Charlie Worsham
Charlie Worsham (born September 1, 1985) is an American country music singer, songwriter, guitarist, and multi-instrumentalist renowned for his versatile talents as both a solo recording artist and a sought-after session musician in Nashville.[1][2] A Mississippi native who relocated to Nashville in the late 2000s, Worsham has released several albums and EPs, including his debut full-length Rubberband (2013), which featured the Top 15 Country Airplay single "Could It Be," and has earned acclaim for his songwriting and instrumental prowess on guitar and mandolin.[2][3] Born in Jackson, Mississippi, to musically inclined parents Gary and Sherry Worsham, he demonstrated prodigious talent from an early age, starting piano lessons in kindergarten and quickly mastering instruments such as the fiddle, banjo, and guitar.[1] By age 12, Worsham made his debut performance at the Grand Ole Opry alongside bluegrass artist Mike Snider, receiving a standing ovation for his skills.[4] In 1999, at just 14 years old, he was honored by the Mississippi Senate with a concurrent resolution commending his outstanding musical accomplishments, including superior ratings in statewide competitions and placements at the Mississippi State Fair.[1] After briefly playing mandolin in the short-lived Nashville band KingBilly, which disbanded in 2010 following a reality TV stint, Worsham signed a solo recording deal with Warner Bros. Records and established himself as a Nashville mainstay.[2][3] His discography includes the sophomore album Beginning of Things (2017), the Sugarcane EP (2021), and the collaborative Compadres EP (2023), featuring artists like Luke Combs, Lainey Wilson, and Dierks Bentley.[2][5] As a session player, he has contributed to recordings by major stars including Eric Church, Carrie Underwood, and Keith Urban.[2] Worsham's contributions to country music have been recognized with the ACM Award for Acoustic Guitar Player of the Year in 2022, a CMA Musician of the Year nomination in 2023, a win in the same category in 2024, and the CMA Touring Musician of the Year award in 2025.[6][7][8]Early life
Childhood in Mississippi
Charlie Worsham was born on September 1, 1985, in Jackson, Mississippi, and grew up in the small town of Grenada, located in the Mississippi hill country approximately 100 miles south of Memphis.[9][10] His father worked as a banker by trade but maintained a passion for drumming, which contributed to a musically encouraging home environment.[10] Worsham's parents were supportive of his early interests, and they took family vacations to Nashville that sparked his fascination with the music scene.[11] From a young age, Worsham displayed a prodigious talent for music, beginning with piano lessons in kindergarten.[11] In second grade, he received his first banjo—a modest Sears, Roebuck model—and by fifth grade, he had picked up the guitar, initially focusing on bluegrass styles.[10][11] A pivotal moment came during a family trip to the Grand Ole Opry, which inspired him to pursue music seriously and led to early performances at local bluegrass festivals, contests, and even bar bands in Mississippi.[10] He expanded his skills to include the fiddle and mandolin alongside the banjo.[9] Worsham's childhood achievements highlighted his rapid rise as a young musician. At age 10, he performed on banjo with bluegrass legend Jimmy Martin at Nashville's Ryman Auditorium.[12] By age 12, he won the Junior National Banjo Championship and made his debut at the Grand Ole Opry alongside banjoist Mike Snider.[12][9] These early successes in Mississippi's vibrant bluegrass community laid the foundation for his lifelong dedication to music.[12]Early musical influences
Charlie Worsham's early musical influences were deeply rooted in the rich cultural landscape of Mississippi, where he grew up in Grenada after being born in Jackson, a region that produced iconic figures such as Elvis Presley, B.B. King, Tammy Wynette, and Charley Pride. This environment fostered his passion for country music's storytelling tradition and instrumental prowess from a young age, with Worsham recalling dreams of winning a Country Music Association (CMA) Award as early as nine or ten years old, even practicing acceptance speeches. Family trips to Nashville further ignited his interest, exposing him to the city's vibrant music scene and instrument shops.