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Fast Color

Fast Color is a 2018 American superhero drama film written and directed by Julia Hart, co-written and produced by Jordan Horowitz, and starring Gugu Mbatha-Raw as Ruth, a fugitive woman with supernatural abilities that trigger earthquakes and summon rain, who returns to her isolated family farmhouse in a near-future United States plagued by severe drought and water scarcity.^[1]^[2]^[3] The film explores Ruth's strained relationships with her estranged mother Bo (Lorraine Toussaint) and young daughter Lila (Saniyya Sidney), both of whom share her seismic powers, as she evades government agents and a pursuing sheriff (David Strathairn) intent on exploiting their abilities amid a world where water has become a controlled currency.^[2]^[4]^[3] Blending elements of science fiction, thriller, and family drama, Fast Color delves into themes of generational trauma, addiction, and female empowerment, presenting a grounded superhero narrative that prioritizes emotional intimacy over action spectacle.^[1]^[5] Having its world premiere at South by Southwest on March 10, 2018, and receiving a limited theatrical release on April 19, 2019, the film garnered critical acclaim for its atmospheric cinematography, Mbatha-Raw's nuanced performance, and its allegorical commentary on environmental collapse and personal resilience, achieving an 83% approval rating on Rotten Tomatoes based on 88 reviews.^[1]^[3] A television series adaptation is in development at Amazon Studios, executive produced by Viola Davis.^[6]

Synopsis

Plot

In a drought-ravaged near-future American Midwest, where rain has not fallen for eight years and water is strictly rationed as a form of currency, the story centers on Ruth, a woman haunted by addiction and uncontrollable superhuman abilities that manifest as earthquakes during emotional distress or seizures.^[2]^[3] After years of isolation and flight from authorities, Ruth returns to her remote family farm seeking temporary sanctuary, only to confront the painful estrangement from her mother, Bo, and her young daughter, Lila, whom Bo has raised alone since Ruth's departure.^[2]^[7] Tensions rise as Ruth's arrival reveals a generational legacy of powers among the women, allowing them to perceive vibrant "colors" and manipulate matter at a molecular level by disintegrating and reconstructing objects; Bo calmly demonstrates this by disintegrating a cigarette and reassembling it, while Lila experiments tentatively with objects, hinting at her untapped potential.^[2] Ruth, however, suppresses her gifts out of fear, haunted by past incidents where they endangered those she loves. The fragile reunion is interrupted by the arrival of pursuers: government scientist Bill, intent on capturing Ruth for experimentation on her abilities, and local sheriff Ellis, drawn into the hunt.^[3]^[7] The pursuit escalates into chaos, forcing Ruth to confront her guilt and limitations. In the climactic confrontation at a police station, as Bill and Ellis close in, Ruth achieves emotional catharsis through bonding with Lila and perceiving the colors, channeling her abilities without destruction for the first time to summon rain across the drought-stricken region. Bo offers herself to the authorities to allow Ruth and Lila to escape and seek out other women with similar powers, offering hope for renewal through their shared heritage and resilience.^[8]^[9]^[10]

Themes

Fast Color explores themes of intergenerational female empowerment through the story of three generations of Black women—Ruth, her mother Bo, and daughter Lila—who possess inherited powers allowing molecular manipulation of matter, symbolizing resilience and cultural heritage passed down despite societal oppression.^[11]^[12] This narrative arc emphasizes how these women learn to harness their abilities together, transforming personal vulnerabilities into collective strength and highlighting the enduring legacy of Black maternal bonds in a speculative future.^[11]^[13] The film incorporates elements of Afrofuturism by blending science fiction with Black cultural identity, presenting a rare depiction of Black women as superheroes whose powers connect to ancestral roots and communal survival in a dystopian world.^[12]^[11] Director Julia Hart draws on this framework to center maternal lineage as a source of futuristic empowerment, contrasting with male-dominated superhero tropes and offering a vision of heroism rooted in Black female experiences.^[12]^[14] Environmental allegory permeates the story, with a prolonged drought ravaging the American Midwest serving as a metaphor for the climate crisis, where water scarcity underscores human exploitation of the earth.^[11]^[13] The women's powers, which culminate in inducing rain, represent renewal and the potential for healing the planet through harmonious connection to nature, positioning their abilities as a cautionary yet hopeful response to ecological collapse.^[11]^[14] Central to the film's emotional core are themes of addiction recovery and family reconciliation, as Ruth grapples with substance abuse used to suppress her uncontrollable powers, leading to estrangement from her loved ones.^[11]^[13] Her return home forces confrontations with past traumas, enabling a path toward sobriety and mending fractured relationships, while illustrating the personal toll of concealing one's identity in a society that hunts those with extraordinary abilities.^[11]^[14] Hart's directorial style reinforces grounded superheroism, prioritizing intimate character drama and everyday struggles over high-stakes action, which grounds the fantastical elements in realistic emotional and socio-cultural tensions.^[14]^[11] This approach critiques traditional genre conventions by focusing on vulnerability and healing, portraying superpowers as both a burden and a tool for personal and communal restoration.^[13]^[12]

