Cassadee Pope
Cassadee Pope is an American singer-songwriter who initially gained recognition as the lead vocalist and primary songwriter of the pop-punk band Hey Monday.[1] She achieved mainstream success as the winner of the third season of NBC's The Voice in 2012, marking her as the first female champion of the competition.[2] Following the victory, Pope transitioned to country music, signing with Republic Nashville and releasing her debut solo album Frame by Frame in 2013, which debuted at number one on the Billboard Top Country Albums chart and reached the top ten on the Billboard 200.[3] The album's lead single "Wasting All These Tears" earned platinum certification from the RIAA.[4] In 2017, Pope received a Grammy Award nomination for Best Country Duo/Group Performance for her collaboration "Think of You" with Chris Young.[5] After several country releases, she has expressed intentions to return to pop-punk influences, citing frustrations with the country music industry's constraints.[6]Early Life
Childhood and Family Background
Cassadee Blake Pope was born on August 28, 1989, in West Palm Beach, Florida, to parents Lenny and Lori Pope.[7] She grew up in the suburban community of Wellington, approximately 15 miles west of her birthplace, in a middle-class household without notable connections to the entertainment industry.[8] Pope has one sibling, an older sister named Ashley, who influenced her early interest in music by taking voice lessons first, prompting Pope to begin formal training around age four when her sister's coach offered sessions during Ashley's recovery from surgery.[9][10][7] The family experienced significant upheaval when Pope's parents divorced around 2000, when she was 11 years old, a period she later described as challenging but one in which she and her sister supported each other amid the emotional strain.[11] This suburban Florida environment, characterized by typical middle-American routines rather than artistic immersion, fostered Pope's independent curiosity toward music; she recalled growing up listening to and singing country music at home, which provided an initial, self-directed outlet for expression before broader influences emerged.[9] Attending local schools, including Wellington High School, Pope developed her vocal skills informally, participating in activities like the St. Ann School Jazz Band during middle school, reflecting a grassroots start unguided by professional lineage.[12]Initial Musical Interests
Pope began taking vocal lessons at the age of four, which sparked her lifelong commitment to music.[13][9] Raised in West Palm Beach, Florida, she was initially exposed to country music through her Southern vocal teacher and family influences.[14] She participated in school music programs, building foundational skills in performance and ensemble singing during her elementary and middle school years.[13] Entering high school around 2003, Pope's interests shifted toward rock and pop-punk genres, influenced by attending her first rock concert during her sophomore year, which ignited a strong passion for live performances.[15] She developed personal tastes listening to bands such as Yellowcard and Fall Out Boy, marking a departure from her earlier country roots.[14] This period saw her forming her first rock band with peers, engaging in local performances and amateur songwriting to experiment with punk-infused styles before graduating in 2007.[13] Post-graduation, she committed to music full-time, prioritizing original compositions and gigs over formal education.[14]Music Career
2008–2011: Formation and Activity with Hey Monday
Hey Monday formed in March 2008 in West Palm Beach, Florida, when vocalist Cassadee Pope and guitarist Mike Gentile recruited drummer Elliot James, rhythm guitarist Alex Lipshaw, and bassist Michael "Jersey" Moriarty following the breakup of their prior band, Blake.[16][17] Pope served as the band's frontwoman, delivering energetic performances in the pop-punk genre characterized by catchy hooks, emo-influenced lyrics, and power-pop elements.[18] The group signed with Decaydance Records, an imprint founded by Fall Out Boy's Pete Wentz, which aligned with their sound and provided early exposure within the scene.[19] The band's debut full-length album, Hold On Tight, was released on October 7, 2008, through Decaydance and Columbia Records, featuring 12 tracks including the single "How You Love Me Now," which highlighted Pope's dynamic vocal range and the band's upbeat, relationship-themed songwriting.[19][20] The album achieved modest commercial traction, peaking on the Billboard Heatseekers chart, reflecting niche appeal among pop-punk audiences rather than mainstream breakthrough.[21] In 2010, Hey Monday followed with the EP Beneath It All, released on August 17 via the same labels, which included reworked material and further established their fizzier emo-pop style amid ongoing touring commitments.