Fact-checked by Grok 2 weeks ago

Clavinet

The Clavinet is an electro-mechanical that produces a distinctive percussive, funky tone through a mechanism where small rubber-tipped hammers strike and dampen tensioned steel strings against metal anvils, with the vibrations captured by electromagnetic pickups for amplification. Invented by German engineer Ernst Zacharias and manufactured by the company in Trossingen, , it was first introduced in 1964 as a modern take on the historical , designed initially for classical and home use but quickly adopted in genres. Production of the Clavinet spanned nearly two decades until around 1982, during which produced approximately 38,000 units across several models, including the original Clavinet I (with built-in amplifier), Clavinet II (featuring tonal filters), the portable and iconic D6 (introduced in 1971 with improved hammer action), E7 (enhanced for durability), the rare triangular model, and the hybrid Duo combining Clavinet and Pianet elements. The instrument's fully dynamic 60-note allows for expressive playing, where harder strikes yield brighter, louder tones, and its two onboard pickups ( and ) enable tonal variations via a mixer circuit, often producing a sharp, biting sound ideal for rhythmic . Gaining prominence in the late and peaking in the , the Clavinet became a staple in , , rock, and R&B, with its debut recording on The Left Banke's "Let Go of You Girl" in 1967 and iconic use in Stevie Wonder's "" (1972), which showcased its wah-wah filtered riff as a defining element. Other notable artists and tracks include , , Led Zeppelin, , and , as well as early appearances in film scores like Jerry Goldsmith's (1967) and reggae hits such as The Termites' "Attractive Girl" (1967). Its popularity waned in the 1980s with the advent of digital synthesizers, but it remains a sought-after for its unique tactile response and irreplaceable analog character, often emulated in modern music production software.

Introduction

Description

The Clavinet is an electro-mechanical featuring a 60-note spanning five octaves from to E7. Its physical structure consists of a compact wooden body resembling a small , designed for portability and weighing approximately 13 to 15 kg. The instrument's mechanism draws inspiration from the , employing 60 tensioned steel strings mounted diagonally on a metal beneath the keybed. When a key is depressed, a plastic-tipped rubber hammer rises through the to press the corresponding string against a fixed metal anvil, initiating vibration through impact rather than plucking. Two electromagnetic pickups—one positioned near and the other in —capture the vibrations across all notes, converting them into an electrical signal with a hexaphonic-like sensitivity but mono output. The Clavinet requires external amplification, powered by a 9V or an external adapter, with no built-in . This setup produces a core sound characterized by a bright, percussive that evokes the attack of a or the twang of an , with dynamics varying based on the velocity and force of the key strike. Invented by Ernst Zacharias as a portable, amplified alternative to the traditional clavichord for stage performance, the Clavinet entered production in 1964 and continued until 1982, with approximately 38,000 units manufactured by Hohner.

Historical Background

The Clavinet was invented by Ernst Zacharias, a German electrical engineer born in 1924 who joined the Hohner company in 1954 after studying at Kiel University and working in telecommunications. Hohner, established in 1857 in Trossingen, Germany, by Matthias Hohner as a harmonica workshop, had grown into the world's leading producer of harmonicas and accordions by the mid-20th century, employing up to 5,000 workers at its peak and seeking to diversify into electric keyboards amid rising demand for amplified instruments in rock and jazz. Zacharias developed the first prototype, called the Claviphon, in 1961; this early model, with its action resembling a traditional clavichord, is preserved at the Eboard Museum in Klagenfurt, Austria, under curator Gert Prix, who maintains close ties with the inventor. Building on the Claviphon, Zacharias refined the design with an inverted keybed action, leading to the production Clavinet I released in 1964 as Hohner's inaugural electric clavichord model. Manufactured exclusively in Trossingen, the instrument's production spanned nearly two decades until 1982, yielding approximately 38,000 units across seven models despite not being originally targeted at . In the early 2000s, U.S.A. sold its remaining stock of spare parts and inventory to clavinet.com, enabling continued restoration and parts availability for enthusiasts. The Clavinet arrived amid the 1960s surge in electric keyboard instruments, paralleling the Fender ' rise as a portable, amplified alternative to acoustic pianos for stage use in emerging genres. Its sharp, percussive timbre—evoking a funky, guitar-like sound—lent itself to , , and rock, diverging from the smoother tones of contemporaries like the Rhodes. Early adoption is evident in recordings such as The Left Banke's "Let Go of You Girl" (1967) and Stevie Wonder's "Shoo-Be-Doo-Be-Doo-Da-Day" (1968), where Wonder himself played the instrument, showcasing its rhythmic drive in .

