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Def Squad

Def Squad is an hip hop supergroup formed in the late , consisting primarily of , Redman, and , with occasional contributions from affiliates like and . The group emerged following the 1993 disbandment of 's crew, amid tensions between EPMD members and PMD, allowing Sermon to assemble Def Squad as a new collaborative vehicle for his production and rapping talents alongside his protégé artists. Signed to , Def Squad released their sole studio album, El Niño, on June 30, 1998, which was entirely produced by Sermon and featured hits like "Full Cooperation" and "." The album showcased the group's energetic East Coast style, blending hardcore rap with funk-infused beats, and debuted and peaked at number 2 on the while earning gold certification. Though they did not release further full-length projects as a unit, Def Squad members continued individual successes and occasional reunions, maintaining influence in hip hop through tours and features into the 2020s.

Background and Formation

Early Collaborations

The early collaborations among , Redman, and emerged in the early 1990s through their shared affiliations with , where served as a key producer and mentor figure. In 1992, co-produced the majority of tracks on Redman's debut album , including the energetic singles "Time 4 Sum Aksion" and "Tonight's da Night," which highlighted Sermon's signature funky, sample-heavy beats and Redman's raw lyrical delivery. These sessions not only launched Redman's solo career but also demonstrated the creative synergy between the two artists, with providing beats under his EAR Productions imprint alongside Redman's input as Reggie Noble. By 1993, the circle expanded when Keith Murray debuted on Sermon's solo album No Pressure, contributing verses to tracks like "Hostile" (featuring Jeffrey Stewart) and "Swing It Over Here" (also with Redman), introducing Murray's distinctive multisyllabic rhyme style to a wider audience. Sermon handled production on these cuts, blending hard-hitting drums with melodic samples to complement the rappers' interplay. This marked Murray's entry into the fold, fostering a loose collective dynamic rooted in Def Jam's roster. The interconnections continued in with Redman's guest appearance on Keith Murray's debut The Most Beautifullest Thing in This World, specifically on "How's That," where he joined Murray and Sermon for a posse-cut verse over Sermon's production. These cross-features exemplified their mutual support on solo projects, building momentum through shared performances and studio work at Def Jam. These joint efforts informally established the "Def Squad" moniker by –, reflecting their tight-knit crew status amid Def Jam's ecosystem, as noted in hip-hop media coverage of the era. In , Sermon further advanced this identity with Def Squad-branded material, including freestyles and promotional samplers featuring Redman and Murray, such as sessions with DJ that captured their live chemistry.

Official Formation

The Def Squad was officially announced as a supergroup in 1998 under , marking the formalization of collaborations among , Redman, and into a dedicated recording entity. Building on informal features from the mid-1990s, the group solidified its lineup following the dissolution of EPMD's collective in 1993, with Sermon emerging as the leader and primary producer responsible for shaping their sound. The name "Def Squad" originated from Sermon's longstanding production crew, which had supported various artists and evolved from a behind-the-scenes unit into a frontline rap group by incorporating Redman's energetic style and 's intricate . This transition positioned Def Squad as a supergroup uniting Sermon's legacy with the solo successes of Redman and Murray, emphasizing East Coast hip-hop's collaborative spirit. Recording sessions for their debut album El Niño commenced in 1997, primarily at Mirror Image Recordings in , where Sermon handled production and the trio laid down tracks with contributions from guest artists including and . Def Jam's 1998 signing amplified the group's visibility, with promotional efforts centered on singles like "Full Cooperation" to showcase their chemistry ahead of the album release. A key teaser came via their 1997 remake of The Sugarhill Gang's "," recorded for ' compilation In the Beginning... There Was Rap and rebranded as "Def Squad Delite," which highlighted the trio's playful reinterpretation and built anticipation for their full project.

Members

Erick Sermon

was born on November 25, 1968, in Bay Shore, , . He co-founded the hip-hop duo in 1987 alongside Parrish Smith, with the group gaining prominence through their debut album Strictly Business (1988), which featured the hit single "You Gots to Chill." 's sound, characterized by Sermon's innovative sampling of and records, established a blueprint for laid-back, bass-heavy East Coast rap during the late 1980s and early 1990s. Sermon launched his solo career in 1993 with the album No Pressure, released on , where he handled nearly all production duties. The project showcased his signature style of incorporating dense samples, drawing from artists like Zapp and Sly & to create groovy, sample-driven beats that emphasized rhythmic grooves over aggressive tempos. Tracks like "Stay Real" highlighted this approach, blending infectious basslines with Sermon's relaxed flow, solidifying his reputation as a adept at crafting party-ready anthems. As the foundational member of Def Squad, Sermon served as the primary , began collaborating with future Def Squad members in 1993 following the initial breakup of and the dissolution of their earlier , with the group officially forming in the late 1990s. He integrated Def Squad elements into his solo work, such as featuring future group members on No Pressure cuts like "Hostile" with Keith Murray, laying the groundwork for the group's collaborative dynamic. Sermon's production vision—rooted in interpolation and synergy—defined the Def Squad's sonic identity, emphasizing unity and high-energy tracks. The 1997 reunion of for their album Back in Business reinvigorated Sermon's leadership within Def Squad, allowing him to balance duo commitments with group projects and further refine his role as the architect of their sound. This period marked a peak in his influence, as he bridged his legacy with Def Squad's emerging output.