[22] From 2008 to 2011, Hey Monday toured extensively, supporting major acts in the pop-punk and alternative rock space, including Fall Out Boy on the 2009 Believers Never Die Part Deux tour alongside All Time Low, Cobra Starship, and Metro Station, which helped build their live reputation through high-energy sets and fan engagement.[23] These opportunities, often on U.S. and international legs, exposed the band to larger audiences but underscored their role as an opening act in a competitive genre.[24] In December 2011, Hey Monday announced an indefinite hiatus, with Pope citing her desire to pursue solo projects as a primary factor, stating the band was "taking a break and pursuing things on our own" while emphasizing it was not a permanent dissolution.[25] This decision stemmed from diverging personal ambitions within the lineup, particularly Pope's interest in branching beyond the band's collective sound, leading to fan disappointment expressed in online forums and coverage, though the group left open the possibility of future activity.[26] Guitarist Mike Gentile later clarified his intent to focus on individual endeavors during the pause, highlighting underlying tensions over creative direction and sustainability in the pop-punk market.[27]2012: Participation and Victory on The Voice
Cassadee Pope auditioned for the third season of The Voice, which premiered on September 4, 2012, during the blind auditions phase. She performed Natalie Imbruglia's "Torn," prompting turns from coaches Blake Shelton, Adam Levine, Christina Aguilera, and CeeLo Green; Pope selected Shelton's team, leveraging his country music expertise to pivot from her pop-punk background with Hey Monday toward country-infused covers for greater competitive visibility.[1][28] Throughout the competition, Pope advanced via the battle rounds, knockouts, and live performances, strategically emphasizing country arrangements of pop and rock songs to align with Shelton's coaching style and audience demographics. Notable performances included a live rendition of Miranda Lambert's "Over You," which showcased her vocal control and emotional delivery, contributing to her consistent high placement. This genre adaptation was a calculated move, as her prior pop-rock experience risked blending into a crowded field, whereas country covers under Shelton provided differentiation and thematic coherence.[28] In the season finale on December 18, 2012, Pope was declared the winner, becoming the first female champion and securing Shelton's second victory as a coach; she outperformed finalists Terry McDermott and Nicholas David through cumulative viewer votes via iTunes downloads and other platforms. Immediately following the win, her debut single "Wasting All These Tears" was released, debuting at number one on the iTunes country chart and number three overall, with 78,000 downloads in its first 48 hours, demonstrating rapid commercial leverage from the exposure.[29][30][31] Pope's participation drew criticisms that her experience as Hey Monday's lead vocalist—having toured and released albums—conferred an unfair advantage in stage presence and audience familiarity compared to less seasoned contestants. Observers argued this made her a "ringer," potentially skewing the competition's intent for undiscovered talent, though Pope maintained the show targets skilled singers without major solo contracts, and her victory reflected genuine popular support via empirical voting metrics.[32][33][34]2012–2014: Transition to Solo Country Career and Frame by Frame
Following her win on The Voice in December 2012, Pope parted ways with her pop-punk band Hey Monday to pursue a solo career in country music, citing the genre's broader commercial appeal and her mentor Blake Shelton's influence as key factors in the shift.[6][35] In January 2013, she signed with Republic Nashville, an imprint of Big Machine Records, and began recording her debut country album.[36][14] Pope released her first country single, "Wasting All These Tears," on June 3, 2013, which debuted at No. 7 on the Billboard Hot Country Songs chart and No. 37 on the Hot 100, driven by 125,000 digital downloads in its debut week.[37] The track, co-written by Pope and produced by Nathan Chapman, blended emotive balladry with her signature high-range vocals rooted in pop-punk delivery, and it was certified platinum by the RIAA in March 2014 after surpassing one million units sold.[38] Her follow-up single, "This Car," issued in October 2013, further showcased the album's production, emphasizing narrative-driven country storytelling over her prior band's energetic punk style. Frame by Frame, released on October 8, 2013, debuted at No. 1 on Billboard's Top Country Albums chart and No. 9 on the Billboard 200, selling 43,000 copies in its first week according to Nielsen SoundScan data.