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Drawing Blood

Drawing Blood is a 1993 horror novel by American author Poppy Z. Brite, published by Delacorte Press.^[1] Set in the fictional town of Missing Mile, North Carolina, the story centers on cartoonist Trevor McGee, who returns to his childhood home two decades after his father murdered his mother and siblings before committing suicide, forcing him to confront lingering family trauma and supernatural forces.^[2] There, Trevor encounters Zach, a young musician with his own troubled history, leading to an intense romantic relationship amid the haunting atmosphere of the house.^[3] Brite's second novel after her debut Lost Souls (1992), Drawing Blood blends elements of the haunted house genre with gothic horror, explicit sensuality, and themes of queer identity and redemption.^[2] The book was nominated for the 1993 Bram Stoker Award for Superior Achievement in a Novel by the Horror Writers Association.^[4] It also received a nomination for the 1994 Lambda Literary Award in the Gay Men's Science Fiction/Fantasy category, recognizing its portrayal of a central gay romance.^[2] Originally titled Birdland, the novel exemplifies Brite's signature style of visceral, atmospheric prose that explores the intersections of violence, desire, and the macabre, often drawing from Southern Gothic traditions while incorporating punk rock and countercultural elements.^[2]^[5] With 373 pages in its first edition,^[1]

Overview

Author and context

Poppy Z. Brite (born Melissa Ann Brite; now Billy Martin), born on May 25, 1967, in New Orleans, Louisiana, is an American author renowned for horror fiction that blends Southern Gothic elements with splatterpunk's visceral intensity. Raised in a literary household—his father was a professor at the University of New Orleans—Brite displayed early talent, learning to read at age three and composing stories by age five. After moving to Chapel Hill, North Carolina, at age six following his parents' divorce, he attended the University of North Carolina at Chapel Hill in 1987 but dropped out to pursue writing full-time, supporting himself through jobs such as artist's model, mouse caretaker, and exotic dancer. His first published short story, "Optional Music for Voice and Piano," appeared in 1985 in The Horror Show, marking his entry into the genre.^[5]^[6] Brite's early career gained momentum with his debut novel, Lost Souls (1992), a gothic horror tale published by Delacorte Press that introduced themes of outsider youth and supernatural allure, earning nominations for the Bram Stoker Award for Best First Novel and a Lambda Literary Award. This success led to his second novel, Drawing Blood (1993), written in just nine months and representing a shift toward more explicit, gory depictions of trauma and desire while retaining gothic roots. Brite's work during this period positioned him as a key figure in the splatterpunk movement, characterized by graphic violence and boundary-pushing narratives, often set against Southern backdrops that evoked decay and cultural isolation.^[5]^[6]^[7] Drawing Blood emerged within the broader context of 1990s queer horror literature, a subgenre that grappled with the AIDS crisis's devastation and the era's cultural conservatism, particularly in the American South where homophobia intertwined with religious and social norms. Authors like Brite explored queer identities through horror's lens, using vampiric and monstrous figures to metaphorically address stigma, loss, and resilience amid the epidemic's peak, when approximately 194,000 AIDS-related deaths had occurred in the U.S. by the end of 1993.^[8] Brite's Southern settings amplified these tensions, reflecting the region's conservative undercurrents while challenging them through homoerotic and transgressive elements. The novel's original working title, Birdland, drew inspiration from musical motifs, evoking jazz improvisation and personal explorations of creativity and escape.^[9]^[7]^[5]