Redman

Reginald Noble, better known by his stage name Redman, was born on April 17, 1970, in . Growing up in a challenging urban environment, he developed an early interest in , initially working as a DJ for local acts like . In 1990, Redman was discovered by at an concert in , where he impressed the crowd with an impromptu freestyle performance that caught Sermon's attention. This encounter led to Redman signing with , marking the start of his professional music career. Redman's solo debut, , arrived in 1992 via Def Jam and quickly established him as a standout talent in East Coast rap. The album peaked at number 49 on the chart and earned gold certification from the RIAA in June 1993, driven by singles like "Tonight's da Night," which highlighted his signature humorous, high-energy delivery filled with irreverent wordplay and animated flows. Produced largely by , the project captured Redman's roots through gritty, funk-infused beats and boastful, comedic lyrics that set him apart from more serious contemporaries. His pre-Def Squad collaborations included features on EPMD's 1990 album Business as Usual, where he delivered energetic verses on tracks "" and "Brothers on My Jock," showcasing his raw potential and helping to build buzz ahead of his solo breakthrough. Within Def Squad, Redman brought his dynamic, hype-driven energy and comic relief to the group's chemistry, balancing Erick Sermon's production focus and Keith Murray's technical precision with playful, over-the-top verses that energized tracks. He was prominently featured on the 1998 album El Niño, contributing to songs like "Full Cooperation," where his boisterous style amplified the collective's hard-hitting vibe. Redman's role emphasized his ability to inject fun and bravado into collaborations, making him a key for the crew. Paralleling his musical persona, Redman began venturing into and multimedia projects in the late 1990s, including appearances in hip-hop documentaries and TV spots that leveraged his charismatic, humorous on-screen presence to extend his Def Squad-influenced image beyond music.

Keith Murray

Keith Murray, born Keith Omar Murray on May 29, 1974, in , emerged as a prominent East Coast rapper known for his rapid-fire delivery and intricate wordplay. Discovered by , he signed to in 1994, marking the start of his solo career under the label's guidance. His debut album, The Most Beautifullest Thing in This World, released on November 8, 1994, peaked at number 34 on the chart. The project highlighted his technical prowess, with the single "Get Lifted"—produced by —standing out for its energetic flow and distinctive spoken intro that sets a gritty tone. Within Def Squad, alongside and Redman, Murray contributed his precise, fast-paced lyricism, bringing layers of complex rhymes to the group's dynamic. He played a key role on tracks like "Full Cooperation" from their 1998 album El Niño, where his verses showcased elaborate amid the collective's hard-hitting East Coast sound. Murray's sophomore effort, , arrived on November 26, 1996, via , further emphasizing his evolving rapid delivery and conceptual depth in storytelling. However, the late 1990s brought significant hurdles, including legal troubles; in January 1997, he received a of five years (with three years to serve) for second-degree assault stemming from a 1995 nightclub brawl in , but the incarceration was postponed pending appeal. He later fled authorities and served approximately 30 months after turning himself in 1998, before being released in 2001. Early features bolstered his profile, such as his verse on the 1995 Bad Boy remix of Total's "Can't You See," which blended his sharp lyricism with R&B elements for broader appeal. He also shared brief joint tracks with Redman during initial collaborations.

Affiliates

The group occasionally featured contributions from affiliates such as Jamal and Hurricane G.

Career

El Niño Album

El Niño is the sole studio album by the American hip-hop group Def Squad, released on June 30, 1998, through . The project debuted at number two on the chart and topped the Top R&B/Hip-Hop Albums chart, moving 153,000 units in its first week. It was certified gold by the RIAA on July 29, 1998, for shipments exceeding 500,000 copies. The album's production was led primarily by group member , who handled most tracks, with additional contributions from Redman; the sound drew heavily on funk and samples to create a laid-back, East Coast boom-bap aesthetic. Spanning 16 tracks with a total runtime of 51 minutes, El Niño featured guest appearances from artists including on the remake " (Def Squad Delight)," on "And It Don't Stop," and on "Countdown." Key tracks highlighted the group's interplay, such as the lead single "Full Cooperation" featuring , which peaked at number 51 on the chart, alongside standouts like "Playa" and "Check N' Me Out." Critically, El Niño received praise for the evident chemistry among Redman, , and , as well as Sermon's solid production, which evoked classic vibes without overcomplicating the arrangements. However, reviewers noted a lack of bold innovation, with some tracks feeling like filler amid skits and familiar formulas, preventing it from standing out in the crowded 1998 landscape despite high anticipation for the supergroup.

