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Colonial Revival architecture

Colonial Revival architecture is a neoclassical style that emerged in the United States in the late 19th century, drawing inspiration from the Federal, Georgian, and Adam styles of the nation's colonial era (roughly 1600–1830) while adapting them for contemporary use through modern construction techniques.^[1] The style emphasizes symmetry, classical proportions, and simplicity, aiming to evoke the refinement and dignity of early American buildings without exact imitation.^[2] It flourished from the 1880s to the 1940s, peaking in popularity between 1880 and 1940, and remains influential in residential and institutional design today.^[1]^[2] The movement originated in the aftermath of the Civil War and gained momentum following the 1876 Philadelphia Centennial Exposition, which celebrated the nation's centennial and sparked widespread patriotic interest in colonial history and heritage.^[3] Architects such as McKim, Mead & White played a pivotal role in popularizing the style through high-profile commissions, including residences, libraries, banks, churches, schools, and military installations like those built during the War Department's Endicott Period in the 1890s.^[1] This revival reflected broader cultural themes of nationalism, moral uplift, and a return to perceived traditional values, often blending historical accuracy—drawn from detailed studies and drawings of original colonial structures—with functional innovations.^[2]^[1] Distinguishing features of Colonial Revival architecture include bilateral symmetry in facades, centrally located entrances framed by pedimented porticos or fanlights supported by slender classical columns or pilasters, and multi-pane double-hung sash windows (often 6-over-6 or 9-over-9) with decorative sills, arches, or louvered shutters.^[3]^[1] Roof forms typically feature hipped, gabled, or gambrel profiles with shallow pitches, sometimes interrupted by dormers or Palladian windows, and exteriors often employ brick or wood siding accented by white trim, dentiled cornices, and paneled doors with sidelights.^[3] Unlike the more modest originals, Revival buildings are generally larger and more robust, enabled by industrial-era materials and methods.^[1] The style encompasses regional variants, such as the Dutch Colonial Revival with its characteristic gambrel roofs, and influenced suburban developments in the 20th century, where "modernized colonial" homes combined historic aesthetics with contemporary amenities like indoor plumbing and electricity.^[1]^[2] Its enduring appeal lies in its association with American identity, making it a staple in historic preservation and new construction across the country.^[1]

Origins and Historical Development

Early Influences and Emergence

The roots of Colonial Revival architecture can be traced to the Centennial Exposition of 1876 in Philadelphia, where exhibits of colonial artifacts and reconstructed buildings from early American history ignited public interest in the nation's heritage.^[4] This event showcased authentic examples of 18th-century structures, such as the Liberty Bell Pavilion and replicas of Independence Hall, highlighting the simplicity and elegance of colonial designs amid the era's industrial excess.^[5] The exposition served as a cultural catalyst, encouraging architects and the public to view colonial styles as symbols of American identity and moral virtue.^[6] In the post-Civil War period, Romantic nationalism further propelled the movement, as the nation sought symbols of unity to heal sectional divides and assert a cohesive identity against rapid urbanization and immigration.^[7] This sentiment idealized the colonial era as a time of foundational purity and shared Revolutionary ideals, with architecture becoming a medium to evoke patriotism and stability.^[7] Colonial motifs, such as symmetrical facades and classical details, were embraced to foster a sense of national continuity, reflecting a broader cultural retrospection that positioned early American buildings as emblems of democratic origins.^[7] Early adopters among American architects, including Richard Morris Hunt and the firm McKim, Mead & White, began incorporating colonial influences into residential designs during the 1870s and 1880s, drawing on 18th-century Georgian styles for their restraint and proportion.^[1] Hunt, as a mentor to many, contributed to this shift through his advocacy for measured adaptations of historical forms in domestic work, though his projects often blended colonial elements with Beaux-Arts grandeur.^[1] McKim, Mead & White marked a pivotal advancement with the H.A.C. Taylor House in Newport, Rhode Island (1886), an early exemplar that revived Georgian symmetry, gabled roofs, and paneled interiors inspired by New England originals, setting a template for subsequent revivalist residences.^[8]^[9] Key publications in the 1880s amplified these trends by promoting colonial motifs for domestic architecture, with articles in The American Architect and Building News featuring sketches and essays on adapting 18th-century details like cornices and entryways to modern homes.^[10] These writings emphasized the practicality and patriotic appeal of colonial designs, encouraging builders to prioritize historical authenticity over Victorian ornamentation.^[10] This intellectual groundwork laid the foundation for the style's broader evolution in the early 20th century.

