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Cesar Rosas

César Rosas (born September 26, 1954) is a Mexican-American singer, songwriter, multi-instrumentalist, and founding member of the rock band Los Lobos, renowned for blending traditional Mexican folk music with rock, blues, and other genres in a style often associated with Chicano rock.^[1]^[2]^[3] Born in Hermosillo, Sonora, Mexico, Rosas was exposed to a rich array of musical influences from an early age, including traditional Mexican music, which he heard growing up in his hometown.^[3]^[4] As a teenager, he relocated to East Los Angeles, California, where he received his first guitar as a gift from his parents and began drawing inspiration from rock and blues artists like B.B. King and Carlos Santana.^[4] In 1973, alongside David Hidalgo, Louie Pérez, and Conrad Lozano, Rosas co-founded Los Lobos in East L.A., initially focusing on Mexican folk music before evolving into a broader rock sound with the addition of saxophonist Steve Berlin in 1984.^[1]^[3] Rosas serves as the band's lead guitarist, vocalist, and occasional mandolin player, contributing rootsy compositions, fiery guitar work, and gritty vocals to albums like How Will the Wolf Survive? (1984) and The Neighborhood (1990).^[2]^[1] Los Lobos gained international prominence in 1987 with their cover of "La Bamba" for the Ritchie Valens biopic soundtrack, which topped charts worldwide and helped the band sell millions of records over their five-decade career.^[1] The group has earned four Grammy Awards, including Best Mexican-American Performance for the EP …And a Time to Dance (1983), Best Mexican-American Album for La Pistola y el Corazón (1989), Best Pop Instrumental Performance for "Mariachi Suite" from the Desperado soundtrack (1996), and Best Americana Album for Native Sons (2022).^[1]^[5] Beyond Los Lobos, Rosas has collaborated in the Latin supergroup Los Super Seven and contributed to the soundtracks of films such as La Bamba (1987) and Desperado (1995), further showcasing his versatile contributions to music and culture.^[6]^[7]

Early Life

Childhood and Family Background

Cesar Rosas was born on September 26, 1954, in Hermosillo, Sonora, Mexico, into a Mexican family.^[2]^[8] In his early childhood, Rosas grew up immersed in the cultural traditions of Sonora, where he was exposed to traditional Mexican music through family gatherings and the surrounding local environment.^[8] This early auditory landscape, featuring folk instruments and songs common to the region, laid the groundwork for his lifelong connection to his heritage.^[9] At the age of nine (in 1963), Rosas immigrated to the United States, relocating to Los Angeles and settling in the East Los Angeles neighborhood, where he began adapting to the vibrant Chicano community and its blend of Mexican-American customs.^[10]

Education and Initial Musical Interests

Cesar Rosas attended Garfield High School in East Los Angeles during the late 1960s and early 1970s, a period marked by the vibrant energy of the Chicano civil rights movement. It was there that he first connected with future Los Lobos bandmates David Hidalgo and Louie Pérez, forming lasting friendships amid the school's active involvement in local activism and cultural expression. These encounters, rooted in shared barrio experiences and a burgeoning sense of Chicano identity, laid the groundwork for their mutual passion for music.^[11]^[12] Rosas's initial interest in music was ignited by a diverse array of sounds permeating his East Los Angeles upbringing, including rock & roll, soul, R&B, and traditional Mexican folk genres such as boleros, rancheras, norteña, son jarocho, son huasteco, and cumbias. He absorbed these influences primarily through AM radio broadcasts and family gatherings, where music from African American artists and Mexican traditions blended seamlessly into the cultural fabric of daily life. This eclectic exposure, often heard at parties and community events, fostered a deep appreciation for the rhythmic and melodic intersections of American and Mexican sounds.^[11]^[13] Rosas received his first guitar as a gift from his parents during his childhood in Mexico.^[4] In his teenage years, he began exploring instruments, focusing primarily on the guitar, which he learned to play largely through self-taught methods supplemented by a few early lessons to refine basic techniques. His playing style drew inspiration from 1950s and 1960s icons like Ritchie Valens, whose innovative fusion of rock with Mexican elements resonated deeply, as well as the intricate fingerpicking and rhythmic drive of traditional son jarocho from Veracruz. These formative pursuits, pursued informally with friends, honed Rosas's skills and set the stage for his lifelong dedication to blending cultural musical heritages.^[11]^[14]

