CJ Fly
Chaine St. Aubin Downer Jr. (born July 6, 1993), known professionally as CJ Fly, is an American rapper, singer, record producer, and actor from Brooklyn, New York.[1][2] A founding member of the hip-hop collective Pro Era alongside Joey Bada$$, he rose to prominence in the early 2010s through the group's mixtapes and tours, including opening for A$AP Rocky and Wiz Khalifa on the Under the Influence Tour in 2013.[3][4][5] CJ Fly's career began in high school at Edward R. Murrow High School, where he met Joey Bada$$ and other future Pro Era members, transitioning from poetry to rapping by seventh grade.[6] His influences draw from golden age hip-hop as well as the Jamaican and Barbadian music of his parents' heritages—his father from Jamaica and mother from Barbados.[4] He released his debut mixtape, Thee Way Eye See It, in 2013, which featured production from Statik Selektah and ESTA., earning critical acclaim for its lyrical depth and cinematic style.[7] Subsequent solo projects include the album FLYTRAP (2016) and the Statik Selektah-produced RUDEBWOY (2020), the latter highlighting collaborations with Pro Era affiliates like Kirk Knight and guest appearances from Conway the Machine.[8][9] As part of the expanded Beast Coast supergroup—comprising Pro Era, Flatbush Zombies, and The Underachievers—CJ Fly contributed to the 2019 debut album Escape from New York, which debuted at number 29 on the Billboard 200.[10][11] In recent years, he has focused on collaborative works, including PIRANHA with producer Stoic (2023) and the PhaRaOh'S return 2: NUBIA with NasteeLuvzYou (2024), alongside the single "READY" in July 2025.[12][13] Known for his versatile flow, storytelling, and independent ethos, CJ Fly continues to build a prolific catalog emphasizing Brooklyn's cultural roots and personal growth.[14]Early life and education
Family background
Chaine St. Aubin Downer Jr., professionally known as CJ Fly, was born on July 6, 1993, in Brooklyn, New York City.[1][15] CJ Fly's mother is of Barbadian descent, while his father has Jamaican roots, both of whom immigrated to the United States and raised him in a household rich with West Indian traditions.[16][4] This Caribbean heritage profoundly shaped his cultural identity, exposing him from childhood to the rhythms and stories of island life that would later influence his artistic expression.[16] In the vibrant, multicultural environment of Brooklyn, CJ Fly grew up surrounded by music as a central family element, with his mother introducing calypso and soca genres reflective of her Bajan background, and his father sharing reggae sounds alongside urban hip-hop from New York radio stations played in his dollar van.[16] This early immersion in diverse musical influences fostered a deep connection to his parents' origins, blending West Indian sounds with the American urban landscape.[4]Schooling and early interests
CJ Fly attended Edward R. Murrow High School in Brooklyn, New York, a specialized school focused on communication arts.[17] During his time there, he connected with key figures who would later co-found the Pro Era collective, including Joey Bada$$, Powers Pleasant, and the late Capital STEEZ.[18] These friendships fostered a shared creative environment, where the group often skipped classes to practice rapping in the school auditorium, honing their skills amid the vibrant Brooklyn hip-hop scene.[17] His early creative development was rooted in a passion for poetry, which he began writing as early as the fourth grade.[14] This interest evolved into lyricism, blending introspective verses with rhythmic expression influenced by his family's Jamaican and Barbadian heritage, which introduced him to diverse musical sounds from a young age. By the seventh grade, Fly had transitioned into rapping, integrating his poetic background to craft verses that emphasized wordplay and narrative depth.[18][14] Around 2011, Fly made his initial forays into performing rap, participating in local cyphers and early features within Brooklyn's underground scene. These experiences marked the beginning of his shift from personal writing to collaborative performances, building momentum through informal sessions with high school peers.[19]Musical career
Formation of Pro Era and early releases
