Digga D
Rhys Angelo Emile Herbert (born 29 June 2000), known professionally as Digga D, is a British rapper from Ladbroke Grove, West London, who rose to prominence in the UK drill music scene as a member of the collective CGM (formerly 1011).[1][2] Digga D gained initial attention in 2017 through viral tracks and videos that exemplified UK drill's raw, street-oriented style, leading to his debut mixtape Double Tap Diaries in 2019, which peaked at number 11 on the UK Albums Chart.[1] His career advanced with subsequent releases, including the 2022 mixtape Noughty by Nature, which secured his first number-one album and marked him as the first UK solo artist born in the 21st century to achieve that feat on the Official Charts.[3][4] Singles such as "Wasted" and "No Diet" further boosted his profile, amassing millions of streams and underscoring drill's commercial viability despite platform restrictions on content deemed to incite violence.[5][6] His trajectory has been punctuated by repeated legal entanglements tied to gang-related activities and drug offenses, including a 2018 prison sentence of one year for conspiracy to commit violent disorder, stemming from evidence like music videos used in court.[6] In the same year, he received a Criminal Behaviour Order requiring police approval for lyrics and visuals to prevent promotion of crime, a measure critics argue stifles artistic expression while supporters link drill to real-world violence in London.[7] More recently, in January 2025, he was sentenced to three years and 11 months for supplying approximately 45 kg of cannabis, caught via an Instagram livestream, though reports indicate his release by early October 2025.[8][9] These incidents highlight the causal interplay between his music's themes of street life and personal involvement in prohibited conduct, fueling debates over drill's societal impact.[10]Early life
Upbringing and family background
Rhys Angelo Emile Herbert, known professionally as Digga D, was born on 29 June 2000 in West London to a Barbadian father and Jamaican mother.[2][11] He grew up primarily in Ladbroke Grove, within earshot of the annual Notting Hill Carnival, in a household shaped by Caribbean cultural influences.[12][2] His family environment exposed him early to music, with his father, an amateur DJ, playing reggae and soul records, while his mother favored dancehall and R&B slow jams such as those by Jagged Edge.[12] Raised in what Herbert described as a Jamaican household, he attended Sunday school as a child and participated in family traditions like dancing to reggae, which were captured on videos recorded on his father's Motorola phone.[12][2] Older cousins introduced him to rap, expanding his interests beyond Caribbean sounds to include U.S. hip-hop acts like G-Unit.[12][2] Herbert's upbringing involved multiple relocations across West London, moving from Paddington to Harrow Road and South Kilburn before settling in Ladbroke Grove, amid a context of socioeconomic challenges common to the area.[13] These shifts contributed to an unstable early environment, though specific family dynamics beyond parental musical influences remain limited in public accounts.[13] By age 11 or 12, he began writing raps at a local youth center, marking an early pivot toward creative expression.[14][2]Entry into street life and initial criminal activity
Rhys Herbert, known professionally as Digga D, grew up in the West London areas of Kensal Green, Ladbroke Grove, and Harrow Road, attending the Harrow Club youth facility from around age 12 for football and music activities.[15][16] Following the death of his grandmother, with whom he had lived, Herbert was expelled from school at approximately age 14 for selling cannabis, marking his initial foray into illicit drug activity.[15][16] This incident, corroborated by an earlier arrest at school during Year 8 (ages 13–14) for possessing cannabis, led to his ejection from education and subsequent encounters with police, ushering him into a pattern of street involvement centered on drug possession and sales.[14] By age 15, around 2015, Herbert aligned with the 1011 collective—a group of local peers from the Ladbroke Grove area linked to postcode-based rivalries in the W10 and W11 zones—transitioning from peripheral youth activities to deeper gang affiliations that emphasized territorial disputes and violence.[7][14] Initial criminal engagements within this context involved low-level drug distribution, but escalated to preparations for confrontations with opposing groups, reflecting the causal pull of local drill culture and postcode wars on impressionable youth.[16] Herbert's first significant brush with organized violence occurred at age 17 in 2017, when he and 1011 associates were apprehended carrying machetes, knives, and baseball bats, ostensibly en route to assault rivals; this resulted in a 2018 conviction for conspiracy to commit violent disorder, yielding a one-year prison sentence.[7][15] These early activities, rooted in personal loss, educational disruption, and peer-group dynamics in high-crime postcodes, established a trajectory of recidivism predating his musical prominence.[14][16]Musical career
