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Bryan Freedman

Bryan J. Freedman is an entertainment litigator and based in , renowned for his aggressive representation of celebrities, media personalities, and high-net-worth individuals in crisis-driven disputes spanning , , contracts, and claims. Admitted to the Bar in 1991 after earning a B.A. from the , and a J.D. from the University of the Pacific's , Freedman co-founded the boutique firm Freedman + Taitelman, LLP in 1997 with partner Taitelman, which evolved into the current Liner Freedman Taitelman + , focusing on complex litigation in , , and . His defining approach emphasizes relentless advocacy, media leverage, and settlement leverage, earning him descriptors like "pit bull" and "Hollywood's " from industry observers, though critics note a reliance on pre-trial resolutions over courtroom victories. Freedman has secured multimillion-dollar outcomes for diverse clients, including a $69 million contract payout for upon her exit, a favorable departure for , and commissions in a landmark agency dispute for against director . He has represented figures across ideological lines, such as conservative commentator post-Fox News, actress in workplace harassment allegations, singer in abuse claims, and actor amid accusations, alongside talents like , , and the Estate. Recent efforts include advocating for union protections for reality TV performers and esports disputes like Turner "Tfue" Tenney's suit against . Among his accolades, Freedman has been named to The Hollywood Reporter's Top 100 Power Lawyers list from 2008 to 2025 and featured in Variety's Legal Impact Reports multiple times, while establishing a at . A notable personal controversy arose from a 1991 allegation against him, settled out of court for $40,000 without any admission of liability, amid his professional involvement in both accuser and accused representations during the #MeToo era.

Early life and education

Upbringing and family influences

Bryan was born in Forest Hills, New York, and endured a peripatetic upbringing characterized by frequent relocations across the Northeast, primarily due to his father's repeated job changes as a pathologist. These moves stemmed from his father's professional instability and recurring sense of aggrievement over perceived workplace injustices, which exposed to themes of personal and professional grievance from an early age. This family dynamic reportedly fostered in Freedman a drive to advocate for those feeling similarly wronged, shaping his later choice of a combative legal career focused on defending high-profile clients against institutional or media adversaries. No public details exist on his mother's background or role in the household, and siblings are not referenced in connection to his formative years.

Academic background and early legal interest

Freedman completed his undergraduate studies at the University of California, Berkeley. He then attended the University of the Pacific's McGeorge School of Law in Sacramento, California, earning his Juris Doctor degree in 1990. Following graduation, Freedman passed the California State Bar examination and was admitted to practice in 1991. Freedman's early interest in stemmed from a desire to undertake work capable of exerting significant influence to aid clients. He articulated this motivation during a 2021 alumni event at , noting that he sought a profession offering substantial power to effect positive outcomes for those he represented. This perspective aligned with his subsequent focus on litigation, where he could directly intervene in disputes on behalf of individuals facing high-stakes challenges.

Professional career

Early career and foundational cases (1991–2015)

Freedman commenced his legal practice upon admission to the State Bar in 1991, initially focusing on and business litigation. In 1997, he co-founded Freedman & Taitelman, LLP, with Michael Taitelman, establishing a firm dedicated to high-stakes disputes in media, , , and related areas. Throughout the and early , Freedman's work centered on building expertise in aggressive strategies for clients, though specific case details from this initial phase remain limited in public records. By the late , he gained prominence through pioneering digital litigation, including the first lawsuit alleging via posts. In 2009, Freedman represented fashion designer Dawn Simorangkir in a suit against for libelous statements claiming drug involvement and professional misconduct; the case settled in March 2011 for $430,000 plus interest, averting a that would have tested liability standards. In 2014, Freedman secured a significant victory for actress against Sensa Products, LLC, in a and wrongful termination action stemming from a misrepresented weight-loss endorsement deal; the court ruled in Spencer's favor, awarding damages and highlighting exploitative practices in celebrity partnerships. These cases underscored his approach to protecting clients amid reputational threats and contractual disputes. Freedman's consistent recognition as a Super Lawyer began in 2007, with inclusion in Variety's 2015 Legal Impact Report affirming his standing by the period's end.