Design and Models

Early Models (1960s)

The development of the Clavinet began with a prototype known as the Claviphon, designed by Ernst Zacharias in 1961 for . This non-commercial model featured 60 strings struck by hammers against anvils, with capacitance-based pickups for sound capture, and an action resembling a traditional . Its design prioritized portability and electronic amplification but highlighted early limitations in stability under forceful playing. The first production model, the Clavinet I, was introduced in 1964 as Hohner's initial commercially available version of the instrument. It featured a 60-note and employed basic electromagnetic pickups to generate its percussive tone without any built-in tone controls or filters. The inverted key action—strings positioned beneath the keys—provided greater durability than the prototype, though the model retained a simple wooden veneer case with built-in amplifier and speaker, and required external amplification for louder settings. Musicians such as of utilized the Clavinet II for its raw, unrefined sound in live and studio settings during the mid-1960s. The Clavinet II, introduced in 1965, added the first tonal filters to the design, allowing basic sound shaping, while maintaining the 60-note range and electromagnetic pickups of the I. The rare Clavinet L, released around 1968, featured a distinctive triangular portable case for home use, with similar specifications but optimized for compactness. An improved iteration, the Clavinet C, arrived in 1968, incorporating dual electromagnetic pickups, each with two magnets for a brighter, more defined tone compared to its predecessors. This model maintained the core string-striking mechanism but offered enhanced output suitable for recording, though it still lacked integrated effects or tonal shaping options. The Clavinet C appeared in early recordings starting around 1968, contributing to the instrument's emerging presence in pop and . Early 1960s Clavinets shared simpler construction elements, such as direct string winding to tuning pegs, which contributed to their proneness to tuning instability and required careful maintenance for consistent . Production of these initial models, including the I, II, L, and C, is estimated at several thousand units in total, making them relatively rare today. Some artists, including , favored the Clavinet I for its characteristic "vintage irregularity" in tone, distinct from the more polished responses of subsequent designs, while the absence of preset filters limited their direct compatibility with effects like wah-wah pedals.

Mainstream Models (1970s)

The mainstream models of the represented the peak of the Clavinet's popularity, building on the foundational electro-mechanical design of earlier versions to offer enhanced tonal versatility and reliability for professional musicians. These instruments, produced by in , featured refined electronics and controls that made them staples in , , and genres, with production reaching its height during the mid-1970s. The Clavinet D6, introduced in , became the most iconic and widely produced model of the era, boasting a 60-note spanning five octaves. Its sound generation relied on electromagnetic pickups capturing vibrations from struck strings, amplified through a built-in solid-state preamp powered by a 9V . Central to its appeal were four rocker switches—labeled Brilliant (high-pass for twangy punch), (emphasizing highs for brightness), Medium (balanced ), and Soft (low-pass for mellow warmth)—which allowed players to shape the instrument's percussive, clavichord-like without external effects. Complementing these were two pickup selector switches: the A/B toggle choosing between the pickup (A, bassier and smoother) or bridge pickup (B, brighter and punchier) in single mode, or their in-phase (A) or out-of-phase (B) combination in parallel mode; the C/D toggle selected individual (C) or dual-pickup (D) operation. A built-in mute bar provided damped, by pressing strings against anvils, while the keybed offered responsive action for dynamic expression. Later D6 variants, such as Version B, relocated the circuit board to the instrument's floor for improved accessibility and stability. The D6's distinctive "clacky" , particularly in the Brilliant setting with the bridge pickup, defined the classic riff heard in Stevie Wonder's "," and its high-impedance output made it exceptionally compatible with wah-wah pedals for expressive, vocal-like sweeps that became a standard. The Clavinet E7, introduced in , closely mirrored the D6's core specifications but incorporated refinements for stage use, including a sleek black vinyl-covered case with a removable metal and rounded edges for easier . It retained the 60-note range, tone filters, and pickup selectors of its predecessor, along with the mute bar for controlled , but featured an updated preamp with different transistors for subtle tonal variations and added noise filtering to reduce from single-coil pickups. The E7's keybed action was similarly dynamic, though some players noted a slightly shorter sustain compared to the D6 due to preamp adjustments. These changes addressed common issues like electrical interference, making the E7 a reliable choice amid the disco boom, though it never eclipsed the D6's cultural dominance.