CJ Fly co-founded the Pro Era collective in 2011 while attending Edward R. Murrow High School in Brooklyn, New York, alongside Joey Bada$$, Capital STEEZ, and DJ Powers Pleasant. As the oldest member of the group, born in 1993, Fly brought a sense of maturity and mentorship to the ensemble, which emphasized conscious hip-hop rooted in 1990s influences and Brooklyn's street culture. The formation stemmed from high school cyphers and shared artistic visions, quickly evolving into a tight-knit crew that performed locally and built a grassroots following through freestyle sessions and informal showcases.[20][18][21] In early 2012, Pro Era released its debut mixtape, *The Secc Tap.e*, where Fly contributed verses that highlighted his lyrical dexterity and group synergy, appearing on tracks alongside his fellow founders. Later that year, the collective followed with *PEEP: The aPROcalypse* in December, featuring Fly on standout cuts like "Like Water" with [Joey Bada$$](/page/Joey_Bada$) and Capital STEEZ, produced by Statik Selektah, which captured the crew's raw energy and thematic depth on truth and resilience. These releases marked Fly's initial contributions to Pro Era's sound, blending boom-bap beats with introspective bars that resonated in Brooklyn's underground scene.[18][22] Fly's first notable features came on Joey Bada's breakout mixtape *1999*, released in June 2012, where he appeared on tracks such as "Hardknock" (produced by Lewis Parker) and "Don't Front" (produced by Statik Selektah), delivering verses that complemented Bada's nostalgic style while showcasing his own vivid storytelling. Prior to major solo projects, Fly participated in early collaborative tracks like "Flyin' Lo" with Capital STEEZ and T'nah Apex, further embedding him in Pro Era's output. These efforts fueled underground buzz in Brooklyn, amplified by live performances at venues like SOB's in June 2012 and CMJ Music Marathon in October, where Fly's commanding stage presence during cyphers and sets helped solidify the collective's reputation as rising talents.[18][22][23]Solo projects and major albums
CJ Fly's solo career began with the release of his debut mixtape, Thee Way Eye See It, on October 5, 2013, distributed as a free digital download via DatPiff.[24] The 18-track project featured guest appearances from Pro Era affiliates like Joey Bada$$ and A La $ole, as well as external artists such as Ab-Soul and Erick Arc Elliott, with production handled by Statik Selektah, Brandun DeShay, and others.[25] It showcased Fly's lyrical dexterity over boom bap beats, earning praise for revitalizing 1990s-inspired hip-hop aesthetics.[26] His early solo efforts, including Thee Way Eye See It, closely aligned with the conscious, boom bap style emblematic of Pro Era's collective sound. Fly's first studio album, Flytrap, arrived on December 9, 2016, through Pro Era and Cinematic Music Group.[27] The 14-track effort featured production from Kirk Knight, dF, DJ Relly Rell, King CARLOW, and Matt Noble, blending introspective lyrics with experimental sonic elements like trap influences and melodic hooks. Critical reception was mixed; reviewers noted its ambitious departure from traditional rap structures but critiqued occasional lyrical inconsistencies, with outlets describing it as "sneaky good" for its replay value despite underwhelming moments.[28][29] In 2020, Fly collaborated with producer Statik Selektah for RUDEBWOY, released on March 6 via Pro Era.[30] The 13-track album was entirely produced by Selektah, incorporating dancehall rhythms and samples that highlighted Fly's West Indian heritage, including nods to his Jamaican roots through patois-infused bars and cultural references.[16] Tracks like "RUDEBWOY" (featuring Joey Bada$$) and "Show You" emphasized themes of resilience and identity, receiving acclaim for its cohesive boom bap foundation and vivid storytelling.[31] Fly continued his output with NOT WHAT YOU'RE EXPECTING on August 24, 2021, an independent release comprising 15 tracks that explored personal growth and street narratives.[32] Standout cuts included "Capri Sun," a reflective opener on nostalgia, and "Block Is Hot" (featuring Devin Tracy), which captured urban hustle with gritty production.[33] The project garnered modest streaming traction but solidified Fly's reputation for consistent, introspective solo work. The four-track EP The PhaRaOh'S return followed on February 22, 2022, delving into triumphant motifs with tracks like "BYB" and "Keep Winning," produced by a mix of in-house and external beatsmiths.