Cast and crew

Cast

The principal cast of Fast Color features Gugu Mbatha-Raw as Ruth, the protagonist who possesses seismic powers that manifest as earthquakes during her seizures and is forced to flee authorities while seeking refuge with her family.^[11] Lorraine Toussaint portrays Bo, Ruth's mother and a guardian of the family's generational secrets, endowed with telekinetic abilities to disassemble and reassemble objects.^[11] Saniyya Sidney plays Lila, Ruth's young daughter who inherits similar powers and serves as the emotional heart of the story, bridging the generational divide.^[11] David Strathairn appears as Sheriff Dean Ellis, a compassionate local law enforcement officer in the drought-stricken town who grapples with his duty while developing empathy for the central family.^[11] Christopher Denham stars as Bill, the primary antagonist—a scientist affiliated with a secretive government agency who pursues the family to exploit their abilities for research purposes.^[11] Supporting roles include minor characters such as farmhands and townsfolk who populate the isolated rural setting, providing context to the protagonists' hidden lives without driving the central narrative.^[15]

Crew

Julia Hart directed Fast Color and co-wrote the screenplay with Jordan Horowitz, marking her feature directorial debut in the science fiction genre.^[4] Hart drew personal inspiration from her experiences as a new mother, conceptualizing the story around the idea of motherhood as a form of superpower, which shaped the film's exploration of familial bonds and inherited abilities.^[16]^[17] Jordan Horowitz served as co-writer and producer, collaborating closely with Hart, his wife, on the project; he is the co-founder of the production company Original Headquarters, which helped develop the film.^[18] Additional key producers included Mickey Liddell and Pete Shilaimon, who supported the film's production through their company LD Entertainment.^[8]^[11] Michael Fimognari handled cinematography, crafting the film's intimate and arid visual style through innovative techniques, such as varying night shoots based on character perspectives to enhance the dystopian atmosphere, with striking location work in New Mexico.^[11]^[19] Rob Simonsen composed the atmospheric score, building on his prior work with Hart on Miss Stevens to create a soundscape that underscores the emotional and supernatural elements with subtle, reverberant tones.^[20]^[21] Martin Pensa edited the film, blending dramatic tension with restrained visual effects to maintain a grounded tone amid the speculative narrative; an Academy Award nominee for Dallas Buyers Club, Pensa's work emphasized pacing that highlighted the story's intimate family dynamics.^[3]^[22]

Production

Development

The screenplay for Fast Color was co-written by Julia Hart and her husband, Jordan Horowitz, drawing inspiration from Hart's personal experiences as a new parent and her interest in creating superhero narratives centered on diverse, female protagonists.^[23]^[24] Hart envisioned the story as an exploration of motherhood as a literal superpower, a concept she felt was underrepresented in the genre, emphasizing the everyday heroism of parents over explosive action sequences. This marked Hart's shift from her directorial debut, the 2016 drama Miss Stevens, into science fiction territory, where she prioritized intimate, character-driven stories about women navigating extraordinary circumstances.^[23]^[24] The project originated under Original Headquarters, the production company co-founded by Hart and Horowitz to develop female-led genre films.^[25] As a low-budget independent production, Fast Color secured financing from LD Entertainment.^[26] Conceptually, Hart and Horowitz aimed for a grounded portrayal of superhuman abilities—specifically the power to cause and sense earthquakes—in a drought-stricken world, framing them as a familial inheritance intertwined with emotional and relational drama rather than high-stakes battles.^[23]^[11] The script was completed prior to 2017, with production greenlit in early 2017 after LD Entertainment quickly approved it upon review, leading to principal photography commencing on March 13 of that year in New Mexico.^[11] This rapid timeline reflected the filmmakers' commitment to an efficient, indie-scale approach, allowing the project to move swiftly from concept to execution while maintaining its focus on intimate storytelling.^[27]