Genre and style

Drawing Blood is classified as a work of horror fiction, incorporating elements of the haunted house tale, psychological thriller, and queer romance. The novel centers on supernatural hauntings and ghostly presences within a family home, evoking classic haunted house tropes through its exploration of lingering trauma and spectral encounters.^[10] It also features thriller aspects, such as the protagonist's evasion from law enforcement amid realistic pursuits by the FBI for hacking activities.^[11] Additionally, the story develops a central queer romance between its two male leads, Trevor McGee and Zachary Bosch, blending erotic intimacy with horror elements in an offbeat narrative.^[10]^[11] Poppy Z. Brite employs a splatterpunk style characterized by graphic depictions of violence and a sensual portrayal of decay, as seen in the novel's opening massacre scene where a father bludgeons his family.^[10] This approach blends visceral horror with lyrical prose, striving for explosive lyricism in descriptions of both the grotesque and the intimate.^[10] The narrative merges supernatural components, including ghosts and psychic experiences, with grounded realism, such as the ongoing FBI investigation, creating a hybrid tone that heightens tension through contrasting elements.^[10]^[11] The book's narrative structure utilizes dual perspectives from the protagonists, Trevor and Zachary, to interweave their personal histories and current pursuits, building suspense through parallel storylines.^[11] Non-linear flashbacks delve into Trevor's childhood trauma, revealing the psychological scars from his family's murder and informing his haunted present.^[10] Set in the fictional town of Missing Mile, North Carolina, the novel uses its rural Southern locale to amplify themes of isolation, with the abandoned family house serving as a focal point for eerie, enclosed atmospheres.^[10]^[11] This backdrop, rich in background details, evokes a sense of entrapment and otherworldliness, particularly through psychedelic and psychic explorations like the state of "Birdland."^[10]

Plot and characters

Plot summary

Drawing Blood follows Trevor McGee, a 25-year-old underground comic artist, who returns to his childhood home in the fictional town of Missing Mile, North Carolina, two decades after a traumatic family murder-suicide that claimed the lives of his mother, younger brother, and father, leaving him as the sole survivor.^[12] The house, now abandoned and reputedly haunted, holds lingering mysteries about why Trevor was spared and the creative demons that plagued his father, also a cartoonist.^[10] As Trevor settles into the eerie residence to confront his past, he encounters Zachary "Zach" Bosch, a 19-year-old computer hacker fleeing from federal authorities after a high-profile cyber intrusion.^[12] Their chance meeting blossoms into a passionate romantic relationship, providing mutual support amid the growing supernatural disturbances in the house and the escalating danger from law enforcement closing in on Zach.^[10] The narrative builds through their joint exploration of the home's secrets, blending personal hauntings with external pursuits, as local friends from Missing Mile's punk rock scene offer aid in navigating the threats.^[12] The story culminates in a intense confrontation with the literal and metaphorical ghosts of Trevor's history, leading to an escape to Jamaica facilitated by their allies.^[10] The protagonists Trevor and Zach reappear in Poppy Z. Brite's 1998 short story "Vine of the Soul," published in the anthology Disco 2000.^[7]

Main characters

Trevor McGee is a 25-year-old underground comic book artist haunted by the trauma of his family's 1972 murder-suicide in Missing Mile, North Carolina. As the sole survivor at age five, he was orphaned after his father, fellow cartoonist Bobby McGee, killed Trevor's mother Rosena and infant brother Frederick "Didi" before hanging himself; Trevor was subsequently raised in an institution. Struggling with profound survivor guilt, self-loathing, and a persistent creative block that impedes his work depicting demonic figures, Trevor is introspective and emotionally withdrawn, having shown little interest in romantic or sexual relationships prior to meeting Zachary.^[12]^[10]^[13] Zachary "Zach" Bosch, a 19-year-old computer hacker and self-described troublemaker from New Orleans, brings an outgoing and rebellious energy to the narrative as a skilled programmer with a history of evading authorities. The son of Joseph Bosch and Evangeline Rigaud Bosch, Zach's resourcefulness and adventurous spirit stem from his troubled upbringing, positioning him as a fugitive whose technical expertise drives key interactions. His personality contrasts Trevor's isolation, acting as a catalyst for emotional openness and healing in their shared experiences.^[13]^[10] Among the supporting cast, Bobby McGee looms as a spectral, guilt-inducing figure in Trevor's psyche, embodying the unresolved legacy of familial violence as an influential underground cartoonist inspired by artists like R. Crumb. In the community of Missing Mile, friends Mark—a local drummer in the punk rock scene—and Terry Buckett—proprietor of the Whirling Disc record store and occasional drummer for bands like Gumbo—offer camaraderie as musicians embedded in the town's alternative scene. Antagonizing the protagonists are Secret Service agents Absalom Cover and Frank "Spider" Norton, who relentlessly pursue Zach for his cybercrimes, heightening the stakes of his flight.^[13]^[10] The novel's core character dynamic centers on the romance between Trevor and Zach, forged in vulnerability amid personal crises, where Zach's bold affection draws Trevor out of isolation, fostering mutual support and tentative healing from their respective traumas. This intimate bond, portrayed as a profound homosexual connection, underscores their interdependence without overshadowing individual backstories.^[10]

