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Buzz Cason

James Elmore "Buzz" Cason (November 27, 1939 – June 16, 2024) was an American rock , , and who played a pivotal role in shaping Nashville's early rock 'n' roll scene and broader music industry. Born in , as the younger of two children to James and Rosa (Jordan) Cason, he began his career in the mid-1950s by forming The Casuals, widely regarded as Nashville's first rock & roll band, which served as the backing group for and toured extensively. As a performer under the Garry Miles, Cason achieved a hit with the 1960 single "Look for a Star," which reached No. 16 on the Hot 100. Cason's songwriting career gained prominence in the , most notably with the co-authorship of "Everlasting Love" alongside Mac Gayden, a track that became one of Nashville's most enduring successes, amassing over 10 million radio plays according to . Originally recorded by Robert Knight in 1967, the song topped charts in the UK and saw major U.S. revivals, including Carl Carlton's 1974 No. 6 hit and covers by artists like , , and Love Affair. Other key compositions included "Soldier of Love" (co-written with Tony Moon and covered by and ), and "Ann (Don't Go Runnin')" for Tommy Overstreet. Transitioning into production and studio ownership, Cason founded the Creative Workshop in Nashville's Berry Hill neighborhood in 1970, a facility that hosted sessions for luminaries such as , , Roy Orbison, , and , contributing significantly to Nashville's emergence as a multifaceted recording hub beyond . He produced hits like Clifford Curry's "She Shot a Hole in My Soul" and Van & Titus's "," while also providing session work for artists including and . In his later years, Cason remained active, releasing albums such as Troubadour Heart (2014) and 2020 (2020), and publishing his autobiography Living the Rock & Roll Dream in 2006, which chronicled his seven-decade career. He received honors including induction into the and recognition from the Hall of Fame's 2014 Poets & Prophets series for his influence on Nashville's rock and songwriting legacy. Cason died at his home in , on June 16, 2024, at the age of 84.

Early life

Childhood in Nashville

James Elmore Cason, known professionally as Buzz Cason, was born on November 27, 1939, in Nashville, Tennessee, to parents James Roy Cason and Rosa Jordan Cason. Raised in a working-class household with a strict budget in the Inglewood neighborhood of East Nashville, Cason grew up amid the city's burgeoning music scene, where local radio broadcasts played a pivotal role in shaping his early worldview. As a child, Cason showed creative inclinations beyond music; he won a poetry contest in first grade and, at age 10, operated a popsicle pushcart with a friend named Aaron Brown to earn pocket money. At nine years old, he professed his faith in Jesus Christ and was baptized at Inglewood Baptist Church, where he also began singing and learning piano, occasionally tuning into the Grand Ole Opry for country music exposure. A turning point came when a cousin in the Air Force gifted him headphones from a bomber plane and a crystal radio, allowing late-night listening to WLAC's rhythm and blues programs featuring artists like James Brown, Muddy Waters, Joe Turner, and the Clovers—an experience Cason later described as life-changing. During his teenage years, Cason developed a passion for rock 'n' roll, becoming self-taught on guitar and drawing inspiration from pioneers like as well as Nashville's local sounds. As an art student at Isaac Litton High School in East Nashville, he honed his performing skills by painting sets and pantomiming R&B songs at the local WSIX TV station, blending his artistic and musical interests in a pre-professional capacity.

Formation of The Casuals

In the mid-1950s, while attending high school in , Buzz Cason co-founded The Casuals, recognized as the city's first band. Formed around 1956, the group marked Cason's transition from informal musical experimentation to organized performance, with him serving as the lead singer and guitarist at age 16. The initial lineup included Cason alongside Richard Williams on keyboards, Billy Smith, Chester Powers, and Johnny McCreery on guitar. The Casuals drew heavily from rockabilly and early rock and roll styles, performing energetic covers of songs by , , and to capture the emerging youth culture sound. This repertoire reflected the band's roots in blending country twang with energy, setting them apart in a local scene overwhelmingly focused on traditional . The band's early performances centered on Nashville-area venues, school assemblies, and community events, building a grassroots following through high-energy shows that introduced to conservative audiences. By 1958, The Casuals had expanded to regional tours and served as the backing band for teenage singer during her initial professional appearances, enhancing their visibility and honing their stage presence. Their efforts positioned The Casuals as pioneers, challenging Nashville's dominance and paving the way for rock's integration into the city's musical landscape, while solidifying Cason's commitment to performance as a career path.