[39] Pope co-wrote five of the standard edition's 11 tracks, with production by Chapman and others incorporating steel guitar and fiddle alongside her rock-inflected phrasing, which some reviewers noted as a carryover from her Hey Monday era that occasionally strained country purist expectations.[40] The album's commercial success stemmed from cross-promotion via The Voice audience and targeted Nashville radio play, though its hybrid sound sparked early commentary on genre authenticity, with critics observing that Pope's punk-honed intensity lent a pop-leaning edge to traditional country forms rather than fully assimilating.[41] In support of the album, Pope joined Rascal Flatts as an opening act on their 2013 Live & Loud Tour, performing select dates through the summer, and extended touring in 2014 with headliners Tim McGraw and Dierks Bentley, exposing her to larger country audiences and solidifying her pivot's market viability despite the stylistic tensions.[42][43]2015–2021: Continued Country Releases Including Stages and Thrive
In 2015, Pope collaborated with Chris Young on the duet "Think of You," which reached number one on the Billboard Country Airplay chart and earned platinum certification from the RIAA.[44] This success preceded her 2016 Summer EP, released on June 3 via Big Machine Label Group, featuring four original tracks including the title song "Summer," "Alien," and "Piano," all co-written by Pope.[45] The EP highlighted her vocal range across upbeat country-pop arrangements but did not produce significant chart-topping singles beyond the prior duet, signaling early commercial slowdown.[46] Following a period of limited major-label output, Pope released her second studio album, Stages, independently on February 1, 2019.[47] Comprising 11 tracks such as "Take You Home" and "One More Red Light," the album blended country elements with rock influences, showcasing Pope's songwriting on themes of relationships and self-reflection.[48] Critics noted her versatile vocals as a strength, with AllMusic assigning a high user rating, though broader commercial reception was modest, reflecting challenges in regaining mainstream momentum post-label support.[49] By 2020, Pope had transitioned to independent status after being dropped by Big Machine, releasing the Rise and Shine EP on August 7 via Awake Music, which included eight co-written tracks emphasizing personal growth.[6] Her fourth studio album, Thrive, followed on October 15, 2021, also under Awake Music, featuring singles like "What the Stars See" and blending country with subtle pop-punk undertones from her earlier career.[50] While praised for production by Nick Wheeler and vocal delivery, Thrive's chart performance remained limited, underscoring persistent stagnation in country radio play amid perceptions from genre traditionalists of her pop origins diluting authenticity.[51] These releases demonstrated Pope's persistence in country but highlighted declining visibility, prompting genre experimentation within the format.[52]2022–Present: Return to Pop-Punk Roots with Hereditary and Recent Developments
In early 2022, Pope began pivoting back toward her pop-punk origins by experimenting with rock-infused singles and collaborations, marking a departure from her country output and emphasizing personal authenticity over commercial genre constraints.[53] This shift culminated in the independent release of her fourth studio album, Hereditary, on July 12, 2024, comprising 12 tracks that blend aggressive guitar riffs, introspective lyrics on addiction and self-discovery, and her signature vocal range.[54][55] Preceded by singles like "Three of Us" on April 30, 2024, and "People That I Used to Know," the album received praise from pop-punk enthusiasts for recapturing the energy of her Hey Monday era while contrasting the polished production of her country releases, with fans on platforms like Reddit highlighting its raw emotional depth as a welcome revival.[56][54][57] Pope cited the return as a liberating move driven by a decade of growth and overcoming past fears from her band's dissolution, allowing her to prioritize sonic roots over industry expectations.[58][59] The album's independent rollout, bypassing major labels tied to her country phase, aligned with this ethos, though specific streaming figures remain modest compared to her 2012 The Voice peak, with tracks like the title song gaining traction via YouTube audio streams exceeding 100,000 views shortly after release.[60][61] Live performances, including a September 2024 show with Marianas Trench at Marathon Music Works, demonstrated sustained fan engagement through sold-out venues and setlists blending Hereditary material with early hits.[60] Recent developments include Pope's guest vocals on Cartel's reimagined Chroma – 2025, released September 12, 2025, which updated the band's 2005 debut with her contributions on select tracks, tying into their 20th-anniversary tour.[62] She is scheduled for a solo "Cozy Evening" performance at Mercury Lounge in New York City on December 1, 2025, featuring a career-spanning set, signaling ongoing momentum amid plans for expanded touring in 2026.[63][64] These activities underscore a revival grounded in niche pop-punk circuits rather than mainstream country metrics, with empirical indicators like consistent headlining dates reflecting dedicated rather than explosive growth.[65]Controversies and Public Statements
