Chris Webby
Christian Talcott Webster (born October 13, 1988), known professionally as Chris Webby, is an American rapper and songwriter from Norwalk, Connecticut, recognized for his versatile flow, creative punchlines, pop culture references, and rapid delivery style that draws comparisons to artists like Eminem and Mac Miller.[1][2][3] Webster began writing raps at age 11 in 2000, initially under the alias Vindictive, and started performing for peers during middle school.[4] He honed his skills as a freestyler while attending Hofstra University in Long Island, New York, where he built an early following among college crowds and fraternity events.[5] His breakthrough came in 2008 with the release of the cannabis-themed track "La La La," which garnered significant online attention and remains one of his most-streamed songs on platforms like YouTube.[6] As an independent artist, Webby has maintained full creative control over his music, releasing a series of mixtapes through the late 2000s and early 2010s before issuing his debut studio album, Chemically Imbalanced, in 2014.[7][8] The album, featuring collaborations with rappers such as Tech N9ne and Talib Kweli, debuted at number two on the Billboard R&B/Hip-Hop Albums chart and solidified his presence in the alternative and party rap scenes.[8] Subsequent releases, including the Wednesday album series—such as Wednesday Before Last (2022), Last Wednesday (2024), and 88 Milligrams (September 2025)—have showcased his evolution, blending introspective themes with high-energy tracks and maintaining his DIY ethos.[9] Beyond music, Webby has embraced his advocacy for cannabis, launching business ventures in the industry that align with the plant's role in his creative process and rise to prominence.[6] He continues to tour extensively across North America, with scheduled performances in late 2025 including stops in Worcester, Massachusetts; Albany, New York; and Harrisburg, Pennsylvania, often culminating in his annual Black Friday show at Toad's Place in New Haven, Connecticut.[10][11] Webby's commitment to lyrical substance over mainstream trends has earned him a dedicated fanbase, positioning him as a enduring figure in independent hip-hop.[12][7]Biography
Early life
Christian Talcott Webster, known professionally as Chris Webby, was born on October 13, 1988, in Norwalk, Connecticut.[13] As the only child of a middle school teacher mother and a guitarist father, Webster grew up in a household that provided early exposure to creative expression through music.[14] Webster developed an interest in rap music during his childhood, beginning to write his own lyrics at age 11 in 2000, heavily influenced by Eminem's style and lyrical approach.[13] He initially pursued rapping as a hobby, performing informally in settings such as school lunch lines and high school events in Fairfield County.[15] For his education, Webster attended Greens Farms Academy, a private school in Westport, Connecticut.[13] After high school, he enrolled at Hofstra University on Long Island but was expelled in 2009 following an arrest for an attempted robbery that resulted in a week in jail.[15][16]Personal life
Webby was diagnosed with attention deficit hyperactivity disorder (ADHD), also referred to as ADD, at a young age, a condition he has described as severely impacting his ability to focus and function in daily life.[17] In June 2025, Webby revealed that he had been diagnosed with autism spectrum disorder following a suggestion from his girlfriend to take an online test.[18] To manage these symptoms and remain productive, he relies on prescribed medication, including Adderall, which he credits with enabling sustained creative output during extended studio sessions.[17][19] Webby has reflected on being overprescribed stimulants like Ritalin as a child, attributing it to prevailing medical practices that pushed such treatments without adequate consideration.[20] In his personal relationships, Webby shares a close friendship with comedian Pete Davidson, marked by musical collaborations such as the 2020 track "Who Am I" and joint live streams, including a 4/20-themed session.[21] Their bond extends to shared interests in mental health challenges and home aquariums, with Davidson publicly praising Webby's elaborate setup as one of the finest he has encountered.[22] Outside his career, Webby pursues the hobby of maintaining a saltwater reef aquarium in his home, featuring diverse marine life and symbiotic ecosystems that he actively manages.[22] As an independent artist, he embraces a lifestyle centered on autonomy and self-expression, self-identifying as a free thinker who values rational discourse and nonconformity in his lyrics and public persona.[23]Musical career
2007–2011: Early mixtapes