[34] It marked a concise return to form, emphasizing motivational lyrics over sparse, atmospheric beats. Healing From Our Wounds, released May 31, 2023, as a 16-track album, addressed emotional recovery and relationships, featuring collaborations with NasteeLuvzYou on "GOTTA MAKE IT HAPPEN" and introspective solos like "there for me."[35] The self-released project highlighted Fly's evolving vulnerability, with production blending soulful samples and modern hip-hop elements, earning fan appreciation for its therapeutic depth.[36] Fly's most recent major release, PIRANHA (deluxe edition in 2024), emerged in November 2023 as a collaborative effort with producer Stoic, featuring 14 tracks that fused aggressive flows with trap-infused beats.[12] Highlights included "ALAMODE" for its energetic delivery and guest spots from Nyck Caution and Lord Apex, contributing to positive reception for its tight production and replayability in underground circles. In 2024, Fly released the PhaRaOh'S return 2: NUBIA, a collaborative album with producer NasteeLuvzYou on June 21, featuring 10 tracks that explore bold, boom bap-infused narratives with guests like Termanology and R.A.P. Ferreira, emphasizing triumphant and cultural themes.[38]Collaborations, groups, and recent developments
CJ Fly has been a key member of the Beast Coast supergroup, formed by artists from Pro Era, Flatbush Zombies, and The Underachievers, which released its debut album Escape from New York on May 24, 2019, via Columbia Records. The 13-track project showcases collective lyricism rooted in New York hip-hop, with CJ Fly featuring prominently on songs like "Left Hand" (featuring Joey Bada$$, Flatbush Zombies, The Underachievers, Kirk Knight, Nyck Caution, and CJ Fly).[39][40] Beyond Beast Coast, CJ Fly's collaborations often center on Pro Era affiliates and renowned producers. He joined Joey Bada and [Kirk Knight](/page/Kirk_Knight) on the 2022 single "Know the Rules," produced by [Statik Selektah](/page/Statik_Selektah), which highlights their shared East Coast sound with jazz-infused beats. Earlier, CJ Fly appeared on [Statik Selektah](/page/Statik_Selektah)-produced tracks like "Like Water" with [Capital STEEZ](/page/Capital_Steez) and Joey Bada from the 2012 Pro Era compilation PEEP: The aPROcalypse, and contributed to the 2020 collaborative album Rudebwoy with Statik Selektah, including the title track featuring Joey Bada$$. He also teamed with Kirk Knight on "Block Party" in 2020, blending introspective bars over upbeat production.[41][42][43] In 2025, CJ Fly engaged in high-profile responses amid a rap feud involving Joey Bada$$ and West Coast artists Ray Vaughn and Daylyt. On January 17, he released "HIYU Freestyle," a direct rebuttal sampling Daylyt's track of the same name, where CJ Fly defends his Pro Era cohort with sharp, multilingual bars emphasizing loyalty and skill. This was followed by the May 19 diss track "STINGray," produced in-house by Pro Era affiliates, targeting Ray Vaughn and Daylyt with aggressive wordplay and references to the escalating beef, marking CJ Fly's second contribution to the conflict. Fly released the single "READY" on July 16, 2025, produced by Geez and himself, showcasing motivational lyrics over upbeat production. These releases underscore his role in sustaining Pro Era's presence through timely, combative output rather than full-group tours, though the collective continues to support individual endeavors post-2023.[44][45][46][47]Acting career
Film debut and roles
CJ Fly made his acting debut in the 2021 HBO Films production The Many Saints of Newark, a prequel to the acclaimed television series The Sopranos directed by Alan Taylor. In the film, set against the backdrop of the 1967 Newark riots, Fly portrayed a member of the spoken-word group The Last Poets alongside fellow Pro Era artist Dessy Hinds, appearing in a pivotal scene featuring a performance of the original track "Wake Up, N****s" during a Black Panther gathering.[48] This supporting role marked his entry into cinema, leveraging connections from his music career through a recommendation by a family friend of producer Paolucci to secure the casting.[49] Reflecting on the experience in a 2022 interview, Fly described the opportunity as surreal, noting his surprise at landing the part and the thrill of seeing the film available on demand worldwide, which underscored the global reach of his debut.