Expansion and high-profile defenses (2016–2020)

In 2017, Freedman represented amid emerging allegations, including a claim by the son of that Spacey had groped him in 2008 while working on a ; Freedman issued a statement on Spacey's behalf absolutely denying the accusations. This defense occurred against a backdrop of multiple public accusations surfacing that year, positioning Freedman as a key litigator for clients facing reputational crises in the #MeToo era. Freedman's practice gained further prominence in 2018 through his representation of broadcaster during her abrupt exit from , triggered by controversy over Kelly's on-air defense of wearing as a college student in the early . Negotiating amid reports of Kelly seeking full payout under her $69 million , Freedman met with executives and publicly criticized the network for permitting false leaks about her conduct, arguing they damaged her position unfairly. The negotiations culminated in Kelly's departure with a substantial , underscoring Freedman's aggressive approach to disputes and media fallout. By 2019, Freedman handled crisis litigation for the , filing a $100 million lawsuit against for breaching a 1992 non-disparagement clause in a concert rights agreement by airing the documentary , which featured allegations of against the late singer. A Los Angeles Superior Court judge ruled in September 2019 to compel private rather than public litigation, a decision affirmed by the Ninth Circuit Court of Appeals in December 2020, enabling the estate to pursue remedies confidentially without jury exposure. In mid-2020, Freedman represented actress in a formal complaint to authorities against Entertainment and producers, alleging racial insensitivity, harassment, and retaliation following her November 2019 non-renewal as a judge after she raised concerns about offensive jokes and a toxic work environment during tapings. claimed network executive Paul Telegdy threatened her for speaking out on , contrasting with 's public stance; the parties reached an amicable resolution in September 2020, including undisclosed terms and a joint commitment to workplace improvements. These successive high-stakes engagements, spanning defenses against abuse claims, contract terminations, and media disputes, elevated Freedman's profile and contributed to the expansion of his Angeles-based firm, Freedman + Taitelman LLP, by attracting crisis-oriented clients in and bolstering its revenue trajectory amid industry reckonings.

Contemporary litigation battles (2021–present)

In 2021, Freedman represented former The Bachelor host Chris Harrison in negotiations with ABC following backlash over Harrison's defense of contestant Rachel Lindsay's criticism of a sorority event attended by another contestant, leading to Harrison's departure from the franchise. The representation focused on securing terms for Harrison's exit, though no public lawsuit was filed. That same year, Freedman defended DJ Diplo (Thomas Wesley Pentz) against a lawsuit alleging he coerced a woman into performing oral sex during a 2016 encounter in Ibiza; Diplo denied the claims, and the case details post-2021 developments remain limited in public records. Freedman's practice expanded into broadcast media disputes in 2023, when he represented Fox News host Tucker Carlson after his abrupt termination, negotiating severance amid Fox's $787 million Dominion Voting Systems settlement and countering network claims of contract breach that allegedly restricted Carlson's future employment. In parallel, he handled ousted CNN anchor Don Lemon's claims of wrongful termination linked to prior advice given to New York Governor Andrew Cuomo, pursuing multimillion-dollar settlements from both networks without admitting liability. From 2024 onward, Freedman led aggressive countersuits for director-producer and Wayfarer Studios against actress , stemming from her allegations on the set of ; this included a $400 million and claim filed by Freedman, which a federal judge partially dismissed in June 2025, alongside accusations of an orchestrated smear campaign involving auto-deleting Signal messages alleged to have destroyed evidence. The dispute, ongoing as of October 2025, highlights Freedman's strategy of voluminous filings and public rebukes, with Lively's team claiming spoliation of records by Baldoni's camp. In October 2025, Freedman secured the voluntary dismissal without prejudice of a lawsuit by Cassin Michaels, estranged husband of billionaire , alleging in their dissolution. These cases underscore Freedman's role in high-stakes and conflicts, often resolving via confidential settlements rather than trials.