Christian Webster, known professionally as Chris Webby, began his musical career in the late 2000s as an independent rapper based in Norwalk, Connecticut, releasing mixtapes through grassroots efforts without major label support. His debut mixtape, The White Noise LP, was released on April 30, 2009, marking his entry into the hip-hop scene with tracks that showcased his rapid-fire delivery and suburban-themed lyrics. The project featured collaborations with local artists and was distributed for free via online platforms, allowing Webby to build an initial audience through digital word-of-mouth in the Northeast rap community.[24] Following the debut, Webby continued his DIY approach, handling production oversight and self-distributing subsequent releases to grow his presence in Connecticut's limited local hip-hop landscape. On December 21, 2010, he dropped Best in the Burbs, a 16-track mixtape hosted by DJ Big Mike that included guest appearances from artists like Big K.R.I.T. and production from Statik Selektah and Ski Beatz. The mixtape's popularity led to unprecedented demand, crashing the servers of DatPiff—the primary platform for free downloads at the time—highlighting Webby's emerging appeal among underground listeners. By offering the project as a free download, he amassed a dedicated fanbase, with his overall following reaching hundreds of thousands by late 2011 through platforms like DatPiff and early social media promotion.[25] As an unsigned artist in Connecticut, Webby faced challenges typical of the regional scene, including limited performance opportunities and competition from larger East Coast markets like New York and Boston. Operating from suburban Norwalk, he relied on local club shows and online freestyles to gain traction, often performing under the radar while balancing a day job. This independent hustle emphasized his self-reliant ethos, fostering a loyal "ninja" fanbase—nicknamed after his energetic style—that appreciated his authentic portrayal of everyday suburban life. Despite these obstacles, Webby's persistence in free releases and consistent output laid the groundwork for broader recognition.[15][7]2011–2013: Breakthrough releases
In late 2011, Chris Webby achieved his first significant commercial breakthrough with the release of his debut EP, There Goes the Neighborhood, on December 1 through his independent label Homegrown Music.[26] The project featured 10 tracks blending rapid-fire lyricism with party-oriented beats, including singles like the title track produced by Don Cannon.[27] It debuted and peaked at number 101 on the Billboard 200 chart, marking Webby's initial entry into national sales rankings and signaling growing fan interest beyond underground mixtape circuits.[28] Building on this momentum, Webby launched his first major headlining tour in early 2012, a self-funded 40-date North American run that began on February 10 in Toronto, Ontario, at The Mod Club.[29] The tour covered key cities including Boston, New York, Chicago, and Los Angeles, allowing Webby to perform material from There Goes the Neighborhood and earlier works to increasingly larger crowds, solidifying his live presence and grassroots following.[30] Later that year, on September 30, Webby released the mixtape Bars On Me, hosted by DJ Drama and distributed for free via platforms like DatPiff.[31] Featuring collaborations with artists such as Bun B, Kid Ink, Method Man, and Prodigy, the 16-track project emphasized Webby's multisyllabic rhymes and high-energy delivery over trap-influenced production, further elevating his profile in the hip-hop scene.[32] This release came amid continued touring and buzz from his EP, helping to maintain momentum without a major label backing. In 2013, Webby's career advanced with a pivotal distribution deal signed in August between his Homegrown Music imprint and Entertainment One (eOne) Music, providing wider retail access while retaining creative control.[33] This partnership facilitated the November 12 release of his second EP, Homegrown, an eight-track effort produced by talents like Harry Fraud and Zukhan Bey.[34] The EP debuted at number 75 on the Billboard 200, outperforming his prior release and demonstrating the commercial benefits of the eOne alliance.[35] Tracks like "Bar For Bar" showcased Webby's evolving style, blending introspection with his signature wordplay, and positioned him for major label opportunities ahead.[24]2014–2016: Major label debut
