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DJ Toomp

Aldrin Davis (born August 2, 1969), professionally known as DJ Toomp, is an , songwriter, and DJ renowned for pioneering the subgenre of through his signature use of booming bass drums, orchestral samples, and atmospheric synths. Born and raised in , , Toomp began his music career in the mid-1980s as a teenager, initially DJing at local skating rinks and producing his first major track, "Shake It," for in 1989, which helped establish his early reputation in the emerging scene. Toomp's production style evolved in the and early , blending gritty street sounds with melodic elements, as he collaborated with artists like Raheem the Dream, , & the East Side Boyz, and . His breakthrough arrived in 2003 with T.I.'s "24's," a anthem that showcased his innovative drum programming using tools like the ASR-10 and MPC 60, followed by the Grammy-nominated smash "What You Know" in , which peaked at No. 3 on the and solidified his influence on mainstream . Throughout the late 2000s and beyond, Toomp expanded his portfolio with high-profile tracks such as Kanye West's Grammy-winning "Good Life" and from the 2007 album , Young Jeezy's "I Luv It" (2006), Ludacris's "Two Miles an Hour" (2008), Jay-Z's "Say Hello" (2007), and Mariah Carey's "I'll Be Lovin' U Long Time" (2009). A multi-platinum seller with over two decades in the industry, he has been honored as Producer of the Year at the 2006 Southern Entertainment Awards, while running his own ventures including NZone Entertainment and Toompstone Publishing to mentor emerging talent.

Early Life and Career Beginnings

Childhood in Atlanta

Aldrin Davis, professionally known as DJ Toomp, was born on August 2, 1969, in , . He grew up in the southwest Atlanta neighborhood of Ben Hill during a vibrant period for the city's music culture in the 1970s and early 1980s. Davis's family played a key role in his early exposure to music, particularly through his father, Alphonzo "Al" Davis, who was the lead singer of the group The M.V.P.'s. The group had a hit single, "Turning My Heartbeat Up," in 1972 on Buddha Records, immersing young Aldrin in Atlanta's soul and scenes from an early age. His father taught him music and harmonies during his adolescence, fostering a foundational interest in sound manipulation and performance. By age 9 or 10, Davis began exploring his father's collection of vinyl records, discovering artists like and developing a passion for recontextualizing sounds. At around age 13 in 1983, inspired by the hip-hop film and figures like , he started experimenting with DJing, using turntables to create beats and mixes. This period marked his initial forays into production equipment amid Atlanta's emerging influences alongside its established and soul traditions.

Entry into Music Industry

DJ Toomp, born Aldrin Davis, entered the music industry as a teenager in , securing his first production credit in 1985 at the age of 16 on Atlanta MC Raheem the Dream's self-titled single "Raheem the Dream." This early project marked one of the earliest rap records from and showcased Toomp's budding skills in beat-making. Building on this foundation, Toomp transitioned into DJing in the mid-1980s, becoming the official DJ for Miami-based rapper MC Shy-D. In this role, he toured extensively across the with MC Shy-D, supporting high-profile acts including the , , and , which exposed him to the burgeoning and Southern rap scenes. Following MC Shy-D's departure from in the late 1980s, Toomp continued his DJ work with and the group , contributing to their Miami bass-infused performances and recordings. This period solidified his reputation within the Southern rap circuit, where he honed his turntable skills amid the vibrant club and tour environments of and Georgia. In the early 1990s, after left the , Toomp formed the hip-hop duo 2 Nazty with the former group member (Mark Ross), blending their experiences in bass-heavy music. The duo released their debut and only album, , in 1993 on , featuring tracks that emphasized explicit lyrics and rhythmic grooves characteristic of the era's party rap. Toomp's early production techniques during this time relied on accessible tools suited to the and emerging styles, including keyboards for creating basslines and melodies alongside basic sampling methods. He frequently employed the sampler starting in the late 1980s to loop drum breaks and synth elements, layering them with keyboard overdubs on instruments like the series to craft the deep, bouncy low-end sounds central to tracks for MC Shy-D and . These approaches, influenced by his roots in a city blending Southern traditions with imported , laid the groundwork for his later innovations in production.

Rise to Prominence

Collaborations with T.I.