Themes and analysis

Central themes

Drawing Blood explores profound themes of trauma and survivor guilt, particularly through the protagonist Trevor McGee's harrowing experiences. As the sole survivor of a family massacre perpetrated by his father, who methodically killed Trevor's mother and brother before committing suicide, Trevor is plagued by vivid, out-of-body recollections that reveal the gruesome details of the event, such as the father's use of a hammer and the positioning of the bodies in their Missing Mile home known as Birdland.^[14] This trauma manifests in both psychological and supernatural hauntings, blurring the line between mental anguish and ghostly presences within the house, where Birdland itself pulses with an uncanny energy that amplifies Trevor's guilt and isolation.^[15] The novel posits these hauntings as extensions of patriarchal repression, with Trevor's survivor guilt symbolizing a "ghostlike" existence haunted by representative masculinity.^[14] Central to the narrative is the theme of queer love and acceptance, depicted through the intense bisexual romance between Trevor and Zach Pinhead, which serves as a redemptive force against the repressive environment of the Bible-Belt South. Their relationship, marked by graphic and intimate scenes, allows the characters to forge a queer family of choice that challenges heteronormative kinship structures, as exemplified by Trevor's declaration to Zach: "I want to climb inside you. I want to taste your brain," signifying a profound merging of souls into an "alloy that could withstand the world."^[15]^[14] This love liberates them from the psychological weight of their abusive upbringings, transforming the haunted house into a space of queer desire rather than mere terror, ultimately enabling healing from familial trauma.^[15] The novel employs technology and escape as a metaphor for navigating inner and outer chaos, contrasting the organic, visceral horror of Birdland with the digital realm accessed through hacking. Zach, an expert hacker who operates under the alias Lucio, uses his skills to penetrate systems and uncover hidden truths, mirroring the protagonists' attempts to breach their own repressed psyches and the supernatural barriers of the house.^[14] This technological engagement, set against the 1990s cyberculture backdrop, provides a means of benevolent manipulation and escape, allowing Trevor and Zach to repurpose their abilities for mutual understanding and survival, distinct from the house's inescapable, bodily horrors.^[15] A critique of conservatism permeates the story, with the fictional town of Missing Mile symbolizing the small-town homophobia and isolation inherent in Southern conservative culture. The setting underscores the protagonists' ostracism as queer individuals, where societal rejection fosters a climate of repression and violence.^[15] Birdland itself becomes a microcosm of this conservatism, its ghostly inhabitants enforcing patriarchal and heteronormative norms that Trevor and Zach must confront to assert their identities.^[14]

Literary influences

Poppy Z. Brite's Drawing Blood draws heavily from the Southern Gothic tradition, incorporating themes of decay, familial dysfunction, and buried secrets reminiscent of William Faulkner's exploration of Southern decline in works like The Sound and the Fury and Flannery O'Connor's grotesque portrayals of moral decay in Wise Blood. Brite has cited these authors as key influences, noting her affinity for Southern writers who delve into the region's psychological and atmospheric undercurrents.^[7]^[16] This foundation shapes the novel's haunted family estate and intergenerational trauma, infusing the narrative with a sense of inescapable Southern malaise. In the horror genre, Drawing Blood echoes Stephen King's haunted house motifs, particularly the isolated familial horrors in The Shining, but Brite innovates by integrating queer relationships and explicit sexuality largely absent from King's mainstream works. Brite has acknowledged King's impact on her horror sensibilities, praising his insights into writing and citing The Shining as a favorite that influenced her approach to psychological terror within domestic spaces.^[17]^[16] This blend creates a subversive take on the subgenre, emphasizing erotic tension and non-normative identities amid supernatural dread. The novel's punk and countercultural edge reflects the 1990s goth and splatterpunk scenes, where Brite emerged as a prominent voice, incorporating visceral violence and outsider aesthetics akin to the movement's rejection of polished horror. Music from bands like Ministry and Joy Division permeates the vibe, inspiring the raw, anarchic energy and title's evocation of intense, bodily expression—drawing from Brite's immersion in gothic subcultures during her formative years.^[16]^[18] Brite's New Orleans upbringing profoundly informs the novel's Southern settings and unapologetic depictions of sexuality, channeling the city's sensual, decadent atmosphere into vivid backdrops that heighten the story's intimacy and excess. Born and raised in New Orleans, Brite has described the locale as integral to her identity as a Southern writer, with its humid, haunted ambiance directly shaping the explicit eroticism and regional flavor in Drawing Blood.^[5]^[17]