In 2014, following his signing to eOne Music the previous year, Chris Webby released the mixtape The Checkup on June 17, serving as a promotional lead-in to his major label debut album.[36] The 10-track project featured collaborations with artists such as Joe Budden, Fat Trel, and Apathy, and was produced primarily by A6, emphasizing Webby's rapid-fire delivery and lyrical wordplay over trap-influenced beats.[37] Distributed for free via platforms like DatPiff, The Checkup helped build anticipation for his full-length release by showcasing his established mixtape style under label backing.[36] Webby's debut studio album, Chemically Imbalanced, arrived on October 27, 2014, via eOne Music, marking his transition to a more polished, feature-heavy production.[38] The 18-track effort included guest appearances from Tech N9ne, B-Real, Talib Kweli, and Jarren Benton, with production from Scott Storch and others, blending high-energy anthems like "Set It Off" with introspective cuts such as "Renee." It debuted at number 25 on the Billboard 200, number 2 on the Top R&B/Hip-Hop Albums chart, and number 3 on the Top Rap Albums chart, spending 12 weeks on the Billboard 200.[35] First-week sales reached approximately 13,000 units, reflecting solid mainstream traction for an emerging rapper.[39] Promotional efforts for Chemically Imbalanced included an exclusive album premiere on Billboard.com days before release, highlighting tracks like "Superhuman" and building media buzz.[38] The lead single "Let's Do It Again" received an official music video directed by James Baltzer, depicting Webby in high-energy party settings to underscore the album's celebratory vibe.[40] Webby supported the project with live performances and interviews, including discussions on working with veteran producers like Scott Storch in outlets like HipHopDX.[41] In 2015, he embarked on a 50-city U.S. tour alongside Tech N9ne, expanding his fanbase through shared billing on the Independent's Day Tour.[42] Building on the album's momentum, Webby issued follow-up releases that expanded the Chemically Imbalanced era, including a special edition of the album in 2015 with additional tracks and remixes, extending its commercial run.[43] He also collaborated with producer Sap on the EP Jamo Neat, released July 10, 2015, via eOne, which featured 10 songs recorded during intensive sessions fueled by Jameson whiskey, peaking on hip-hop charts and garnering praise for its raw, collaborative energy.[44] These projects maintained label-era visibility, with Jamo Neat promoted through Billboard streams and interviews detailing the creative process.[44] The period culminated with the mixtape Webster's Laboratory 2 on June 1, 2016, a sequel to his 2011 breakthrough project, released independently but tied to eOne promotion.[45] The 16-track installment revisited Webby's freestyle roots with dense, pop culture-referencing bars over beats by JP on da Track and others, distributed for free on his official site and streaming platforms.[46] Accompanied by the official video for the title track, directed by Mike Squires, it reinforced his lyrical prowess amid growing mainstream exposure.[46] Webby capped the era with appearances in outlets like The Global News Review, discussing personal growth and musical evolution in mid-2016 interviews.[47]2017–present: Independent releases and tours
Following his departure from eOne Music in 2016, Chris Webby returned to independent status in 2017, self-managing his releases and career through his official website, chriswebby.com. This shift allowed for greater creative control, enabling him to produce and distribute music directly to fans without major label constraints. By this period, Webby had already established a prolific output, amassing a total of 17 mixtapes across his career, with a significant portion of his post-label work emphasizing raw, fan-focused projects that built on his earlier underground success.[7] In December 2017, Webby launched his Wednesday mixtape series with the self-released Wednesday, a 18-track project featuring introspective lyrics and collaborations with artists like Anoyd and Skrizzly Adams. The series became a cornerstone of his independent era, delivering annual or near-annual installments that showcased his signature witty wordplay and high-energy flows over beats produced by collaborators such as C-Lance and JP On Da Track. Subsequent entries included Wednesday After Next in December 2019, Still Wednesday in December 2021, Wednesday Before Last in December 2022, and the concluding Last Wednesday on December 25, 2024, which marked the end of the nearly decade-long journey with tracks like "Baggage" featuring Ren. Complementing the series, Webby released Lost Wednesday: The Demos in June 2024, offering unreleased material from the project's evolution, and 88 Milligrams, a seven-track EP produced by Scott Storch, on September 17, 2025, positioned as an extension of the Wednesday saga and highlighting some of his strongest material to date. These releases underscored Webby's commitment to consistent output, prioritizing direct fan engagement over commercial singles.