Peak Period and Evolution

The Colonial Revival style experienced a significant surge in popularity following major expositions that showcased neoclassical and colonial-inspired forms for public architecture. The 1893 World's Columbian Exposition in Chicago, with its "White City" of Beaux-Arts neoclassical buildings, promoted classical colonial motifs and influenced the adoption of these elements in American public structures, aligning with the emerging City Beautiful movement.^[11] Similarly, the 1901 Pan-American Exposition in Buffalo featured prominent colonial-style pavilions, such as the New England Building designed in a unique Colonial aesthetic with red brick facades, white marble trimmings, and antique furnishings, which highlighted regional colonial heritage and encouraged broader emulation in institutional design.^[12] By the 1910s, the style integrated deeply into suburban development through mass-produced housing options, making it accessible to the growing middle class. Sears, Roebuck and Company's Modern Homes catalogs, starting prominently in 1908 and expanding in the 1910s, offered standardized plans in Colonial Revival variants, including Georgian-inspired designs like the deluxe Model #303, which provided complete kits with materials for affordable construction in expanding suburbs.^[13] These catalogs facilitated the style's widespread application, with over 70,000 homes shipped by 1940, emphasizing symmetrical facades and classical details suited to residential landscapes.^[14] During the 1920s, Colonial Revival evolved from rigid Georgian mimicry to more flexible interpretations that incorporated Federal and Dutch Colonial elements, broadening its appeal and adaptability. Architects loosened adherence to strict historical replication, blending Federal-style elliptical fanlights and Palladian windows with Dutch gambrel roofs featuring curved eaves, as seen in suburban homes and larger estates that prioritized aesthetic harmony over exactitude.^[1] This maturation reflected a cultural shift toward romanticized American identity, with the style dominating about 40% of new U.S. residential construction by the late 1920s.^[4] World War I amplified the style's role through heightened patriotic symbolism, spurring its use in government and institutional architecture to evoke national heritage and unity. The war's demands for American exceptionalism fueled preservation efforts and new builds, such as army bases like Fort Baker, where Colonial Revival designs symbolized enduring values amid global upheaval.^[1] Post-war, this patriotism extended to federal projects, including border stations and public buildings, where the style represented stability and cultural nationalism, peaking in institutional applications during the 1920s.^[15]^[4]

Decline and Transition

Following World War II, the Colonial Revival style experienced a marked decline as the International Style and broader modernist movements gained prominence, viewing revivalist approaches as nostalgic and antithetical to progress. Modernist architects and critics argued that historical revivals hindered innovation by prioritizing imitation over functional efficiency and contemporary needs, a perspective reinforced in the post-1945 era amid rapid urbanization and technological advancements. This shift was evident in influential writings, such as Lewis Mumford's 1952 collection Roots of Contemporary American Architecture, which emphasized a uniquely American functional aesthetic rooted in organic and modern principles rather than 18th-century emulation.^[16] Economic factors further accelerated the style's waning popularity, as the post-war housing boom—fueled by the GI Bill and suburban expansion—prioritized cost-effective, mass-producible designs suitable for a growing middle class. The Great Depression had already curtailed ornate construction in the 1930s, but WWII's aftermath brought even greater emphasis on simplicity, with prefabricated materials and streamlined forms reducing labor and material costs compared to the detailed woodwork and symmetry of Colonial Revival homes. By the 1950s, ranch-style houses, emblematic of this pragmatic turn, accounted for approximately 90% of new single-family home construction in the United States, leaving revival styles to represent less than 10% according to housing market analyses.^[17]^[18] The style transitioned into later iterations, notably Neo-Colonial variants in the immediate post-war period, which simplified traditional elements like gabled roofs and brick facades for suburban applicability, often incorporating modern materials such as asphalt shingles and vinyl siding. By the 1980s, Postmodern architecture revived colonial motifs with ironic or eclectic twists, blending them into asymmetrical compositions and playful exaggerations rather than strict historical fidelity, as seen in works by architects like Robert Venturi. This evolution marked a departure from pure revivalism, integrating historical references into a more fragmented, context-aware framework.^[19]^[20]