[49] He highlighted the behind-the-scenes transition from music sets to film, where the structured environment and collaboration with established actors like Leslie Odom Jr. provided a learning curve, though he expressed eagerness for more roles while pursuing union membership and representation to formalize his acting pursuits.[49] This debut not only expanded Fly's creative portfolio but also demonstrated how his rhythmic delivery from hip-hop informed his spoken-word performance.[48] In 2025, Fly appeared in the short film Last Hoorah at G-Baby's, directed by DeeDee Casimir, a coming-of-age dark comedy that premiered at festivals including the Micheaux Film Festival and Urbanworld Film Festival.[50] He played the character Sosa in the story of Naja, an apathetic art school graduate grappling with her grandmother's death, depleting her inheritance, and facing eviction from her Brooklyn apartment within five days.[51] The production, shot in New York, emphasized themes of grief and self-discovery, with Fly's involvement reflecting ongoing opportunities stemming from his music industry network in the independent film scene.[52]Other media appearances
In 2012, CJ Fly made an early media appearance in the music video for "Hardknock" by Joey Bada$$ featuring himself, where he performed as a rapper in a narrative-driven visual that highlighted his acting-like presence alongside his musical contribution.[53] This short-form video marked one of his initial forays into performative media beyond pure audio releases. The following year, Fly appeared in the short documentary Spit Gold Under an Empire (2013), directed by Emily Kai Bock, which premiered at the Sundance Film Festival and explored New York City's underground rap scene. In the film, he was featured alongside artists like Angel Haze and Mykki Blanco, providing insights into his creative process and neighborhood influences through interviews and observational footage.[54][55] In 2014, Fly starred in and helped produce the short film Eyetalian Frenchip, a self-directed visual narrative tied to his track of the same name from the mixtape Thee Way Eye See It. The piece depicted a dramatic love triangle, blending his performance as the lead character with cinematic elements inspired by his interest in motion pictures.[56][57] More recently, in 2025, Fly took on a supporting role in the short film Last Hoorah at G-Baby's, a dark comedy directed by DeeDee Casimir that follows an art school graduate navigating grief and financial woes after her grandmother's death. The film screened at festivals including BlackStar and Urbanworld, showcasing Fly's acting in a ensemble cast centered on themes of loss and resilience.[50][58]Artistry
Influences
CJ Fly has identified several foundational hip-hop artists as key influences, particularly The Notorious B.I.G., Nas, and Jay-Z, whose masterful storytelling and intricate lyricism have shaped his approach to crafting narratives in rap.[59][60] In addition to individual rappers, Fly draws from group dynamics and innovative styles in acts like A Tribe Called Quest and MF DOOM, valuing their conscious themes, abstract wordplay, and experimental production that emphasize depth over commercial appeal.[61][60] As a rapper of Barbadian and Jamaican descent, Fly has been profoundly impacted by West Indian figures such as Busta Rhymes and Phife Dawg of A Tribe Called Quest, who pioneered the seamless integration of patois and Caribbean cultural nuances into hip-hop, inspiring him to authentically represent his heritage. "Phife Dawg was the first person I ever heard put patois in the vocals, and I was like, ‘What, you can do this?’” Fly noted in a 2020 interview, crediting these artists for normalizing dialect in mainstream rap.[16][62] Fly's broader cultural influences stem from his Barbadian mother's soca and calypso traditions and his Jamaican father's reggae roots, which he describes as his "first love" in music and inform his rhythmic experimentation and thematic authenticity.[16][63] He has specifically praised Jamaican icons including Bob Marley, Vybz Kartel, Popcaan, and Chronixx for their role in embedding island culture into global sounds, stating, “Jamaican culture is very important to me. I’m definitely heavily influenced by everything going on [in Jamaica].”[64] These elements occasionally surface in his projects, such as the patois-infused tracks on his 2020 album Rudebwoy.[16]Musical style and themes