DJ Toomp first met T.I. in the late through Atlanta's underground collective Pimp Squad Click (PSC), where the then-teenage T.I. was an emerging talent; their instant connection led to Toomp's involvement in T.I.'s debut album (2001), on which he served as associate executive producer and co-produced tracks such as the intro and "Dope Boyz," marking the start of a formative partnership. These early co-productions blended gritty Southern beats with T.I.'s raw lyricism, helping establish Toomp's reputation in Atlanta's scene despite the album's modest commercial reception. Toomp's collaboration with T.I. deepened over the rapper's albums from 2003 to 2006, with Toomp producing multiple tracks on each project and becoming a core architect of T.I.'s sound during his rise to stardom. On Trap Muzik (2003), Toomp handled beats for songs like "24's," "Be Easy," and the title track, while Urban Legend (2004) featured his work on "Motivation" and "U Don't Know Me"; he continued with key contributions to King (2006), producing several cuts that propelled T.I. toward platinum-selling success. This extensive output not only boosted Toomp's career but also cemented his role as T.I.'s primary producer during the rapper's breakthrough years. Toomp's productions for T.I. were instrumental in mainstreaming trap music, introducing its signature elements—heavy, rumbling 808 bass lines, rapid-fire hi-hat rolls, and stripped-down arrangements—to broader audiences and shifting hip-hop toward Atlanta's street-oriented sound. By emphasizing atmospheric minimalism over dense layering, Toomp's beats amplified T.I.'s narratives of trap life, influencing a generation of producers and helping trap evolve from regional underground style to global phenomenon. Representative of this impact, "Be Easy" from Trap Muzik exemplifies Toomp's process: he chopped a piano sample from Al Wilson's "Somebody to Love" into a mellow yet bass-heavy groove, creating the track in a single session to fit T.I.'s request for a relatable trap banger; it peaked at No. 55 on the Billboard Hot R&B/Hip-Hop Songs chart, aiding the album's certification and T.I.'s major-label momentum. Likewise, "U Don't Know Me" on Urban Legend showcased Toomp's hard-knocking 808s and sparse percussion, with T.I. laying down his assertive verses in one take; the single reached No. 23 on the Billboard Hot 100 and No. 1 on Hot Rap Songs, highlighting the duo's ability to blend authenticity with commercial appeal.

Breakthrough Productions

DJ Toomp achieved his first major breakthrough as a producer with "24's," the from 's sophomore Trap Muzik, released in 2003. The track's booming bassline and orchestral strings captured the gritty essence of Atlanta's street life, helping to define and popularize the emerging subgenre of . Peaking at number 78 on the , "24's" marked 's first solo entry on the chart and contributed to Trap Muzik's platinum certification by the RIAA, with the selling over one million copies and debuting at number four on the Billboard 200. This production solidified Toomp's reputation in the scene and propelled from underground status to mainstream recognition. Toomp's production on "What You Know," the from 's 2006 album , represented his most significant commercial success to date. Co-produced with Wonder Arillo, the track interpolates the bassline from Roberta Flack's 1973 song "Gone Away" and features soaring strings and a triumphant hook that underscored 's . It peaked at number three on the , becoming 's highest-charting single at the time and earning a double from the RIAA for over two million units sold. itself debuted at number one on the with first-week sales of over 521,000 copies and was later certified double . The accolades for "What You Know" further cemented Toomp's breakthrough, as the song earned T.I. his first Grammy Award for Best Rap Solo Performance at the 49th Annual Grammy Awards in 2007, while also receiving a nomination for Best Rap Song. These productions not only boosted T.I.'s career, transforming him into a hip-hop superstar, but also amplified trap music's national ascent by blending Southern authenticity with crossover appeal.

Major Collaborations and Productions

Work with Young Jeezy and Kanye West

DJ Toomp produced the "I Luv It" for Young Jeezy's sophomore album The Inspiration (2006), crafting a track that exemplified his signature sound through booming, layered drum patterns and a pulsating bassline designed to drive the song's energetic street anthem vibe. The production originated as a potential for Jeezy's earlier "I Got Money" but evolved into a standalone , with Toomp emphasizing a rhythmic cadence that captured Jeezy's hustler ethos. Released in October 2006, "I Luv It" peaked at number 14 on the , contributing to the album's commercial momentum as Jeezy solidified his place in . Toomp's collaboration expanded nationally through co-productions on Kanye West's (2007), where he handled three key tracks: the title track "," "Good Life" featuring , and "." Recording sessions began in and wrapped in , spanning marathon hours from afternoon to early morning, with West incorporating a vibrant studio atmosphere including female vocalists for inspiration. On "," Toomp provided roughly 40% of the bassline, layering distorted elements to underpin West's introspective lyrics on fame. "Good Life" featured Toomp's synth-heavy hook played on a Roland Fantom workstation, blending a futuristic sheen with a soulful "P.Y.T." sample and 's auto-tuned chorus for an uplifting, celebratory tone. "," solely produced by Toomp, offered a heartfelt tribute to with warm, sample-driven arrangements that highlighted West's personal growth. "" reached number 20 on the , while "Good Life" climbed to number 7, both bolstering the album's crossover appeal. These contributions played a pivotal role in Graduation's success, which debuted at number one on the and has since been certified seven-times platinum by the RIAA for over seven million units sold in the United States. Toomp's fusion of trap roots with West's innovative sampling and electronic flourishes helped elevate the project to a landmark in , bridging Southern grit with mainstream pop sensibilities.

