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Chrysalis Records

Chrysalis Records is a founded in 1968 by Chris Wright and , renowned for its role in discovering and promoting influential artists across rock, pop, and genres during the and . Originally established as a management agency in 1967 to represent the band , the company evolved into a by licensing its early releases through before launching its own imprint. Key early signings included , whose 1969 album Stand Up became the label's first number-one release, marking a breakthrough in . Throughout the , Chrysalis expanded its roster with acts such as , , , and , the latter achieving the label's inaugural number-one single with "" in 1977. The 1980s solidified Chrysalis's commercial success with and artists including , whose 1978 album propelled hits like "Heart of Glass"; ; ; ; and , alongside pop-rock sensations , , , and . Standout achievements included Sinéad O’Connor’s 1990 global smash "" and later associations with . The label's growth led to partial sales to in 1989 and full acquisition in 1991 for approximately $105 million, after which it operated under until Universal Music Group's 2012 purchase of . In subsequent years, Chrysalis's catalog changed hands multiple times, including divestitures to in 2013 and 2016, acquisition by Blue Raincoat Music, and purchase by in 2019, encompassing over 20,000 recordings. Relaunched as a frontline label in 2020 under CEO , it signed as its first contemporary artist, continuing to leverage its legacy of era-defining hits.

History

Founding and Early Development (1968–1972)

Chrysalis Records was founded in 1968 by Chris Wright and in , initially operating as a management company for the progressive rock band . The duo, who had previously formed the Ellis-Wright Agency in 1967 to book rock bands for college gigs, expanded into record production after taking over management of amid dissatisfaction with the band's existing deal with . The name "Chrysalis" originated as a pun combining the founders' names—Chris Wright and —while also referencing the pupal stage of a , symbolizing artistic transformation. Early operations were modest, run from a small flat in London's , where Wright and Ellis handled artist management and began licensing recordings to established labels. Their first venture involved licensing Jethro Tull's debut album (1968) for release through in the UK, marking Chrysalis's entry into the music industry as a rather than a full independent label. By 1970, Chrysalis secured a formal licensing agreement with for UK distribution, enabling the official launch of the Chrysalis label that year with 's third album , establishing the company as an independent entity focused on acts. In 1972, it entered a distribution agreement with Records for the US market, which lasted until 1976. served as the flagship artist during this formative period, providing a stable foundation for the label's growth in the early .

Expansion and Key Signings (1973–1989)

In the mid-1970s, Chrysalis Records underwent significant operational expansion to strengthen its international presence, particularly in the . Following the establishment of US operations with relocating to in 1974, the label ended its distribution deal with Records, which had been in place since 1972, and transitioned to independent distribution in September 1976. This shift allowed Chrysalis greater control over its American market activities, facilitating direct promotion and sales of its growing catalog. By the late 1970s, the company had opened offices in to support East Coast operations, further solidifying its transatlantic infrastructure. The label continued to nurture its progressive rock roster during this period, with Jethro Tull achieving sustained commercial success through a series of acclaimed albums and extensive tours. Building on earlier releases like Aqualung (1971), the band delivered hits such as Thick as a Brick (1972), A Passion Play (1973), and Songs from the Wood (1977), maintaining their status as a cornerstone act into the 1980s with albums including Stormwatch (1979) and A (1980). This ongoing development helped anchor Chrysalis's reputation in the genre while the label diversified its signings. Chrysalis made a bold entry into and in the late 1970s, signing in July 1977, whose self-titled debut album followed in 1978 and introduced to a wider audience.) Idol transitioned to a solo career with the release of his debut EP in October 1981 on Chrysalis, marking the start of his MTV-driven breakthrough.) Concurrently, the label signed , whose debut album In the Heat of the Night arrived in August 1979 and spawned hits like "Heartbreaker," eventually earning platinum certification and paving the way for her string of multi-platinum successes, including Crimes of Passion (1980) and Precious Time (1981). The 1980s saw Chrysalis capitalize on pop and new romantic trends, exemplified by the signing of in September 1977, whose Parallel Lines (1978) became a global smash with singles like "Heart of Glass" and "One Way or Another," propelling the band to international stardom. In 1980, joined the roster on October 10, evolving from their new romantic roots to deliver the chart-topping True album in March 1983, featuring the titular hit that reached number one in multiple countries. Adding to this momentum, signed a major deal in 1983, with their album —released September 15 of that year—selling over 10 million copies worldwide and yielding hits like "" and "If This Is It." By the late 1980s, Chrysalis had grown into one of the UK's leading independent labels, with an expanded roster encompassing over 100 acts across , , , and pop genres. This diversification drove the company's financial peak, with annual revenues reaching approximately $170 million (equivalent to over £100 million) amid a catalog of blockbuster releases. The era's successes not only boosted profitability but also established Chrysalis as a powerhouse in artist development during its most dynamic independent phase.