[13][14] At around age 12, Worsham transitioned from playing banjo to electric guitar, purchasing his first Fender Telecaster for $600 at Gruhn Guitars on Nashville's Lower Broadway after earning $100 from a banjo performance there. This period marked a pivotal shift, highlighted by his Grand Ole Opry debut at the same age, where he performed banjo alongside Opry member Mike Snider. His initial focus on banjo reflected an early affinity for bluegrass traditions, influenced by masters like Tony Rice and Earl Scruggs.[15][14][13] Worsham's formative inspirations spanned genres, blending country icons like Vince Gill and Marty Stuart with blues and soul artists such as B.B. King and Pops Staples, as well as rock influences from Lynyrd Skynyrd and Tom Petty. Vince Gill, in particular, became his first "real-life guitar hero," shaping Worsham's "chicken pickin'" style through songs like "Liza Jane." These diverse influences combined Mississippi's soulful heritage with broader American roots music, laying the foundation for Worsham's versatile musicianship across guitar, banjo, mandolin, and fiddle.[13][15]Education and early career
Berklee College of Music
Worsham enrolled at Berklee College of Music in Boston in 2004, majoring in music production and engineering (MP&E). Prior to full enrollment, he participated in the college's Five-Week Summer Performance Program, which provided intensive training in performance skills. During his studies, he engaged with the nascent American Roots Music Program, interacting closely with faculty members such as John McGann and Matt Glaser, who influenced his appreciation for traditional and roots-based genres.[16][10] As a multi-instrumentalist, Worsham had notable performance opportunities at Berklee, including strumming guitar tributes to honorary doctorate recipients—such as Aretha Franklin, Melissa Etheridge, Elliot Scheiner, and Andy McGhee—during the May 2006 commencement ceremony at Matthews Arena. He also performed alongside bluegrass legend Earl Scruggs during an honorary event on campus. In lieu of required theory courses like Counterpoint 1 and 2, Worsham opted for hands-on projects, including building his own studio monitors, which he continues to use in his professional work.[17][16][18] Worsham formed enduring professional relationships at Berklee, including with classmate Eric Masse, who later engineered his debut album Rubberband, and professors such as lyric writing instructor Pat Pattison and audio production expert Rich Mendelson. He has described these connections as the most valuable aspect of his Berklee experience, likening the school to a "microcosm of the music industry" due to its diverse student body and faculty. Summers during his enrollment were spent in Nashville to build industry ties, and in fall 2006, he relocated there permanently while attempting to complete senior project classes by flying to Boston monthly. Ultimately, Worsham left six credit hours short of his degree, prioritizing his emerging career in Nashville.[16][10]Move to Nashville
After attending Berklee College of Music in Boston, where he majored in Music Production and Engineering, Charlie Worsham relocated to Nashville in the fall of 2006, just before his 21st birthday.[19][16] At the time, he was only six credit hours short of completing his degree. He completed his major classes remotely by flying to Boston once or twice a month for senior project classes, with the support of his department, but ultimately did not finish the degree.[16] The move was driven by an opportunity to join a band with an established publishing deal, allowing him to immerse himself in Nashville's vibrant country music ecosystem as a collaborative musician rather than a solo frontman.[16] Upon arriving, Worsham joined the Nashville-based country-rock band KingBilly as a vocalist, mandolinist, and fiddle player, contributing harmonies and songwriting to their material.[19][3][14] One of his bandmates was John Osborne, who later co-founded the Brothers Osborne.[3] The group toured extensively, building Worsham's stage experience and industry connections, though they never secured a major record deal despite local recognition and a featured performance at the Grand Ole Opry.[20] This period marked his transition from academic training to professional immersion in Nashville's session and touring scene.[21] Worsham remained with KingBilly for approximately three years, leaving in 2009 to pursue opportunities as a solo artist and songwriter.[12] His time in the band provided foundational lessons in collaboration and the Nashville music business, including early recording gigs and relationships with artists like Miranda Lambert, whom he met through shared circles.[22] By honing his multi-instrumental skills and vocal abilities in this environment, Worsham positioned himself for his eventual major-label signing with Warner Bros. Records in 2011.[21]Musical career