Notable clients and representations

Freedman has represented numerous high-profile clients across , , and sectors, often in crisis litigation involving contract disputes, , workplace allegations, and executive exits. His practice emphasizes aggressive defense and negotiation for talent agencies, celebrities, and estates, with cases spanning settlements, whistleblower claims, and battles. In media and broadcasting, Freedman secured a $30 million payout for Megyn Kelly from in 2018 following her contract termination over comments regarding costumes. He represented after his April 2023 departure from , navigating potential claims in the wake of the network's $787 million settlement with . Similarly, he handled Don Lemon's 2023 exit from , focusing on severance and dispute resolution. For , Freedman negotiated a $9 million payout from in 2021 after Harrison's ouster as host of amid a controversy over defending a contestant accused of attending an antebellum-themed event. Freedman has defended actors and musicians in misconduct allegations and contract fights, including in her 2019 claims of a toxic workplace at NBC's , resulting in an undisclosed settlement. He represented amid 2017 sexual misconduct accusations and in 2021 sexual assault claims that were later dismissed. For , he filed a lawsuit against alleging abuse, which prompted a public apology from LaBeouf, though the case remains ongoing. In music and estates, Freedman counseled the Estate in a 2019 $100 million lawsuit against over the documentary, invoking a 1992 non-disparagement agreement; the matter proceeded to arbitration in 2020. He has also served , , , and in various legal matters. Other entertainment representations include , in an NFT dispute with , , , , and . Freedman has litigated for reality TV figures, leading labor claims against and on behalf of and as part of a broader "reality reckoning." He represents Rachel Leviss in a lawsuit stemming from the "Scandoval" affair on . In esports and agency disputes, he secured a settlement for Turner "Tfue" Tenney against and represented in multiple high-stakes matters, including commissions from sequels. More recently, he represented in disputes related to the film , though Baldoni's estate later filed a suit against him in October 2025 over a prior case.

Legal philosophy and approach

Aggressive litigation strategy

Bryan Freedman's litigation strategy emphasizes zealous advocacy and aggressive tactics designed to protect clients in high-stakes and media disputes, often prioritizing swift settlements through pressure and public leverage. He has described his approach as going "for the jugular" when necessary, while favoring or to resolve conflicts efficiently before . This style stems from his focus on crisis litigation, where he positions himself as a fierce protector willing to employ unconventional methods, such as using media appearances or props like a "slave " in negotiations, to intimidate opponents and shape public narratives. Key tactics include filing high-value lawsuits to deter litigation, leveraging depositions and court filings for media exposure, and conducting relentless late-night negotiations to exploit corporate vulnerabilities. Freedman has articulated a philosophy of client loyalty above all, stating he is prepared to "throw myself in front of a bus" for those he represents and instilling fear in adversaries as a core deterrent. This approach has proven effective in securing multimillion-dollar outcomes, as evidenced by his negotiation of a $30 million payout for Megyn Kelly from NBC News following her 2018 termination. In another instance, Freedman represented , obtaining a $9 million settlement from after his 2021 dismissal from The Bachelor amid controversy. He also pursued a $100 million claim on behalf of the estate against in 2019 over the documentary , successfully appealing to shift the dispute into private in 2020, where terms remained confidential but aligned with contract breach allegations. Similarly, in 2021, he secured an undisclosed settlement for ESPN host in her contract dispute with , highlighting his pattern of extracting concessions from media giants through aggressive positioning. These cases demonstrate Freedman's reliance on high-pressure maneuvers to achieve resolutions that preserve client interests without prolonged public trials.