Music Career

Founding Member of Los Lobos

Cesar Rosas co-founded Los Lobos in 1973 alongside high school friends David Hidalgo, Louie Pérez, and Conrad Lozano while attending Garfield High School in East Los Angeles.^[15] Initially formed as a group dedicated to performing traditional Mexican folk music, the band drew from Rosas's and his bandmates' early interests in East LA's cultural heritage, including styles like son jarocho and huapango.^[16] Rosas contributed as a guitarist, often playing acoustic instruments such as the jarana alongside his standard guitar work, helping to establish the band's authentic roots-oriented sound during its formative period.^[10] In the band's early years, Los Lobos focused on acoustic renditions of Mexican folk traditions, performing at cultural events, community gatherings, and ballrooms throughout East Los Angeles.^[17] These performances, which sometimes incorporated percussion like the quijada for rhythmic texture, allowed the group to build a dedicated local following as Chicano cultural ambassadors, honing a repertoire of over 150 traditional songs through hundreds of gigs.^[16] Rosas's involvement was central to this phase, where he served primarily as the rhythm guitarist, providing steady harmonic support that complemented the ensemble's folk authenticity.^[13] By the late 1970s, amid the vibrant Los Angeles punk and rock scenes, Los Lobos began transitioning from pure folk to a hybrid style blending Mexican traditions with rock elements, evolving into pioneers of Chicano rock.^[13] This shift was influenced by the DIY ethos of the punk movement, prompting the band to electrify their sound while retaining cultural depth; Rosas adapted his rhythm guitar role to this new energy, occasionally stepping in as a vocalist to add gritty, soulful layers.^[18] Up to the mid-1980s, Rosas remained a foundational pillar, helping steer the band's early evolution from East LA folk interpreters to innovative genre fusionists without venturing into external projects.^[15]

Key Contributions to Los Lobos

Cesar Rosas has been a pivotal songwriter, vocalist, and guitarist for Los Lobos since the 1980s, contributing to the band's evolution through innovative compositions and performances that blend Chicano roots with broader rock influences. On the 1984 album How Will the Wolf Survive?, written by David Hidalgo and Louie Pérez and produced by T-Bone Burnett, Rosas delivered lead vocals on "Don't Worry Baby" from the same album, infusing the jump blues number with his gritty, energetic delivery and showcasing the dual-guitar interplay central to Los Lobos's sound.^[19]^[20] Rosas's guitar contributions shone on the band's 1987 cover of "La Bamba" for the La Bamba soundtrack, where his rhythmic Tex-Mex-inflected riffs helped propel the track to No. 1. His songwriting continued to influence later works, including co-authoring "Mas y Mas" with David Hidalgo, Louie Pérez, and Conrad Lozano on the 1992 album Kiko, a surreal, genre-blending track that exemplified the band's experimental edge. On The Neighborhood (1990), Rosas co-wrote "I Can't Understand" with blues legend Willie Dixon, merging traditional blues structures with the group's Latin rock sensibility.^[21]^[22] As a lead vocalist, Rosas fronted tracks like "Volcán" from La Pistola y el Corazón (1988) and brought his bajo sexto and mandolin expertise to fusions of Tex-Mex, blues-rock, and roots rock across Los Lobos's discography. Rosas's instrumental work and arrangements contributed to all four of the band's Grammy wins, including Best Americana Album for Native Sons (2021), where he played guitar, bass, Hammond B3 organ, and provided vocals on covers tying into the group's East L.A. heritage.^[13]^[23]^[24] Over more than 50 years, Rosas has helped fuse Mexican folk traditions—like cumbia and norteño—with American rock forms, evident in live performances and recordings that maintain Los Lobos's dynamic energy. In 2025, as part of the band's 50th anniversary tours, Rosas continues to perform these genre-blending sets, drawing on his foundational role to celebrate the group's enduring legacy.^[10]^[25]