Post-Def Squad Activities

Following the release of El Niño in , Def Squad did not produce a second group , as its members shifted focus to their individual careers amid label changes and personal projects. Erick departed in 2000 to join , further prioritizing his independent production and endeavors. Key collaborations emerged in the early 2000s, including Redman and Keith Murray's appearances on Sermon's 2000 Def Squad Presents Erick Onasis, where they joined him on the track "." Sermon also handled production duties for several songs on Redman's 2001 Malpractice, with Murray featuring on "Wrong 4 Dat." The group maintained informal ties through features on solo releases, such as Redman's guest spot on Sermon's 2004 album Chilltown, New York, particularly the track "Street Hop." Individual pursuits dominated this period: Sermon continued his production work for other artists, with ongoing collaborations including 's Blackout! (1999). Redman expanded into film, co-starring with in the 2001 stoner comedy . Murray pursued independent releases, such as Rap-Murr-Phobia (2007) and Puff Puff Pass (2008), distributed through smaller labels. As of 2025, Def Squad has not released a new group album but sustains its legacy through sporadic reunions and live performances, including a joint appearance by , Redman, and at the 2023 BET Awards, where they performed selections from their catalog. Recent activities include Sermon's 2025 album Dynamic Duos Vol. 1 featuring Redman and new collaborative singles involving the group. Enduring member collaborations persist, though no formal group projects have materialized since El Niño.

Musical Style and Influences

Production Techniques

Erick Sermon's production for Def Squad exemplified his signature style, characterized by heavy reliance on funk breaks and samples from classic soul and funk records, paired with boom-bap drum patterns and prominent, layered basslines that defined the group's sound on their 1998 album El Niño. Tracks like "Check N' Me Out" drew from The Undisputed Truth's "Space Machine" for its groovy, psychedelic funk elements, while "Countdown" featuring PMD and Jamal incorporated Labi Siffre's "I Got The..." to create a laid-back yet driving rhythm, often enhanced by chunky bass loops and clomping snares typical of late-1990s East Coast hip-hop. The group's overall sonic identity emphasized sparse, lyrical-focused beats that allowed the layered vocals of , Redman, and to take center stage, augmented by DJ scratches and energetic ad-libs for added dynamism and texture. For instance, "Full Cooperation" sampled Person's on "Pretty Please," flipped into a gritty backdrop that highlighted the rappers' interplay without overwhelming the mix. This approach blended old-school sampling aesthetics with East Coast grit, as seen in the group's later cover "Def Squad Delight," a remake of The Sugarhill Gang's "" that preserved the original's party vibe through updated sample flips and vocal harmonies. Sermon's process involved the series samplers, such as the MPC 3000, for chopping and sequencing samples during collaborative studio sessions in , where the trio often built tracks organically around shared ideas. He credited Def Jam employee Carolyn Robbins for sourcing rare records from her extensive collection, which were then digitized onto DAT tapes for integration into beats, as detailed in the El Niño . Post-El Niño, these elements persisted in Sermon's solo productions and the members' individual works, maintaining funk-infused boom-bap foundations and bass-heavy arrangements in projects like his 2001 album Chilltown, NY, where similar sample flips and sparse drum programming echoed the squad's collaborative energy. These production elements continued in group performances, such as their 2023 appearance and a 2025 single featuring , preserving the original sound.