Architectural Characteristics

Exterior Design Elements

Colonial Revival architecture is characterized by symmetrical facades that emphasize balance and proportion, typically featuring a central entrance flanked by evenly spaced windows to evoke the orderly aesthetic of early American colonial buildings.^[6] These facades often incorporate multi-pane double-hung sash windows, typically with equal divisions in both sashes such as 6-over-6 or 9-over-9, sometimes paired or arranged in Palladian configurations for added classical elegance.^[21] In Dutch Colonial variants, the symmetry extends to broader forms with gambrel roofs that curve outward at the eaves, distinguishing them from the more steeply pitched gable or hipped roofs common in Georgian Revival subtypes.^[22] Entryways serve as focal points, frequently sheltered by porticos or pedimented doorways supported by slender columns in Doric or Ionic orders, often topped with decorative entablatures including dentil cornices and fanlights for a refined neoclassical touch.^[6] Pilasters or quoins at the corners further accentuate structural edges, particularly on brick-clad structures, enhancing the facade's verticality and solidity.^[21] Materials commonly include brick or clapboard siding for the main body, paired with white trim around windows and doors to create high contrast and crisp detailing, while stone veneer appears in more formal public buildings.^[22] Rooflines contribute significantly to the style's silhouette, with side-gabled, hipped, or gambrel forms often pierced by multiple dormers to add depth and usable attic space without disrupting the overall massing.^[21] Prominent brick chimneys, typically paired or central, rise from the ends or sides, scaled modestly for residential examples like the James R. Toberman House in Hollywood and more assertively for institutional structures.^[21] Cupolas occasionally crown larger edifices, such as churches, providing ventilation and a subtle vertical accent that aligns with the style's classical aspirations.^[21] These elements adapt in scale—simpler and more restrained for homes, with exaggerated pediments in early phases—yet consistently prioritize historical authenticity in exterior presentation.^[6]

Interior and Spatial Features

Colonial Revival interiors emphasized symmetry and grandeur inspired by 18th-century American colonial homes, often featuring a central hall plan that organized spaces around a prominent entrance hallway flanked by parlors and dining rooms on either side.^[6] This layout echoed Georgian and Federal precedents but incorporated modern utilities such as central heating and electric lighting, allowing for more flexible room usage while maintaining a formal procession from public to private areas.^[23] High ceilings, typically 10 to 11 feet, created a sense of spaciousness, with smooth plaster finishes painted in soft whites or pastels and accented by elaborate crown moldings and carved cornices in high-style examples.^[6] Wood paneling was a hallmark decorative element, applied to walls in entrance halls and principal rooms using materials like oak, chestnut, or painted pine to evoke authenticity without the cost of antique imports.^[23] Fireplaces served as focal points, often fitted with Federal-style mantels featuring classical entablatures, reeded pilasters, and sometimes carved motifs like urns or eagles, positioned symmetrically to enhance the room's balance.^[23] Wallpaper patterns drew from colonial prints, including scenic landscapes or toile designs in muted blues and greens, applied to walls above wainscoting to add texture and historical depth while concealing modern wiring.^[23] Staircases in Colonial Revival homes were designed as grand architectural statements within the central hall, featuring turned balustrades in mahogany or painted wood, wide treads, and sometimes low landings for dramatic effect, often covered with oriental runners for practicality and elegance.^[23] These elements connected the public entertaining spaces below to private bedrooms above, reinforcing the home's hierarchical spatial flow. In contrast, kitchen and service areas were modernized with built-in appliances and efficient layouts but deliberately concealed behind doors or in rear wings, preserving the pristine appearance of the formal interiors for social gatherings.^[6] This separation highlighted the style's adaptation of colonial traditions to 20th-century domestic life, prioritizing hospitality in visible spaces.^[23]