Other Collaborations and Side Projects

Cesar Rosas has been involved in the Latin supergroup Los Super Seven since its formation in the late 1990s, alongside bandmates David Hidalgo from Los Lobos, Flaco Jiménez, Freddy Fender, and others. The group debuted with a self-titled album in 1998, blending Latin rock, country, and Tex-Mex influences, followed by Canto in 1999, which earned a Grammy nomination for Best Mexican-American Performance.^[26]^[27] Rosas contributed guitar and vocals to tracks that highlighted cross-cultural fusions, such as those drawing on conjunto and rockabilly elements. The collective reunited for performances in 2024, continuing to explore these hybrid sounds in live settings.^[27] Beyond supergroups, Rosas has provided session guitar work for various artists and soundtracks. On the 1995 film Desperado soundtrack, he co-wrote and performed "Canción del Mariachi (Morena de Mi Corazón)" with Los Lobos and Antonio Banderas, infusing the track with mariachi-style rock arrangements.^[28] He also collaborated with accordionist Flaco Jiménez on the 1992 album Partners, contributing guitar to songs like "Cielito Lindo," which merged traditional Tex-Mex with contemporary flair. These appearances underscore Rosas's versatility in supporting diverse Latin and roots music projects. In recent years, Rosas formed the side band the Chi-Town Playboys in 2024, a Chicago-based ensemble focusing on blues and rock & roll covers alongside originals. Featuring local musicians like guitarist Dave Herrero and drummer Gerald Dowd, the group debuted with live shows emphasizing raw, garage-style energy drawn from Rosas's early influences.^[29] Rosas participates in tribute tours, including select dates on the 2025 Experience Hendrix Tour, where he performs Jimi Hendrix covers such as "Little Wing" in collaboration with artists like Kenny Wayne Shepherd and Dweezil Zappa. This marks his return to the tour, highlighting his admiration for Hendrix's guitar techniques.^[30]

Solo Career Developments

Cesar Rosas released his debut solo album, Soul Disguise, in 1999 on Rykodisc, marking his first independent foray into blues-rock territory outside of Los Lobos.^[31] The album features 12 original tracks that blend rootsy R&B, soul, and Tex-Mex elements, with standout songs like "Little Heaven," a reflective blues number, and "Tough to Handle," an energetic rocker showcasing Rosas's gritty guitar work and vocal delivery.^[32] Drawing inspiration from his experiences in Los Lobos, Rosas crafted the record to explore personal themes through a raw, band-driven sound, emphasizing his songwriting as a solo artist.^[33] Following the album's release, Rosas embarked on a solo tour in the early 2000s, performing approximately 30 dates across the United States to promote Soul Disguise and highlight his individual musical voice.^[34] This period allowed him to connect with audiences through intimate sets that incorporated storytelling elements tied to the album's narratives of resilience and cultural roots. In 2015, he issued Live from the Galaxy, a live album recorded during a 1999 performance at the Galaxy Theater in Santa Ana, California, capturing the energy of his post-Los Lobos solo shows with tracks like "Struck" and extended renditions of "Soul Disguise."^[35] Released on Los Angeles Recordings, the 11-track set preserves the immediacy of his blues-infused live performances from that era.^[36] Rosas continued his solo output with La Fiesta in 2016, his third studio album, which shifts toward vibrant Tex-Mex and roots influences, featuring 12 tracks of upbeat, fiesta-themed originals such as the title song "La Fiesta" and "Cascabel."^[37] Produced to evoke celebratory Chicano traditions, the album highlights Rosas's accordion and bajo sexto playing alongside guest contributions, creating a festive sound rooted in his East Los Angeles heritage.^[38] Throughout the 2010s and into the 2020s, Rosas maintained an active solo touring schedule, including appearances on the Experience Hendrix Tour in 2025 and performances with ensembles like the Chi-Town Playboys at events such as the Fretboard Summit.^[30] These tours often weave in personal anecdotes from his career, reinforcing the autobiographical depth of his solo material.^[39]