EMI Acquisition and Integration (1990–2011)

In 1991, completed its acquisition of Chrysalis Records by purchasing the remaining 50% stake for $30 million plus the assumption of $25 million in debt, following its initial 50% purchase in 1989 for $73 million plus debt assumption; this transaction covered the label's record business, while the broader Chrysalis Group's publishing and TV divisions were retained separately under a restructured entity. Founders and , who had already exited operational management—Ellis in 1985 and Wright transitioning to a non-executive role—fully departed the label's day-to-day leadership as part of the deal. Under EMI ownership, Chrysalis operated as a standalone imprint throughout the 1990s, continuing to release new music and capitalize on its roster's momentum, exemplified by Billy Idol's album Charmed Life in 1990, which featured the hit single "Cradle of Love," and later successes with artists like . By 2005, Chrysalis was folded into 's flagship label, effectively losing its independent branding and seeing its catalog management integrated into the parent company's broader operations. 's mounting financial difficulties during the 2000s, including slumping sales, major artist departures, and widespread layoffs announced in 2008, further curtailed A&R investments at the former Chrysalis imprint, redirecting efforts toward exploiting existing back-catalog assets rather than pursuing significant new signings. In February , seized control of amid the company's severe debt crisis, marking the effective dormancy of the Chrysalis label as prepared for asset sales; the Chrysalis catalog was subsequently partially transferred in the ensuing divestitures, with portions allocated to buyers like .

Ownership Transitions (2012–2019)

In , (UMG) completed its acquisition of 's recorded music division for $1.9 billion, absorbing much of the Chrysalis Records catalog into its operations. To satisfy European regulatory requirements for the deal, UMG divested the Label Group—which included Chrysalis Records and other imprints—to (WMG) in for £487 million (approximately $765 million at the time). This transaction primarily covered European assets, while UMG retained control over the recordings from the Chrysalis catalog. The acquisition led to significant fragmentation of the Chrysalis catalog, with rock and pop masters divided between the majors based on regional rights and artist origins. For instance, recordings by the British band remained with UMG in the US, while European rights to albums by the American group transferred to WMG. This split complicated licensing and distribution for legacy releases. Separately, the Chrysalis arm had been sold to in 2010 for £107.4 million ($168.6 million), detaching songwriting rights from the recorded masters well before the EMI divestitures. In 2016, Blue Raincoat Music—led by industry executives and —acquired the Chrysalis trademarks and select remaining catalogs from WMG for an undisclosed sum, marking a return to independent ownership. Original Chrysalis co-founder Chris Wright rejoined as chairman, with the acquisition emphasizing reactivation of the brand through catalog management and potential new ventures, though the deal excluded certain masters still held by UMG. By 2019, Blue Raincoat formed a with Reservoir Media Management, establishing a for Chrysalis Records Ltd. in the UK. Under the agreement, Reservoir took on global administration and distribution responsibilities for the catalog outside , enhancing operational scale while preserving Blue Raincoat's creative oversight in the UK. This collaboration positioned Chrysalis for renewed commercial activity without full ownership transfer.

Relaunch and Modern Era (2020–present)

In February 2020, Chrysalis Records relaunched as a frontline independent label under the ownership of Blue Raincoat Music and , marking its return to signing and releasing new music after more than two decades while continuing to steward its historic catalog. Based in , the label positioned itself to focus on artist-centric development across genres like folk, indie, and alternative, with global distribution handled by (except in , where manages certain territories). Early signings underscored this revival, including British folk artist Laura Marling, whose album Song for Our Daughter was released on April 10, 2020, via Chrysalis in partnership with Partisan Records, earning critical acclaim for its introspective songwriting. In September 2020, American indie rock icon Liz Phair signed a deal encompassing new material and catalog reissues, leading to her album Soberish on June 4, 2021, which blended personal reflection with experimental production. By 2023, Chrysalis achieved key milestones, including the reissue of De La Soul's full catalog—acquired through Reservoir's purchase of —bringing their first six albums to streaming platforms for the first time on March 3, 2023, and culminating in a Bronze Clio Award for in 2025 for the 35th anniversary . The label also released The Endless Coloured Ways: The Songs of , a tribute album featuring over 30 artists reinterpreting the folk pioneer's work, issued on July 7, 2023, to celebrate his enduring influence. Expansions in 2024 and 2025 highlighted Chrysalis's growing roster, with signings such as UK alternative pop artist Gia Ford, whose debut album Transparent Things arrived on September 13, 2024, and Americana act , inked in September 2025 for upcoming releases. Notable outputs included ' compilation Outsider Art: The Other Best Of 1985–2025 on October 31, 2025, marking the band's 40th anniversary with remastered tracks and rarities, alongside ongoing projects from (following her 2023 album How Were We To Know) and (after 2023's ). In July 2025, Chrysalis launched its Global imprint dedicated to diverse genres like , , and indie, debuting with the instrumental griot album Guitari Baro by the trio of Lassana Diabaté, Gaoussou Kouyaté, and Kerfala Diabaté, released on September 26, 2025, emphasizing virtuosic and guitar dialogues. By 2025, the label's output exceeded 20 annual titles, prioritizing long-term artist partnerships and sustainable practices in operations.