Variations and Regional Adaptations

Substyles and Influences

Colonial Revival architecture encompasses several distinct substyles, each drawing from specific historical precedents in early American and European colonial building traditions. These substyles emerged in the late 19th and early 20th centuries as architects sought to revive and interpret the forms of the nation's founding era, often blending authenticity with contemporary adaptations for scale and ornamentation.^[24]^[1] The Georgian Revival substyle emphasizes strict symmetry and classical proportions, reflecting the architecture of 18th-century English colonial settlements in America. Key features include boxy massing with balanced facades, central-passage floor plans, hipped or gabled roofs, dormers, classical cornices, and Palladian windows that admit light through multi-paned sashes flanked by sidelights. These elements were directly inspired by Georgian prototypes, such as those built in Virginia and other Atlantic seaboard colonies, where brick construction in Flemish bond and refined craftsmanship prevailed.^[25]^[24] In contrast, the Federal Revival substyle adopts a lighter, more refined aesthetic influenced by late 18th-century American architects, notably Thomas Jefferson, who incorporated neoclassical innovations into post-Revolutionary designs. Characteristics include delicate ornamentation, elliptical arches and fanlights over doors and windows, slender columns or pilasters supporting pediments, and attenuated proportions that convey elegance over robustness. This substyle often features multi-pane double-hung windows paired with shutters and symmetrical layouts, evoking the urban townhouses and public buildings of the early republic.^[25]^[24]^[1] The Dutch Colonial Revival substyle is distinguished by its distinctive roof form, adapted from 17th- and 18th-century settlements in New York and New Jersey by Dutch immigrants. Prominent features include gambrel roofs—curved and steeply pitched with flared eaves extending over full-width porches—and dormer windows piercing the upper slope for attic space. Exteriors typically use clapboard siding or brick, with symmetrical facades, paneled doors, and simple classical trim, maintaining a one-and-a-half-story profile that differentiates it from other Colonial Revival variants.^[21]^[24]^[1] Beyond these core substyles, Colonial Revival drew broader influences from the Adam style, particularly in interior detailing, where Robert Adam's neoclassical designs introduced delicate plasterwork, swags, and oval motifs to rooms with high ceilings and symmetrical layouts. In Southern variants, elements of French colonial architecture—such as raised foundations, wide galleries, and louvered shutters—occasionally appeared, adapting to the region's humid climate while echoing 18th-century Acadian and Creole precedents. These substyles found application across various regions, tailored to local materials and contexts without altering their fundamental forms.^[25]^[26]

Geographic and Cultural Variations

In the Northeastern United States, particularly New England, Colonial Revival architecture emphasized brick Georgian forms and symmetrical designs, reflecting the region's Puritan heritage of simplicity and restraint. These adaptations appeared prominently in suburban developments, where multi-pane sash windows, dentiled cornices, and pedimented entrances evoked early colonial meetinghouses and farmsteads. For instance, structures like the Appleton House in Lenox, Massachusetts, incorporated these elements to blend historical reverence with modern comfort.^[6] In the South, Colonial Revival integrated raised foundations and expansive verandas to address the humid climate and cultural ties to plantation traditions in states like Virginia and the Carolinas. This variation often featured tall windows for cross-ventilation and grand colonnades, merging Georgian symmetry with regional practicality, as seen in revived plantation-style homes that extended porches across multiple levels. Such designs honored the area's agrarian past while adapting to local environmental needs.^[27]^[28] Midwestern and Western implementations of Colonial Revival favored simplified clapboard siding and hipped roofs, suited to prairie landscapes and rapid suburban growth influenced by diverse immigration patterns from Europe. In areas like the Midwest prairies and Western developments, these versions reduced ornate details for cost-effective construction, using wood siding and centered dormers to maintain a nod to Eastern colonial roots amid expansive, open terrains. Examples include streamlined homes in early 20th-century Midwestern neighborhoods, where immigration-driven communities adopted the style for its familiarity and adaptability.^[19]^[29] Canadian variants of Colonial Revival showed distinct influences, with British ties evident in Ontario through Georgian Revival adaptations featuring pedimented porticos and Palladian windows, often integrated into suburban homes by United Empire Loyalist descendants. In Quebec, French Colonial elements persisted, incorporating steeper roofs to shed heavy snow, blending with revival motifs like dormers and symmetrical facades in urban and rural settings. Western Canada, such as Vancouver, featured boxy cottages and two-story forms with classical columned porches and narrow clapboard, reflecting Edwardian interpretations of colonial simplicity.^[30]^[31]^[32]

Notable Examples and Key Figures

Iconic Buildings and Structures

Extensions to the Virginia State Capitol in the early 1900s adapted Colonial Revival principles on a public scale, expanding the original neoclassical design by Thomas Jefferson with additions that reinforced symmetrical massing and classical motifs to symbolize continuity with Virginia's founding era.^[33] Architects John Kevan Peebles and Claude A. Bowker contributed to such public adaptations during this period, blending Revival elements with monumental scale in works that influenced institutional architecture across the state.^[34] In the 1920s, suburban developments like those in Roland Park, Baltimore, popularized catalog-based Colonial Revival homes, offering prefabricated designs that allowed middle-class buyers to acquire dwellings with hallmark features such as gabled roofs, brick exteriors, and columned porticos through the Roland Park Company's planned communities.^[35] These homes, often executed in Guilford and nearby plats, exemplified the style's accessibility, with standardized plans drawing from Georgian and Federal inspirations to foster a sense of historical rootedness in expanding neighborhoods.^[36] Institutionally, the Jefferson Memorial in Washington, D.C., completed in 1943, blends Colonial Revival with neoclassicism through its circular colonnade of Ionic columns and domed rotunda, paying homage to Thomas Jefferson's admiration for classical forms while evoking the democratic ideals of early American architecture.^[37] Designed initially by John Russell Pope and refined by his successors, the memorial's white marble facade and open-air structure underscore the style's evolution into monumental civic expressions during the mid-20th century.^[34]