[48][49][50][51] Parallel to his recording efforts, Webby's independent phase has been defined by extensive touring, with a focus on building live energy and regional fanbases through multi-city runs. Key highlights include the Last Wednesday Tour, which celebrated the series' finale with multiple legs across North America; notable stops encompassed Kansas City on October 30, 2025, at recordBar, Minneapolis on October 31, 2025, at The Cabooze, Fargo on November 1, 2025, at TAK Music Venue, and Portland, Maine, on August 1, 2025, at Aura. The tour's final Northeast leg in November 2025 featured performances in cities like Worcester, Massachusetts (November 20 at Upstairs at the Palladium), Albany, New York (November 21 at Empire Live), Harrisburg, Pennsylvania (November 22 at Capital City Music Hall), and Asbury Park, New Jersey (November 23 at The Stone Pony), often with supporting acts such as Jarren Benton and Whitney Peyton. Additionally, Webby toured Canada in spring 2025 alongside Ekoh, hitting venues like Union Hall in Edmonton on May 9 and locales in Regina, emphasizing collaborative sets with shared tracks like "Grenade." A standout event was the Webby & Friends 2025 showcase on July 12, 2025, at Sunshine Studios Live in Colorado Springs, featuring guests including Rittz, Grieves, Jarren Benton, Anoyd, and Rook Director, which highlighted Webby's role in fostering hip-hop community connections. These tours have sustained his momentum, drawing crowds through intimate club shows and festival appearances while reinforcing his independent ethos.[10][52][11][53][54][55][56][57]Musical style and influences
Style
Chris Webby's rap style is characterized by a punchline-heavy approach, emphasizing intricate wordplay and multisyllabic rhyme schemes that showcase technical dexterity, often drawing comparisons to highly skilled lyricists in the genre.[33] His delivery frequently employs a rapid-fire cadence, allowing for dense layering of bars in cypher-style verses that prioritize lyrical complexity over melodic hooks.[58] This technique highlights his self-described clever and witty lyricism, incorporating puns, storytelling elements, and edgy humor to engage listeners through sharp, intelligent observations.[12] Thematically, Webby's work blends humor with introspection, weaving in pop culture references and personal narratives about suburban life, ambition, and struggles such as ADHD, as explored in tracks like "A.D.D." and "EightyHD."[33] These elements create a therapeutic outlet, addressing real-life challenges like mental health and family dynamics while maintaining an accessible, relatable tone that mixes levity with vulnerability.[59] His lyrics often employ storytelling to illustrate these themes, using vivid anecdotes to connect personal experiences to broader cultural critiques. In terms of production, Webby favors minimalist beats that strip down instrumentation to foreground his lyrical prowess, ensuring the focus remains on vocal delivery and rhyme schemes, though he occasionally incorporates varied collaborations to add sonic diversity.[60] Over time, his sound has evolved from the gritty, underground aesthetic of early mixtapes to more polished independent releases, reflecting a maturation that balances raw energy with refined structures while staying true to his core technical foundation.[33] This progression allows for greater versatility, moving beyond extended verse formats to include more dynamic song constructions without losing the punchline-driven intensity that defines his output.[12]Influences
Chris Webby has identified Eminem as his primary musical influence, crediting him with sparking his interest in rapping at the age of 10. Eminem's raw, unapologetic approach to lyricism, particularly on albums like The Slim Shady LP, resonated with Webby during his youth, shaping his emphasis on personal storytelling and intricate rhyme structures.[33] In addition to Eminem, Webby has named several other hip-hop artists as key inspirations, including DMX, Busta Rhymes, Snoop Dogg, Xzibit, and groups like Cash Money and Dipset, which influenced his energetic delivery and street-oriented narratives from an early age. He has also expressed admiration for technical prowess in rap, referencing the wordplay of figures like Big Pun in his lyrics, where he laments the loss of such talents alongside other legends. Beyond hip-hop, Webby's tastes extend to reggae icon Bob Marley, rock bands The Rolling Stones and The Beatles, and Ludacris, reflecting a broad palette that informs his versatile flow.[33][12] Webby's artistic development has been shaped by cultural touchstones outside traditional music, notably his deep fandom of the HBO series The Sopranos, which has permeated his work through narrative-driven lyrics comparing his life to that of Tony Soprano, as in "Block to the Burbs." His upbringing in suburban Connecticut further influenced recurring themes of middle-class struggles and local identity, grounding his content in authentic regional experiences. During his early mixtape phase around 2007–2011, Webby drew inspiration from the underground hip-hop scene, embracing its DIY ethos and raw production styles.[61] As Webby transitioned to independent releases post-2017, his influences evolved to prioritize creative freedom, allowing him to revisit foundational inspirations like Eminem's independence while adapting based on direct fan input through platforms like social media and live tours. This shift has enabled more experimental incorporations, such as collaborations echoing underground roots, while his ADHD—diagnosed in childhood—continues to fuel a hyper-focused, stream-of-consciousness creative process tied to these early motivations.[33]Discography