Later Models and Discontinuation

In the late 1970s, a variant known as the D6-N emerged around 1979, essentially a D6 chassis housed in an E7 metal case due to shortages of wooden enclosures; this model was primarily produced for export markets, such as Canada, and included standard AC power compatibility via a 9V DC adapter for broader international use. The most experimental late model was the Clavinet Duo, launched in 1978 as a hybrid instrument combining the Clavinet E7 with the Hohner Pianet T electric piano in a single enclosure. Designed with organists in mind, the Duo featured a single 60-note manual that allowed splitting the keyboard into separate Clavinet and Pianet sections or layering their sounds, achieved through dual pickups with a middle tap for signal division and foot- or knee-switch control for seamless transitions. Despite its innovative polyphonic-like capabilities via sound splitting and shared string elements adapted for the combo design, the Duo saw limited production and failed commercially, with fewer than a few hundred units estimated to exist today due to its complexity and high cost. Hohner discontinued Clavinet production in 1982 after approximately 38,000 units across all models, driven by declining demand as analog and emerging digital synthesizers like the Sequential Circuits offered versatile emulations of the Clavinet's percussive tone without the instrument's maintenance challenges. Economic pressures at , including the high manufacturing costs of the labor-intensive electro-mechanical design and the instrument's weight (around 40 kg), further contributed to the halt, as musicians increasingly favored lighter, more portable electronic alternatives amid shifting musical trends in the early . Late production runs for the E7 and Duo totaled under 1,000 units combined, reflecting the waning market. In the early 2000s, U.S.A. sold its remaining inventory of Clavinet parts and unfinished units to Clavinet.com, ensuring ongoing support for owners through reproduction components like hammer tips, strings, and humbucking pickups. While has not revived full production of the Clavinet, this transfer has sustained a niche , with parts availability preventing total .

Technical Features

Sound Generation and Effects

The Clavinet produces sound via a mechanical-electrical system where each key activates a rubber-tipped that strikes and presses a against a metal , exciting vibrations tuned to across its 60-note range. These vibrations are transduced into an electrical signal by two electromagnetic single-coil pickups positioned near the bridge and center of the harp, similar to those in electric guitars but scaled for use. The captured signal passes through a Beyer Dynamics , which boosts the weak pickup signal. Built-in tonal shaping occurs through four EQ switches—Soft, Medium, Treble, and Brilliant—that function as high- and low-pass filters within the preamplifier circuit. The Brilliant switch, for instance, applies a boosting frequencies around 4 kHz by approximately 3 dB, emphasizing the instrument's characteristic and bite. Pickup selector switches enable blending of the two pickups in various configurations (e.g., upper only for brighter , lower only for duller warmth, or both for balanced output), allowing players to mix sharp attack with rounded sustain without external gear. External effects processing significantly expands the Clavinet's palette, with the —particularly the model—being iconic for creating funky, sweeping filter sweeps that mimic vocal-like expressions in genres like and . Other frequently used effects include envelope followers such as the Mu-Tron III for dynamic filtering tied to playing intensity, phasers and flangers for swirling modulation, to even out the percussive attack, and reverb to add spatial depth. The D6 model's onboard filters enhance this versatility by delivering a guitar-like percussive bite directly, often bypassing the need for guitar amplifiers in live settings.