Filming

Principal photography for Fast Color took place over 28 days, commencing on March 13, 2017, in New Mexico and wrapping in April 2017.^[28]^[11] The production began near northwest Albuquerque before relocating to Estancia for the majority of the interior and farmhouse scenes, utilizing a farmhouse outside the town to represent the family's isolated home.^[29]^[11] These New Mexico locations, including desert landscapes around Albuquerque's Shooting Range Park and the rural expanses of Estancia, were selected to capture a timeless, drought-afflicted Americana aesthetic evoking the parched Midwest.^[11]^[30] Filming faced challenges in depicting the characters' superhuman abilities on a modest independent budget, relying on a combination of practical effects captured during principal photography and targeted visual effects in post-production.^[31]^[32] The powers—manifesting as earthquakes, telekinesis, and vivid color visions—were simulated through on-set practical techniques for immediate physicality, such as controlled object manipulation and environmental disruptions, before enhancement with VFX.^[11] Visual effects supervisor Chris LeDoux of Crafty Apes handled the digital integration, creating 3D models for disintegrating objects and aurora-inspired color streaks to represent the seismic and telekinetic sequences without overwhelming the grounded tone.^[11]^[15] Director Julia Hart prioritized naturalism in her approach, drawing from influences like Steven Spielberg and the Coen brothers to foster authentic, character-driven performances amid the genre elements.^[11] She emphasized emotional intimacy through extended takes that allowed actors like Gugu Mbatha-Raw, Lorraine Toussaint, and Saniyya Sidney to explore vulnerable family dynamics organically, balancing the sparse, post-apocalyptic setting with humanistic depth.^[14]^[33] Post-production focused on seamless VFX incorporation to support the powers' subtlety, with work completed by late 2017 to meet the film's March 2018 premiere at South by Southwest.^[11]^[34]

Release

Premiere and distribution

Fast Color had its world premiere at the South by Southwest (SXSW) Film Festival on March 10, 2018, in Austin, Texas, where it screened as part of the Narrative Spotlight program.^[35] The event featured a post-screening Q&A moderated by Barry Jenkins, highlighting the film's unique take on superhero tropes through a family-centered narrative.^[36] Following its festival debut, the film received a limited theatrical release in the United States on April 19, 2019, distributed by Lionsgate and Codeblack Films. Marketing campaigns focused on trailers released in early 2019 that emphasized Gugu Mbatha-Raw's compelling performance as Ruth and the story's themes of maternal bonds and empowerment, with promotional efforts targeted toward diverse audiences seeking representation in genre films.^[37] Internationally, distribution was limited to select markets, supplemented by post-theatrical streaming agreements to broaden accessibility.^[38] For home media, Lionsgate issued the film on DVD and Blu-ray on July 16, 2019, including digital download options.^[39] It later became available for streaming on platforms like Amazon Prime Video and Netflix beginning in 2020, allowing wider viewership beyond initial theatrical runs.^[40]^[41]

Box office and home media

Fast Color achieved a total worldwide box office gross of $76,916, with all earnings stemming from its limited U.S. theatrical release in April 2019.^[4]^[42] The film's underwhelming financial performance was influenced by its low-budget independent nature, a restricted rollout to a maximum of 25 theaters, and stiff competition from high-profile superhero films like Avengers: Endgame during its debut weekend.^[12] On home media, Lionsgate distributed Fast Color on DVD and Blu-ray starting July 16, 2019, resulting in modest physical sales that were supplemented by digital rental and purchase options on platforms like iTunes and Vudu.^[43] The film's availability on streaming services, including Netflix and Amazon Prime Video, led to heightened viewership after 2020, fostering a growing cult following through word-of-mouth recommendations despite the absence of publicly reported revenue metrics.^[41]^[44] Commercially, Fast Color exemplifies the indie sci-fi model, where limited theatrical returns are offset by sustained ancillary market engagement and long-term audience discovery.^[45]

