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Chokeslam

A chokeslam is a type of body slam in professional wrestling, in which a performer grasps an opponent's neck with one hand, lifts them vertically into the air by the throat, and slams them forcefully to the mat, typically landing on their back.^[1]^[2] This move emphasizes the executor's strength and dominance, creating a dramatic visual of the opponent suspended mid-air before impact.^[1] The chokeslam's origins trace back to folklore, with a legendary tale claiming Abraham Lincoln executed a similar maneuver during a 1831 wrestling match against Jack Armstrong in New Salem, Illinois, grabbing his rival by the throat and shaking him vigorously like a rag doll to assert superiority.^[3] In modern professional wrestling, the technique evolved in the late 20th century and was popularized in Extreme Championship Wrestling (ECW) by the performer known as 911 (Alfred Poling) in 1994, under the guidance of promoter Paul Heyman, who highlighted its "hangtime" for added spectacle.^[1] It gained mainstream prominence in World Wrestling Entertainment (WWE) through The Undertaker, who incorporated it as a signature move starting in the early 1990s, often as a setup for his Tombstone Piledriver finisher.^[1] Other notable users include Kane, Big Show, Vader, and Scott Hall, each adapting it to their personas for high-impact spots.^[1] Renowned for its relative safety—due to the controlled lift and fall that minimizes injury risk—while appearing brutally powerful, the chokeslam has become an iconic element of wrestling storytelling, frequently used by giant characters to overpower foes.^[1] Variations include the elevated version by Big Show, incorporating a knee to the midsection for extra force, and 911's unique arm-over-shoulder grip for stability.^[1] Its enduring popularity stems from versatility in matches, from standard bouts to high-risk spectacles like Hell in a Cell, where it has contributed to memorable moments, such as The Undertaker's chokeslam on Shane McMahon through an announce table in 2001.^[1]

Description

Basic Technique

The chokeslam is a type of body slam in professional wrestling in which the performer grasps the opponent's neck or throat with one or both hands, lifts them vertically off the ground, and forcefully drives them down to the mat on their back.^[2] This move emphasizes raw power and control, often executed to showcase the performer's physical dominance over the opponent.^[4] Execution of the standard chokeslam begins with the performer approaching the opponent, typically after positioning them in a vulnerable spot such as against the ropes or in a corner to set up the grip. The performer then applies the hold by placing one hand—often the weaker arm in a palm-up or neutral position—firmly on the opponent's throat, just below the jawline, without applying actual pressure to avoid injury.^[4] For added stability, the opponent's arm may be hooked over the performer's shoulder or the free hand can grasp the opponent's waist or trunks to facilitate the lift.^[5] In the lift phase, the performer uses a combination of arm extension and core strength to elevate the opponent to eye level or higher, with the opponent cooperating by bending their knees and jumping slightly to assist the motion and achieve greater height.^[6] As the opponent reaches the peak, the performer releases the throat grip mid-air while guiding the fall with the other hand on the lower back, generating downward momentum to drive the opponent forcefully onto the mat in a flat back bump.^[1] This final slam phase ensures the move lands safely while appearing devastating. As a signature power move, the chokeslam is frequently used as a finisher or setup for submissions, highlighting the performer's superior strength and intimidating presence in the ring.^[4] Effective execution requires the performer to possess a notable height and strength advantage—typically by larger, taller wrestlers for optimal visual impact—and relies on the opponent's trained cooperation to sell the impact convincingly in this choreographed environment.