Formation of 1011 and CGM (2015–2017)
In 2015, Rhys Herbert, known professionally as Digga D, formed the UK drill rap group 1011 with friends from a local youth club in Ladbroke Grove, West London.[17][18] The group derived its name from the adjacent W10 and W11 postal codes of the area, reflecting their neighborhood origins.[7] Initially, activities centered on informal freestyling sessions in the youth club environment, where members experimented with drill beats and lyrics drawn from street experiences.[17] By 2017, 1011 gained visibility through online releases and freestyles, marking a shift from casual sessions to structured group output. In November 2017, the collective appeared on LinkUpTV's "Next Up?" series, where Digga D delivered a prominent verse showcasing rapid flows and references to local rivalries, contributing to early buzz in the UK drill scene.[15][7] That year, they also released the single "Play for the Pagans" as 1011, which drew attention for its provocative content amid growing scrutiny of drill music's links to violence.[18] These efforts laid the groundwork for the group's evolution into CGM, a rebranding that occurred following legal challenges in late 2017 and 2018, though the core membership and Ladbroke Grove base remained consistent during the 2015–2017 period.[17] 1011's formation and initial releases positioned Digga D as a key figure in propagating drill's raw, postcode-specific narratives, distinct from mainstream hip-hop trends.[15]Breakthrough with Double Tap Diaries and Made in the Pyrex (2017–2021)
Digga D's prominence in the UK drill scene escalated following his contributions to CGM's early output, with a pivotal 2017 freestyle for Mixtape Madness' "Next Up" series earning industry recognition and later certification as silver by the British Phonographic Industry.[19] Building on viral tracks from 2018, such as those addressing street experiences, he released the single "No Diet" on April 18, 2019, which amassed over one million YouTube views within four days and peaked at number 20 on the UK Singles Chart.[20][21] His debut commercial mixtape, Double Tap Diaries, followed on May 17, 2019, comprising 14 tracks produced primarily by Ghosty and others, and debuted at number 11 on the UK Albums Chart—the highest position achieved by a debut solo UK drill album at that time.[22][1][23] The project featured raw depictions of Ladbroke Grove life, contributing to Digga D's growing fanbase through streaming platforms and social media, despite concurrent legal restrictions on his lyrical content under a Criminal Behaviour Order.[22] After a 15-month prison sentence disrupted momentum, Digga D reemerged with "Woi" on July 2, 2020, a track produced by M1OnTheBeat that interpolated drill tropes and exceeded 10 million streams on Spotify within months, signaling sustained demand.[24][25] This led to Made in the Pyrex, his second commercial mixtape released on February 26, 2021, via CGM, which included 13 tracks blending UK and Chicago drill influences and debuted at number 3 on the UK Albums Chart.[26][27][28] The mixtape's commercial peak reflected expanded production collaborations and international sonic elements, as noted in contemporary reviews, while reinforcing Digga D's role in elevating drill's mainstream viability amid genre-wide scrutiny.[29]Noughty by Nature, Back to Square One, and post-release activity (2021–present)
In April 2022, Digga D released his third mixtape, Noughty by Nature, consisting of 16 tracks including "Intro," "Alter Ego," and "Load Up."[30][31] The project was distributed via platforms such as Spotify and Bandcamp, with an extended edition expanding to 23 songs later that year.[32][33] Digga D followed this with his fourth mixtape, Back to Square One, on August 25, 2023, featuring 15 tracks such as "Fighting For My Soul," "Me & Kinz," and "Soft Life."[34][35] The release was available on streaming services including Spotify and Apple Music, with a "Bluuwuu Edition" variant also issued.[36] After serving a sentence of three years and 11 months for cannabis importation and supply—imposed in January 2025—Digga D was released from prison in early October 2025.[37] Upon release, he announced his return via social media, teasing new music including a track titled "Don't Piss Me Off."[38] As of October 2025, no further full projects had been released, though promotional activity signaled ongoing artistic output.[39]Artistry
Musical style and influences