Development and publication

Writing and development

Drawing Blood was conceived and written in 1992–1993, immediately following the success of Poppy Z. Brite's debut novel Lost Souls (1992), as the second installment in a three-book contract with Dell Abyss.^[5] The novel marked Brite's continued exploration of horror elements in a Southern Gothic setting, building on the fictional town of Missing Mile, North Carolina, introduced in the previous work. Initially titled Birdland—a reference to the comic-book world within the story—the title was changed by the publisher to Drawing Blood to better evoke a sense of horror.^[5] The development process involved an intensive drafting period, completed in just nine months, during which Brite engaged in extended writing sessions, sometimes stretching to 20 hours a day.^[5]^[16] To ensure authenticity, Brite drew upon personal experiences growing up in North Carolina and attended the University of North Carolina at Chapel Hill, informing the 1970s rural setting and cultural details. The final manuscript spanned 373 pages, reflecting a deliberate expansion from shorter forms.^[5]^[19] Brite faced challenges in balancing the novel's supernatural hauntings with a realistic portrayal of queer relationships, aiming to integrate romance without overshadowing the horror.^[16] Described by the author as more claustrophobic and emotionally intense than Lost Souls, the writing process was both "horrible and great fun," though it missed the initial deadline due to Brite's refusal to rush the material. This project represented a key transition in Brite's career, shifting from acclaimed short stories—such as those in Swamp Foetus (1993)—to full-length novels that wove queer romance into horror frameworks, establishing a signature style.^[16]^[5] The genre blending of gothic horror with cyberpunk influences, evident in the hacker's role, further highlighted this evolution.^[7]

Publication history

Drawing Blood was first published in hardcover in 1993 by Delacorte Press, with ISBN 0-385-30895-7.^[20] The novel appeared in paperback the following year from Dell Publishing, bearing ISBN 0-440-21492-0.^[3] International editions followed soon after, including a UK paperback release in 1994 by Penguin Books (ISBN 0-140-23871-9).^[21] Translations emerged in several languages, such as the French edition titled Sang d'encre, published in 1995 by Albin Michel, the Dutch translation as Tekenbloed in 1994 by Luitingh-Sijthoff, the German edition Wo das Böse Erwacht in 1995 by Bastei Lübbe, and the Russian edition Drawing Blood in 2002 by Severo-Zapad.^[22] A digital Kindle edition was reissued in 2010 by Dell, marking a shift to electronic formats amid broader e-book adoption.^[23] No significant reissues or updates have occurred since 2010, though the novel remains available through major retailers. This publication timeline aligned with Poppy Z. Brite's peak popularity in the horror genre during the mid-1990s, where the book helped solidify her devoted readership alongside works like Lost Souls.^[6]