Mechanics and Requirements

The chokeslam's execution hinges on key leverage points, including a secure throat grip that allows the performer to control the opponent's center of gravity and posture, facilitating the initial lift. This grip, combined with leg drive from the performer's lower body, generates the upward momentum necessary for elevating the opponent off the mat. The biomechanics involve coordinated extension of the hip and knee joints, where extension movements typically produce higher torque than flexion in athletic training. Upon release, momentum transfer occurs as the opponent is slammed downward, with the performer absorbing recoil through bent knees to maintain balance and minimize self-injury. Performing a chokeslam demands substantial upper body strength, particularly in grip and pulling muscles. Substantial grip strength is required, as measured in elite wrestlers. A height advantage over the opponent enhances leverage and visual impact, allowing taller athletes to execute higher lifts more effectively. Additionally, performers require targeted training to mitigate neck strain, including neck strengthening exercises like bridges and extensions, which build resilience against compressive forces during repetitive practice. Safety protocols are essential to prevent injury, with professional wrestling rings featuring padded mats constructed from closed-cell foam that absorb impact and reduce peak forces on the spine during landings. These mats help mitigate spinal compression by distributing force over a larger area, maintaining shock-absorbency even after repeated use. The opponent must tuck their chin to the chest upon falling to protect the neck from hyperextension, while the performer applies only simulated pressure in the choke to avoid actual airway restriction or vascular compromise. Common errors include insufficient lift height, which can result in awkward falls and increased risk of back or neck impact during training sessions, often addressed through progressive drills emphasizing proper elevation and timing.

History

Early Origins and Anecdotes

One notable anecdote from 19th-century American frontier lore involves Abraham Lincoln's wrestling match in 1831 against Jack Armstrong, leader of the Clary's Grove Boys in New Salem, Illinois. According to accounts, the bout escalated when Armstrong's associates attempted to interfere with unfair tactics, prompting Lincoln to grab his opponent by the neck, lift him off the ground, shake him vigorously, and dash him to the earth, securing victory and earning respect from the group.^[7] These details stem from dramatized eyewitness recollections passed down in local histories, though they remain unverified and likely embellished for storytelling, as primary records confirm only a rough scuffle ending in a draw or mutual respect without specifying maneuvers.^[8] The tale illustrates early informal wrestling's role in establishing dominance in rough communities, predating structured sports. In the 1850s, carnival and circus exhibits across Europe and America featured strongman wrestlers performing feats of power, including lifts and throws that involved gripping opponents by the neck or collar to hoist and display them as spectacles of strength. These "athletic shows" often pitted professionals against challengers in open matches, emphasizing dramatic holds to entertain crowds at fairs and traveling circuses, long before organized professional wrestling emerged.^[9] Such displays, documented in performance histories, highlighted physical prowess through improvised grapples rather than rules-bound contests, influencing later entertainment-oriented techniques.^[10] Catch-as-catch-can wrestling, popularized in late-19th-century Lancashire and spreading to America, incorporated neck holds—known as "strangles"—that evolved from defensive locks into offensive slams for crowd appeal and showmanship. This freestyle style allowed nearly any grip below the waist, enabling wrestlers to transition neck cranks into throws for quick pins or submissions, adapting folk traditions into more theatrical forms by the 1890s.^[11] Regulations later barred certain dangerous strangles to prevent injury, but the emphasis on versatile, crowd-pleasing maneuvers laid groundwork for slam-like finishes in competitive bouts.^[12] Despite these precedents, no evidence exists of the term "chokeslam" being used before the 20th century; similar actions were typically described as general throat grabs, collar takedowns, or strongman lifts, often conflated with collar-and-elbow wrestling's basic reversals in historical records.^[1] This absence underscores how the maneuver's folklore roots were unnamed and unformalized until modern professional contexts.

Emergence in Professional Wrestling

The chokeslam's integration into professional wrestling began in the 1980s, as Sid Vicious popularized the complete vertical chokeslam in the National Wrestling Alliance (NWA) and World Championship Wrestling (WCW) between 1987 and 1989, employing it as a signature power move to emphasize his dominant heel persona.^[13] The 1990s marked the chokeslam's popularization and mainstream adoption, starting with Paul Heyman's conceptualization of the named maneuver for ECW wrestler 911 in 1994, which introduced dramatic "hangtime" for enhanced spectacle.^[1] In WWE, The Undertaker adopted the chokeslam in 1992 shortly after his debut, transforming it into a globally iconic finisher synonymous with supernatural power.^[1] Over the decade, the chokeslam evolved from a regional heel tactic in territorial and early national promotions to a staple finisher in the Attitude Era, with its frequency surging after 1995 amid the rise of larger-than-life characters like those in ECW and WWE.^[1]

