Emiri Katō
Emiri Katō (加藤 英美里, Katō Emiri; born November 26, 1983) is a Japanese voice actress and singer from Fussa, Tokyo.[1][2] Affiliated with Stardust Promotion since April 2022, she has built a prolific career spanning anime, video games, and music, with over 200 credited roles across various media.[2] Katō first gained prominence in the mid-2000s through her debut roles in anime series, including the tsundere character Kagami Hiiragi in the 2007 slice-of-life comedy Lucky Star, which highlighted her versatile vocal range for both comedic and dramatic performances.[3] She rose to further acclaim with recurring roles such as Mayoi Hachikuji, the enigmatic lost child in the Bakemonogatari supernatural series (starting 2009), and Kyubey, the enigmatic incubator in the 2011 psychological thriller Puella Magi Madoka Magica, a role that became iconic for its chilling detachment.[2][3] Her work extends to more recent hits, voicing energetic characters like Riko Saikawa in Miss Kobayashi's Dragon Maid (2017), Becky Blackbell in Spy × Family (2022–present), and Mey-Rin in Black Butler: Emerald Witch Arc (2025), showcasing her adaptability in family-friendly and action-oriented narratives.[3] Beyond anime, Katō has made significant contributions to video games, notably as Tracer, the speedy operative in Blizzard's Overwatch (2016), where her lively Japanese voice performance resonated globally.[1] As a singer, she has performed opening and ending themes for several anime series, including Lucky Star, blending her voice acting talents with musical endeavors under Pony Canyon.[3] With a blood type of B and hobbies such as playing MMORPGs, Katō maintains an active online presence through platforms like Twitter and Instagram, engaging fans with personal updates.[3][4]Early life
Birth and upbringing
Emiri Katō was born on November 26, 1983, in Fussa, Tokyo, Japan.[1][5] As of November 2025, she is 41 years old.[6] Public information on Katō's family background remains limited, with no detailed accounts of her parents' professions or siblings available in verified sources. She has described her upbringing in Tokyo as supportive and permissive, noting that her parents encouraged outdoor play while allowing her access to video games at home, fostering a balanced yet free environment during her early years.[7] This familial approach to recreation introduced her to interactive media, subtly influencing her later interests in entertainment without rigid restrictions on her choices. As a child, Katō was notably shy and reserved, often remaining silent during family video recordings despite her parents' encouragement to participate.[7] She physically resembles her mother, to the point of mistaking childhood photos, and attributes aspects of her personality to a blend of both parents' traits. Her early hobbies included drawing, a passion inherited from her mother, which she continues to pursue as a special skill alongside interests in interior shopping, houseplants, and photography.[7][6] These creative outlets, combined with home gaming exposure, laid foundational interests in artistic and media-related activities during her adolescence in Tokyo.Pre-debut activities
During her high school years in Tokyo, Emiri Katō developed an interest in music through participation in the school's light music club, where she played the drums starting from her first year.[8] Alongside her classmate and future voice actress Yui Kano, she joined the club and participated in a performance at the school cultural festival as the drummer.[8] Due to her passion for drawing, she attended a design high school in Tokyo.[7] These experiences fostered an early appreciation for singing and performance, though detailed accounts of specific songs or events remain limited in public records. Katō's entry into voice acting preparation occurred in her third year of high school, when Kano invited her to tour the Amusement Media Comprehensive College, sparking her curiosity about the profession despite no prior strong interest in it.[9] This visit marked her initial step toward formal training, leading her to enroll at the institution after graduation for voice acting classes, though comprehensive documentation on her curriculum or early auditions is scarce.[9] Her upbringing in Fussa provided a stable foundation for these exploratory pursuits in Tokyo's cultural environment.Professional career
Debut and early development