Maintenance and Restoration

Maintaining a Hohner Clavinet requires attention to its stringed harp mechanism and electromagnetic components to ensure reliable performance and tonal integrity. The instrument's 60 strings, spanning from F1 to E6, are tuned using a chromatic tuner by adjusting the tuning pins with a specialized key or flathead screwdriver, a process that typically takes less than 10 minutes. Tuning drift commonly arises from wear on the hammer tips, which can shift the point of string impact and necessitate periodic adjustments to maintain pitch accuracy. Several common issues affect playability and . Sticky keys often result from degraded rubber grommets or dry bushings in the keybed, which can be addressed by cleaning with mild and water, applying silicone lubricant, or replacing the bushings entirely. Excessive , generated by the original single-coil pickups, is a frequent and can be reduced by powering the with a 9V or external supply to isolate . A damped or muffled tone may stem from an improperly positioned mute bar or worn hammer tips that fail to strike the strings cleanly, requiring adjustment of the bar or replacement of the tips to restore and sustain. corrosion from the 9V power source represents a significant , as leaked can damage wiring and boards if the is stored with old batteries installed. Essential replacement parts, including strings, hammer tips, and humbucking pickups, remain available from dedicated suppliers such as clavinet.com, supporting ongoing upkeep for these instruments. For D6 models with Version B circuit boards, the "Ultra-Preamp" modification serves as a drop-in that improves signal clarity, reduces , and enhances overall tonal openness without requiring case alterations. In the , aftermarket custom pickups, particularly humbucking designs, have gained popularity for minimizing electrical while closely emulating the original electromagnetic response of the stock single-coil units. Full restorations involve a comprehensive overhaul, including disassembly of the harp for restringing and cleaning, keybed lubrication, electronic servicing to address noise and connectivity, and alignment of the action for optimal hammer-string interaction. These rebuilds generally cost between $800 and $2,500 as of 2025, depending on the extent of wear and parts required, though labor-intensive projects may exceed this range at professional rates of around $110 per hour. To preserve the instrument's historical authenticity, restorers recommend avoiding aggressive polishing of the wooden body, as this can strip away the natural that develops over decades of use. Professional services from specialists like Vintage Vibe or Chicago Electric Piano emphasize these practices to balance functionality with collectible value.

Influence and Legacy

Clones and Digital Emulations

Due to the rarity and maintenance challenges of original Clavinets, several hardware keyboards have incorporated sampled or modeled recreations of its distinctive percussive tone. The Nord Electro series, introduced in the early 2000s and continuing through models like the Nord Electro 6, features high-fidelity sampled Clavinet voices derived from vintage D6 models, including authentic key-off noise and selectable pickup configurations to mimic the instrument's electromagnetic pickups. Other stage keyboards, such as certain models including the Juno-DS series, provide basic Clavinet emulations through preset waveforms that approximate the string-plucked attack, though with less nuance in dynamic response compared to dedicated samples. Software emulations have proliferated in the , offering detailed virtual recreations for workstations. The Purgatory Creek Clavinet Collection, a Kontakt library released in the late 2010s and updated in , samples multiple vintage models including the C and D6, incorporating effects like wah-wah and to replicate the original's tonal filters and . Similarly, Soundpaint's Dirty Clavinet, launched in 2023, emphasizes gritty, overdriven tones through deep sampling of a modified , complete with analog pedal emulations and mechanical artifacts for a raw, 1970s aesthetic. These digital versions prioritize modeling key elements of the Clavinet's mechanics, such as hammer irregularity for varied attack velocities and adjustable pickup blends to balance brightness and warmth. MIDI controllers can simulate the instrument's short key travel and rapid repetition, but they inherently lack the tactile mechanical feedback of the original's action. Plugins like 's Clavinet V use physical modeling for responsive dynamics, while ' partnered Clavinet Clone relies on 18,500+ 96kHz samples for ultra-realistic string unpredictability. Clavinet V received an update in October 2025. No hardware has achieved a perfect mechanical clone of the Clavinet, as the organic variability of its tuned strings defies precise replication without ongoing tuning adjustments. Sites like Vintage Vibe provide original parts for hybrid analog-digital modifications, allowing users to pair restored mechanics with modern interfaces for enhanced playability. Recent Kontakt updates continue to refine these emulations with improved layers and artifact modeling.