Feuds with Country Music Figures
In February 2021, shortly after TMZ released a video of Morgan Wallen repeatedly using the N-word toward the end of a night out, Pope publicly condemned the singer on Instagram, writing, "I’m disgusted. What happened does not represent all of country music."[66] Her statement aligned with condemnations from a minority of country artists, including Maren Morris and Mickey Guyton, but the broader industry response was limited, with major radio stations and award shows imposing temporary bans on Wallen while his label suspended him indefinitely; Wallen issued an apology video on February 10, 2021, acknowledging the slur's harm but defending his character.[67] [68] On August 25, 2022, Pope responded on Twitter to an Instagram post by Brittany Aldean, wife of Jason Aldean, who wrote of thanking her parents for not "changing [her] gender" during her tomboy phase while promoting her beauty brand; Pope tweeted, "You’d think celebs with beauty brands would see the positives in including LGBTQ+ people in their messaging. But instead here we are, hearing someone compare their ‘tomboy phase’ to someone wanting to transition."[69] Aldean retorted on August 27, claiming her words were "taken out of context" and criticizing "advocating for the genital mutilation of children under the disguise of love and calling it healthcare," which prompted Maren Morris to label Aldean "insurrection Barbie" on Twitter, escalating the exchange.[70] [71] Morris and Pope both reported receiving death threats from fans in the immediate aftermath, with conservative country audiences largely siding with Aldean through social media support and boycott calls against Morris and Pope.[6] The disputes drew polarized fan responses, with conservative segments of the country audience accusing Pope of virtue-signaling and alienating traditional listeners, leading to online harassment and reduced streaming metrics for her releases.[72] In August 2023, Pope addressed the Aldean backlash in a Us Weekly interview, stating she "doesn’t give a f—k" about the fallout and stood by her comments.[73] By February 2024, in a Rolling Stone profile, she reflected on both incidents without regret, noting the emotional strain required therapy to process—"Wait, I actually wasn’t OK"—while highlighting the lack of institutional support in country music compared to her experiences in rock.[6]Impact on Career Trajectory
Following her criticisms of Morgan Wallen's use of a racial slur in February 2021 and Brittany Aldean's comments perceived as transphobic in July 2022, Pope reported receiving death threats and facing industry-wide shaming, which she attributed to the conservative leanings prevalent in Nashville's country scene.[6][74] These events coincided with a noticeable erosion in her country market presence, including her label Big Machine Records shelving an album and dropping her by 2020, followed by the independent release of Thrive in 2021, which "flew completely under the radar" commercially due to mismatched promotional algorithms and lack of radio traction.[6] Empirical metrics underscore this trajectory: Pope's solo singles never exceeded a No. 10 peak on country radio, with her highest at "Wasting All These Tears" in 2013, and she invested approximately $500,000 in promotional efforts yielding limited returns.[6] Post-2021 releases saw no comparable chart success to her 2013 debut Frame by Frame, which sold 43,000 copies in its first week and topped the Top Country Albums chart, signaling broader challenges amplified by fan polarization—evident in conservative audience backlash against artists voicing similar progressive critiques, such as boos for Maren Morris at Jason Aldean concerts.[39][75] In a February 2024 Rolling Stone interview, Pope explicitly tied her decision to abandon country pursuits to this ostracism, stating she felt complicit by remaining in a genre where "speaking out" against racism and transphobia invited retaliation without institutional backing, contrasting it with rock's relative tolerance.[6] While no verifiable evidence supports formal blacklisting, the absence of label or radio resurgence post-controversies points to alienated support from Nashville gatekeepers and a core conservative fanbase, prompting her pivot to independent pop-punk releases like the 2022 single "People That I Love Leave" and a Hey Monday reunion.[6] This shift, while aligning with her pre-The Voice roots, reflects pragmatic adaptation to market realities over sustained genre loyalty, as her country output yielded diminishing viability amid polarized reception.[76]Personal Life