Reception

Critical reception

Fast Color received positive reviews from critics, who praised its fresh approach to the superhero genre and strong performances, though some noted flaws in pacing and scripting. On Rotten Tomatoes, the film holds an 83% approval rating based on 88 reviews, with an average score of 6.8/10.^[1] On Metacritic, it has a weighted average score of 64 out of 100, based on 20 critics, indicating "generally favorable" reviews.^[32] Critics lauded Gugu Mbatha-Raw's nuanced performance as Ruth, highlighting her ability to convey emotional vulnerability and quiet strength in a role that grounds the film's supernatural elements.^[46] The movie was commended for its innovative take on superhero tropes, centering Black women and emphasizing empowerment over spectacle, which distinguished it from mainstream blockbusters.^[14] Reviewers also appreciated the emotional depth in its family dynamics, portraying the relationships between Ruth, her mother Bo (Lorraine Toussaint), and daughter Lila (Saniyya Sidney) as a poignant exploration of generational trauma and reconciliation.^[2] Some criticisms focused on the film's uneven pacing, particularly in the second act, which occasionally dragged amid slower dramatic builds.^[47] The antagonist was seen as underdeveloped, limiting the stakes in the central conflict, while the script drew occasional notes for clichés in its world-building, such as abrupt exposition about the drought-stricken setting.^[3] In The New Yorker, Richard Brody praised the film for its focus on "ordinary-life superheroism," presenting powers as a metaphor for personal and familial struggles rather than action-hero feats.^[14] IndieWire's Eric Kohn lauded its representation of Black women in sci-fi, calling it a "potent" blend of themes like addiction and racial prejudice, anchored by Mbatha-Raw's standout performance.^[46] Several outlets noted the visual style's effectiveness in evoking the despair of a parched world, with desaturated colors and stark landscapes underscoring the characters' isolation.^[12] At its world premiere at the 2018 SXSW Film Festival, Fast Color generated strong buzz for its originality, with audiences and critics highlighting its empowering narrative and fresh genre subversion.^[48]

Audience reception

Fast Color received mixed to positive responses from audiences, reflected in its user ratings across major platforms. On IMDb, the film holds a 6.1/10 rating based on over 7,400 user votes.^[4] Similarly, on Letterboxd, it scores 3.3 out of 5 from more than 11,000 logs, indicating a generally favorable but not exceptional reception among casual viewers.^[49] The audience score on Rotten Tomatoes stands at 58%, underscoring a divide where some appreciated its intimate approach while others expected more action-oriented superhero elements.^[1] Fans have particularly praised the film for its diverse representation and unconventional take on the superhero genre, portraying a quiet, character-driven story centered on Black women with extraordinary abilities.^[50] This has contributed to its growing cult status following its availability on streaming services, especially resonating with enthusiasts of Afrofuturism who value its exploration of Black female empowerment in a speculative context.^[51] Common feedback highlights the emotional depth of the mother-daughter relationships, which many viewers found resonant and heartfelt, providing a grounding counterpoint to the sci-fi elements.^[52] However, some audiences noted its deliberate, slow pacing as a drawback when compared to high-energy blockbuster superhero films.^[1] In cultural discussions around 2019-2020, Fast Color was highlighted for advancing narratives with Black female leads in science fiction, often described as an underrated gem that deserved broader attention despite its limited theatrical run.^[12] Its underperformance at the box office, grossing just $76,916 domestically, initially limited visibility, but streaming availability helped amplify these conversations.^[42] The film received a notable boost in viewership following its addition to Netflix in late 2021, sparking renewed interest and discussions through 2022, particularly among viewers discovering its themes of family and resilience via home media.^[53]

Adaptations

Television series

On July 30, 2019, Amazon Studios announced the development of a television series adaptation of Fast Color, produced by Viola Davis and Julius Tennon's JuVee Productions.^[54] The project was to be written by Julia Hart and Jordan Horowitz, who penned the original film's screenplay, allowing them to expand on elements such as the protagonist Ruth's backstory involving addiction and the deeper family lore tied to her abilities.^[55]^[6] The planned series was envisioned to follow Ruth's journey in a serialized format, delving further into the origins of her supernatural powers and the dystopian world they inhabit, building on the film's themes of inheritance and resilience.^[54] This adaptation aimed to provide richer narrative exploration beyond the constraints of the original film's 102-minute runtime, offering opportunities to develop supporting characters and world-building in greater depth.^[56] As of November 2025, the project remains in early development stages at Amazon Studios, with no pilot ordered, casting announcements, or release date confirmed, and no public updates reported since the initial 2019 reveal.

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and it seemed to be doomed. It took a ...Missing: sheriff | Show results with:sheriff