Notable Users and Recordings

Stevie Wonder extensively utilized the Hohner Clavinet Model D6 throughout his 1970s recordings, pioneering its funky, percussive tone in soul and funk music. His iconic wah-wah riff on the D6 in "" from the 1972 album became a defining element of the track's groove, blending keyboard innovation with Jeff Beck's drum influence during an impromptu studio jam. Similarly, Wonder layered multiple Clavinet parts in "Higher Ground" from the 1973 album , creating interlocking rhythms that underscored the song's urgent message and propelled it to chart success. Other prominent musicians adopted the Clavinet to enhance their ensembles' rhythmic drive. featured the instrument prominently on his 1972 instrumental hit "," employing wah-wah effects to craft a spacey, funky lead that earned him a Grammy for Best Pop Instrumental Performance. In , Herbie Hancock's band used the Clavinet for the crisp, guitar-like rhythm in "" from the 1973 album of the same name, where it complemented the track's synth bass and solidified its status as a landmark. James Brown's backing band incorporated the Clavinet into live and studio performances, with keyboardist Charles Sherrell playing it on the 1976 single "," adding staccato accents to the of Soul's energetic calls to dance. In rock, Led Zeppelin's drove the 1975 track "" from with a swinging Clavinet line inspired by Stevie Wonder's style, infusing the band's with propulsion during extended jam sessions. The Clavinet's percussive bite extended its influence across genres, shaping disco rhythms in acts like Chic and rock grooves in The Who, while post-1980s hip-hop producers such as Dr. Dre revived it through sampling funk originals in G-funk tracks. Early adopter Todd Rundgren employed a 1960s Model C Clavinet on recordings like those from his Nazz era, treating it as a guitar-like tool for psychedelic experimentation. By the 2020s, the instrument saw renewed interest in indie scenes, where original models remain prized for their authentic tactile response over digital alternatives.