Notable Performers

Pioneers

The wrestler 911, under the guidance of ECW promoter Paul Heyman, further popularized the chokeslam in the United States starting with his debut in 1994, though his most notable uses came between 1994 and 1995. Heyman is credited with conceptualizing the move's theatrical presentation, naming it the "chokeslam" and pairing it with fire effects for added spectacle in ECW's hardcore environment. At over 300 pounds, 911 lifted opponents to impressive heights, creating dramatic hang time and impact that set a standard for the move's execution.^[14]^[1] Scott Hall, performing as Razor Ramon in early 1990s WWF, transitioned the chokeslam into a gritty, street-fight style element. Hall blended the move with punches and brawling sequences, using it in transitional spots to highlight his bad-guy toughness in no-holds-barred matches, bridging the move from territorial power displays to more narrative-driven applications.^[1]

Iconic Users

One of the most iconic performers of the chokeslam in the post-1990s era was The Undertaker, who integrated it as a signature move throughout his WWE career from 1992 to 2020.^[15] Debuting the move prominently in his early matches, The Undertaker elevated the chokeslam with theatrical buildup, often pausing in a menacing pose before execution to heighten the supernatural drama of his Deadman persona.^[16] This style not only showcased his physical dominance but also became integral to his legacy, frequently transitioning into his Tombstone Piledriver finisher and contributing to over three decades of high-impact storytelling in WWE.^[17] Kane emerged as another cornerstone of the chokeslam's prominence starting in 1997, employing it as his primary finisher during his WWE tenure through 2018.^[18] His first notable use came shortly after his shocking debut at Badd Blood: In Your House, where he ripped the door off the Hell in a Cell to confront his brother The Undertaker, quickly incorporating the move to embody his masked, demonic "Big Red Machine" character. Kane's version emphasized raw power and elevation, often lifting opponents several feet off the mat—aligning with his billed height of nearly 7 feet—to amplify the infernal theme and deliver devastating impacts that solidified his role as a destructive force in Attitude Era rivalries.^[17] Big Show refined the chokeslam into a hallmark of his career across WCW and WWE from 1999 to 2021, frequently utilizing a two-handed grip variant to underscore his colossal size and strength.^[1] This approach allowed him to hoist even heavyweight opponents with ease, as seen in his intense 2000 feuds with The Rock, where he delivered a memorable chokeslam during their No Way Out title match buildup, symbolizing his role as an unstoppable giant. The move's career impact was profound, serving as a reliable finisher that highlighted Big Show's athleticism despite his 7-foot-2 frame and helped define his transitions between villainous and heroic arcs in major storylines.^[19] Vader brought an explosive, no-nonsense intensity to the chokeslam during his 1990s stints in WCW and WWE, focusing on short, powerful arcs from a bent-over position to maximize impact against agile or smaller adversaries.^[17] A standout example occurred at the 1996 Royal Rumble, where he unleashed a stiff chokeslam on Doug Gilbert amid the multi-man chaos, eliminating him swiftly and reinforcing Vader's reputation as a hard-hitting mastodon capable of aerial feats alongside brute force.^[20] This style contributed significantly to his legacy as a dominant powerhouse, influencing subsequent big men by blending raw aggression with technical precision in high-stakes environments.^[1]

Variations

Grip Variations

The one-handed chokeslam features the performer securing the opponent's throat with a single palm, often enabling the free hand to emphasize dramatic gestures such as taunts or poses during the lift. This variation demands exceptional grip strength to hoist and control larger opponents without additional support, making it a hallmark of performers with imposing physical presence. The Undertaker prominently debuted this style in WWE during 1992, integrating it into his Deadman persona for heightened theatrical impact.^[1] In contrast, the two-handed chokeslam employs both hands—typically one on the throat and the other on the chest or neck—for enhanced leverage, particularly suited to lifting heavier adversaries and creating a display of raw power. This approach accentuates visual bulk and stability, common among giant wrestlers in the 1990s. Big Show utilized this power-oriented version during his WCW tenure as The Giant starting in 1995, often wrapping both massive hands around the opponent's neck to amplify the move's dominance.^[1] The Iron Claw integration modifies the grip by applying thumb pressure along the jawline, blending choking pressure with a punch-like clawhold to intensify brutality and blur the line between submission and slam. This adaptation, rooted in territorial wrestling influences, emphasizes visceral aggression over pure lift mechanics.