Debut album and breakthrough (2013)
Charlie Worsham released his debut studio album, Rubberband, on August 20, 2013, through Warner Bros. Records.[23] The project features 11 tracks, all co-written by Worsham, and was co-produced by the artist alongside Ryan Tyndell.[24] Recorded across several Nashville studios, the album showcases Worsham's multi-instrumental skills on fiddle, mandolin, and guitar, blending traditional country with bluegrass, pop, and rock elements.[24] Standout tracks include the title song "Rubberband," which highlights resilient love through its upbeat tempo, and "How I Learned to Pray," a poignant storytelling piece about personal hardship.[25] The lead single, "Could It Be," marked Worsham's breakthrough on country radio, debuting at number 60 on the Billboard Country Airplay chart in January 2013 and ultimately peaking at number 13, making it the highest-charting debut single from a new artist that year.[24][2] A follow-up single, "Want Me Too," also received airplay but did not replicate the same commercial success.[23] Rubberband itself entered the Billboard Top Country Albums chart in the top 15, reflecting solid initial reception despite the dominance of bro-country trends at the time.[26] Critics praised the album for its fresh songwriting and Worsham's versatile musicianship, with Taste of Country awarding it 4.5 stars and calling it a contender for the best debut of 2013 due to its original cuts and avoidance of stylistic repetition.[25] Billboard included Rubberband in its list of the 10 best country albums of the year, noting Worsham's adept blend of writing, picking, and singing as a highlight for emerging talent.[27] The album's acclaim helped establish Worsham as a promising figure in Nashville, though its radio fit was challenged by the era's preferences, setting the stage for his future independent releases.[28]Mid-career releases (2017–2020)
In 2017, Worsham released his second studio album, Beginning of Things, on April 21 via Warner Bros. Records. Produced by Frank Liddell in Nashville, the 13-track project marked a shift toward more introspective and vulnerable songwriting compared to his 2013 debut, with Worsham co-writing 10 songs. The album blended country, bluegrass, and rock elements, showcasing his multi-instrumental talents on guitar, banjo, and mandolin. Themes centered on personal growth, relationships, and authenticity, as explored in tracks like "Please People Please," which critiques external pressures, and "Southern by the Grace of God," reflecting on his Mississippi roots.[29][14][30] The lead single, "Cut Your Groove," arrived on March 29, 2017, co-written by Worsham and Oscar Charles, serving as an uplifting anthem encouraging listeners to embrace their individuality. It received positive attention for its energetic vibe and fiddle-driven arrangement, though it did not chart highly on country radio. Critics praised the album for its emotional depth and musical maturity; for instance, NPR highlighted the title track's "melancholy and cutting" narrative as a standout, while The Boot named Beginning of Things its Album of the Month for April 2017, noting Worsham's evolution as a storyteller. The project debuted at No. 11 on the Billboard Top Country Albums chart, establishing modest commercial success amid Worsham's growing reputation as a Nashville session player.[31][32][33][34] Following the album, Worsham's solo output slowed, with no full-length releases until 2021, as he balanced touring and collaborations. In September 2019, he issued the single "I Hope I'm Stoned (When Jesus Takes Me Home)" featuring Old Crow Medicine Show, released via Warner Music Nashville on September 6. This humorous yet poignant track, co-written by Worsham, blended gospel influences with bluegrass instrumentation, earning over 4 million Spotify streams by reflecting on life's indulgences and redemption. The single underscored his ties to the band, having joined them temporarily that year as a multi-instrumentalist. During this period, Worsham contributed to other artists' projects, including session work for Dierks Bentley and Eric Church, but focused less on new solo material.[35][36][37]Recent work and collaborations (2021–present)