Digga D's music is rooted in UK drill, a subgenre of hip-hop characterized by eerie piano melodies layered over droning bass lines, dark instrumentals, and tresillo hi-hat patterns that create a raw, energetic sound distinct from its Chicago origins.[6] Unlike the faster tempos of grime, UK drill employs slower beats and flows, allowing for punchy, deliberate cadences that emphasize lyrical delivery over rapid-fire delivery.[40] His flow is often described as nimble yet forceful, investing violent or street narratives with dramatic intensity while adapting to the genre's ominous production style borrowed from Chicago pioneers like Chief Keef.[41][16] Influences on Digga D stem from his West London upbringing amid the British Caribbean community, incorporating elements of dancehall, bashment, and rap absorbed from family and local environments.[42] He draws heavily from Jamaican dancehall artist Vybz Kartel, evident in tracks like "Never Fear" from 2019 and an unreleased five-track dancehall EP, reflecting a shift toward Jamaican-inspired sounds comprising about 85% of his current listening habits.[2][43] Additionally, American rapper 50 Cent serves as a major influence, with Digga D sampling his work to homage the "GOAT" whose entrepreneurial mindset extends beyond music into business acumen.[15] UK drill's evolution under Digga D's contributions includes refined production and cadences tailored to British street aesthetics, distinguishing it from early Chicago iterations.[44]Lyrical themes: Realism versus glorification of violence
Digga D's lyrics frequently depict the violence endemic to his upbringing in Camden's gang culture, drawing directly from personal encounters with street conflicts, drug dealing, and incarceration to convey the unvarnished realities of that environment rather than idealized portrayals.[16] In a 2023 interview, he explained, “We’re just talking about our lives. There might be some violence in there. But that’s what we grew up on,” positioning his content as autobiographical reflection amid socio-economic deprivation.[16] This approach aligns with UK drill's broader convention of chronicling "harsh realism" in marginalized communities, where references to "cheffings" (stabblings), "shanks" (knives), and rival "opps" (opponents) serve as narrative devices rooted in observed events.[41] However, interpretations diverge on whether these depictions constitute glorification or deterrence. Authorities, citing lyrics as evidence in his 2018 conviction for conspiracy to commit violent disorder, imposed a Criminal Behaviour Order requiring pre-release lyric submissions to police until 2025, viewing them as endorsements of gang activity that could incite real-world harm.[7] Digga D contests this as "unfair and manipulative," arguing it stifles artistic expression without addressing underlying causes like poverty, and compares drill unfavorably to unrestricted violent content in rock music or video games such as Grand Theft Auto.[16] [7] In Noughty By Nature (2022), the track "Alter Ego" exemplifies the tension by alternating between his reformed rapper identity and persistent "trap boy" immersion in gang life, with the album intro explicitly blending "facts" and "cap" (exaggeration) to underscore experiential authenticity over pure fabrication.[41] Post-2022 imprisonment for drug trafficking, his themes shifted toward cautionary realism, emphasizing violence's toll to dissuade emulation. On Back to Square One (2023), "Ending" traces behavioral roots to childhood adversity—"This is the reason I’m like this"—while portraying prison as "super dead," a deliberate counter to perceived glamorization: “If you are going to do this, then you need to know what comes with the consequences.”[7] Tracks like "Fuck Drill" signal stylistic evolution away from raw aggression, prioritizing maturity and relational introspection, yet retain street-derived motifs to maintain credibility with audiences familiar with those realities.[7] This progression reflects a self-aware pivot, informed by legal scrutiny and personal growth, without fully abandoning the gritty narratives that propelled his breakthrough mixtapes like Made in the Pyrex (2021), where violence served as factual reportage from prior offenses.[16] The ongoing debate—whether lyrics causally amplify cycles of violence or merely document them—lacks empirical consensus, with Digga D attributing scrutiny to institutional bias against urban youth expression rather than proven incitement.[7][16]Criminal history
Criminal Behaviour Order and early convictions (2017–2018)