Emiri Katō made her professional debut as a voice actress in 2004, securing minor roles in anime series such as the Cactus Brothers in Hamtaro and supporting characters in Kyō Kara Maō!. These early opportunities were typical for newcomers in the highly competitive seiyū field, where aspiring actors often started with small parts to build experience and visibility amid thousands of trainees vying for roles. Katō's affiliation with 81 Produce provided essential guidance, but the path involved persistent auditions and honing her skills through limited exposure, reflecting the industry's demanding nature for fresh talent.[10] Her first major break came in 2006 with the lead role of Momoko Akatsutsumi, who transforms into Hyper Blossom, in the anime adaptation Demashita! Powerpuff Girls Z, a role that showcased her energetic performance and helped establish her presence in the medium. This opportunity followed her growing portfolio of supporting work and propelled her toward more prominent projects.[11] By 2007, Katō expanded into singing as part of her voice acting career, voicing Kagami Hiiragi in Lucky Star and performing the character's ending theme song "Aru Hi no Karaoke Box," along with various character songs that highlighted her versatility in musical performances tied to anime roles. This period from 2004 to 2009 represented her foundational growth, transitioning from obscurity to recognized talent through consistent minor and breakthrough assignments.[12][13][2]Major roles and transitions
Katō achieved a significant breakthrough in 2011 with her role as the enigmatic, non-human incubator Kyubey in Puella Magi Madoka Magica, a performance that highlighted her versatility in voicing otherworldly characters with a detached, manipulative tone.[14][15] This role, which earned her the Best Supporting Actress award at the 6th Seiyu Awards, marked a pivotal point in her career, transitioning from earlier energetic portrayals to more nuanced, genre-defining contributions in dark fantasy anime.[15] Building on this momentum, Katō took on the recurring role of the clumsy yet loyal maid Mey-Rin in the Black Butler franchise, starting with the 2008 anime and continuing through subsequent seasons and adaptations up to the 2024 Public School Arc.[16] Her work as the cheerful and supportive bassist Himari Uehara in BanG Dream! from 2017 onward further showcased her ability to embody optimistic, band-oriented personalities in multimedia projects spanning anime, games, and live events.[17] In 2022, she voiced the spirited and affluent Becky Blackbell in Spy × Family, a role that emphasized her skill in delivering lively, friendship-driven supporting dynamics within a comedic spy thriller.[18] Katō's career from 2010 onward reflects a shift from high-energy lead characters, such as the hyperactive Hyper Blossom in the 2006 series Powerpuff Girls Z, to more intricate supporting roles that blend humor, depth, and ensemble interplay. This evolution extended to international projects, including her voicing of the quick-witted, time-manipulating hero Tracer in the Japanese dub of Overwatch starting in 2016, demonstrating her adaptability across video game localization and global audiences.[19]Agency affiliations and recent projects
Emiri Katō began her professional affiliation with the talent agency 81 Produce in 2004, coinciding with her debut as a voice actress, and maintained this partnership until January 31, 2022.[20] Following a brief period as a freelancer, she joined Stardust Promotion on April 1, 2022, marking a significant shift in her management representation.[21] This agency transition has supported her expansion into varied entertainment avenues, notably enhancing her presence in musical performances and projects with global reach. In early 2025, Katō took on the role of Hitomi Takamine, the experienced head coach and former silver medalist in the sports anime Medalist, which premiered on January 4.[22] She maintains active involvement in the BanG Dream! franchise as the voice of Himari Uehara for the band Afterglow, participating in ongoing live concerts, media appearances, and related events that blend voice acting with live music.[23] Additionally, her continued portrayal of Becky Blackbell in the internationally popular Spy × Family series underscores her sustained contributions to high-profile anime with worldwide distribution.[3] These endeavors reflect a trajectory of broadened opportunities in both domestic and international spheres post-2022.Awards and recognition
Seiyu Awards achievements
Emiri Katō's achievements at the Seiyu Awards highlight her rapid ascent in the voice acting industry, beginning with her recognition as a promising newcomer. At the 2nd Seiyu Awards held in 2008, she received the Best New Actress Award for her performances as Momoko Akatsutsumi/Hyper Blossom in Demashita! Powerpuff Girls Z and Kagami Hiiragi in Lucky Star, accolades that underscored her versatility in lead roles shortly after her debut.[24] Additionally, she shared the Best Singing Award with Aya Hirano, Kaori Fukuhara, and Aya Endō for their collective performance of the Lucky Star opening theme "Motteke! Sailor Fuku," celebrating her contributions to anime music alongside her acting prowess.