Stance on media scrutiny and cultural narratives

Freedman has consistently criticized what he terms "," arguing that coverage often presumes guilt in high-profile accusation cases, inverting traditional principles. In a 2019 panel discussion at Harvard University's Institute of Politics titled ": Guilty Until Proven Innocent," he cited the documentary —which alleged by —as a prime example, noting that unadjudicated claims can devastate reputations before any legal verification occurs. This perspective underscores his view that amplifies narratives without sufficient scrutiny of evidence, particularly in the post-#MeToo era where accusations frequently lead to immediate professional ostracism. In defending clients facing allegations, Freedman challenges cultural narratives that prioritize accuser testimonies over evidentiary rigor, portraying some claims as opportunistic or fabricated for leverage. Representing producer in a 2023 involving Queer for Fear, he described the plaintiff as a "character assassin and serial accuser who lies to deflect from his incompetence," emphasizing the need to counter -fueled presumptions of validity. Similarly, in high-stakes entertainment disputes, he has accused outlets of enabling "smear campaigns" that rehash salacious but unproven stories to inflict public harm, as seen in his representation of figures navigating #MeToo-related scrutiny. Freedman counters these dynamics through an aggressive "media strategy," selectively providing filings and statements to outlets he deems receptive, while decrying perceived biases in mainstream reporting. In the 2024–2025 legal battle involving , he lambasted for allegedly "cowering" to "powerful 'untouchable' Hollywood elites" by withholding his clients' rebuttals, signaling plans for further suits against complicit media entities. This approach reflects his broader skepticism toward media's role in shaping cultural orthodoxies, favoring courtroom adjudication and public counter-narratives to restore balance against what he sees as ideologically driven, evidence-light condemnations.

Controversies and criticisms

Personal legal settlement from college era

In 1991, Bryan Freedman, then a college student, agreed to a $40,000 settlement to resolve a civil accusing him of sexually assaulting a 17-year-old girl. The alleged that Freedman and associates engaged in non-consensual acts with her during an incident linked to his time at university, though specific details of the events and the exact institution attended by Freedman at the time remain limited in public records. Freedman did not admit liability as part of the out-of-court agreement, which resolved the matter before trial and included no criminal charges. The settlement occurred prior to Freedman's admission to the California State Bar in 1995, and bar records do not indicate disciplinary action stemming from the case, suggesting it did not bar his professional licensure. No further public or admissions related to the have surfaced, though the incident has been referenced in subsequent reporting on Freedman's career amid scrutiny of his high-profile representations.

Professional disputes and malpractice allegations

In October 2025, the estate of Travis Michael , represented by executor Isabelle Souyri, filed a civil against Bryan Freedman and his firm, Liner Freedman Taitelman + , in , alleging legal , of fiduciary duty, of , and stemming from Freedman's representation of Flores in a 2021 copyright action against . The suit claims Freedman mishandled the case by failing to properly pursue claims, breaching attorney-client through post-termination disclosures of confidential information, and defaming Flores by portraying him negatively in communications after switching to represent Baldoni, whom Flores had accused of infringing on his screenplay rights for the film . Flores, who was terminally ill with cancer at the time, retained in 2021 to litigate claims that Baldoni and others had copied elements of his unproduced script without permission; the case was settled confidentially in 's favor shortly before his death in 2022, but the estate alleges then "traded up" by taking Baldoni as a client, violating ongoing obligations that survive a client's death under ethics rules. Additional claims include 's alleged aggressive conduct toward opposing counsel Hale during the litigation, such as calling Hale a "moron," using , and attempting to physically intimidate him by swinging a fist that stopped short of contact. The lawsuit, filed on October 8, 2025, as Souyri v. Liner Freedman Taitelman + Cooley LLP, seeks unspecified compensatory and , asserting that 's actions caused financial harm to the estate and damaged Flores's posthumous reputation. has not publicly responded to the allegations as of October 26, 2025, and the case remains pending without any judicial findings on the merits. No prior professional suits or formal complaints against were identified in public records or legal reporting prior to this action.