In 2021, Worsham released his EP Sugarcane on July 16 through Warner Music Nashville, marking his return to recording after a period focused on session work. The six-track project featured introspective country tracks such as "Half Drunk," "Sugarcane," and "For the Love," exploring themes of personal reflection and resilience.[38][39] The EP received positive reviews for its blend of traditional country elements with Worsham's signature fiddle-driven sound, though it did not spawn major chart singles.[40] Worsham followed with standalone singles "Believe in Love" and "Fist Through This Town" later in 2021, both emphasizing heartfelt storytelling rooted in his Mississippi upbringing.[41] By 2023, he shifted toward high-profile collaborations with the release of the five-track EP Compadres on October 13 via Warner Music Nashville. This project highlighted Worsham's industry relationships, featuring duets with prominent artists including Luke Combs on "How I Learned to Pray," Dierks Bentley on "Things I Can't Control," Kip Moore on "Kiss Like You Dance," Lainey Wilson on "Handful of Dust," and Elle King on "Creekwater Clear."[42][43] The EP was praised for its camaraderie and musical chemistry, with tracks like the Combs collaboration drawing attention for their raw emotional depth and bluegrass influences.[44][45] In 2024, Worsham issued the single "A Nice Thing to Do," a reflective piece continuing his solo output amid ongoing session contributions.[46] That year, he earned the Country Music Association's Musician of the Year award, recognizing his prowess as a multi-instrumentalist and songwriter in Nashville's circles.[47] In 2025, Worsham was named CMA Touring Musician of the Year for his work with artists including Eric Church.[48] Extending into 2025, Worsham collaborated with Vince Gill on the podcast series 50 Years From Home, hosting in-depth conversations tied to Gill's retrospective EP releases, showcasing Worsham's role as a connector in country music's legacy.[49]Other professional activities
Television and acting roles
Worsham made his acting debut in 2014, appearing as the fictional country musician Colin Haynes in the ninth-season episode "Big in the Philippines" of the Fox series Bones. In the episode, directed by David Boreanaz, Worsham's character is a struggling singer who is brutally murdered, with the storyline revolving around the forensic investigation of his death. His single "Want Me Too" was featured in the episode, helping to boost its chart performance on country radio at the time.[50][51][52] In 2017, Worsham portrayed the real-life country singer Slim Whitman in a guest role on the CMT miniseries Sun Records, which dramatized the early history of the iconic label. He appeared in the episode "No Favors Here," performing as Whitman during a pivotal scene involving the label's rising stars. This role drew on Worsham's background as a multi-instrumentalist and country performer, blending his musical expertise with on-screen acting.[53][54]Session musicianship and awards recognition
Charlie Worsham has established himself as a prominent session musician in Nashville, renowned for his versatile guitar work across acoustic, electric, and specialty instruments like mandolin and banjo. As a first-call player, he has contributed to recordings by major country artists, including Eric Church, Kacey Musgraves, and Dierks Bentley, where his intricate picking and rhythmic precision enhance tracks blending traditional country with modern influences.[55] His session credits also extend to film soundtracks, such as providing guitar performances for The Eyes of Tammy Faye (2021), showcasing his ability to adapt to diverse production needs.[56] In addition to studio work, Worsham serves as a touring guitarist for Dierks Bentley's band, delivering live performances that highlight his technical prowess and stage presence. In 2019, he collaborated with Old Crow Medicine Show as a temporary multi-instrumentalist, including on the single "I Hope I'm Stoned (When Jesus Takes Me Home)" and their tours, and has shared stages with legends like Vince Gill, further solidifying his reputation in the Nashville session scene. In 2025, Worsham hosted the podcast "50 Years From Home" alongside Vince Gill, discussing Gill's career in conjunction with the release of Gill's EPs.[55][6][57] Worsham's musicianship has earned significant awards recognition, particularly from the Academy of Country Music (ACM) and Country Music Association (CMA). In 2020, he received a nomination for ACM Studio Recording Award for Specialty Instrument(s) Player of the Year, acknowledging his early contributions to high-profile sessions.[58] He won the ACM Acoustic Guitar Player of the Year in 2022, presented during a live Grand Ole Opry performance, marking his breakthrough as a top Nashville guitarist.[59] This accolade was repeated in 2024, earning him his second ACM win in the category and affirming his ongoing impact on country recordings.[60] At the CMA Awards, Worsham was nominated for Musician of the Year in 2023, recognizing his broad influence across songwriting, performing, and production. He clinched the award in 2024, becoming a celebrated figure for his all-around excellence in the genre.[61][62]Personal life