Recording career

Solo debut as Garry Miles

In 1960, Buzz Cason adopted the pseudonym Garry Miles to pursue a recording career with , allowing him to capitalize on emerging opportunities in beyond his band work. His debut single, "Keep the Hall Light Burning" b/w "," was released in March 1960, though it did not achieve commercial success. Cason followed with "Look for a Star" b/w "Afraid of Love," a cover of the title track from the British Circus of Horrors, originally performed by Garry Mills. Recorded at RCA Studio B in Nashville with top session musicians including on guitar and on piano, the track showcased Cason's smooth, emotive vocal style and quickly gained traction. It peaked at number 16 on the in August 1960, marking his first and only major hit and outperforming the original's U.S. chart performance. Parallel to his solo efforts, Cason established himself as a sought-after session vocalist in Nashville during the early , contributing to recordings by prominent artists. He provided backing vocals for Roy Orbison on several tracks, leveraging his experience from live performances with similar acts. Additionally, Cason sang background parts on Elvis Presley's post-army sessions and early projects, demonstrating his adaptability across rock, pop, and country styles and building a foundation for his multifaceted music career.

Productions in Los Angeles

In 1962, Buzz Cason relocated to to serve as an assistant to producer at , marking his transition from performing to behind-the-scenes roles in the music industry. During this period, he collaborated with on productions for , the band formerly led by , including their 1964 single "(They Call Her) ," an English-language adaptation of ' hit that reached No. 21 on the . Cason also contributed background vocals to recordings by pop artists such as , , and , supporting the label's focus on mainstream and variety acts. After approximately three years at Liberty, where he gained experience in pop production amid the label's hit-making environment under Garrett, Cason returned to Nashville in 1965. There, he joined RCA Victor as a producer and A&R executive, shifting toward country-pop crossovers and nurturing emerging talents in the evolving Nashville scene. Notable early contributions included co-writing and performing on surf-rock and ballad tracks for Ronny & The Daytonas, such as the 1965 hit "Sandy," produced by Bill Justis, which blended pop accessibility with Southern influences before Cason pursued independent production ventures.

Songwriting

"Everlasting Love"

"Everlasting Love" is a song co-written by Buzz Cason and Mac Gayden in 1967, inspired by a melody Gayden had composed as a child and tailored specifically for the voice of singer Robert Knight, whom Gayden discovered performing at a Nashville fraternity house. The pair produced the track at Cason's studio, drawing on their experience in the music industry to create a Motown-influenced pop-soul number with heartfelt lyrics about enduring romance. Released on Cason's independent Rising Sons Records label, the original recording by Knight became a modest hit, peaking at number 13 on the Billboard Hot 100 chart in late 1967 and spending 12 weeks on the chart. Internationally, Knight's version reached number 40 on the in 1968, but the song's breakthrough came through subsequent covers that amplified its popularity. The British band Love Affair released a version later that year, which topped the for two weeks and outsold the original in . In the United States, Carl Carlton's upbeat disco-infused cover in 1974 climbed to number 6 on the , marking the song's highest peak on that chart and introducing it to a new generation. Gloria Estefan's dance-oriented rendition in 1995, from her album Hold Me, Thrill Me, Kiss Me, reached number 27 on the and number 19 in the UK, further extending its reach into the 1990s. The song's enduring appeal has led to over 40 covers by artists including U2 and Rex Smith with Rachel Sweet, cementing its status as a timeless anthem of lasting love. It has appeared in notable films such as Bridget Jones: The Edge of Reason (2004, Love Affair version) and Belfast (2021, Love Affair version), as well as television episodes like the 2022 Doc Martin installment titled "Everlasting Love." Frequently chosen for weddings due to its romantic theme, the track continues to generate ongoing royalties for co-writer Cason, reflecting its lasting cultural resonance.

Other notable compositions

In addition to his signature hit, Cason co-wrote "Soldier of Love (Lay Down Your Arms)" with Tony Moon in 1962, which became a notable R&B track when recorded by as the B-side to his single "Where Have You Been (All My Life)," reaching No. 58 on the Hot 100. The song gained further prominence through a 1963 cover by , recorded during a session and later released on their 1994 compilation album Live at the BBC, highlighting Cason's early influence on acts. has performed live versions of the song, including during their 1998 tour, underscoring its enduring appeal across genres. Cason also penned and produced "Adam and Eve" in 1968, a single that he released under his own name, achieving moderate international success by peaking at No. 21 on charts. The track's narrative style, evoking themes of lost innocence with references to the , reflected Cason's evolving songwriting approach in the late , blending folk-rock elements with pop accessibility. Cason penned "The Waiting Game" for in 1964, a lighthearted country-pop tune about romantic patience that was released as the B-side to her single "Think." Among his other major successes, Cason co-wrote "The Night the Lights Went Out in Georgia" with in 1972, which became a No. 1 hit on the for in 1973 and also reached No. 7 on the Hot 100. He also composed "Ann (Don't Go Runnin')" for Tommy Overstreet, which peaked at No. 9 on the in 1972. His catalog extended to other pop and country performers, including contributions published for acts like , where his role in session work and publishing supported hits in the 1970s and beyond. To manage his growing body of work, Cason co-founded the firm Russell-Cason Music in 1966 with songwriter , which handled copyrights for several chart successes and provided a for his long-term financial independence in the industry. This venture evolved into Buzz Cason Music (ASCAP), allowing him to retain control over his compositions and collaborate effectively with partners like Mac Gayden on additional material.