References

  1. [1]
    Ernst Zacharias & The Hohner Clavinet
    In the Clavinet, which began production in 1964, the action is inverted, which makes it a truly unique instrument. The strings are mounted on a metal harp under ...
  2. [2]
    The Clavinet Chronicles: From Modest Keyboard to Funk's - Reverb
    May 28, 2020 · The clavichord was invented in the 1400s as sort a the little sibling of the harpsichord. Pressing the keys brought down blades that struck the ...
  3. [3]
    D6 Clavinet history - Apple Support
    Learn about the history of the D6 Clavinet and related instruments emulated by Logic Pro for Mac Vintage Clav.
  4. [4]
    Hohner Clavinet D6 Owners Manual
    The Clavinet D 6 keyboard range of 5 octaves (F1-e3) is suitable for a big proportion of piano music, beginning with lute and organ music of the 14th ...
  5. [5]
    (PDF) A pickup model for the Clavinet - ResearchGate
    For implementing audio effects for real guitar signals, hexaphonic pickups for separate signal streams for each string would be needed. Several commercial ...
  6. [6]
    Heritage - Hohner
    A lot has happened since Matthias Hohner founded his company in Trossingen, Germany in 1857. HOHNER became the market leader in harmonicas and accordions ...
  7. [7]
    [PDF] The Hohner Clavinet FAQ
    I think I've got a problem with my pickups. Original Hohner Clavinet Pickups are housed in plastic and sealed in an epoxy, this makes them A. Easily.Missing: mechanism | Show results with:mechanism
  8. [8]
    classic keyboards - the hohner clavinet
    Musician and inventor, Ernst Zacharias, designed the first of these, the Cembalet, in the 1950's. This was intended to be a portable, amplifiable version of ...
  9. [9]
    Clavinet - Organology: Musical Instruments Encyclopedia
    It was manufactured by the German company Hohner between 1964 and 1982. The instrument produces sound using a mechanism where rubber pads strike tensioned steel ...
  10. [10]
    The Clavinet - Keyboard Instruments - SoundBridge
    Dec 27, 2023 · The end of each string moves into a weave of yarn at the farthest end from the pickups. This yarn helps the string to stop vibrating when ...
  11. [11]
    Garth Hudson - The Band
    The old clavinet, too, was up for renewal, it's replacement being a model C, with it's distinctive orange and white tolex case. The old model II resurfaced, I ...
  12. [12]
    Hohner Clavinet Model "C"
    The clavinet was introduced in 1964 by Hohner. Based on the clavichord, the instrument was designed for classical music.Missing: production | Show results with:production
  13. [13]
    Hohner Clavinet D6 Electric-Mechanical Instrument - smem
    The Clavinet D6 is an electro-mechanical instrument with 60 keys for 5 octaves. The sound is produced mechanically via strings whose vibrations are electrified ...
  14. [14]
    Understanding the Clavinet Tone Controls - Chicago Electric Piano
    May 19, 2015 · The Clavinet has four tone controls using high/low pass filters, and two pickup controls for individual or parallel pickup configurations.
  15. [15]
    Hohner Clavinet D6 1971 | Reverb
    The "Superstition" sound is instantly apparent, with the simple rocker switches and 9V battery operation (no mains required.....but there is a 9Vdc external PSu ...
  16. [16]
    Hohner Clavinet D6 - What To Know & Where To Buy | Equipboard
    Rating 5.0 (10) · Free deliveryThe Hohner Clavinet D6 features a weighted keyboard action, providing a responsive and tactile playing experience. This action is appreciated by players who ...Missing: weight dimensions
  17. [17]
    Why is the D6 more popular than the E7? - Clavinet.Com Message ...
    Oct 14, 2009 · The D6 has a slightly different preamp than the E7. Also, different transistors give it a little different tone. The E7 also filters the incoming power.d6 vs e7 ? - Clavinet.Com Message Board - TapatalkSlight difference between D6/E7 apart from preamp - TapatalkMore results from www.tapatalk.comMissing: body | Show results with:body
  18. [18]
    Hohner Clavinet Production Survey - The Electric Piano Forum
    Dec 4, 2017 · The original Clavinet D6 was Hohner Model Number HK205. This version of the Clavinet is Hohner Model Number HK215 and is know as the D6-N...Missing: first | Show results with:first
  19. [19]
    [PDF] Clavinet User Guide
    Turning the knob counterclockwise increases the Phaser Rate through music note duration values related to the host's BPM: 1/32T, 1/32,. 1/32D, 1/16T, 1/16, 1/ ...
  20. [20]
    [PDF] A pickup model for the Clavinet
    The tone control switches act as simple equalization filters. The pickup switches allow the independent selection of pickups or sums of pickup signals in phase ...
  21. [21]
    A digital waveguide-based approach for Clavinet modeling and ...
    May 13, 2013 · This paper reports analyses conducted on a Hohner Clavinet D6 and proposes a computational model to faithfully reproduce the Clavinet sound in real time.<|separator|>
  22. [22]
    Arturia Clavinet V - Sound On Sound
    The D6 expands on this with four EQ switches: Soft, Medium, Treble and Brilliant. As with the real instrument, at least one of these must be selected to get any ...
  23. [23]
    Which Wah Pedal For Clavinet, Wurly, Rhodes? - Gearspace
    Jan 2, 2008 · The Crybaby style will overdrive the sound a bit in the upper mid end of the sweep (which is probably what you want) so if you want a super ...
  24. [24]
    'Hohner Clavinet D6' keyboard designed by Ernst Zacharias, 1967