Marriage
Charlie Worsham met his future wife, Kristen Korzenowski, through her professional role at the Community Foundation of Middle Tennessee, where she worked in philanthropy.[63] The couple began dating and announced their engagement on March 11, 2018, after Worsham proposed over the weekend in a personal ceremony that reflected their shared values.[64] Worsham and Korzenowski married on September 22, 2018, in a ceremony at Christ the King Catholic Church in Nashville, Tennessee.[63] The event was attended by close friends and family, including notable figures from the country music industry such as singer Jeannie Seely and songwriter Jenny Gill.[63] Worsham, then 33, wore a custom tuxedo designed by Tyler George featuring a Peter Christian Harris tweed vest, while Korzenowski, 31, donned a Sarah Seven bridal gown.[65] The reception took place at Studio A in the Grand Ole Opry House, a venue with personal significance to the couple due to its ties to Nashville's musical heritage.[63] Live music was provided by The Time Jumpers, with the newlyweds sharing their first dance to "Pushing Up Daisies" by Brothers Osborne.[65] Worsham later described seeing Korzenowski walk down the aisle as the most memorable moment of the day, emphasizing the emotional depth of their union.[65] The couple obtained their marriage license just days prior at the Davidson County Clerk's office.[65]Family
Charlie Worsham was born on September 1, 1985, in Jackson, Mississippi, to Gary and Sherry Worsham. He was raised in Grenada, Mississippi, where he attended Grenada High School. His parents encouraged his early interest in music; his father represented the creative side of the family, while his mother supported practical aspects of his development. Gary Worsham worked as a banker for 44 years before retiring and later served as executive director of the Grenada Tourism Commission.[66][67] Sherry Worsham has been involved in education and arts initiatives, including as director of new program development for the Grenada School District and secretary for the Follow Your Heart Arts Program Inc., a nonprofit founded by her son to support music education.[68][69] Worsham has two children: son Gabriel Thomas Worsham, born April 1, 2021, weighing 6 pounds and 11 ounces,[70] and daughter Harper Jean Worsham, born October 17, 2024.[71]Discography
Studio albums
Charlie Worsham has released two studio albums, both issued by Warner Bros. Records, showcasing his evolution as a multi-instrumentalist and songwriter in the country music genre. His debut, Rubberband, marked his entry into the major label scene with a collection of 11 original tracks that blend bluegrass influences, pop sensibilities, and heartfelt storytelling. Released on August 20, 2013, the album was praised for its energetic production and Worsham's versatile fiddle and guitar work, earning acclaim from critics for refreshing mainstream country radio.[72][73] The lead single, "Could It Be," introduced his witty lyricism and peaked at number 13 on the Billboard Country Airplay chart, while tracks like "How I Learned to Pray" highlighted his rootsy, faith-infused narratives. Overall, Rubberband received a 70/100 critic score on Album of the Year, noted for its accessibility without pandering to trends, and peaked at number 12 on the US Country chart and number 64 on the Billboard 200.[74] Worsham's sophomore effort, Beginning of Things, arrived on April 21, 2017, as a more introspective and mature follow-up, featuring 13 tracks that delve into personal vulnerability and musical experimentation. Co-produced by Worsham with Frank Rogers and Ilya Toshinskiy, the album incorporates jazz-tinged elements and sophisticated arrangements, reflecting his recovery from a creative slump. Critics lauded its lyrical depth and instrumental prowess, with NPR describing it as embracing "great playing, sophisticated lyricism, and the insight that comes from being knocked around a bit."[75] The lead single "Cut Your Groove" exemplified this growth and was released as the lead single, while songs like "Please People Please" and "Birthday Suit" demonstrated his humorous yet poignant songcraft. Rolling Stone highlighted the record's slow-build emotional resonance, positioning it as one of the most vulnerable country albums of 2017.[30] Since then, Worsham has focused on EPs and collaborations, with no additional full-length studio albums released as of November 2025.[5]| Title | Release date | Label | Format(s) | US Country | US Billboard 200 |