Artists and Releases

Rock and Progressive Acts

Chrysalis Records established its reputation in the rock and progressive genres through its early signing of Jethro Tull, which became the label's cornerstone act. The band released ten albums with Chrysalis between 1971 and 1980, beginning with the seminal Aqualung in 1971 and including landmark progressive rock releases such as Thick as a Brick (1972) and Stand Up (1969, reissued under Chrysalis distribution). These works blended flute-driven folk elements with complex arrangements, significantly influencing the progressive rock genre by expanding its boundaries beyond symphonic structures toward more accessible yet intricate compositions. Jethro Tull's global sales exceeded 60 million records, with much of their commercial success tied to Chrysalis-era output that defined the label's artistic direction. Other key signings in the 1970s included , whose albums like (1971) captured their blues-rock energy; , contributing progressive sophistication with releases such as Grand Hotel (1973); and , known for intricate compositions on albums including (1974). Beyond , Chrysalis cultivated a roster of hard and glam rock acts that solidified its rock foundation. UFO joined the label in 1974 with their debut , introducing guitarist and shifting toward anthems that became staples through the 1980s, including albums like (1975) and (1976). Similarly, signed in the mid-1970s, delivering hits such as "Make Me Smile (Come Up and See Me)" from the 1975 album The Best Years of Our Lives, which showcased theatrical flair and chart-topping appeal in the UK. These signings diversified Chrysalis's rock portfolio, bridging experimentation with more straightforward hard and glam styles. The enduring value of Chrysalis's and catalog is evident in ongoing reissues, particularly Jethro Tull's 50th-anniversary editions in the 2020s under the label's modern ownership by Blue Raincoat Music. Releases such as the 50th-anniversary edition of (2018, expanded in 2022) and (2022) feature remixes and bonus material, preserving the label's historical impact. These acts' contributions have played a key role in the label's legacy.

New Wave, Pop, and Punk Artists

Chrysalis Records marked its entry into the scene with the signing of in July 1977, a pivotal move that helped the label adapt from its roots to the raw energy of late-1970s . The band's second album, , released in January 1979 on Chrysalis, captured their evolving sound with tracks blending aggression and pop hooks, solidifying the label's commitment to the genre's underground vitality. Frontman Billy Idol's subsequent solo career exemplified Chrysalis's success in transitioning artists to mainstream pop-rock appeal; his 1983 album fused leather-clad rebellion with synth-driven anthems, achieving double-platinum certification in the for over two million units sold and establishing Idol as a global icon. The label's pivot to new wave and pop further amplified its influence, with becoming a cornerstone act from 1978 to 1982, releasing six albums that fused punk edge with disco and art-rock elements. Their breakthrough single "Heart of Glass" from the 1978 album topped the in 1979, propelling the band to international stardom and exemplifying 's crossover potential. Similarly, Pat Benatar's tenure with Chrysalis from 1979 to 1988 yielded seven Top 40 albums on the , including the powerhouse Crimes of Passion (1980), which earned four-times platinum certification from the RIAA for shipments exceeding four million copies in the . Additional signings like (1983–1991) brought pop-rock accessibility to the roster, with their 1983 album certified seven-times platinum by the RIAA and spawning multiple Top 10 hits that dominated and radio. , active with Chrysalis from 1980 to 1986, contributed to the new romantic wave; their 1983 album True reached number one on the and achieved widespread global success, including Top 20 placement on the US Billboard 200. These acts underscored Chrysalis's instrumental role in bridging punk's DIY ethos to polished mainstream pop, driving the label's commercial dominance in the through multi-platinum releases and chart-topping innovation.