    Hohner Clavinet - The D6 model first appeared in 1971 and has more sound modifying filters than earlier models. But in songs it is impossible to ...Missing: production | Show results with:production
  25. [25]
    Single Clavinet Strings - Retrolinear.com
    Key#, String Size & Type ; 01 - 10 (F1 - D2), 0.032 wound ; 11 - 15 (D#2 - G2), 0.028 wound ; 16 - 24 (G#2 – E3), 0.022 plain ; 25 - 60 (F3 - E6), 0.009 plain ...
  26. [26]
    How is a Hohner Clavinet tuned? - Jupiter Vintage Pianos
    By using a flat head screwdriver on the screw at a right angle to the tuning leg, you can adjust the tuning – clockwise for sharp and anti-clockwise for flat.
  27. [27]
    Some notes on my Clavinet are sticky. Help! - Jupiter Vintage Pianos
    Lubricating the bushings and easing the keys will help solve this. If this doesn't work then they will need to be replaced. The key springs are old or broken:.Missing: damped | Show results with:damped
  28. [28]
    My Clavinet is really noisy. Help! - Jupiter Vintage Pianos
    Hohner Clavinets are very sensitive to noise interference because of the type of pickups they use. If they are near other electroncis with a significant ...
  29. [29]
    Clavinet Parts
    30-day returnsClavinet Parts ; Clavinet.Com Premium Clavinet Hammer Tip Set · $39.99. In Stock ; Clavinet.Com Hammer Alignment Template · $24.99. In Stock. ; Clavinet.Com Clavinet ...Missing: mod | Show results with:mod
  30. [30]
    Clavinet.Com Ultra Preamp
    30-day returnsThe "Stevie Wonder" mod (old preamp upgrade kit) is built into the Ultra-preamp. No case modifications necessary. Drop-in replacement board uses same mounting ...Missing: strings | Show results with:strings
  31. [31]
    Clavinet.Com Humbucking Pickups
    $$599.99 30-day returnsClavinet.com humbuckers are hand-made, best-selling, use two coils to cancel hum, have extended frequency response, and eliminate dead spots.
  32. [32]
    Restored Clavinet C with Pics - Gearspace
    Feb 20, 2012 · Of course the lid was missing, the lower pickup was broken, a few keys were missing and many other parts were broken. But, the harp was intact ...
  33. [33]
    Electric Piano, Guitar, Amplifier Repair | NY & NJ - Vintage Vibe
    Repairs and restoration services are offered in our shop at a rate of $110.00 an hour, plus cost of parts and tax (if applicable).
  34. [34]
    Hohner Clavinet D6: “Rebirth” Restoration - Chicago Electric Piano
    Oct 18, 2015 · This Clavinet was restored with what would fall under our “Rebirth” Clavinet Services with all new hammer tips, strings, electronic servicing, and a complete ...<|control11|><|separator|>
  35. [35]
    Nord Electro 6 - Nord Keyboards
    The Nord Electro 6 combines our award-winning emulations of vintage electro mechanical and acoustic instruments in an ultra-portable package.Downloads · Sounds · Overview · Accessories
  36. [36]
    Clavinet Collection – Kontakt - Purgatory Creek Soundware
    In stockThe Purgatory Creek Soundware Clavinet Collection includes the two most sought-after versions of the clavinet keyboard. Each captures the authentic sound of ...
  37. [37]
    https://www.purgatorycreek.com/index.php/product/clavinet-collection/
  38. [38]
    Clavinet V - Arturia
    In stock Free deliveryFour filter switches emphasize different parts of Clavinet V's frequency range. Pickup Artistry. Pickup Artistry. Take even more timbral control with the ...
  39. [39]
    https://www.arturia.com/products/software-instruments/clavinet-v/overview
  40. [40]
    Clavinet Parts - Vintage Vibe
    1–2 day delivery 7-day returnsPurchase authentic Hohner Clavinet parts from Vintage Vibe - your one stop shop for all your electric piano needs.Missing: export models AC power
  41. [41]
    Purgatory Creek Soundware
    Purgatory Creek Soundware develops premium sound and sample libraries with a primary focus on Native Instruments Kontakt™, Korg Kronos™/Nautilus™, Yamaha ...
  42. [42]
    The clavinet is the secret behind Wonder's sounds - Chron
    Dec 4, 2007 · The clavinet defined Stevie Wonder's sound. ... The clavinet was an electric keyboard created by Hohner, a German company best known for its ...
  43. [43]
    Behind the Beat: “Superstition” by Stevie Wonder - Roland Articles
    Upon returning, Stevie asked him to keep playing and improvised the clavinet pattern over the guitarist's drumbeat. “Stevie came boogieing into the studio,” ...
  44. [44]
    Greg Phillinganes explains how he shares the Clavinet parts with ...
    Sep 24, 2024 · Greg Phillinganes explains how he shares the Clavinet parts with Stevie Wonder on Higher Ground as he performs a set of Clav classics using Spectrasonics' ...
  45. [45]
    The B List: 10 Classic Clavinet-Fueled Songs - Glide Magazine
    Mar 4, 2010 · The late Billy Preston made fantastic use of the clav on this instrumental hit from 1972. Preston also rocked a clav for Will It Go Round In ...
  46. [46]
    Songs That Changed Music: "Chameleon" - Herbie Hancock
    Feb 7, 2024 · The arrangement features an instrument that sounds remarkably like a clean, funky, rhythm guitar, but it is, in fact, a Clavinet. The eight and ...
  47. [47]
    James Brown – Get Up Offa That Thing Lyrics - Genius
    James Brown. Writers. Yamma Brown, Deidre Brown & Deanna Brown. Label. Polydor Records. Bass. Will Lee. Clavinet. Charles Sherrell. Drums. Melvin Parker. Guitar.
  48. [48]
    Hear Led Zeppelin's Rough Version of 'Trampled Under Foot'
    Feb 11, 2015 · John Paul Jones' swinging “Superstition”-like Clavinet line sounds more prominent, instead of backing off when Page's guitars come in, and ...