[24] These early wins positioned Katō as a standout talent emerging from the competitive landscape of rookie voice actors, signaling her potential to blend character depth with musical expression in high-profile series. The Best New Actress honor, in particular, reflected the industry's acknowledgment of her fresh interpretations that brought energy and nuance to youthful protagonists, helping to establish her fanbase during a pivotal phase of her career. By 2012, Katō had solidified her status, earning the Best Supporting Actress Award at the 6th Seiyu Awards for her portrayals of Kyubey in Puella Magi Madoka Magica, Kiko Kayanuma in Darker than Black: Ryuusei no Gemini, and Mey-Rin in Black Butler II.[15] This recognition highlighted her skill in embodying complex supporting characters across genres, from enigmatic manipulators to loyal aides, demonstrating her growth into a reliable performer capable of elevating ensemble casts. The award marked a transition from her initial breakout roles to more mature, impactful contributions that influenced narrative dynamics in acclaimed productions. Overall, Katō's Seiyu Awards successes from 2008 to 2012 illustrated her evolution from a debutante celebrated for energetic leads and vocal talents to an established artist excelling in multifaceted supporting roles, cementing her reputation within the seiyū community.[24][15]Other accolades
In addition to her formal industry honors, Katō has received significant fan-driven recognition through popular polls and nominations. In a retrospective Heisei Anisong Grand Prize (covering 2000-2009 songs, announced in 2019), the opening theme "Motteke! Sailor Fuku" from Lucky Star—performed by the main cast including Katō as Kagami Hiiragi—won in the Song Lyrics category, highlighting her early contributions to anime music as part of an ensemble vocal performance.[25] Katō's portrayal of Himari Uehara in the BanG Dream! franchise has earned strong fan support in dedicated polls. A 2020 birthday celebration survey on Anime!Anime! asked respondents to select their favorite character voiced by Katō, where Himari ranked second with approximately 10% of the votes, praised for her cheerful leadership in the band Afterglow and Katō's energetic delivery that captured the character's good-natured coordination role.[26] Her dubbing work has also garnered acclaim in gaming communities. Katō voices the popular hero Tracer in the Japanese version of Overwatch, a role that has contributed to the character's widespread appeal among Japanese fans, as evidenced by Tracer's consistent high rankings in hero popularity surveys and her status as one of the most played and beloved characters since the game's 2016 launch.[1] In the 2020s, Katō's ensemble contributions continue to be recognized through fan-voted nominations. For her role as Becky Blackbell in Spy × Family, she was nominated for Supporting Girl of the Year at the 10th Anime Trending Awards in 2024, a poll-based honor reflecting fan appreciation for her lively depiction of the character's sassy friendship with Anya Forger amid the series' acclaimed cast dynamics.[27] Similarly, her performance as coach Hitomi Takamine in the first season of the 2025 anime Medalist (aired January–March 2025) builds on this longevity, with fan reception tying into the manga's award-winning status and Katō's history of elevating supporting roles in sports and family narratives; a second season is scheduled for January 2026.[22])Filmography
Anime television series
Emiri Katō gained early prominence with her first lead role as Momoko Akatsutsumi, also known as Hyper Blossom, in Powerpuff Girls Z (2006–2007), voicing the energetic and impulsive protagonist in this action-comedy adaptation of the American series.[28] Her performance captured the character's youthful enthusiasm and determination, marking an early highlight in her career focused on vibrant, lead protagonists.[29] In 2007, Katō took on the prominent supporting role of Kagami Hiiragi in Lucky Star, portraying the tsundere, studious high school girl amid a slice-of-life ensemble.[30] This role showcased her versatility in delivering sharp, relatable dialogue, contributing to the series' popularity and earning her recognition as a rising talent in comedic ensemble casts.[31] Katō's role as Kyubey in Puella Magi Madoka Magica (2011) represented a shift toward more nuanced supporting characters, voicing the enigmatic and manipulative incubator creature central to the series' psychological horror elements.[14] Her detached, otherworldly delivery heightened the character's ambiguous morality, distinguishing it from her earlier energetic leads and demonstrating her range in antagonist-like roles.[32] More recently, in Spy × Family (2022–present), Katō voices Becky Blackbell, the spirited and loyal best friend to the protagonist Anya, providing comic relief and emotional support in this spy-action comedy.[18] The role aligns with her later work in multifaceted supporting parts, blending humor with depth in ensemble dynamics.[33] In 2025, Katō portrays Hitomi Takamine, the experienced head coach and former ice dancer, in Medalist, a sports drama centered on figure skating aspirations.[22] This supporting role emphasizes mentorship and resilience, continuing her evolution toward complex, guiding figures in narrative-driven series.[34] Throughout her television anime career, Katō's roles transitioned from high-energy protagonists in early works like Powerpuff Girls Z to more layered supporting and antagonistic characters in later series such as Puella Magi Madoka Magica and Medalist, reflecting her growing depth in diverse genres.[35]Animated films