Contemporary Signings and Reissues

Following the 2020 relaunch, Chrysalis Records has focused on signing contemporary and artists, revitalizing its roster with talents that align with evolving listener preferences for introspective and genre-blending sounds. A key early signing was , whose seventh studio album Song for Our Daughter was released on April 10, 2020, marking the label's first major frontline project post-relaunch. The album, recorded amid global uncertainty, earned a nomination for the , highlighting Marling's poignant explorations of motherhood and resilience. Similarly, icon joined Chrysalis in September 2020, leading to her first album in over a decade, , issued on June 4, 2021, which blended confessional lyrics with experimental production. Recent deals have expanded Chrysalis's indie footprint into alternative pop and Americana. In September 2023, the label announced multi-year agreements with artists including Gia Ford, whose debut album Transparent Things arrived on September 13, 2024, produced by at and exploring themes of alienation through hazy, atmospheric tracks. Grammy-nominated Americana outfit , led by MC Taylor, signed with Chrysalis in September 2025, paving the way for upcoming releases that build on their roots-music legacy with introspective songcraft. Reissue efforts have played a central role in Chrysalis's modern strategy, leveraging its historic catalog to introduce classic material to new audiences via remasters and expanded availability. In 2023, the label oversaw the full remastering and vinyl reissues of De La Soul's early catalog, including (March 3, 2023) and (April 7, 2023), coinciding with the hip-hop trio's long-awaited streaming debut on major platforms after resolving decades-old sample clearance issues. Another highlight was the July 7, 2023, release of , a tribute compilation featuring over 30 artists reinterpreting the late folk pioneer's work, curated by Chrysalis CEO to celebrate Drake's enduring influence. Chrysalis has also pursued diverse expansions into soul, roots, and art-rock with forward-looking projects. Emeli Sandé, signed to the label, delivered her fifth studio album How Were We To Know in November 2023, followed by continued activity including the 2023 single "All This Love," reflecting her shift toward unbound creative expression in R&B and gospel-infused pop. Ben Harper, whose partnership with Chrysalis dates to earlier publishing ties, released soulful works like Wide Open Light in 2023 and maintains an active slate of new material emphasizing personal loss and legacy. Complementing these, The Blue Aeroplanes marked their 40th anniversary with Outsider Art: The Other Best Of 1985–2025 on October 31, 2025, a remastered compilation of rare tracks and deep cuts from their post-punk catalog, serving as a companion to their prior anthology. Since 2020, Chrysalis has issued dozens of releases, with reissues comprising a substantial portion of output, alongside new signings in , , and Americana genres, demonstrating the label's balanced approach to heritage preservation and contemporary innovation.

Business Operations

Imprints and Distribution Deals

Chrysalis Records served as the primary imprint throughout its , functioning as the core label for a diverse roster spanning rock, progressive, , pop, punk, and later and releases. Established in 1968, it initially focused on artists managed by founders Chris Wright and , evolving into a flagship for major signings like and before expanding into frontline releases under ownership. The label developed several historical subsidiaries and sub-imprints to target specific genres. In the late 1970s, Chrysalis entered a distribution and funding deal with , supporting the and punk revival through acts such as and , with Chrysalis handling releases from 1979 into the 1980s. In , Chrysalis launched the sub-imprint as a platform for alternative and independent acts, including signings like , with acquiring a 25% stake in to bolster international reach. Chrysalis's distribution evolved significantly across regions and eras to support its growth. In the UK, early releases from 1968 to 1972 were licensed through , enabling initial market entry for bands like and . In the , Records handled distribution from 1972 to 1976, facilitating breakthroughs for acts before Chrysalis shifted to independent distribution in 1976, maintaining this until the 1991 acquisition. Following the integration in 1991, distribution aligned with 's network, later transitioning through and holdings until 2019. In the modern era, assumed global administration of Chrysalis in 2019 via its acquisition of Blue Raincoat Music, excluding certain European territories handled through Warner Music. Subsequent deals included a 2022 ex-Americas partnership with Proper Music Group and a 2023 global agreement with Secretly Distribution for physical and digital releases. In 2025, Chrysalis introduced the Chrysalis Global sub-imprint, dedicated to international and , debuting with the instrumental Guitari Baro by the Guinean-Malian ensemble.

Publishing and Related Ventures

Chrysalis Music, the publishing division of the Chrysalis Group, originated in the late alongside the but grew into a major independent publisher administering over 100,000 copyrights, encompassing compositions by prominent songwriters such as those associated with and . This catalog featured a diverse range of works, from rock anthems to pop hits, establishing Chrysalis as a key player in music rights management. In , the company sold Chrysalis Music to for £107 million (approximately $168 million), allowing founder Chris Wright to step back while preserving the portfolio's value. During the 1980s, the broader Chrysalis Group expanded beyond music into media production to diversify streams. During the 1980s, it launched Chrysalis Visual Programming, a production arm that produced innovative content, including the groundbreaking series in 1986, which aired internationally and tied into major advertising campaigns. This diversification contributed to the group's revenues of $170 million in 1989, reflecting its evolution into a multifaceted entity before the record label's sale to in 1991, which excluded the publishing operations. Following the 1991 EMI acquisition of the , the Chrysalis operated independently under Wright's control until the 2010 BMG sale. In 2019, formed a with Blue Raincoat Music, acquiring select tied to the relaunched Chrysalis and integrating them into its global portfolio. In the under ownership, Chrysalis's ventures remain focused on , emphasizing integrated deals that bundle recording, , and services for artists. A notable example is the 2025 signing of , which includes administration to support the artist's ongoing releases and development.

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