Relationships and Family
Cassadee Pope was born on August 28, 1989, in West Palm Beach, Florida, to parents Lenny Pope and Lori Pope.[7][77] Her parents divorced when she was 11 years old, an event she has described as contributing to abandonment issues that influenced her personal growth and songwriting.[11][78] Pope has a brother named Ian.[77] Pope dated drummer Rian Dawson for approximately seven years, from around 2009 until their amicable split in July 2017; the pair were briefly engaged earlier that year before ending the relationship.[79] She began a relationship with actor and musician Sam Palladio in December 2017, after reconnecting at a dog park playdate involving their pets.[80][81] The couple dated for at least five years as of July 2023, during which Pope credited Palladio with aiding her emotional healing from past family-related traumas.[82][78] Pope has not married or had children as of October 2025.[83] She owns a French Bulldog named Cuppy, whom she has called a therapy companion and frequent travel partner, particularly during periods of isolation like the COVID-19 quarantine.[84][85]Residences and Lifestyle
Cassadee Pope was born and raised in South Florida, specifically in the West Palm Beach area, where she spent her early years before pursuing music opportunities elsewhere.[86] Following her transition to a country music career after winning The Voice in 2012, she established her primary residence in Nashville, Tennessee, a hub for the genre, and maintained this base through at least 2021, as evidenced by her self-description as a Nashville-based songwriter during that period.[87] In early 2025, Pope relocated to New York City, which she publicly described as her new home, aligning with her return to pop-punk and independent artistry that involves frequent East Coast performances. [88] This move reflects a shift from Nashville's country-centric environment to a more urban setting conducive to diverse touring schedules. During the 2020 COVID-19 quarantine, Pope adapted her routines in her Nashville home to include virtual songwriting sessions via platforms like Zoom, alongside simple daily habits such as drinking cold brew coffee, which she documented in a day-in-the-life video.[89] [90] As an independent artist post-2022, her lifestyle emphasizes mobility for live shows, including a December 1, 2025, performance in New York City featuring material from multiple career phases.[91] Pope has maintained a drug-free lifestyle, as shared in a 2013 interview, prioritizing personal discipline amid professional demands.[92] In 2024, she noted that distancing from country music constraints positively impacted her physical and mental health, describing her body as "rewarding" the change.[93]Musical Style and Influences
Evolution Across Genres
Cassadee Pope's musical style originated in the pop-punk genre during her time with the band Hey Monday, characterized by fast-paced, energetic guitar riffs and lyrics centered on youthful rebellion and relationships.[10] This foundation emphasized raw, high-energy production over polished arrangements, aligning with early 2000s pop-punk conventions. Following her 2012 win on The Voice under country coach Blake Shelton, Pope pivoted to country music, incorporating twangy vocal inflections, steel guitar accents, and narrative-driven storytelling in songs that focused on personal heartbreak and resilience, a shift she attributed to seeking broader commercial viability in Nashville's ecosystem.[94] This adaptation yielded stronger chart performance, with her debut country album reaching No. 1 on the Billboard Top Country Albums chart, contrasting the more niche reception of her prior rock efforts.[39] In subsequent releases, Pope explored hybrid styles, blending pop-punk's emotive urgency with country's melodic structures, as evident in production choices like layered harmonies over acoustic-electric fusions and self-described "emo country" aesthetics that reinterpreted male-perspective narratives from a female viewpoint.[95] For instance, she coined "y'allternative" to capture this fusion of alternative rock edges with country tropes, prioritizing thematic depth in tracks addressing self-empowerment amid genre constraints.[96] Critics analyzed these efforts as causal responses to industry pressures, where the hybrid approach aimed to retain her rock authenticity while navigating country's formulaic expectations, though it drew mixed reception for diluting pure genre markers.[95] By 2022, Pope fully reverted to pop-punk with Hereditary, stripping back to gritty, riff-heavy guitars and heavy drum patterns that favored unvarnished emotional catharsis over commercial polish, a move she described as "freeing" and rooted in recapturing pre-country self-trust.[97] This evolution prioritized raw vocal delivery and thematic introspection on generational trauma, with subtle country echoes in select tracks but dominated by punk's aggressive instrumentation.[98] While her country phase drove higher mainstream metrics like Billboard No. 1 debuts, the pop-punk return has been critiqued by some as inconsistent trend-chasing amid waning country radio support, yet praised by others as evidence of versatile adaptability unhindered by genre silos.[6][39]Key Influences and Collaborations