Emiri Katō has provided voice work for several animated feature films, often reprising roles from their television counterparts in expanded narratives that delve deeper into character motivations and plot resolutions. Her contributions span adaptations of popular anime series and original theatrical releases, showcasing her versatility in voicing both enigmatic antagonists and spirited supporting characters. Notable among these are her portrayals in the Puella Magi Madoka Magica film trilogy, where she lent her voice to the alien entity Kyubey, whose manipulative nature drives much of the story's philosophical tension in these compilation and sequel films.[36][37][38] In the 2011 film Detective Conan: Quarter of Silence, Katō voiced Kaori Chigusa, a key witness whose testimony adds layers to the mystery thriller's investigative arcs, differing from the episodic structure of the TV series by allowing for more intricate interpersonal dynamics.[39] Her role in the BanG Dream! franchise extends to theatrical concerts and stories, including voicing Himari Uehara in BanG Dream! FILM LIVE (2019) and its 2021 sequel, where the character's supportive presence in band performances highlights expanded musical and emotional developments beyond the TV format.[40][41] These films emphasize live-action-style band interactions, providing Himari with standalone moments of growth in collaborative settings. More recent projects include Katō's reprise of Becky Blackbell in the 2023 SPY×FAMILY Code: White, an original story that builds on the character's precocious friendship with Anya, exploring family espionage themes in a self-contained adventure with heightened comedic and action elements compared to the series.[42] In 2024, she voiced Sakurako Ōmuro in the YuruYuri spin-off films Ōmuro-ke: Dear Sisters and Ōmuro-ke: Dear Friends, original tales focusing on the Ōmuro sisters' comedic escapades during a school trip, which expand the TV universe through slice-of-life humor and sibling rivalries.[43][44] Additionally, Katō returned as Riko Saikawa in the 2024 Miss Kobayashi's Dragon Maid film A Lonely Dragon Wants to be Loved, where the character's schoolgirl enthusiasm receives further development in a romantic subplot extension from the TV series.[45] Looking ahead, Katō is set to voice Kyubey once more in the upcoming Puella Magi Madoka Magica film Walpurgisnacht: Rising, scheduled for February 2026, which promises to further evolve the incubator's role in the magical girl saga's overarching narrative.[46] These theatrical works collectively demonstrate how Katō's performances enhance character arcs through prolonged storytelling, often amplifying subtle traits seen in television episodes into pivotal film moments.Video games
Emiri Katō began her voice acting career in video games during the mid-2000s, starting with roles in role-playing games (RPGs) that showcased her versatility in portraying youthful and spirited characters. One of her early prominent roles was as Nymph, the water spirit companion, in the 2005 RPG Atelier Iris: Eternal Mana, marking her entry into the long-running Atelier series developed by Gust Co. Ltd.[3] This debut in fantasy RPGs laid the foundation for her work in narrative-driven titles, where she often voiced supportive or mischievous female characters. As her career progressed into the 2010s, Katō transitioned to more diverse genres, including multiplayer online games and mobile titles, reflecting the evolving landscape of the industry. In 2016, she provided the Japanese voice for Tracer, the energetic British agent in Blizzard Entertainment's hero shooter Overwatch, a role that highlighted her ability to deliver fast-paced, enthusiastic dialogue in a globally popular title.[47] Her performance as Tracer contributed to her international recognition, as the game's massive worldwide player base introduced her work to audiences beyond Japan. Katō has maintained a strong presence in ongoing mobile and gacha-style games, voicing Sierokarte, the cheerful shopkeeper and recruiter, in the epic fantasy RPG Granblue Fantasy since its 2014 launch by Cygames.[48] Similarly, in the tactical RPG Girls' Frontline (2016) by Mica Team, she portrays ST AR-15, a tactical doll based on the real-world rifle, embodying a determined and combat-ready personality in a post-apocalyptic setting.[3] These roles in modern multiplayer and strategy games underscore her adaptability from early single-player RPGs to interactive, community-driven experiences.Other works