Musical Style

Guitar Techniques and Equipment

Cesar Rosas's signature rhythm guitar style fuses elements of Mexican folk traditions with rock and blues influences, emphasizing a driving, percussive approach that provides foundational grooves in Los Lobos's music. Drawing from early exposure to Latin folk, he incorporates fingerpicking techniques reminiscent of Mexican trios alongside robust rock strumming patterns, often infusing blues and funk scales for added depth and soul. This blend creates a distinctive Tex-Mex texture, where his playing supports the band's eclectic sound without overpowering lead elements.^[10] While open tunings are less documented in his work, his rhythmic style frequently evokes the resonant, open qualities of Tex-Mex instrumentation through strategic chord voicings and dynamic strumming. These approaches evolved as Los Lobos transitioned from folk ensembles, allowing Rosas to maintain a percussive edge even in heavier rock arrangements.^[40] Rosas's preferred equipment centers on versatile electric guitars suited to bluesy tones, including Fender Stratocasters and Telecasters from the 1980s onward, often paired with Gibson Les Pauls for richer sustain in blues-oriented performances. He has modified setups for durability and tone, such as his custom solidbody electric bajo sexto, built on a Telecaster body with Danelectro pickups and a traditional bridge by luthier Porfirio “Candelas” Delgado, tuned with the lowest eight strings in octaves (E A D G) and the highest four as double courses (C and F). Amplification typically involves Fender models like Tweed-era combos for recording and Bassman reissues on stage, complemented by effects such as the Boss BF-2 Flanger and RV-5 Digital Reverb for subtle modulation and space. Occasionally, he incorporates acoustic instruments like the Alhambra flamenco guitar or mandolin for folk-rooted pieces.^[10]^[40]^[41]^[13] His gear preferences reflect an evolution from acoustic folk instruments in early Los Lobos, where he played jarana and requinto romántico during the band's 1970s traditional phase, to electric configurations in the 1980s rock era, prioritizing roadworthy solids like Strats and Marshalls for louder, amplified performances. This shift enabled Rosas to adapt his folk-derived techniques to broader rock contexts while preserving blues-inflected modifications for tonal warmth.^[10]^[42]

Songwriting and Vocal Approach

Cesar Rosas's songwriting often draws from Chicano experiences, incorporating themes of cultural pride, personal introspection, and community resilience, as seen in his contributions to Los Lobos and his solo work.^[43] His lyrics frequently reflect Mexican American heritage, capturing the aspirations and longings of the Chicano community through narratives of identity and endurance.^[43] For instance, in the solo track "Angelito" from his 1999 album Soul Disguise, Rosas explores emotional depth tied to personal and cultural roots, blending introspection with a sense of loss and recovery.^[44] Within Los Lobos, Rosas's compositional approach involves solo-authored lyrics that are refined through collaborative tweaks with bandmates, allowing him to maintain a distinct narrative voice centered on bilingual storytelling and everyday struggles.^[45] Songs like "I Got to Let You Know" from the 1984 album How Will the Wolf Survive?, which he wrote, exemplify this by addressing relational tensions with a raw, authentic edge informed by barrio life.^[46] His process typically starts with individual ideas on melody and words, evolving in group sessions where the writer leads initial arrangements.^[45] Rosas's vocal approach complements his songwriting with a gravelly, soulful baritone that conveys emotional intensity, particularly in blues and rock contexts.^[44] He employs bilingual phrasing, seamlessly switching between Spanish and English to heighten themes of migration and cultural duality, as in "Adios Mi Vida" from Soul Disguise, where his delivery underscores resilience amid change.^[44] This style emphasizes heartfelt expression over technical polish, often evoking a lone wolf's survival in tracks that highlight identity and perseverance.^[44]

