's redemptive power that peaked at #5 on the Billboard Hot Country Songs chart and won a Grammy for Best Country Solo Performance.[6] That same year, he collaborated with Nate Cyphert and William Wiik Larsen on "H.O.L.Y." for Florida Georgia Line, a romantic ballad acronymically titled "High on Loving You" that hit #1 on the Country Airplay chart and became a multi-platinum staple.[37] Busbee's pop ventures included "Dark Side" for Kelly Clarkson in 2011, which he co-wrote and which peaked at #1 on the Billboard Dance Club Songs chart, celebrating the complexities of love with raw intensity.[38] Earlier, in 2009, he co-penned "Summer Nights" with Rascal Flatts' Gary LeVox and Brett James, a nostalgic summer anthem that climbed to #2 on the Hot Country Songs chart and captured carefree romance.[39] His partnerships extended to high-profile duets like "The Fighter" in 2017, co-written with Keith Urban for the track featuring Carrie Underwood, which reached #1 on the Hot Country Songs chart and drew from Urban's personal experiences of relational endurance.[40] Other notable credits include "You Look Good" (2017) for Lady Antebellum, co-written with Ryan Hurd and Hillary Lindsey, peaking at #8 on the Hot Country Songs chart with its playful celebration of attraction, and "Broken Record" (2014) for Shakira, a self-reflective love song co-authored amid her album's introspective themes.[37][41] Across his catalog, Busbee's songs consistently prioritized universal emotional narratives, often co-written with the performing artists to infuse authenticity, resulting in versatile tracks that resonated across radio formats.[6]| Song Title | Artist | Year | Chart Peak | Co-Writers |
|---|---|---|---|---|
| Try | P!nk | 2012 | #1 Adult Pop Songs | Ben West |
| Summer Nights | Rascal Flatts | 2009 | #2 Hot Country Songs | Gary LeVox, Brett James |
| Dark Side | Kelly Clarkson | 2011 | #1 Dance Club Songs | - |
| H.O.L.Y. | Florida Georgia Line | 2016 | #1 Country Airplay | Nate Cyphert, William Wiik Larsen |
| My Church | Maren Morris | 2016 | #1 Hot Country Songs | Maren Morris |
| You Look Good | Lady Antebellum | 2017 | #8 Hot Country Songs | Ryan Hurd, Hillary Lindsey |
| The Fighter (feat. Carrie Underwood) | Keith Urban | 2017 | #1 Hot Country Songs | Keith Urban |
| Broken Record | Shakira | 2014 | - | Shakira |