Creative Workshop

Founding and expansion

In 1970, Buzz Cason established Creative Workshop as Nashville's second independent , located in the Berry Hill neighborhood on 16th Avenue South. The studio was initially equipped with an recording facility, funded primarily through Cason's songwriting income from hits such as "." Drawing on his prior production experience in , Cason envisioned the studio as a hub to attract pop and rock acts to Nashville's predominantly ecosystem, fostering a more diverse creative environment beyond the established infrastructure. The studio's business model emphasized accessibility for emerging and non-country artists, enabling Cason and his team to develop new talent in a relaxed atmosphere while contributing to the broadening of Nashville's music . This approach positioned Creative Workshop as a key player in diversifying the city's recording landscape during an era when independent facilities were scarce. Expansion began with a significant in 1976, overseen by engineer Brent Maher, which introduced a state-of-the-art control room and 24-track capabilities to meet growing demands. In 1982, Cason added Creative Workshop II as a second facility, further enhancing capacity, and the studios later incorporated technology to remain competitive into subsequent decades. These developments solidified Creative Workshop's role as a foundational venue in Nashville's evolving music scene.

Major recordings and artists

Creative Workshop quickly became a hub for emerging and established talent in Nashville, with its first major project being Jimmy Buffett's debut album Down to Earth in 1970, followed by his second album in 1971. These recordings, produced by Buzz Cason, marked the launch of Buffett's career and included several co-writes between the two, capturing the singer-songwriter's early folk-rock sound. The studio hosted sessions for a diverse array of artists, including , Roy Orbison, , , who tracked several of her early hits there, and , who recorded key sessions during the studio's original 1970-1975 era. Other notable projects included ' breakthrough 1984 single "Why Not Me," which helped propel the duo to stardom. These efforts underscored Creative Workshop's versatility in blending , and pop genres. Beyond artist albums, the facility contributed to pop and crossover successes, such as Carl Carlton's 1974 revival of Cason's co-written "," and served as a venue for commercial recordings, including jingles featuring Cason's vocals for brands like and . The studio's output supported numerous chart-topping tracks across genres, from to . Remaining operational since its 1970 founding, Creative Workshop influenced a legacy of hits, contributing to over 100 and records through its role in Nashville's evolving music scene.

Later career

B.C. and the Dartz

In the mid-1980s, Buzz Cason formed the neo- band B.C. and the , blending classic influences with his longstanding pop and rock sensibilities to create a high-energy, good-time sound. The group emerged during a period of renewed interest in revival, allowing Cason to return to live performing after years focused on songwriting and production. The band's primary activities centered on recording and regional performances, including tours of Nashville-area clubs and appearances at local events. They released their debut album, An American Saturday Night, in 1986 on Track Records, featuring tracks like "An American Saturday Night" and covers such as "," recorded at Cason's Creative Workshop studio. In November 1986, B.C. and the opened for Ronnie Milsap's "Lost in the Fifties" concert at the in Nashville, showcasing their upbeat set to a homecoming crowd. The group also performed at venues like that year, promoting their single "An American Saturday Night" through live shows and a accompanying video release. B.C. and the helped revive Cason's profile as a live performer, sustaining activity through the late and into the 1990s with occasional club gigs and festival spots in the Nashville scene, where the band's energetic style resonated with audiences nostalgic for early rock roots.

Recordings

Following the activities of B.C. and the , Cason continued releasing music independently. His solo album East of Nashville came out in 2000 on Arena Records. In 2007, he issued Hats Off to on Palo Duro Records, a to . Later releases included Troubadour Heart in 2014 and the album 2020 in 2020, both recorded at Creative Workshop and reflecting his enduring rock and influences. Additionally, in 2018, Cason collaborated with on Billy & Buzz Sing Buddy, covering songs.

Authorship

In 2004, Buzz Cason published his autobiography, Living the Rock 'n' Roll Dream: The Adventures of Buzz Cason, through Books. The chronicles nearly 50 years in the music industry, from his formation of the rock band The Casuals in 1957 and later group B.C. and the Dartz, to co-writing hits like "," establishing the Creative Workshop recording studio, and sharing insider anecdotes about collaborations with artists such as , Roy Orbison, and . The book was praised for its engaging depiction of rock 'n' roll's adventurous spirit and the era's unbridled freedom, offering an insider's perspective on the evolution of Nashville's music scene. It garnered endorsements from prominent peers, including , who highlighted its authentic portrayal of a musician's life. Following the , Cason continued contributing to documentation through and interviews, such as his 2013 session for the NAMM Oral History Library, where he discussed his multifaceted career as a performer, songwriter, and producer.