Personal Life

Family and Relationships

Cesar Rosas was married to Sandra Rosas, with whom he had three daughters named Ruby, Amber, and Victoria. The family made their home in Los Angeles, rooted in the East Los Angeles community where Rosas grew up.^[47] Rosas balanced the demands of Los Lobos' extensive touring schedule with active parenting, often integrating family time into his routine during breaks from the road. He exposed his daughters to music early on, bringing them to rehearsals and performances to foster their interest in the arts. Ruby Rosas, in particular, followed in her father's footsteps by pursuing a music career as the bassist for the band LP3 & The Tragedy.^[48] Following 2000, Rosas has prioritized privacy in his personal life amid his ongoing public career, maintaining close-knit support networks with family and bandmates while shielding intimate details from media attention.^[49]

Major Personal Challenges

On October 23, 1999, Sandra Rosas, the wife of Los Lobos guitarist Cesar Rosas, disappeared from their home in Rowland Heights, east of Los Angeles, while Cesar was touring with the band in New Orleans.^[50] The couple's daughters returned home to find the front door open, broken glass from the van's window scattered inside, and no sign of their mother.^[50] One daughter called Sandra's cell phone shortly after and overheard her half-brother Gabriel Gómez threatening her during the abduction.^[51] The investigation quickly focused on Gómez, Sandra's 40-year-old half-brother, who had a history of drug abuse and prior convictions.^[50] Authorities located Sandra's abandoned van in La Puente, where DNA evidence linked bloodstains to both Sandra and Gómez; a bloodhound also traced his scent from the home to a friend's house nearby.^[50] Despite the absence of a body, Gómez was charged with kidnapping and first-degree murder in December 1999 and convicted on October 31, 2000, in Pomona Superior Court, facing life without parole plus 22 years.^[51] He was sentenced on November 16, 2000.^[50] Gómez later led authorities to a shallow grave in Santa Clarita on November 22, 2000, where skeletal remains were unearthed and identified as Sandra's through dental records; one of her daughters confirmed the identity by recognizing a hair clip on the remains.^[52]^[47] The tragedy profoundly affected Cesar Rosas and his daughters, who endured the uncertainty of the disappearance and the horror of the conviction without initial closure. Cesar described the ordeal as feeling like he had "died," emphasizing that Gómez's actions inflicted pain not just on him but on "hundreds of people," including family and fans.^[51] The sentencing was too painful for Cesar to attend in person.^[50] Sandra's sister, Stella Stauffer, publicly condemned Gómez as "the devil" for betraying Sandra's efforts to help him overcome his struggles.^[50] Despite the devastation, the family expressed a desire to begin moving forward after the verdict provided some measure of justice.^[51] Cesar demonstrated resilience by resuming his music career with Los Lobos in the years following, using his work as a means of coping and honoring his family's strength.^[53]