Prominent Architects and Designers

The firm of McKim, Mead & White emerged as pioneers of the Colonial Revival style in the late 1880s and early 1900s, introducing a measured approach to historical revival that emphasized authenticity and proportion drawn from 18th-century American precedents.^[38] Their designs for residential and public buildings, such as the Boston Public Library (completed 1895), showcased a commitment to classical symmetry and detailed ornamentation, adapting colonial motifs to contemporary needs while avoiding outright imitation.^[25] This philosophy influenced the firm's broader oeuvre, promoting architecture as a civic endeavor that reinforced national identity through refined, historically informed aesthetics.^[39] John Russell Pope advanced the Colonial Revival into monumental territory during the 1920s and 1930s, blending neoclassical grandeur with colonial elements to embody what he termed the "American Renaissance"—a vision of architecture as a harmonious synthesis of democratic ideals and classical permanence.^[40] His projects, including the National Gallery of Art (opened 1941), featured pedimented facades, columnar porticos, and balanced masses reminiscent of Jeffersonian precedents, prioritizing scale and restraint to evoke institutional authority.^[41] Pope's advocacy for this style extended to residential commissions, where he integrated revival details like Flemish bond brickwork to foster a sense of enduring American heritage.^[10]

Legacy and Cultural Impact

Influence on Later Architectural Movements

The Colonial Revival style provided a foundational influence on Postmodern architecture during the 1970s and 1980s, as architects like Robert Venturi revived and reinterpreted colonial elements with ironic twists to challenge modernist austerity. In projects such as the Vanna Venturi House (1962–1964), Venturi employed exaggerated symmetrical facades, gabled roofs, and ornamental details drawn from Georgian Colonial Revival precedents, subverting them through playful proportions and historical allusions to embrace complexity and contradiction.^[42]^[43] Venturi drew inspiration from old colonial houses in his designs, reflecting broader stylistic diversity as a resource for Postmodern eclecticism and cultural commentary.^[43] Colonial Revival motifs also permeated the suburban sprawl of the 1950s, where ranch houses adapted simplified versions of colonial roofs, porches, and window treatments to blend tradition with modern functionality in mass-produced developments. These borrowings, such as side-gabled roofs and classical door surrounds, evoked a sense of historical continuity amid rapid postwar expansion, making the style accessible for middle-class homes across the United States.^[44] In civic architecture, the Colonial Revival's principles endured beyond its peak, informing the design of U.S. embassies and state capitols after 1950 to project national heritage and stability. Public buildings like post offices, courthouses, and government offices continued to feature symmetrical facades, pedimented entries, and hipped roofs, reinforcing institutional authority through familiar colonial forms.^[45]^[1] By prioritizing historical symbolism in urban and suburban designs, the style helped construct a narrative of enduring national values in the postwar period.^[46]

Preservation Efforts and Modern Relevance

Preservation efforts for Colonial Revival architecture have been bolstered by the National Register of Historic Places, established under the National Historic Preservation Act of 1966, which has listed thousands of properties in this style across the United States as of 2025, reflecting its widespread prevalence in residential and institutional buildings.^[47] These listings encompass individual structures, districts, and neighborhoods that exemplify the style's key features, such as symmetrical facades and classical detailing, ensuring federal recognition and incentives for maintenance. Restoration projects face significant challenges in balancing historical authenticity with contemporary demands for energy efficiency, particularly in the 2010s when sustainability initiatives gained traction in historic districts. The National Park Service's Preservation Brief 3 emphasizes assessing inherent energy-efficient traits of historic buildings—such as thick walls and high ceilings in Colonial Revival homes—before implementing retrofits like improved insulation or window treatments that preserve original appearances.^[48] For instance, retrofits in historic districts during the 2010s involved upgrading heating systems while adhering to Secretary of the Interior's Standards, avoiding alterations to characteristic elements like multi-pane sash windows, though such efforts often require specialized materials to prevent visual discord.^[48] These interventions not only extend the lifespan of structures but also address modern environmental goals without compromising the style's neoclassical integrity. As of 2025, the National Register continues to add properties annually, with over 95,000 total listings nationwide, supporting ongoing sustainability efforts like those outlined in updated NPS guidelines.^[47] In the 2000s, neo-revivals of Colonial Revival elements appeared in new residential developments, particularly through oversized "McMansions" that borrowed facades with columns, dormers, and brick veneer to evoke historical prestige amid suburban expansion.^[49] This trend, peaking in the early 2000s housing boom, adapted the style's formal symmetry to larger footprints, often in planned communities, blending traditional aesthetics with contemporary amenities like open-plan interiors. While criticized for superficial application, these neo-Colonial designs maintained the style's cultural resonance in American suburbia. Museums and interpretive sites play a vital educational role in promoting Colonial Revival architecture, with Colonial Williamsburg serving as a cornerstone since its revival in the 1920s under the leadership of John D. Rockefeller Jr., who funded restorations to reconstruct 18th-century buildings in a style that influenced later revivals.^[50] Ongoing expansions, including archaeological work and adaptive reuse projects through the 2020s, demonstrate evolving preservation techniques, such as climate-controlled exhibits and digital interpretations, to engage visitors with the style's historical and architectural significance. These efforts foster public appreciation, inspiring contemporary adaptations while underscoring the style's enduring relevance in American identity.