Studio albums
Chris Webby's sole studio album to date, Chemically Imbalanced, marked his major label debut and showcased his rapid-fire delivery over a mix of upbeat, party-oriented beats and introspective tracks. Released during a pivotal phase of his career transition to mainstream recognition, the album featured collaborations with established artists and production from notable figures in hip-hop.[38]| Title | Release date | Label | Peak chart positions |
|---|---|---|---|
| Chemically Imbalanced | October 27, 2014 | eOne Music / Homegrown Music Group | US Billboard 200: 25 US R&B/Hip-Hop: 2 US Rap: 3 |
Extended plays
Chris Webby's extended plays consist of four major releases that marked transitional phases in his career, emphasizing his independent roots and growing commercial presence. His debut EP, There Goes the Neighborhood, was independently released on December 1, 2011, through his own Homegrown Music label.[27] It debuted and peaked at number 101 on the US Billboard 200 chart, signifying his first chart entry and establishing him as a rising independent artist.[66] Serving as his inaugural retail project following a series of mixtapes, the EP highlighted Webby's signature fast-paced flow, witty wordplay, and suburban themes across 10 tracks, which helped build momentum for subsequent tours.[67] The tracklist is as follows:- "Church (Intro)"
- "What I Do"
- "Skyline"
- "There Goes the Neighborhood"
- "Bad Guy"
- "Through the Roof"
- "Bounce"
- "I'm Gone"
- "Take Me Home" (featuring Slaine)
- "Until I Die" (featuring Daniel Zavaro)
- "Bar for Bar"
- "Rap Nemesis"
- "Down Right"
- "Do Like Me"
- "Left Lane"
- "Only Way to Go"
- "Ride On" (featuring Rittz)
- "Aww Naww"
- "Intro"
- "Jamo Neat"
- "No Sleep"
- "La La La (Remix)"
- "The Cypher"
- "Outro"
- "In My Baggie"
- "Perfect Storm"
- "Chemically Imbalanced"
- "Hadouken"
- "Man Down"
- "Gladiator School"
- "88 Milligrams"
Mixtapes
Chris Webby's mixtapes have played a pivotal role in building his fanbase through free digital releases, often hosted on platforms like DatPiff and SoundCloud, which facilitated widespread sharing and direct interaction with listeners. These projects emphasized his rapid-fire delivery and humorous lyricism, allowing him to experiment with production and collaborations without commercial constraints. Early efforts established his presence in the underground hip-hop scene, while later series fostered ongoing engagement via consistent drops. His debut mixtape, The White Noise LP, was released on April 30, 2009, marking Webby's introduction to the rap landscape with 17 tracks showcasing his emerging style.[70] This was followed by Teenage Mutant Ninja Rapper on September 19, 2009; Sonic: 420 Zone on January 30, 2010; Optimus Rhyme on May 10, 2010; and The Underclassmen on July 14, 2010, all self-released and building his early online following. Best in the Burbs dropped on December 21, 2010, and achieved over 200,000 downloads, crashing DatPiff's servers upon release—a first for the platform—and highlighting his growing popularity among fans.[25] In the mid-period of his career, Webby continued releasing mixtapes that solidified his reputation. Webster's Laboratory arrived on June 3, 2011, hosted by DJ Green Lantern, and featured 20 tracks blending introspective and party-oriented content.[71] This was followed by Bars On Me on September 30, 2012, a DJ Drama-hosted project with 17 tracks that emphasized boastful bars and collaborations, further boosting his visibility.[72] The Checkup, released on June 17, 2014, contained 10 tracks with features from artists like Joe Budden, serving as a transitional release amid his major label pursuits.[37] Culminating this phase, Webster's Laboratory 2 was issued on June 1, 2016, expanding on the original with 22 tracks and production from notables like Scram Jones, amassing over 450,000 streams shortly after launch.[73] The Wednesday series represents Webby's most dedicated fan-engagement initiative during his independent era, consisting of annual free mixtapes released from 2017 to 2022 and additional 2024 releases (Lost Wednesday: The Demos on June 26, 2024, and Last Wednesday on December 25, 2024), totaling 8 main projects that compiled weekly "Webby Wednesday" singles into cohesive albums. These releases, often 15-20 tracks each, maintained momentum through surprise drops and social media teasers, with platforms like SoundCloud enabling millions of streams and direct fan feedback via comments and shares. For instance, the inaugural Wednesday (2017) and subsequent entries like Still Wednesday (2021) featured high-profile guests such as DMX and Tory Lanez, driving viral sharing and reinforcing Webby's DIY approach to building loyalty.[74][75]| Mixtape Title | Release Date | Key Notes |