Legacy and Impact

Awards and Honors

Cesar Rosas, as a founding member and longtime performer with Los Lobos, has shared in the band's four Grammy Awards, which recognize their innovative fusion of rock, folk, and Latin American traditions. The group's first win came at the 26th Annual Grammy Awards in 1984 for Best Mexican/Mexican-American Performance with the song "Anselma" from the EP ...And a Time to Dance, marking an early acknowledgment of their roots in East Los Angeles Chicano music.^[54] In 1988, at the 30th Annual Grammy Awards, Los Lobos received the award for Best Pop Performance by a Duo or Group with Vocal for their iconic cover of "La Bamba," which propelled the band to international prominence and highlighted Rosas's distinctive guitar work and vocals.^[55] The following year, at the 31st Annual Grammy Awards, they won Best Mexican/Mexican-American Album for La Pistola y el Corazón, a return to traditional Mexican genres that underscored Rosas's contributions to the band's cultural authenticity. Their fourth Grammy arrived in 1996 at the 38th Annual ceremony for Best Pop Instrumental Performance with "Mariachi Suite" from the Desperado soundtrack, showcasing Rosas's instrumental prowess in blending mariachi elements with rock.^[56] In 2022, at the 64th Annual Grammy Awards, Los Lobos won Best Americana Album for Native Sons.^[5] Beyond Los Lobos, Rosas earned recognition through collaborations, notably with Los Super Seven, a Latin supergroup of which he was a member. The ensemble's self-titled debut album won the Grammy for Best Mexican/Mexican-American Album at the 41st Annual Grammy Awards in 1999, celebrating their Tex-Mex and conjunto explorations.^[57] The group received a further nomination in 2002 at the 44th Annual Grammy Awards for Best Traditional Tropical Latin Album with Canto, reflecting Rosas's ongoing influence in cross-cultural Latin music projects.^[58] On an individual level, Rosas was featured in the NAMM Oral History Collection in 2019, an honor that archives his personal insights into a career spanning over four decades in music, from East Los Angeles garage bands to global stages. Los Lobos, including Rosas, has also been considered for induction into the Rock & Roll Hall of Fame since eligibility in 2006, with a formal nomination in 2015; as of 2025, ongoing fan advocacy highlights their enduring impact, though they remain uninducted.^[59]

Recent Activities and Influence

In 2024 and 2025, Cesar Rosas participated in Los Lobos's 50th anniversary celebrations, marking the band's milestone with an expanded tour that included a sold-out performance at The Fillmore in San Francisco on January 24, 2025, where the group delivered a marathon set blending their East L.A. roots with rock, blues, and traditional sounds.^[60] Complementing these live events, the documentary Native Sons, directed by Piero F. Giunti and Doug Blush, is set for release in 2025, chronicling Los Lobos's evolution from East L.A. high school musicians to Grammy-winning icons, with testimonials from figures like Bonnie Raitt, Tom Waits, and Cheech Marin underscoring Rosas's foundational role.^[61] Rosas also launched the blues-rock ensemble Chi-Town Playboys in 2024, assembling Chicago-based musicians including guitarist Dave Herrero and drummer Gerald Dowd for a series of tours emphasizing raw, roots-oriented performances.^[29] Notable early shows included a July 2, 2024, gig at Fitzgerald's in Berwyn, Illinois, near Chicago, where the band played high-energy covers and originals drawing from Rosas's diverse influences.^[62] The group extended its run into 2025 with appearances like the August 21 concert at Chicago's Old Town School of Folk Music during the Fretboard Summit, solidifying Rosas's exploration of blues traditions outside Los Lobos.^[39] Rosas rejoined the 2025 Experience Hendrix Tour for select dates, delivering guitar tributes to Jimi Hendrix alongside artists like Joe Satriani and Dweezil Zappa, channeling his signature gritty style into psychedelic rock interpretations.^[30] These endeavors highlight Rosas's versatility, building on his decades-spanning career to bridge generations of musicians. Through his ongoing projects, Rosas maintains a profound influence on the Chicano music scene, inspiring younger artists with his fusion of Mexican folk, rock, and blues, while his Los Lobos tenure continues to advocate for East L.A.'s cultural heritage as a vibrant hub of hybrid Latino-American expression.^[11]