|---|---|---|---|---|---|
| Rubberband | August 20, 2013 | Warner Bros. Records | CD, LP, digital | 12 | 64 |
| Beginning of Things | April 21, 2017 | Warner Bros. Records | CD, LP, digital | — | — |
Extended plays
Charlie Worsham has released two extended plays as part of his discography with Warner Music Nashville. His first EP, Sugarcane, arrived on July 16, 2021, marking his return to recording after a four-year hiatus following his 2017 album Beginning of Things.[38][76] The six-track collection explores themes of personal reflection and resilience, drawing from Worsham's experiences during a challenging period that included health issues and career uncertainties.[40] Key tracks include the title song "Sugarcane," which highlights his fiddle-driven country sound, and "Half Drunk," a poignant ballad co-written with songwriters like Jaren Johnston.[39][77] Worsham's second EP, Compadres, was released on October 13, 2023, and features five collaborative tracks with prominent country artists, emphasizing his role as a songwriter and multi-instrumentalist in Nashville's music community.[5][78] Produced by Jaren Johnston, the EP showcases Worsham's friendships through duets such as "Handful of Dust" with Lainey Wilson, "Kiss Like You Dance" with Kip Moore, "How I Learned to Pray" with Luke Combs, "Creekwater Clear" with Elle King, and "Things I Can't Control" with Dierks Bentley.[79][45] These recordings blend traditional country elements with modern production, earning praise for their heartfelt storytelling and Worsham's versatile fiddle and guitar work.[42]| Title | Release Date | Label | Tracks |
|---|---|---|---|
| Sugarcane | July 16, 2021 | Warner Music Nashville | 1. Sugarcane 2. For the Love 3. Half Drunk 4. Believe in Love 5. Fist Through This Town 6. I Ain't Goin' Nowhere |
| Compadres | October 13, 2023 | Warner Music Nashville | 1. Handful of Dust (feat. Lainey Wilson) 2. Kiss Like You Dance (feat. Kip Moore) 3. How I Learned to Pray (feat. Luke Combs) 4. Creekwater Clear (feat. Elle King) 5. Things I Can't Control (feat. Dierks Bentley) |
Singles
Charlie Worsham debuted on the country music charts with his first single, "Could It Be," released in 2013 as the lead track from his debut album Rubberband on Warner Bros. Records. The song, co-written by Worsham with Ryan Tyndell and Marty Dodson, peaked at number 13 on the Billboard Country Airplay chart.[82][83] His follow-up single, "Want Me Too," issued in 2014 and also from Rubberband, reached number 33 on the Billboard Country Airplay chart, showcasing Worsham's blend of traditional country influences with pop sensibilities.[82] After a period focused on album production, Worsham returned to singles with "Cut Your Groove" in March 2017, the lead single from his second album Beginning of Things. Co-written by Worsham, the track served as a personal anthem emphasizing resilience and authenticity in his songwriting.[32][31] In 2019, he released "I Hope I’m Stoned (When Jesus Takes Me Home)," a collaboration with Old Crow Medicine Show, which highlighted his bluegrass roots and appeared as a digital single.[84] That same year, Worsham teamed up with Brandy Clark for the holiday single "Merry Christmas Darling." Worsham's output shifted toward collaborative EPs in the 2020s, beginning with the 2021 release of "Fist Through This Town" ahead of his Sugarcane EP on Warner Music Nashville, reflecting themes of personal struggle and perseverance.[38] The Sugarcane EP included additional promoted tracks like "Sugarcane" and "Hang On to That," drawing from Worsham's life experiences during a career hiatus.[76] His 2023 Compadres EP featured five duet singles with high-profile artists, emphasizing camaraderie in Nashville's music scene: "Handful of Dust" with Lainey Wilson, "Kiss Like You Dance" with Kip Moore, "How I Learned to Pray" with Luke Combs, "Creekwater Clear" with Elle King, and "Things I Can’t Control" with Dierks Bentley, all released October 13 via Warner Music Nashville.[42][43] In 2024, Worsham issued the standalone single "A Nice Thing to Do."[46]| Year | Single | Album/EP | Peak Chart Position | Notes |
|---|---|---|---|---|
| 2013 | "Could It Be" | Rubberband | #13 (Country Airplay) | Debut single; co-written by Worsham.) |