|---|---|---|
| The White Noise LP | April 30, 2009 | Debut project; 17 tracks |
| Teenage Mutant Ninja Rapper | September 19, 2009 | Early release; self-released |
| Sonic: 420 Zone | January 30, 2010 | Cannabis-themed; self-released |
| Optimus Rhyme | May 10, 2010 | Homegrown Music; early buzz |
| The Underclassmen | July 14, 2010 | Homegrown Music; collaborative elements |
| Best in the Burbs | December 21, 2010 | Over 200,000 downloads; server crash on DatPiff |
| Webster's Laboratory | June 3, 2011 | DJ Green Lantern-hosted; 20 tracks |
| Bars On Me | September 30, 2012 | DJ Drama-hosted; 17 tracks |
| The Checkup | June 17, 2014 | 10 tracks; features Joe Budden |
| Webster's Laboratory 2 | June 1, 2016 | 22 tracks; over 450,000 streams |
| Wednesday series (2017–2022, 2024) | Various (e.g., December releases) | 8 total main mixtapes; fan-driven compilations |
Singles
Chris Webby's singles career spans his early mixtape promotions to recent independent releases, often serving as lead tracks for projects or standalone promotions with collaborations emphasizing his rapid-fire delivery and lyrical prowess. Many of his singles gained traction through streaming platforms and official music videos rather than traditional chart success, reflecting his grassroots fanbase in hip-hop circles. Notable early singles include "La La La," released in 2009 as the breakout track from his debut mixtape The White Noise LP, marking his initial rise in the underground scene with its catchy hook and energetic flow.[24] In 2012, "Bars On Me" emerged as a promotional single from the DJ Drama-hosted mixtape of the same name, produced by Cardo and featuring Webby's signature bar-heavy style, which helped solidify his reputation during his breakthrough period. During his major label phase, "So Eazy" (2014) stood out as a key single from the album Chemically Imbalanced, with an official music video highlighting its upbeat production by Sap and Webby's confident lyricism.[76] The track exemplified his transition to polished releases while maintaining indie roots. Collaborations became prominent, such as "Ignition" featuring Dave East, released January 13, 2016, as a standalone single produced by Jitta On The Track, blending East Coast grit with Webby's Connecticut edge.[77] In the independent era, Webby's Wednesday series inspired several promotional singles, including "Friend Like Me" (2017) from the inaugural Wednesday project, produced by JP On Da Track, which amassed over 39 million Spotify streams due to its relatable themes and infectious beat.[9] "Raw Thoughts" (2017), also from Wednesday, served as another introspective standalone promo track produced by Nox Beatz and C-Lance, capturing his personal reflections.[48] Recent singles highlight ongoing collaborations and high-profile production. "Gladiator Pit" (December 18, 2024), featuring NEMS, Oswin Benjamin, OT The Real, Quake Matthews, and Showly, was released as a posse-cut single tied to the Wednesday series, showcasing battle-rap intensity. In 2025, "Hadouken RMX" (May 29), a remix collaboration with R-Mean and Murkemz produced by Scott Storch and Avedon, delivered aggressive flows over explosive beats.[78] "Man Down" (July 25, 2025), featuring Bukshot and Slaine and produced by Mike Summers, emerged as a gritty group single emphasizing resilience. The year closed with "In My Baggie" (September 2, 2025), produced by Scott Storch as the lead single for the EP 88 Milligrams, blending trap elements with Webby's wordplay.| Title | Release Date | Featured Artist(s) | Associated Project | Notes |
|---|---|---|---|---|
| La La La | 2009 | None | The White Noise LP (mixtape) | Debut hit single establishing early buzz.[24] |
| Bars On Me | September 30, 2012 | None | Bars On Me (mixtape) | Promotional track with official video; produced by Cardo. |
| So Eazy | 2014 | None | Chemically Imbalanced (album) | Lead promotional single with music video; produced by Sap.[76] |
| Ignition | January 13, 2016 | Dave East | Standalone | Collaboration single; produced by Jitta On The Track.[77] |
| Friend Like Me | 2017 | None | Wednesday (mixtape) | High-streaming track (39M+ on Spotify); produced by JP On Da Track.[9] |
| Raw Thoughts | 2017 | None | Wednesday (mixtape) | Introspective promo single; produced by Nox Beatz & C-Lance.[48] |
| Gladiator Pit | December 18, 2024 | NEMS, Oswin Benjamin, OT The Real, Quake Matthews, Showly | Last Wednesday series | Posse-cut single with battle-rap focus. |
| Hadouken RMX | May 29, 2025 | R-Mean, Murkemz | Standalone | Remix collaboration; produced by Scott Storch & Avedon.[78] |
| Man Down | July 25, 2025 | Bukshot, Slaine | Standalone | Group single on themes of perseverance; produced by Mike Summers. |
| In My Baggie | September 2, 2025 | None | 88 Milligrams (EP) | Lead single with trap influences; produced by Scott Storch. |