In November 2017, Rhys Herbert, known professionally as Digga D, then aged 17, and other members of his rap group 1011 were arrested in west London while in possession of machetes and baseball bats, having travelled to Ladbroke Grove with intent to attack rivals from a opposing gang.[45] The Metropolitan Police classified 1011 as a criminal gang, and prosecutors presented evidence including the group's drill music videos, which depicted and arguably glorified violence, to demonstrate premeditation for the affray.[6] Herbert and his associates were charged with conspiracy to commit violent disorder.[7] On 11 June 2018, following conviction at Isleworth Crown Court, Herbert was sentenced to 12 months' detention, served in a young offenders' institution due to his age.[45] Four other 1011 members received similar custodial terms ranging from 12 to 18 months.[45] The judge highlighted the role of the group's lyrics in evidencing gang affiliation and intent, marking an early instance of UK courts linking drill music content directly to real-world criminal planning.[6] Concurrently with the sentencing, Herbert became one of the first UK drill artists subjected to a Criminal Behaviour Order (CBO), a civil injunction akin to an updated antisocial behaviour order, imposed indefinitely to prevent further offending.[7] The CBO prohibited him from associating with known 1011 members or rivals, possessing weapons, and producing or performing music that referenced violence, death, or gang activity without prior police vetting; lyrics and videos required submission to the Metropolitan Police within 24 hours of release for approval, with breaches punishable by up to five years' imprisonment.[46] This order, believed to be the inaugural application against drill performers, aimed to curb the perceived causal link between such music and youth violence, though Herbert later described it as manipulative censorship targeting his artistic expression rather than addressing root societal causes.[47]2020 arrest and incitement charges
In March 2020, Digga D (real name Rhys Herbert) pleaded guilty at Isleworth Crown Court to conspiracy to commit violent disorder and multiple breaches of his Criminal Behaviour Order (CBO), stemming from prior gang-related activities and violations of restrictions on associating with known criminals and promoting violence through music or social media.[48] He was sentenced to two and a half years' detention but, accounting for time served on remand, was released from HMP Wandsworth in May 2020.[49][48] In July 2020, shortly after his release, Digga D was arrested and recalled to prison for breaching the terms of his CBO, which prohibited him from producing or disseminating material deemed to incite or encourage violence, including references to gang rivalries or specific incidents.[49][50] The breach involved attending a Black Lives Matter protest in central London and subsequently posting an Instagram photo of himself holding a sign with a raised Black Power fist, accompanied by a caption that police and probation services interpreted as potentially inflammatory in the context of his affiliations with the Harrow Road Boys gang and ongoing feuds.[49] Rival gang members publicly accused the post of signaling intent to incite retaliation, prompting swift enforcement action under his license conditions.[49] The CBO, first imposed in 2018 as part of efforts by the Metropolitan Police's Operation Trident and violence suppression units to curb drill music's perceived role in gang escalations, required Digga D to submit all lyrics, videos, and social media content for pre-approval by authorities to ensure they did not glorify violence or taunt victims.[50] This July incident marked him as the first UK musician subjected to such granular artistic censorship via CBO, with police collaborating with platforms like Instagram to monitor and remove flagged content in real time.[50] He was not charged with a standalone offense of incitement under the Serious Crime Act 2007 but faced immediate recall, underscoring the order's punitive mechanism for perceived risks rather than proven acts.[51]Drug trafficking arrests and imprisonment (2022–2025)
Rhys Herbert, known professionally as Digga D, engaged in the supply of cannabis from 26 October 2022 to 21 February 2024, as well as its importation on 11 July 2023.[52] On 21 February 2024, he was arrested at his property near Lincoln during an Instagram Live broadcast, where police raided the location in real time.[8] [52] Herbert pleaded guilty in May 2024 at Lincoln Crown Court to two counts: supplying cannabis over the specified period and importing it on the July date.[52] He denied allegations of commercially selling up to 60 kg of the drug, but following a Newton Hearing in December 2024, the judge determined that 45 kg (99 lbs) were involved and that Herbert played a significant role, motivated by expected financial gain.[8] On 31 January 2025, Herbert was sentenced via video link from HMP Wormwood Scrubs to three years and 11 months' imprisonment for the importation and supply offenses.[8] His defense counsel, James Scobie KC, argued that the sentence would effectively pause his music career for a year, emphasizing Herbert's contributions to society and lack of public danger, though the judge highlighted his prior six convictions across 13 offenses, including a 30-month youth detention term in March 2020.[8] Lincolnshire Police described the evidence against him as "irrefutable."[8] In September 2025, Herbert faced a proceeds-of-crime hearing to assess profits from the cannabis sales.[53] He was released from prison on 6 October 2025 after serving the effective portion of his sentence.[54]Cultural impact and reception