Reception and legacy

Critical reception

Upon its 1993 publication, Drawing Blood garnered mixed critical reception, with reviewers praising its evocative prose and psychological depth while critiquing its pacing and supernatural execution. Kirkus Reviews commended the novel's brilliant echoes of underground cartoonist R. Crumb in its exploration of family tragedy and artistic madness, but faulted the "rich background descriptions" for bulking out the pages without sufficiently intensifying the horrors, resulting in energies dimmed by overly fine writing.^[10] The blend of haunted house tropes with queer romance was highlighted as innovative, though some early critics noted an over-reliance on graphic elements that occasionally veered into shock value at the expense of narrative cohesion.^[10] Positive aspects frequently centered on the novel's authentic portrayal of queer love amid horror, earning acclaim for its sensual and tender depiction of the protagonists' relationship. In a 2010 analysis, Brit Mandelo of Tor.com described the explicit gay sex scenes as treated "as natural and erotic," emphasizing the "strange, rough tenderness" that defines the bond between Trevor and Zach, positioning the book as a liberating entry in speculative fiction for its unapologetic queerness.^[24] Overall reader sentiment remains strong, with an average rating of 4.03 out of 5 on Goodreads from 11,017 ratings as of 2025, reflecting enduring appreciation for its visceral emotional core.^[25] Scholarly analysis has further elevated the novel within queer horror studies, examining its subversion of heteronormative tropes through monstrosity and agency. Evan Hayles Gledhill's 2019 article "Self-Made Monsters: Agency, Monstrosity, and Queerness in Poppy Z. Brite's Gothic Horror" analyzes Brite's oeuvre, including Drawing Blood, from queer and disability perspectives, arguing that depictions of deformity and otherness reclaim power for marginalized bodies rather than reinforcing danger.^[26] This framework underscores the book's challenge to traditional gothic conventions by centering queer resilience against familial and supernatural trauma. In the 2010s and 2020s, retrospective views have increasingly celebrated Drawing Blood for its foundational influence on LGBTQ+ speculative fiction, crediting Brite with pioneering a space where horror amplifies queer narratives without apology. Mandelo's reflection captures this shift, noting the novel's role in providing clear, affirming queer spec-fic that contrasts with more veiled representations in earlier works.^[24]

Cultural impact and collectibles

Drawing Blood exerted a notable influence on the 1990s goth subculture, serving as an inspirational text for goth, gay, lost, and unwanted youth through its dark, introspective themes of alienation, sexuality, and supernatural horror.^[27] The novel's portrayal of punkish, marginalized characters and settings like the fictional Missing Mile, North Carolina, resonated with the subculture's emphasis on emotional excess, identity exploration, and subversive aesthetics, contributing to the evolution of modern goth fiction alongside works like Lost Souls.^[28] Brite's integration of 1980s and 1990s goth music references, such as bands like Bauhaus and The Cure, further embedded the book in club and fashion scenes that defined the era's youth culture.^[29] The novel ties into Brite's broader "Lost Souls" universe, sharing the recurring locale of Missing Mile and thematic continuities with vampiric and slacker elements from the earlier work, creating a companion narrative that expands the author's neo-gothic world-building.^[10] This interconnectedness has inspired fan creations, including artwork depicting protagonists Trevor McGee and Zachary Bosch, which circulate in online goth and horror enthusiast communities.^[30] In queer literature, Drawing Blood contributed to the pre-2000s visibility of bisexual and gay characters in horror, featuring explicit same-sex relationships and gender fluidity that challenged heteronormative norms through transgressive bodies and dissident sexualities.^[29] The protagonists' exploration of non-heteronormative bonds and psychological trauma positioned the novel as a key text in queer gothic traditions, influencing discussions of identity and desire in southern horror.^[31] Its unapologetic depiction of queer romance amid horror elements marked it as a pioneering work for LGBTQ+ representation in the genre during the 1990s.^[24] Collectibles related to Drawing Blood include rare first editions from its 1993 Delacorte hardcover and 1994 Dell paperback releases, with signed copies commanding values exceeding $100 at online auctions as of 2025.^[32] Four copies of the 1993 Cahill Press limited edition were allegedly infused with the odor of burnt flesh after being caught in a California mail-store fire set by a racist arsonist who died in the blaze. A rare-book dealer sold them for $600 each.^[33]^[34] The novel maintains modern relevance in horror discourse for its sensitive handling of intergenerational trauma and queer survival, with no official adaptations to film or other media despite calls for one in genre publications.^[35] Fan-driven podcasts in the 2020s, such as episodes revisiting Brite's oeuvre, highlight its enduring appeal among contemporary horror enthusiasts.^[36]