References

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### Summary of Exterior Design Elements and Features of Colonial Revival Architecture
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[42]
John Russell Pope and the Building of the National Gallery of Art
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[44]
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Jens Jensen Designs the Prairie
In the early 1900s, while working for Chicago's West Parks District, he designed a prairie rapid and waterfall for the Garfield Park Conservatory.Missing: Colonial | Show results with:Colonial
[48]
The Legacy of Landscape Architect Jens Jensen - Chicago Detours
May 23, 2018 · Jens Jensen was a phenomenally prolific and skilled landscape architect and his works are some of the most beloved Chicago's parks.Missing: Colonial | Show results with:Colonial
[49]
AD Classics: Vanna Venturi House / Robert Venturi - ArchDaily
Jun 2, 2010 · Venturi referred to the exterior as a layering system. The effect intended was to make the exterior walls both walls and screens. For example, ...
[50]
Robert Venturi Paintings, Bio, Ideas - The Art Story
Jun 28, 2025 · The structure is today widely recognized as the first Postmodern structure, and the first evidence of Venturi's complex and contradictory style.
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Colonial Architecture and Its Modern Influence - Rethinking The Future
4. Modernist Adaptations: In the 20th century, colonial architecture began to influence the emerging modernist movement, especially in post-colonial contexts. ...
[52]
City of Houston - Glenbrook Valley - Architectural Styles
Some Ranch houses have Colonial Revival window trim and porch columns. Others incorporate Tudor features, such as false half-timbering and diamond-paned ...<|control11|><|separator|>
[53]
Colonial Revival Style 1880 - 1960
The Colonial Revival style was an effort to look back to the Federal and Georgian architecture of America's founding period for design inspiration.Missing: peak | Show results with:peak
[54]
Just What is Colonial Revival? - Lives & Legacies
Aug 23, 2017 · The clean, simple lines of Georgian and Federal style architecture were extolled as the epitome of Americanism. The realities of life in war- ...Missing: Romantic nationalism<|control11|><|separator|>
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Americans' Preferred Architecture for Federal Buildings
The results show that Americans strongly prefer a more traditional look when it comes to the architecture of US courthouses and federal office buildings.<|control11|><|separator|>
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National Register Database and Research - National Park Service
Aug 5, 2025 · The National Register of Historic Places is the official list of the Nation's historic places worthy of preservation.
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[PDF] Preservation Brief 3: Improving Energy Efficiency in Historic Buildings
Before implementing any energy conservation measures, the existing energy-efficient characteristics of a historic building should be assessed. Buildings are ...Missing: Colonial | Show results with:Colonial
[58]
[PDF] Sustainable Preservation Strategies for Popular Historic House ...
Jan 27, 2014 · Energy Efficiency in Historic Buildings which discusses Energy Audits to locate areas of loss, inherent efficient features, and actions that ...
[59]
The Most Popular House Styles Through the Decades - Bob Vila
Jun 11, 2020 · Beginning in the 1960s and still popular today, Neo styles of classic housing trends include Neo-Colonial, Neo-Victorian, and Neo-Mediterranean.
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Current Projects - Colonial Williamsburg
The restoration and preservation of Williamsburg began in 1926 and has been ongoing ever since. Explore some of the projects currently underway. Archaeology ...