Role in UK drill scene and influence on youth
Digga D, born Rhys Herbert, rose to prominence in the UK drill scene in the late 2010s as one of its leading exponents, characterized by his choppy flow and unfiltered depictions of street life over sparse, menacing beats.[15] His breakout came via a featured verse on 1011's "Next Up" freestyle, which showcased the genre's raw energy and helped establish UK drill as a distinct evolution from Chicago origins, emphasizing London-specific gang rivalries and urban grit.[15] As a torchbearer for the scene, Digga D's independent releases and viral tracks propelled drill's mainstream traction, with his catalog amassing over 1.7 billion Spotify streams by 2023 and influencing a wave of imitators in the UK and beyond.[55][56] Digga D's music has exerted significant influence on British youth, particularly in deprived inner-city communities, where drill serves as both a cultural outlet and a mirror to experiences of poverty, exclusion, and interpersonal violence.[42] With 1.7 million monthly Spotify listeners as of recent data, his work resonates with teenagers drawn to its authenticity, fostering a subculture of freestyles, diss tracks, and social media challenges that dominate platforms like YouTube and TikTok among under-25 demographics.[57] However, this appeal has sparked concerns over glorification of crime; police and courts have cited his videos in violent disorder cases, imposing Criminal Behaviour Orders in 2018 and 2020 that banned references to rivals or weapons, reflecting perceptions of drill's role in escalating youth feuds.[6] Empirical assessments of drill's causal impact on youth violence, including Digga D's contributions, remain limited and debated, with some reports linking 23% of examined serious youth violence cases to drill content but lacking robust controls for confounding socioeconomic factors.[58] Proponents of criminalization argue it incentivizes real-world retaliation, as seen in injunctions against artists like Digga D, while defenders contend it documents trauma rather than originates it, potentially offering an escape or deterrent through exposure to consequences like imprisonment.[59][60] Overall, Digga D's prominence underscores drill's dual role in empowering youth expression amid systemic failures while inviting scrutiny for correlating with spikes in knife crime among listeners aged 10-19 in high-risk boroughs.[7]Debates on censorship, personal responsibility, and societal consequences
Digga D's music has sparked debates over censorship, particularly through Criminal Behaviour Orders (CBOs) imposed by UK courts, which restrict references to violence, gang affiliations, or specific locations in his lyrics to prevent alleged incitement. In 2018, following convictions for conspiracy to commit grievous bodily harm and possession of an offensive weapon, Digga D received a CBO requiring him to submit lyrics to police within 24 hours of any release for review, with violations potentially leading to further imprisonment; this stemmed from prosecutors arguing his tracks, such as those glorifying stabbings and shootings, directly encouraged real-world offenses.[6][61] Supporters of such measures, including Metropolitan Police officials, contend they are evidence-based responses to drill's correlation with rising knife crime in London, where lyrics have been admitted as confessions in trials, as seen in Digga D's own 2018 sentencing to a year in youth detention partly based on video evidence matching his boasts.[59] Critics, including Digga D himself in a 2023 interview, describe the oversight as manipulative and creatively stifling, arguing it disproportionately targets black artists expressing lived experiences from deprived areas without equivalent scrutiny of other genres, though empirical studies on music's causal role in violence remain inconclusive, often conflating reflection with causation.[7][62] On personal responsibility, Digga D has publicly acknowledged his past errors, stating in a 2020 BBC interview that prison taught him the futility of street life and that he aims to deter youth through honest depictions rather than endorsement, as in his 2023 album Back to Square One, which critiques incarceration's realities.[14] However, detractors, including prosecutors in his cases, hold him accountable for blurring art and action, noting instances where his lyrics predicted or mirrored crimes like the 2017 slashing he referenced, suggesting artists bear moral weight for normalizing behaviors they personally engaged in, such as his later 2022 drug trafficking conviction involving cannabis worth £10,000.[6] Digga D counters that systemic factors like poverty in East London drive such cycles, positioning drill as cathartic realism rather than promotion, a view echoed in defenses questioning whether lyrics equate to intent, akin to how films or games depict violence without legal repercussions; yet, causal analysis favors individual agency, as repeat offenders like Digga D—convicted multiple times despite rising fame—demonstrate choices overriding environmental excuses.