Pope's musical influences draw from both pop-punk and country traditions, reflecting her dual-phase career. In interviews, she has highlighted Avril Lavigne and Blink-182 as formative pop-punk inspirations during her formative years, influencing her vocal delivery and songwriting in band projects like Hey Monday.[58] Avril Lavigne, in particular, served as a significant role model, with Pope performing Lavigne's "I'm with You" on The Voice to showcase her punk-pop roots and citing her as a key influence over contemporaries like Paramore's Hayley Williams.[99][100] Her country influences stem primarily from 1990s artists, including Shania Twain, Faith Hill, and Martina McBride, whose styles informed her melodic phrasing and emotional storytelling in solo releases.[98] Pope has also acknowledged early exposure to Mariah Carey's vocal prowess as sparking her interest in singing, drawn to Carey's joyful stage presence during a televised special.[10] Stylistic parallels appear in her covers of Miranda Lambert tracks, suggesting Lambert's raw, narrative-driven approach as an additional country touchstone, though Pope's self-reported influences emphasize the prior era's pop-country blend over modern peers like Carrie Underwood.[101] Key collaborations include her mentorship under Blake Shelton on season three of The Voice in 2012, where Shelton provided ongoing guidance into her country career, emphasizing respect and critique acceptance; Shelton publicly affirmed continued mentoring as late as 2014.[102][103] In songwriting, Pope co-authored seven tracks on her 2019 album Stages with Nashville producers like Corey Crowder, whose input refined her country sound through collaborative refinement of personal themes.[104] Recent efforts nod to pop-punk origins, such as her guest vocal on Cartel's reimagined track "Q&A" from Chroma 2025, released September 12, 2025, where Pope credited Cartel's original album as pivotal to her songwriting and vocal style.[105][106] Live collaborations include duets with Yellowcard's Ryan Key on "Only One" at When We Were Young Festival in 2023 and a rendition of Michelle Branch's "Are You Happy Now?" that year, reinforcing ties to emo-pop contemporaries.[107][108] A 2016 duet with Chris Young, "Think of You," achieved platinum status and topped country charts, blending their vocals without overshadowing either artist.[109] These partnerships highlight how external inputs have amplified Pope's genre versatility, with pop-punk nods sustaining her return to roots.Performances and Media Appearances
Television and Film Roles
Pope gained prominence as a contestant on the third season of the NBC singing competition The Voice, which aired from September to December 2012, ultimately winning the season under coach Blake Shelton on December 18, 2012.[110][111] Her participation marked her transition from frontwoman of the pop-punk band Hey Monday to solo artist, with performances that highlighted her vocal range across genres like country and rock.[112] Prior to The Voice, Pope made a cameo appearance as herself in the 2009 television film Degrassi Goes to Hollywood, a Degrassi: The Next Generation spin-off that premiered on August 30, 2009, on Nickelodeon.[113][114] She also appeared as herself in an episode of the CW cheerleading drama Hellcats in October 2010, credited in connection with her band Hey Monday.[113] In 2015, Pope featured in a cameo role on the ABC/CMT series Nashville, appearing in an episode aired on April 29, 2015.[111][113] These limited acting credits, primarily self-representational cameos, reflect her early exposure in television rather than sustained narrative roles, with no documented lead parts in films or major scripted series as of 2025.[112]Concert Tours and Live Performances