Accusations of unethical tactics

In October 2025, the estate of Travis Michael , represented by his widower Clement Souyri, filed a against Freedman alleging , of duty, invasion of privacy, and in connection with Freedman's prior representation of Flores in a 2021 copyright action against . The complaint accused Freedman of unethical conduct, including "trading up" to a more prominent client (Baldoni) by abandoning Flores mid-case, disclosing confidential client information to Baldoni's team, and making defamatory public statements about Flores' competence and reliability after switching sides. Souyri sought compensatory and , claiming Freedman's actions violated rules on client loyalty and . Amid the ongoing litigation between and over the production of , Lively's legal team accused Freedman, representing Baldoni, of unethical tactics including and improper public disclosures. In January 2025, Lively and filed a motion for a against Freedman, citing his alleged orchestration of a "publicity stunt" by selectively releasing behind-the-scenes video footage to portray Lively negatively and influence public opinion outside court proceedings. The motion highlighted Freedman's pattern of statements to media outlets as evidence of bad-faith efforts to "bad mouth" Lively rather than litigate in . Further accusations arose in August 2025 when Lively's attorneys moved for sanctions against Freedman, alleging he strategically leaked or publicized her deposition transcript to harass and embarrass her, in violation of court protective orders and ethical standards on witness treatment. In May 2025, a federal judge struck a letter from Freedman to the court containing unsubstantiated claims of Swift's involvement in pressuring witnesses, warning that "further misconduct may be met with sanctions" and describing the filing as improper communication not useful to judicial proceedings. Lively's team characterized these actions as part of a broader aggressive PR campaign designed to intimidate opponents through extrajudicial means rather than substantive legal arguments. No sanctions have been imposed as of October 2025, with Freedman defending his conduct as zealous advocacy within ethical bounds.

Personal life

Family and relationships

Bryan Freedman has been married to Denise Freedman since the early 1990s, with the couple residing together in a Pacific Palisades home valued at $5.5 million since the early 2000s until it was destroyed in a on January 7, 2025. They have two children, including at least one son. No public details exist on prior relationships or separations.

Recognition and impact

Professional honors and peer recognition

Bryan Freedman has been recognized as a Super Lawyer annually from 2007 through 2019, a peer-nominated distinction awarded to the top 5 percent of attorneys in the region based on evaluations by fellow lawyers and independent research. This accolade underscores peer acknowledgment of his litigation prowess in entertainment and . Freedman has received consistent inclusion in 's annual Power Lawyers lists since 2008, identifying him among the top 100 most influential entertainment litigators in the United States. In 2023 and 2024, he earned a spot on the publication's elite Power Lawyers: Troubleshooters List, restricted to just 25 attorneys nationwide for exceptional handling of high-stakes disputes. Variety featured Freedman in its 2024 Legal Impact Report, highlighting him as a leading figure in entertainment law and litigation amid his representation of clients in major media conflicts. Industry outlets such as Mediaite have similarly cited him as a premier crisis attorney, reflecting broader peer and editorial validation within Hollywood's legal circles.

Influence on entertainment law

Freedman's adoption of a publicly combative litigation style has shifted perceptions within , promoting aggressive defense tactics over traditional quiet negotiations in high-stakes celebrity disputes. Representing clients such as and in their 2023 separations from , he utilized bold public filings and media engagement to challenge severance terms and alleged misconduct claims, securing multimillion-dollar exits that highlighted the leverage gained from narrative control in media-driven cases. In contract and crisis management, his negotiation of Megyn Kelly's 2017 exit from NBC, yielding her full remaining contract value of approximately $69 million amid toxicity allegations at the network, exemplified how litigators can maximize payouts by tying disputes to broader cultural reckonings like the #MeToo movement. Similarly, his 2020 settlement for Gabrielle Union against America's Got Talent producers addressed claims of racism and a hostile set environment, prompting industry-wide scrutiny of unscripted television practices and influencing subsequent toxicity probes. Freedman's ongoing leadership of a investigation into the treatment of reality TV performers, launched in 2024, seeks to extend union protections to non-scripted talent, potentially reshaping labor standards and contract negotiations in a sector long exempt from such oversight. His firm's involvement in disputes like the 2024 Range Media Partners litigation against agencies further demonstrates his role in redefining agency-talent dynamics amid consolidation trends. Through consistent recognition as a leading litigator—named to The Hollywood Reporter's Power Lawyers list in 2025 and Variety's Legal Impact Report multiple times—Freedman has elevated the visibility of crisis-oriented entertainment practice, inspiring peers to adopt hybrid legal-public relations strategies. His 2023 donation to , his alma mater, funded specialized programs, contributing to the training of future practitioners in navigating Hollywood's evolving regulatory and reputational challenges.

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