Beyond her prominent roles in anime and video games, Emiri Katō has contributed to various dubbing projects for foreign media, providing Japanese voices for international animated series and films. She voiced Fluttershy in the Japanese dub of My Little Pony: Friendship Is Magic, a role that highlighted her ability to portray whimsical and gentle characters in Western animation.[3] Additionally, Katō lent her voice to Zee, the energetic weasel character, in the Japanese version of the 2022 animated film Ice Age: Adventures of Buck Wild.[3] In the Malaysian animated series Mechamato, she dubbed the character Mara across both the television episodes and the 2022 feature film adaptation, showcasing her versatility in adapting to non-Japanese production styles.[3] Katō has made select appearances in live-action television. In 2008, she acted in episode 7 of the BS-i drama series Joshidaisei Kaikeishi no Jikenbo, marking an early foray into scripted live-action performance.[49] She also appeared as Chief Researcher No. 001 in the 2015 live-action variety show Ad Lib Anime Kenkyūsho, where participants improvised scenes based on anime tropes.[3] In radio and web broadcasting, Katō co-hosted the web radio program Candy Boy Radio: While Kana-chan Is Away alongside Ryōka Yuzuki in 2008, discussing the original net animation Candy Boy and related topics on the Niconico platform. Katō has participated in stage readings, blending her voice acting expertise with live performance. In January 2024, she joined Aya Hirano, Kaori Fukuhara, and Aya Endō for live readings of unadapted short stories from The Melancholy of Haruhi Suzumiya light novels at a special event in Tokyo, performing scenes from "Wandering Shadow" in daytime and evening sessions.[50]Discography
Solo albums
Emiri Katō's solo music career began with her debut album Vivid, released on December 17, 2008, by Pony Canyon as her first independent full-length effort following her voice acting prominence in anime like Lucky Star. The album blends upbeat J-pop tracks with anime-inspired elements, such as energetic melodies and thematic ties to character-driven narratives, showcasing her versatile vocals honed through seiyū roles. It peaked at number 87 on the Oricon weekly albums chart and sold 2,015 copies during its single week on the ranking.[51][52] Her sophomore release, One Girl, arrived on September 2, 2009, continuing her solo trajectory with a focus on personal growth themes amid pop arrangements infused with anime soundtrack influences. Tracks emphasize emotional depth and playful energy, reflecting Katō's background in voicing dynamic characters. The album charted at number 132 on Oricon, achieving first-week sales of 880 units.[53][54] Katō followed with the mini-album Jump! on October 6, 2010, a concise solo project highlighting motivational pop songs with subtle anime-inspired motifs that echo her performance style in voice work. Produced as a bridge between full albums, it features lively production to capture youthful exuberance. It reached number 92 on the Oricon chart, with total reported sales of 1,184 copies.[55][56] In 2012, she issued the compilation My Favorite Songs on January 11, serving as a retrospective of her early solo output with selected tracks from prior albums and singles, emphasizing her pop-anime fusion sound. This release consolidates her post-debut solo endeavors, offering fans a curated overview without new material. It did not enter the top Oricon rankings significantly.[57][58]Solo singles
Emiri Katō's solo singles represent her initial forays into standalone music releases as a singer, distinct from her extensive catalog of character songs tied to anime roles. These releases, issued under Pony Canyon, primarily occurred during the late 2000s and early 2010s, coinciding with the promotion of her debut albums and showcasing her versatile vocal style blending pop and upbeat tracks. While her singles did not achieve major commercial breakthroughs, they underscored her transition from voice acting to a multifaceted entertainment career. Her debut solo single, "update," was released on August 19, 2009, featuring the title track alongside coupling song "Migite to Hidarite" (Right Hand and Left Hand).[59] This release served as a lead-in to her second album, One girl, and highlighted her energetic pop sound without direct ties to specific anime or drama projects.[60] Katō's second solo single, "Egao no Katachi / Fuwafuwa," followed on February 3, 2010. The A-side "Egao no Katachi" (The Shape of a Smile) functioned as the opening theme for the drama series Neko Taxi (Cat Taxi), while the B-side "Fuwafuwa" (Fluffy) added a lighter, whimsical contrast.[61] It peaked at number 85 on the Oricon weekly singles chart, reflecting modest but dedicated fan support amid competition in the J-pop market.[62] The single's anime-adjacent appeal, drawing from Katō's established voice acting persona, contributed to its reception among otaku audiences, though it did not spawn significant broader media buzz.| Title | Release Date | Oricon Peak | Tie-in |