Impact and Position Variations

The sitout chokeslam modifies the standard descent by having the performer drop to a seated position upon impact, which amplifies the downward force on the opponent's spine and creates a more dramatic visual effect. This variation, also known as a chokebomb, enhances the move's perceived intensity by shortening the drop distance while increasing the performer's body weight contribution to the slam. In professional wrestling, Big Show frequently employed this technique during his WWE tenure in the 2000s and 2010s, often crashing to his knees for added emphasis on the opponent's lower back.^[1] Similarly, Damian Priest utilizes a sitout chokeslam as his finisher "South of Heaven," where the simultaneous drop adds pace and excitement to the maneuver.^[21] The reverse chokeslam alters the opponent's body orientation by positioning them facing away from the performer during the lift and slam, targeting the upper back and shoulders for a different distribution of impact. In this execution, the wrestler stands behind the opponent, secures the choke grip, elevates them vertically, and drives them backward to the mat, simulating heightened vulnerability and pain in the thoracic region. This rare variation emphasizes control from an unexpected angle and was notably used by Braun Strowman in WWE matches from 2015 onward, often transitioning into further attacks like powerbombs.^[22] Sid Vicious incorporated elements of reversed positioning in his early chokeslam applications during WCW bouts in the late 1980s and early 1990s, contributing to the move's evolution toward diverse body alignments.^[1] The leg trap chokeslam integrates limb control by entwining one of the opponent's legs between the performer's own during the lift, restricting movement and facilitating a more secure descent to prevent escapes or immediate counters. This position variation heightens the slam's effectiveness in match scenarios, particularly for pinning attempts, by limiting the opponent's ability to kick out post-impact.^[23]

Hybrid Combinations

Hybrid combinations of the chokeslam incorporate elements from other wrestling maneuvers, such as lifts, carries, or spins, to amplify the move's dramatic impact and spectacle in matches. These fusions allow performers to showcase greater athleticism and power while maintaining the core choking grip and vertical lift characteristic of the chokeslam.^[24] The vertical suplex chokeslam begins with the wrestler securing a front facelock and lifting the opponent into a vertical suplex position, then transitioning to a throat grab for the slam. This rare variant blends an overhead toss with a forceful drop to emphasize dominance. The fireman's carry chokeslam, in which the opponent is hoisted over the shoulder in a fireman's carry before the wrestler shifts to lift by the throat and execute the slam. Big Show utilized this in WCW and WWE during the 2000s, particularly effective in multi-opponent scenarios to isolate and dispatch foes with his immense size.^[19] The back suplex chokeslam adapts a backward suplex motion while maintaining the choke hold, arching the opponent's back mid-air for a heightened dramatic fall upon impact. The chokebomb represents a spinning aerial evolution of the chokeslam, where the wrestler rotates the opponent 180 to 360 degrees before slamming them down.

References

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Chokeslam! Secret History of an Iconic Wrestling Move
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What does chokeslam mean? - Definitions.net
A chokeslam is a type of body slam in professional wrestling, in which a wrestler grasps an opponent's neck, lifts them up, and slams them to the mat. It is ...
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Mar 29, 2010 · In this instructional video you will learn how the WWE choke slam is performed. Be sure to understand the stunts performed should not be ...
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1. Grab your opponent by the neck using your weak arm. But don't actually choke them! Just grasp right under their jaw-bone hard enough to keep your grip.
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The wrestler then pushes the opponent upwards, turns 180°, and grabs hold of the falling opponent's throat, driving them down to the mat back first. This ...
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May 9, 2025 · Enraged by the dirty tactics, Lincoln grabbed Armstrong by the neck and, extending his long arms, "shook him like a rag." When it appeared ...Missing: throat | Show results with:throat
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In 1831, Armstrong challenged Abraham Lincoln to a wrestling match, which likely resulted in a draw. The two subsequently became friends.
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These Historic Strongmen Could Bend a Frying Pan and Lift an ...
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### Summary of Kane's Use of Chokeslam
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Mar 21, 2016 · Vader hits a stiff chokeslam on Gilbert and then throws him out easily. Vader throws out the Squat team dude. In-ring we've got six guys ...
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The 7-footer thwarted his efforts thanks to a thunderous chokeslam, but when ... Big Show wrapped his massive hands around Mayweather's 24-inch neck.
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