[7][63] Societal consequences of Digga D's influence center on UK drill's purported role in youth violence, with police data linking drill tracks to over 30% of gang-related incidents in London by 2019, including disses escalating real feuds that Digga D's music has fueled through rivalries like those with Moscow17.[61][64] Advocates for censorship cite spikes in knife crime—reaching 15,000 offenses annually in England and Wales by 2023—coinciding with drill's popularity, arguing uncensored glorification desensitizes impressionable teens in high-risk areas, as evidenced by convictions where fans mimicked lyrics in attacks.[60] Conversely, sources skeptical of direct causality, often from academic or artist-aligned perspectives, frame drill as a symptom of failing social policies rather than a driver, pointing to global spread without equivalent crime surges abroad and lack of rigorous longitudinal studies proving inspiration over imitation of pre-existing gang norms.[65] Truth-seeking evaluation leans toward multifaceted causes—personal impulsivity and family breakdowns chief among them—over monocausal blame on music, though Digga D's pivot to anti-violence messaging post-2022 imprisonment highlights potential for cultural redirection if responsibility is emphasized over victimhood narratives prevalent in biased media coverage.[7][14]Works
Discography
Digga D's discography primarily consists of mixtapes, with four major releases as of 2023. These projects have charted on the UK Albums Chart, reflecting his prominence in the UK drill scene.[1]Mixtapes
| Title | Release date | Peak chart position (UK) |
|---|---|---|
| Double Tap Diaries | 17 May 2019 | 11 |
| Made in the Pyrex | 11 June 2021 | 3 |
| Noughty by Nature | 15 April 2022 | 1 |
| Back to Square One | 25 August 2023 | 6 |
Singles
Digga D has released numerous singles, several of which have entered the UK Singles Chart. Notable entries include:- "Wasted" (featuring ArrDee), peaked at number 6.[1]
- "Pump 101" (with Still Brickin'), peaked at number 9.[1]
- "Energy", peaked at number 15.[1]
- "No Diet", peaked at number 20.[1]
- "Red Light Green Light", peaked at number 17.[1]
Filmography and other media
Digga D featured as the central subject in the BBC Three documentary Defending Digga D, released on iPlayer on November 24, 2020, and broadcast on BBC One on November 27, 2020, which chronicled his release from a 15-month prison term and attempts to advance his music career under a Criminal Behaviour Order restricting his lyrics.[73][74] In 2023, he starred in the self-produced documentary 11 Steps Forward 10 Steps Back, premiered on August 25 via Link Up TV and screened at Everyman Cinemas, offering an unfiltered view of a year marked by professional milestones, legal battles, and personal setbacks following his Back to Square One mixtape release.[75][76] Digga D made his scripted acting debut in the Netflix superhero series Supacell, released on June 27, 2024, where he portrayed the character Chucky, a gang-affiliated figure, in episodes highlighting South London street dynamics.[77][78] Beyond these, Digga D's media presence includes numerous music videos and freestyles on platforms like YouTube, some of which faced removal in 2018 due to Metropolitan Police requests over content deemed to incite gang violence, though he continued releasing visuals under label supervision post-2020.[47]Awards and nominations
Digga D received the Trailblazer Award at the inaugural Rolling Stone UK Awards on November 23, 2023, recognizing his pioneering role in popularizing UK drill music internationally.[79] At the 2022 MOBO Awards, he earned nominations for Best Male Act, Best Drill Act, and Song of the Year for the track "Pump 101" (featuring Stillbrickin), but did not win in any category; Central Cee took Best Male Act, while the other categories went to different artists.[80][81] His 2020 single "Woi" secured a nomination for Song of the Year at the MOBO Awards, highlighting its viral impact via platforms like TikTok.[82] In the 2020 AIM Independent Music Awards, Digga D led nominations alongside Moses Boyd, receiving three nods including Best Independent Track for his contributions to the UK drill genre, though specific wins are not recorded in available reports.[83]| Year | Award | Category | Result | Nominated work |
|---|---|---|---|---|
| 2020 | MOBO Awards | Song of the Year | Nominated | "Woi" |
| 2020 | AIM Independent Music Awards | Best Independent Track (among others) | Nominated | Various tracks |
| 2022 | MOBO Awards | Best Male Act | Nominated | N/A |
| 2022 | MOBO Awards | Best Drill Act | Nominated | N/A |
| 2022 | MOBO Awards | Song of the Year | Nominated | "Pump 101" |
| 2023 | Rolling Stone UK Awards | Trailblazer Award | Won | N/A |