|---|---|---|---|
| update | August 19, 2009 | — | None specified |
| Egao no Katachi / Fuwafuwa | February 3, 2010 | 85 | Opening theme for Neko Taxi (drama) |
Character songs and drama CDs
Emiri Katō has extensively contributed to character songs and drama CDs, performing in the personas of her anime roles to blend voice acting with vocal performances that deepen character development. These releases often feature original songs tailored to the character's personality or narrative arcs, as well as audio dramas that extend storylines beyond visual media.[63] In Lucky Star (2007), Katō voiced Kagami Hiiragi in the character song album LUCKY STAR CHARACTER SONG Vol.002 featuring KAGAMI, which includes tracks like "Motteke! Sailor Fuku" and "Koi no Mikuru Densetsu," capturing the character's tsundere traits through upbeat, personality-driven lyrics and melodies. This release marked one of her early forays into character-specific music, emphasizing Kagami's dynamic with her sisters and friends. A companion Lucky Star Drama CD (2008) further showcased her acting in scenario-based audio stories involving the main cast.[64][65] For the YuruYuri series (2011 onward), Katō provided character songs as Sakurako Omuro, including "Kirai ja Nai mon" from YuruYuri no Uta Series♪05 (2011), a playful track reflecting Sakurako's energetic and mischievous nature within the all-girls comedy setting. Subsequent releases, such as special sound CDs through 2015, incorporated additional songs and light drama segments that highlight group interactions among the characters. These works underscore Katō's ability to infuse humor and rhythm into her role's whimsical persona.[66][67] Katō's involvement in Puella Magi Madoka Magica drama CDs centers on her role as Kyubey, with releases like Puella Magi Madoka Magica Special CD 1 Drama CD (2011) featuring audio stories that explore the incubator's enigmatic motivations and dialogues with the magical girls. Multiple volumes in this series, including later special editions, expand on the anime's themes of contracts and consequences through scripted scenes where Katō's detached delivery enhances Kyubey's alien perspective. These drama CDs are noted for their narrative depth, bridging gaps in the original storyline.[68][69] In Black Butler, Katō appeared as Mey-Rin in associated drama releases, such as audio adaptations tied to the series' OVA and special editions, where her performance brings out the maid's clumsy yet loyal demeanor in butler-servant scenarios. Similarly, for BanG Dream!, side releases like the BanG Dream! Bonus Sampler CD Red (2018) include drama tracks and short songs featuring her as Himari Uehara of Pastel*Palettes, blending band rehearsals with character-driven dialogues to showcase the group's musical growth. These contributions highlight how Katō's character work often merges singing with improvisational acting elements unique to audio formats.[3]Kato*Fuku releases
Kato*Fuku was a Japanese musical duo formed in 2012 by voice actresses Emiri Katō and Kaori Fukuhara, with Katō taking the "Kato" role and Fukuhara as "Fuku."[63] The pair debuted that February and remained active through the 2010s, releasing material until 2015 before holding their final live performance in September 2016 and entering hiatus.[70] Their output focused on upbeat J-pop tracks often tied to anime and variety shows, featuring harmonious vocals and lighthearted themes that contrasted with Katō's more introspective solo work.[71] The duo's discography includes three studio albums, each showcasing their collaborative chemistry through a mix of original songs and covers. Their debut album, Yaa(^-^)/, released on December 26, 2012, by Avex Pictures, compiles nine tracks including lead singles "Appare! Shunkan Sekkyokuzai" and "WONDERFULER," blending energetic pop with playful narratives.[72] The second album, with, arrived on January 29, 2014, also via Avex Pictures, and features nine original compositions emphasizing friendship and daily joys, such as the opening track "My Friend."[73] Their final album, Wonder Tale| Album Title | Release Date | Label | Notable Tracks |
|---|---|---|---|
| Yaa(^-^)/ | December 26, 2012 | Avex Pictures | "Appare! Shunkan Sekkyokuzai," "WONDERFULER" |
| with | January 29, 2014 | Avex Pictures | "My Friend," "Ready for SUNNY MODE" |
| Wonder Tale | November 25, 2015 | Avex Pictures | "Totteoki no Monogatari," "You Gotta Love Me!" |
| Single Title | Release Date | Label | Chart Peak (Oricon) | Tie-in |
|---|---|---|---|---|
| "WONDERFULER" / "Appare! Shunkan Sekkyokuzai" | February 8, 2012 | Avex Pictures | #28 | Adoribu Anime Kenkyūjo OP |
| "You Gotta Love Me!" | November 19, 2014 | Avex Pictures | #47 | Inō-Batoru wa Nichijō-kei no Naka de ED |