As lead vocalist of the pop-punk band Hey Monday from 2008 to 2011, Cassadee Pope participated in high-energy opening slots on tours emphasizing youthful, aggressive stage dynamics, such as the Dirty Work Tour in May 2011 alongside All Time Low, Yellowcard, and The Summer Set, which spanned multiple U.S. dates including New York and Boston.[115] These performances featured fast-paced setlists drawn from the band's debut album Hold On Tight and EP Beneath It All, fostering mosh-pit engagement and building a foundational fanbase through relentless touring across the U.S., South America, and Asia, with at least nine documented shows in 2011 alone.[115] Following her 2012 win on The Voice and pivot to country music, Pope shifted to more intimate, narrative-driven live executions as both opener and headliner, exemplified by her support roles on major country packages like Tim McGraw's tour in 2014 and an 11-city headlining stint on the CMT Next Women of Country Tour in early 2019, where setlists centered on emotive ballads from Frame by Frame such as "Wasting All These Tears."[9][116] Additional outings included the Crop Circles & Tractor Beams Tour (17 dates) and opening for Sam Hunt's I'm Comin' Over World Tour in 2016 (10 shows), adapting pop-punk vigor to acoustic vulnerability for sustained audience connection amid genre scrutiny.[117] This evolution prioritized vocal storytelling over pyrotechnics, aiding career longevity by appealing to country venues' expectations while retaining crossover energy. In recent independent bookings, Pope has reverted to hybrid presentations blending eras, as seen in her opening sets on the Force of Nature Tour in September–October 2024 for Marianas Trench across East Coast cities like Cleveland, Pittsburgh, and New York, with 12-song setlists mixing Hey Monday tracks like "How You Love Me Now" and country staples like "Wasting All These Tears."[118][119] A planned December 1, 2025, show at Mercury Lounge in New York City, billed as "A Cozy Evening with Cassadee Pope," promises selections from her pop-punk, country, and emerging chapters, underscoring live adaptability for smaller, devoted crowds without confirmed larger 2026 headlining circuits.[120] These formats have bolstered sustainability by leveraging direct fan intimacy over arena spectacle, with consistent mid-sized venue draws reflecting genre-fluid appeal.[119]Discography
Studio Albums
Frame by Frame, Pope's debut country studio album, was released on October 8, 2013, through Republic Nashville, a division of Big Machine Label Group.[121] The 15-track record, featuring production by Dann Huff on several cuts including the lead single "Wasting All These Tears," debuted at number 9 on the Billboard 200 and number 1 on the Top Country Albums chart, selling 43,000 copies in its first week.[39][122] Her second studio album, stages, came out independently on February 1, 2019, via Awake Music, produced by Corey Crowder across its 11 tracks.[123] The release did not enter the Billboard 200 but reached number 81 on the Top Album Sales chart.[124] Thrive, the third studio album, was issued on October 15, 2021, under Awake Music LLC, with Pope co-producing alongside Karen Fairchild and Nick Wheeler.[125] The 10-track project blending pop-punk and country elements did not achieve notable positions on major Billboard charts.[124] Pope's fourth studio album, Hereditary, arrived on July 12, 2024, featuring multiple producers including Mitchell Marlow and Dan Swank on its 12 tracks.[126] The pop-punk-oriented release did not chart prominently on Billboard albums charts.[124] None of Pope's studio albums have received RIAA certifications.Extended Plays
Cassadee Pope's debut solo extended play, Cassadee Pope, was self-released on May 22, 2012, featuring four original tracks she wrote: "Original Love" (3:45), "Secondhand" (4:10), "I Guess We're Cool" (3:33), and "Told You So" (3:33).[127] The EP marked her transition from pop-punk band Hey Monday to solo work, emphasizing personal relationships and emotional introspection in a pop-rock style.[127] Her second EP, Summer, was released on June 3, 2016, through Republic Nashville under Big Machine Label Group, comprising four country tracks with Pope co-writing three: "Summer" (3:11), "Piano" (3:07), "Kisses at Airports" (3:26), and "Alien" (3:29).[128][129] The title track served as the lead single, impacting country radio on June 6, 2016, and highlighting seasonal romance and vulnerability themes amid her evolving country phase.[129] From the Vault, released March 1, 2019, via Big Machine Records, includes four previously unreleased tracks totaling 14 minutes: "Edge of a Thunderstorm," "Cinematic," "Good Times (Acoustic Version)," and another vault selection, blending acoustic country elements with introspective narratives drawn from earlier sessions.[130] This EP reflected Pope's archival approach post-country pivot, focusing on polished demos without major commercial push.[130]| EP Title | Release Date | Label | Tracks | Key Theme |
|---|---|---|---|---|
| Cassadee Pope | May 22, 2012 | Self-released | 4 | Personal relationships |
| Summer | June 3, 2016 | Republic Nashville | 4 | Seasonal romance |
| From the Vault | March 1, 2019 | Big Machine Records | 4 | Archival introspection |