| 2014 | "Want Me Too" | Rubberband | #33 (Country Airplay) | Follow-up single; co-written by Worsham. |
| 2017 | "Cut Your Groove" | Beginning of Things | — | Lead single; Worsham's personal anthem.[32][31] |
| 2019 | "I Hope I’m Stoned (When Jesus Takes Me Home)" (feat. Old Crow Medicine Show) | Standalone | — | Digital single highlighting bluegrass influences.[84] |
| 2019 | "Merry Christmas Darling" (with Brandy Clark) | Standalone | — | Holiday collaboration single. |
| 2021 | "Fist Through This Town" | Sugarcane | — | Pre-EP single on Warner Music Nashville.[38] |
| 2023 | "How I Learned to Pray" (feat. Luke Combs) | Compadres | — | Part of collaborative EP; released October 13.[42] |
| 2023 | "Kiss Like You Dance" (feat. Kip Moore) | Compadres | — | Part of collaborative EP; released October 13.[42] |
| 2023 | "Handful of Dust" (feat. Lainey Wilson) | Compadres | — | Part of collaborative EP; released October 13.[42] |
| 2023 | "Creekwater Clear" (feat. Elle King) | Compadres | — | Part of collaborative EP; released October 13.[42] |
| 2023 | "Things I Can’t Control" (feat. Dierks Bentley) | Compadres | — | Part of collaborative EP; released October 13.[42] |
| 2024 | "A Nice Thing to Do" | Standalone | — | Recent digital single.[46] |
Awards and nominations
Country Music Association Awards
Charlie Worsham has earned recognition from the Country Music Association (CMA) primarily for his exceptional guitar work as a session and touring musician. His accolades in this category highlight his contributions to contemporary country music recordings and performances. In 2023, Worsham received his first CMA nomination for Musician of the Year, competing alongside Jenee Fleenor, Paul Franklin, Rob McNelley, and Derek Wells.[85] The following year, he secured a second consecutive nomination in the same category, facing Tom Bukovac, Jenee Fleenor, Paul Franklin, and Rob McNelley. Worsham won the 2024 Musician of the Year award, marking a significant milestone in his career as a multi-instrumentalist known for his technical prowess and collaborative versatility.[86][87] In 2025, Worsham won the CMA Touring Musician of the Year award for his role as guitarist in Dierks Bentley's tour band.[8]| Year | Category | Result | Notes |
|---|---|---|---|
| 2023 | Musician of the Year | Nominated | First nomination |
| 2024 | Musician of the Year | Winner | Second nomination; guitar focus |
| 2025 | Touring Musician of the Year | Winner | For work with Dierks Bentley |
Academy of Country Music Awards
Charlie Worsham has been honored by the Academy of Country Music (ACM) primarily through its Studio Recording Awards, which recognize outstanding instrumental performances in country music production. These awards highlight his versatility as a multi-instrumentalist, with a focus on his acoustic guitar work and broader specialty instrument contributions.[88] In 2020, Worsham received his first ACM nomination for Specialty Instrument(s) Player of the Year, acknowledging his session work on recordings for artists including Dierks Bentley, Old Crow Medicine Show, and Lee Ann Womack. This category celebrates musicians excelling in non-traditional instruments like fiddle, mandolin, or banjo, and Worsham was nominated alongside Stuart Duncan, Jenee Fleenor, Jim Hoke, Danny Rader, and Joe Spivey. The award ultimately went to Jenee Fleenor.[89] Worsham earned his first ACM win in 2022 for Acoustic Guitar Player of the Year, marking a significant milestone in his career as a touring and studio guitarist. The award was announced during a live performance at the Grand Ole Opry, where he was surprised onstage by a video message from Dierks Bentley. This victory recognized his contributions to albums and singles that year, solidifying his reputation in Nashville's music scene.[90] He repeated as Acoustic Guitar Player of the Year in 2024, securing his second career ACM Award in the category. This win, part of the 59th ACM Industry and Studio Recording Awards, highlighted his ongoing influence in acoustic guitar performances across contemporary country productions. Worsham's back-to-back victories underscore his technical prowess and collaborative impact in the genre.[60]| Year | Award Category | Result | Notes |
|---|---|---|---|
| 2020 | Specialty Instrument(s) Player of the Year | Nominated | Recognized for session work with multiple artists; winner: Jenee Fleenor.[89] |
| 2022 | Acoustic Guitar Player of the Year | Won | First career ACM win, announced at the Grand Ole Opry.[90] |
| 2024 | Acoustic Guitar Player of the Year | Won | Second consecutive win in the category.[60] |