Lyrical Themes and Influences

Def Squad's lyrics frequently explore themes of street life, partying, bravado, and humor, reflecting the raw energy of . Tracks like "Full Cooperation" exemplify bravado through competitive boasts, where members assert their lyrical superiority and squad unity, with lines emphasizing dominance over rivals and personal triumphs in urban environments. Partying motifs appear in songs such as "Def Squad Delite," a playful homage that celebrates rhythmic enjoyment and carefree vibes, while humor infuses the content via witty pop references and exaggerated self-aggrandizement, often lightening the intensity of street-oriented narratives. These elements combine to create a balance of aggression and levity, capturing the group's camaraderie amid everyday hustle. Individual member contributions shaped these themes distinctly within the . Erick Sermon's verses often carry motivational undertones, urging and forward momentum, drawing from his experience in structured . Redman injects comedic skits and punchlines, using absurd imagery and rapid-fire delivery to add levity, as seen in his humorous takes on bravado that poke fun at rap stereotypes. brings abstract metaphors and intricate wordplay, infusing street life depictions with poetic flair and rage-filled intensity, enhancing the group's layered lyrical approach. This division of styles allowed Def Squad to blend personal flair with cohesive narratives. The group's lyrical influences stem from pioneers, including EPMD's funk-infused lyricism—Sermon's former outfit—and East Coast contemporaries like , whose clan structure inspired supergroup unity. Public Enemy's socially charged bravado echoes in their assertive flows, while nods to classics like the Sugarhill Gang's "Rapper's Delight" in "Def Squad Delite" highlight reverence for hip-hop's foundational partying anthems. elements from indirectly influence the rhythmic, groove-oriented phrasing in their bars, prioritizing infectious energy over dense political commentary. These inspirations grounded Def Squad's work in a lineage of innovative, sample-heavy East Coast rap. In the cultural context of , Def Squad's themes embodied the era's shift toward supergroups, fostering unity and collaboration amid rising solo artist rivalries and label pressures. Their emphasis on and shared bravado countered the fragmentation seen in other crews. Post-group activities saw these motifs persist in collaborative features and solo projects, with minimal adaptation to trap influences; instead, the core blend of humor, street realism, and party anthems endured, maintaining relevance in underground circuits. This endurance was evident in their 2023 BET Awards and a 2025 collaborative single.

Discography

Studio Albums

Def Squad's sole studio album is El Niño, released on June 30, 1998, by . The project features 16 tracks, including intros, skits, and collaborations with artists such as , PMD, and , blending with funk-infused beats. served as the primary producer for nearly all songs, drawing from his signature sound rooted in East Coast rap traditions. El Niño debuted at number 2 on the US chart and reached number 1 on the Top R&B/ Albums chart. The album was certified by the RIAA for shipments exceeding 500,000 units, reflecting its commercial success in the late hip-hop landscape. Overall, it has sold more than 500,000 copies in the United States. No further studio albums were released by Def Squad, as the group's members—, Redman, and —prioritized their individual solo endeavors, each achieving notable success with personal projects throughout the and beyond.

Singles

Def Squad's singles primarily emerged from their 1998 album El Niño, with earlier and later releases serving promotional or foundational purposes. The group's output as a unit was limited, focusing on high-energy tracks that showcased their collaborative chemistry, often backed by Erick Sermon's production. These singles received radio on urban contemporary stations and MTV's hip-hop programming, contributing to the album's commercial momentum despite modest chart peaks. The lead single "Full Cooperation," released on June 2, 1998, via Def Jam Recordings, featured the core trio delivering rapid-fire verses over a funky, bass-driven beat produced by Erick Sermon. It served as a promotional anchor for El Niño, emphasizing group unity with lines like "full cooperation, no hesitation." The single included remixes, clean edits, instrumentals, and a cappella versions on its 12-inch vinyl and CD formats, aiding club and radio spins. It peaked at number 51 on the Billboard Hot R&B/Hip-Hop Songs chart, reflecting solid genre reception but limited crossover appeal. Following as the second single, "Rapper's Delight" (also known as "Def Squad Delite"), released in 1997, was a bold remake of the Sugarhill Gang's 1979 classic, updating the party anthem with the group's gritty East Coast flair. Erick Sermon handled production, interpolating the original's bassline while incorporating modern scratches and ad-libs. The track peaked at number 22 on the Billboard Hot R&B/Hip-Hop Songs chart; it did not chart on the Hot 100 but reached number 51 on the Hot 100 Airplay chart, bolstered by a music video directed by Steve Carr that depicted the trio in energetic, comedic scenarios mimicking the original's lounge vibe. It received heavy rotation on BET and urban radio, positioning Def Squad as nostalgic yet innovative. The single's formats included B-sides like "And It Don't Stop" and remixes, enhancing its replay value. Prior to El Niño, the group was introduced through the non-charting track "Open Fire" on Erick Sermon's 1995 solo album , featuring verses from Redman and that outlined their collective dynamic. Though not released as a standalone , it functioned as a foundational promo piece, building anticipation via album cuts and live performances. No formal B-sides or remixes were issued for it at the time. In the post-El Niño era, Def Squad issued two promotional singles in 2000 under the Def Squad imprint. "Focus," featuring and , was a collaboration-heavy track with influences, released as a promo CD and vinyl ; it did not chart but garnered DJ support through its instrumental and radio edits. Similarly, "Why Not," crediting and , appeared on promo formats with clean and explicit versions, promoting Sermon's work while nodding to the group's —no chart performance was recorded. These releases, totaling four key singles overall, highlighted Def Squad's sporadic but impactful discographic footprint, with remixes and B-sides like instrumentals appearing across formats to extend playability.

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