Productions for Other Artists

DJ Toomp expanded his production portfolio in the late by venturing into R&B and pop territories, notably co-producing "I'll Be Lovin' U Long Time" for Mariah Carey's eleventh studio album E=MC² (2008). The track features R&B-infused beats with a mid-tempo groove sampling DeBarge's "Stay with Me," blending Carey's signature melodic runs with Toomp's layered percussion and synth elements for a smooth, radio-friendly sound. Released as the album's third single, it peaked at number 58 on the Hot 100. Toomp's work with Rick Ross further showcased his ability to craft opulent, bass-heavy tracks suited to the rapper's boss persona. On Ross's second album Trilla (2008), Toomp produced "This Me," a luxurious cut driven by booming 808s, orchestral strings, and a menacing piano riff that underscores themes of street success and defiance. The following year, he co-produced "Valley of Death" for Deeper Than Rap (2009) alongside Khao, emphasizing deep sub-bass and atmospheric synths to create a brooding, cinematic vibe that highlights Ross's introspective lyrics on survival and ambition. Beyond major hip-hop figures, Toomp contributed to 's American Gangster (2007) with the production of "Say Hello," a gritty track built on sparse hi-hats, rumbling bass, and a soulful sample that evokes the album's film-inspired narrative of rise and reflection. His early collaborations with included the remix of "Two Miles an Hour" (2004), an upbeat Southern rap cut with bouncy drums and funky guitar licks that captured Atlanta's emerging energy. Additionally, Toomp handled remixes for lesser-known artists like MC Shy-D, co-producing the bass-heavy "Shake It (Remix)" (1988) in the style, featuring pulsating kicks and party-ready rhythms. This period marked an evolution in Toomp's production style toward greater crossover appeal, as he transitioned from hardware samplers like the to digital tools such as Propellerhead Reason and , enabling more intricate and quicker workflow for genre-blending projects.

Later Career and Legacy

Launch of NZone Entertainment

In 2006, DJ Toomp, whose real name is Aldrin Davis, partnered with hip hop veteran Bernard Parks, Jr. to found NZone Entertainment in , , establishing it as a production and artist development company aimed at nurturing emerging Southern talent in and expanding into R&B. This venture allowed Toomp to transition from freelance production to greater control over his creative output, building on his recent successes with hits like T.I.'s "What You Know" to create a structured platform for artist mentorship and in-house projects. NZone Entertainment's business model emphasized signing and developing local artists while leveraging distribution partnerships to sustain the burgeoning trap music scene in the South. Key early signings included Atlanta rapper Suga Suga and the R&B songwriting and production trio Six20, alongside producers Ole-E and Kenoe under the Zone Boy production banner, fostering internal collaborations that extended Toomp's signature sound. In a pivotal move, Toomp and Parks secured a publishing deal with Island Def Jam under chairman Antonio "L.A." Reid, enabling wider release of NZone's output and helping maintain momentum in trap production amid the post-2006 peak of artists like T.I. and Young Jeezy. The label's mid-2000s operations centered on studio-based mentorship and productions from its southwest facility, where Toomp oversaw projects that reinforced trap's gritty, orchestral style without relying solely on external placements. For instance, NZone contributed to tracks like Young Jeezy's "I Luv It" from his 2006 album The Inspiration, which debuted at on the , showcasing the company's role in artist development and hit-making. By prioritizing Southern voices and strategic deals, NZone positioned Toomp as a label executive, influencing the evolution of 's ecosystem through controlled, high-impact releases.

Recent Projects and Influence

In the 2010s, DJ Toomp continued his production work with Atlanta-based artists, notably contributing the beat for 's "Got Your Back" featuring , released in 2010 as part of T.I.'s album No Mercy, which highlighted his signature -infused sound with heavy bass and rhythmic drive. He maintained sporadic credits on tracks for local talents, solidifying his role in the evolving scene amid the decade's shift toward more atmospheric trap elements. Entering the 2020s, Toomp has remained active through his label NZone Entertainment, collaborating on high-profile projects such as contributions to ' anticipated new album, as discussed in a 2025 where he detailed ongoing sessions. His enduring presence in the industry earned recognition from the Recording Academy's Producers & Engineers Wing. Toomp's influence on modern and is profound, particularly through his pioneering use of bass patterns and gritty drum programming, which laid foundational elements for the genre's global spread and were later adopted by artists like in shaping Atlanta's signature sound. As a two-time Grammy winner—for Best Rap Solo Performance on T.I.'s "What You Know" (2007) and Best Rap Song on Kanye West's "Good Life" (2008)—his methods have inspired widespread emulation in bass-heavy production styles. He has also mentored emerging producers, sharing insights on beat-making and industry navigation to foster the next generation of talent. In recent years, Toomp has engaged publicly on the music business, including a April 2025 interview addressing unspoken challenges like artist-producer dynamics and financial inequities in . His community involvement was honored with the 2022 Black Excellence Icon Award from officials, recognizing his career achievements and dedication to uplifting Black creators in the city's music ecosystem.

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