Congrès Internationaux d'Architecture Moderne
The Congrès Internationaux d'Architecture Moderne (CIAM), or International Congresses of Modern Architecture, was an organization established in June 1928 at the Château de La Sarraz in Switzerland by a group of European architects led by Le Corbusier, Sigfried Giedion, and Hélène de Mandrot, aimed at advancing the Modern Movement through rational, functional design principles to address industrial society's social and economic challenges.[1][2] Over its three decades, CIAM held eleven congresses that formulated key doctrines, including the 1933 Athens Charter, which advocated strict functional zoning of cities into dwelling, work, recreation, and transportation zones to resolve urban congestion and housing shortages via standardized, machine-age efficiency.[2] These ideas profoundly influenced postwar reconstruction, inspiring projects like Chandigarh and Brasília, but also entrenched an ideological rigidity that prioritized abstract universality over local traditions and human-scale needs.[2][3] CIAM's defining characteristics included its emphasis on minimum dwelling standards, industrialized building methods, and the architect's role as a social engineer, with secretary-general Giedion coordinating publications like the CIAM Journal to propagate these views among members from sixteen countries, such as Walter Gropius and Alvar Aalto.[2][1] Despite early successes in disseminating functionalism—evident in exhibitions and urban plans that shaped architectural education at institutions like Harvard—internal fractures emerged by the 1950s, as younger architects criticized the organization's dogmatic urban models for fostering sterile, automobile-dependent environments that exacerbated social isolation rather than alleviating it.[2][3] The group dissolved formally at the 1959 Otterlo meeting, where dissidents like Alison and Peter Smithson and Aldo van Eyck rejected CIAM's framework, birthing Team 10 and signaling modernism's pivot toward contextualism amid evident failures in projects like Pruitt-Igoe, whose demolition underscored the causal link between CIAM-inspired high-rise typologies and urban decay.[2][3]