CJ Fly's musical style is characterized by a fusion of East Coast boom bap rhythms with Southern trap elements and West Indian influences, often incorporating patois in his delivery to reflect his Barbadian and Jamaican heritage.[65][66][16] This blend creates a distinctive sound that pays homage to classic hip-hop production while infusing reggae bounce and calypso swing, particularly evident in his preference for collaborating with producers like Statik Selektah, whose jazzy, live-band backdrops enhance Fly's lyrical flow.[16][67] Known as "The Storyteller" for his narrative-driven approach, Fly draws on influences like Nas to craft intricate, storytelling verses that prioritize vivid imagery over bravado.[68] Lyrically, CJ Fly explores themes of cultural identity, personal growth, and social commentary, weaving personal anecdotes with broader reflections on heritage and societal challenges. His emphasis on Jamaican culture—from dancehall routines to patois expressions—serves as a celebration of his roots, positioning his music as a bridge between Brooklyn's street narratives and Caribbean traditions.[64] Tracks often delve into self-reflection and overcoming personal doubts, mirroring his own journey in the industry, while addressing systemic issues like police brutality through conscious, introspective bars.[16][69] Fly's artistry has evolved from the conscious hip-hop rooted in Pro Era's early boom bap sound to more experimental textures in his 2020s releases, incorporating trap-inspired beats and genre-blending production to expand his sonic palette.[70][19] This shift allows for greater versatility, moving beyond traditional structures to embrace West Indian rhythms and modern hip-hop trends while maintaining a core of lyrical depth.[16][67]Works
Studio albums
CJ Fly has released several studio albums throughout his career, often in collaboration with producers and featuring contributions from Pro Era affiliates.| Title | Release date | Label |
|---|---|---|
| Flytrap | December 9, 2016 | Pro Era, Cinematic Music Group[8] |
| RUDEBWOY (with Statik Selektah) | March 6, 2020 | Pro Era |
| NOT WHAT YOU'RE EXPECTING | August 24, 2021 | Pro Era |
| Healing From Our Wounds | May 31, 2023 | Self-released[71] |
| PIRANHA (with Stoic) | November 24, 2023 | Self-released[72] |
| baited (with Stoic) | 2024 | Self-released[73] |
| The PhaRaOh'S return 2: NUBIA (with NasteeLuvzYou) | June 21, 2024 | AfterLyfe Records, SWARM[74] |
Mixtapes and EPs
CJ Fly's early work includes mixtapes and EPs that helped establish his presence in the Pro Era collective.- Thee Way Eye See It (mixtape, October 5, 2013, Pro Era)[75]
- The PhaRaOh'S return (EP, February 22, 2022, AfterLyfe Music)[34]
- SAME 24 (EP, 2024, Self-released)[73]
Singles
CJ Fly has issued several standalone singles, particularly in recent years, showcasing experimental and freestyle elements.- "READY" (July 16, 2025, Self-released)[47]
- "HIYU FREESTYLE" (2025, Self-released)[73]
- "STINGray" (2025, Self-released)[73]
- "CYCLOPS" (March 8, 2025, Self-released)[76]
- "GRIND" (February 21, 2025, SWARM)[77]
Guest appearances
CJ Fly has made notable guest appearances on tracks by other artists, often within the hip-hop collective scene, grouped chronologically with representative examples.- 2012: Featured on "Hardknock" by Joey Bada$$ from the mixtape 1999 (Pro Era).[78]
- 2013: Appeared on multiple tracks from Pro Era's compilation P.E.E.P: The aPROcalypse (Pro Era, Cinematic Music Group).[14]
- 2019: Featured on "Left Hand" by Beast Coast from Escape from New York (Columbia Records), alongside A$AP Rocky, Tyler, the Creator, and others.
- 2020: Appeared on tracks by Statik Selektah and Pro Era members.[16]
- 2023–2025: Featured on various independent releases, including Joey Bada$$'s Lonely At The Top (2025, Pro Era).[73]
Filmography
CJ Fly began appearing in visual media in the early 2010s, primarily in music videos and shorts related to his hip-hop career, before transitioning to narrative film roles.| Year | Title | Role | Type |
|---|---|---|---|
| 2012 | Joey Bada$$ feat. CJ Fly: Hardknock | Himself | Music video |
| 2013 | Spit Gold Under an Empire | Himself | Short documentary |
| 2020 | Elevate with Teddy (episode: "Elevate with C.J. Fly") | Himself | TV series episode |
| 2021 | The Many Saints of Newark | Tabernacle Band #2 | Film |
| 2025 | Last Hoorah at G-Baby's | Sosa | Short film |