References

[1]
Drawing blood by Poppy Z. Brite - Open Library
5-day returnsDrawing blood ; Publish Date. 1993 ; Publisher. Delacorte Press, Abyss ; Language. English ; Pages. 373 ; Published in: New York ...
[2]
Drawing Blood by Poppy Brite - Penguin Random House
In stock Free delivery over $20Author. Poppy Brite. Poppy Z. Brite's ... Novel of 1992 by the Horror Writers Association and for a Lambda Literary Award. Her second book, Drawing Blood ...
[3]
Drawing Blood: A Novel - Poppy Z. Brite: Books - Amazon.com
Her second book, Drawing Blood, was also nominated for a Lambda Literary Award and the Bram Stoker Award. Her short stories have appeared in numerous ...
[4]
Brite, Poppy Z. - The Bram Stoker Awards
Nominations: Exquisite Corpse, Novel, 1996. Drawing Blood, Novel, 1993. Lost Souls, First Novel, 1992. “The Ash of Memory, the Dust of Desire”, ...
[5]
Biography - Poppy Z. Brite
I dropped out of college and began working on what would become Lost Souls. While working on the novel and waiting to see if anyone would buy it, I went through ...
[6]
Poppy Z. Brite Biography - Newsmakers Cumulation
1985; worked as candy maker, short-order cook, mouse caretaker, artists' model, and exotic dancer, 1985-91; published first novel, Lost Souls, 1992. Sidelights.
[7]
Poppy Z. Brite Bio and Interview - The Barcelona Review
She has worked as an artist's model, a mouse caretaker, a stripper and (since 1991) a full-time writer. She has published three novels, Lost Souls, Drawing ...
[8]
The Postmillennial Vampire
earlier, Brite's novel is set in the early 1990s at the height of the AIDS crisis in America. The anxieties generated by this crisis, and their peculiar.
[9]
DRAWING BLOOD - Kirkus Reviews
He moves into the still empty house of death, where the lights work with no power source, and finds himself deep in the mysteries of Birdland, a psychic state ...Missing: title | Show results with:title
[10]
Drawing Blood by Poppy Z. Brite
### Summary of Review for "Drawing Blood" by Poppy Z. Brite
[11]
Drawing Blood by Poppy Z. Brite
### Extracted Review Text (Plot Description)
[12]
preposterously exhaustive list of every pzb character. - Poppy Z. Brite
A.J., cook at the Apostle Bar (LIQUOR) · Akker, computer hacker (DRAWING BLOOD) · Albino for Jesus (LOST SOULS) · Alex, caller on WHIV (EXQUISITE CORPSE) · Alix, ...
[13]
constructions of representative agency in Poppy Z. Brite's novel ...
Free Online Library: The father, the sovereign and the ghost: constructions of representative agency in Poppy Z. Brite's novel drawing blood.
[14]
House of Horrors: Familial Intimacies in Contemporary American ...
... Poppy Z. Brite, Caitlín R. Kiernan, Tananarive Due and others. This is an ... The Queer (Uncanny) Desire in Drawing Blood Conclusions Chapter 2 ...
[15]
Poppy Z. Brite: The HORROR Interview by Nancy Kilpatrick - Angelfire
Her second novel, DRAWING BLOOD, will be published by Abyss in November 1993. NANCY KILPATRICK FOR HORROR: Is Poppy Z. Brite your real name? PZB: Yes, Poppy Z.
[16]
Poppy Z. Brite Is The King/queen Of New Orleans - VICE
Nov 30, 2007 · Her first two novels, Lost Souls and Drawing Blood, became instant classics with goth kids and horror nerds alike. ... influenced my own writing ...
[17]
Poppy Z Brite Interview - THE PORTABLE INFINITE
Jun 7, 2014 · Brite is the celebrated author of many standout works of horror, Lost Souls and Drawing Blood. ... Splatterpunk" which involved a lot of violence ...
[18]
Drawing Blood - Publishers Weekly
Drawing Blood · Poppy Z. Brite. Delacorte Press, $19.95 (373pp) ISBN 978-0-385-30895-3 · More By and About this Authorchevron_right · Featured Fiction Reviews.
[19]