Personal life

Family

Buzz Cason was first married to Rose Marie Whitson, with whom he had two daughters, Tammy Cason and Kristy Cason. His second marriage was to Peggy Ann Parker Ball Cason (died 2018), with whom he had a daughter, Leah Ball Steen, and two sons, Taylor Cason and Parker Cason. He later married Victoria "Vickie" Vaughn Cason, with whom he shared the later decades of his life in a partnership that blended family and professional pursuits. Cason's sons Taylor and Parker followed in his musical footsteps, collaborating with him on performances and studio work, including co-recording the 2020 album of pop songs. The family extended to nine grandchildren, reflecting Cason's deep-rooted commitment to personal relationships amid his career. Cason and his family made their longtime home in , where he maintained a balance between his endeavors in the music industry and active support for his loved ones.

Death

James Elmore "Buzz" Cason passed away on June 16, 2024, at his home in , at the age of 84. The date coincided with , and he died peacefully from natural causes. A private burial was held for Cason, followed by a public memorial service on June 21, 2024, at Forest Hills Baptist Church in Nashville. His death was announced by the Hall of Fame and Museum, which highlighted his pivotal role in Nashville's music scene, and tributes poured in from peers across the industry. Obituaries described Cason as the "Father of Nashville Rock," crediting him with pioneering the genre in the city through his early band The Casuals and decades of songwriting and production. In a family statement, he was remembered as a devoted husband to Vickie, a loving father and grandfather, and a man whose kindness and passion for touched everyone around him.

Legacy

Impact on Nashville music

Buzz Cason played a pivotal role in pioneering in Nashville during the mid-20th century, when the city was predominantly known for . In 1956, at the age of 16, he co-founded The Casuals, widely recognized as Nashville's first band, which performed at local venues and high school dances while challenging the era's country dominance. The group evolved into a successful touring act and served as the backing band for star , helping to introduce rock elements to Nashville audiences through the and . This early effort laid groundwork for rock's integration into the local scene, extending into the 1970s as Cason continued producing and performing rock-oriented material. Cason's establishment of Creative Workshop in 1970 marked a significant advancement in Nashville's independent recording landscape, influencing by creating an alternative hub outside its traditional boundaries. Located in Berry Hill, the studio became one of the first non- facilities, attracting artists from diverse genres and fostering crossovers between , and pop. Over decades, it hosted sessions for hits like Carl Carlton's pop-soul rendition of "" in 1974 and The Judds' crossover "Why Not Me" in 1984, demonstrating its versatility in blending styles and drawing talent beyond country purists. This model encouraged other independent ventures, broadening Nashville's production capabilities and reducing reliance on major labels centered on . Through mentorship, Cason supported emerging artists who helped elevate Nashville's profile in non-country genres, notably aiding Jimmy Buffett's early career. In 1970, he produced Buffett's debut album Down to Earth and followed with High Cumberland the next year at Creative Workshop, while also co-writing and publishing his initial songs. This guidance propelled Buffett toward global success in trop-rock, showcasing Nashville's potential for pop and rock exports. Cason extended similar support to other acts, including background vocals for and collaborations with Roy Orbison, further embedding diverse influences. Over seven decades, Cason's multifaceted career as a performer, , and publisher helped transform Nashville into a multi-genre music hub, expanding its sound beyond to encompass , pop, and R&B. His songwriting credits, such as the enduring "" co-written in 1967 and covered across genres, exemplified this diversification, while his studio and publishing efforts nurtured talent that achieved international reach. By bridging styles and innovating independent infrastructure, Cason contributed to the city's evolution into a global recording center.

Honors and recognitions

In recognition of his pioneering contributions to Nashville's music scene, Buzz Cason received an honorary Doctorate of Musical Arts from in 2019. Cason was inducted into the for his early work as a rockabilly performer and innovator. In 2014, the Hall of Fame and Museum honored Cason through its Poets and Prophets series, celebrating his role as a songwriter, producer, and studio owner who bridged rock, pop, and country genres. Following his death on June 16, 2024, Cason received several posthumous tributes that underscored his status as a trailblazer in American music. The magazine published an obituary hailing him as the "Father of Nashville Rock" for his foundational influence on the city's rock and soul sound. The obituary similarly portrayed him as a guiding force in the early days of Nashville rock 'n' roll and the creator of enduring pop standards like "." The Hall of Fame and Museum issued a statement commemorating his seven-decade career and versatile impact on music boundaries.

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