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[41]
César Rosas | Equipboard
César Rosas' gear and equipment including the Boss BF-2 Flanger and Boss RV-5 Digital Reverb. Get the gear to sound like César Rosas and get their tone.<|control11|><|separator|>
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https://www.discogs.com/release/8215639-Los-Lobos-Del-Este-De-Los-Angeles-Just-Another-Band-From-East-LA
[43]
Los Lobos: The World of Their Fathers - Rolling Stone
Mar 26, 1987 · Rosas and his friend Frank Gonzales had already begun learning a dance number called “Mil Amores” from an album that Rosas's mother owned, ...
[44]
Cesar Rosas - Metroactive Music - Metro Silicon Valley
Though Rosas doesn't possess the choir-boy pipes of Hidalgo, his gravelly vocal style packs an emotional impact befitting his new material. Stripped of the ...
[45]
Los Lobos: Not Fade Away - Relix
Nov 12, 2010 · The band generally begins the recording process with whoever is writing that particular song leading bass and drums. Rosas may be working with ...<|control11|><|separator|>
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Songs written by César Rosas | SecondHandSongs
Original songs ; I Got to Let You Know · César Rosas · Los Lobos [US], 1984, Covered by Los Lobos with Robert Cray ; Shakin' Shakin' Shakes · T-Bone Burnett, ...
[47]
Killer of Sandra Rosas Leads Officials to Shallow Grave
Nov 23, 2000 · Rosas' 28-year-old daughter was at the site Wednesday and told investigators that she recognized a hair clip attached to the remains.Missing: marriage Ruby
[48]
Interview with LP3 & The Tragedy - Rebel Noise
Mar 22, 2016 · Speaking of a storied lineage, Ruby, you're the daughter of Los Lobos singer Cesar Rosas, and Louie, you're the son of Los Lobos guitarist Louie ...
[49]
Los Lobos, America's Band—The Tracking Angle Interview
Jan 31, 2024 · When you break Los Lobos down roughly into its organic parts, Rosas is the head, Hidalgo the heart and Perez the soul (he's also the group's ...
[50]
Man Gets Life for Killing of Singer's Wife - Los Angeles Times
Nov 17, 2000 · A Whittier man was sentenced Thursday to life in prison without parole--plus 22 years--for the kidnap and murder of his half sister, the wife of Los Lobos ...
[51]
Guilty Verdict in Los Lobos Murder Trial - ABC News
Nov 2, 2000 · Gabriel Gomez was found guilty of the kidnapping and murder of his half-sister, Sandra Rosas, the late wife of Los Lobos member Cesar Rosas, today.
[52]
Remains Identified as Cesar Rosas' Wife - ABC News
Nov 30, 2000 · The van was found abandoned a few days later, and it contained traces of the blood of both Rosas and her half brother, Gabriel Gomez. Gomez ...Missing: early | Show results with:early
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A Subdued but Still Vital Night With Los Lobos
Dec 16, 1999 · The disappearance and presumed murder of Sandra Rosas caused Los Lobos to cancel virtually all their scheduled concerts (an exception being a ...
[54]
Los Lobos | Artist | GRAMMY.com
### Grammy Wins for Los Lobos
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https://www.grammy.com/awards/30th-annual-grammy-awards
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https://www.grammy.com/awards/38th-annual-grammy-awards
[57]
https://www.grammy.com/awards/41st-annual-grammy-awards
[58]
Los Lobos and the Rock & Roll Hall of Fame | Future Rock Legends
Future Rock Legends is your home for Los Lobos and the Rock & Roll Hall of Fame, including year of eligibility, number of nominations, induction chances, ...
[59]
Los Lobos celebrate half a century in San Francisco | REVIEW
Jan 25, 2025 · “Happy new year,” said founding guitarist César Rosas, wearing sunglasses and a black baseball hat, before launching into the marathon set.
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Los Lobos Documentary, 'Native Sons,' Due in 2025 - Variety
Apr 17, 2024 · The film features testimonials from George Lopez, Linda Ronstadt, Tom Waits, Dolores Huerta, Bonnie Raitt, Flaco Jimenez, Cheech Marin.
[61]
Cesar Rosas & The Chi-Town Playboys - Live at Fitzgerald's July ...
Jul 2, 2024 · Cesar Rosas & The Chi-Town Playboys - Live at Fitzgerald's July 2nd, 2024 Berwyn, IL. 360 views · 1 year ago ...more ...