Drawing Blood: Brite, Poppy: 9780385308953: Amazon.com: Books
With the help of Zach and psilocybin, Trevor confronts his father in Birdland, the comic town that his father created, even as the FBI traces Zach to Missing ...Missing: title inspiration
[20]
Drawing Blood - Poppy Z. Brite: 9780140238716 - AbeBooks
In stock Rating 4.0 (10,985) Hiding from justice with fugitive computer hacker Zach Bosch, Trev opened the door to Birdland. Ready to face the demons. Ready to risk his life again... " ...Missing: writing development initial
[21]
Translations - Poppy Z. Brite
DOLENDE ZIELEN (LOST SOULS), Luitingh Sijthoff, 1992. Translation by Nico Richter. TEKENBLOED (DRAWING BLOOD), Luitingh Sijthoff, 1994. Translation by Nico ...
[22]
Drawing Blood: A Novel - Poppy Brite - Amazon.com
Drawing Blood: A Novel ; Enhanced typesetting: Enabled ; X-Ray: Not Enabled ; Word Wise: Enabled ; Print length: 418 pages ; ISBN-13: 978-0307768292 ...Missing: count | Show results with:count
[23]
Queering SFF: First Experiences - Reactor
Mar 16, 2010 · On the flip side, Poppy Z. Brite's Drawing Blood is clear as glass: it's spec-fic, it's gay, and it's not shy about it. The world of Drawing ...
[24]
Drawing Blood by Poppy Z. Brite - Goodreads
Rating 4.0 (11,026) Jan 1, 1993 · Drawing Blood. Poppy Z. Brite. 4.03. 11,026 ratings532 ... Brite (born Melissa Ann Brite, now going by Billy Martin) is an American author born in ...
[25]
Agency, Monstrosity, and Queerness in Poppy Z. Brite's Gothic Horror
Aug 8, 2025 · ... queer and disability studies perspective seeks to draw out in. Brite's depiction of monstrosity. It is no more or less dangerous to be queer ...
[26]
Click If You Dare: 100 Favorite Horror Stories - NPR
Aug 16, 2018 · Brite's first two novels, Lost Souls and Drawing Blood, were inspirational texts for goth kids, gay kids, lost kids, unwanted kids ...
[27]
[PDF] Goths A Guide To An American Subculture
May 17, 2010 · Shortly after fulfilling the next part of her Dell contract with the publication of Drawing Blood, Brite and her husband moved to New. Orleans.
[28]
[PDF] goth rhizomes: queer difference in minor gothic - YorkSpace
Lynch's film Blue Velvet by Poppy Z. Brite in the novel Drawing Blood, Davenport-. Hines calls the scene of the 1980s and 1990s "always ominously self ...
[29]
Drawing Blood 33 - Poppy-Z-Brite-Fans - DeviantArt
Founded 14 Years Ago Drawing Blood 33 T-Nightingale's avatar Drawing Blood (Poppy Z. Brite novel) By T-NightingaleMissing: zines 1990s
[30]
Queering the Gothic 9780719086434 - DOKUMEN.PUB
179; Poppy Z. Brite, Drawing Blood (London: Penguin, 1993), p. i. 7 Brite's first two novels, Lost Souls and Drawing Blood, were short-listed for the Lambda ...
[31]
Drawing Blood by Poppy Z Brite: New 9780440214922| eBay
Drawing Blood by Poppy Z Brite: New ; Quantity. 1 available ; Item number. 285134986708 ; Publication Date. 1994-10-01 ; Pages. 416 ; Accurate description. 4.9.Missing: warehouse | Show results with:warehouse
[32]
A REAL STINKER - The Washington Post
Aug 28, 1994 · ... burnt human flesh. ... In its unperfumed form, the book -- a limited edition of a novel called "Drawing Blood," by ascending horror star Poppy Z.Missing: warehouse | Show results with:warehouse
[33]
8 Horror Novels That Need a Film Adaptation ASAP - Dread Central
May 24, 2023 · Drawing Blood by Poppy Z. Brite (1993) ... The story begins in the town of Missing Mile, North Carolina in 1972. Washed-up and depressed comic ...
[34]
Talking Scared - Megaphone
Conversations with the biggest names in horror fiction. A podcast for ... Drawing Blood (2010), by Poppy Z. Brite The Cabin at the End of the World ...<|separator|>