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Fede ring

A fede ring is a style of finger ring characterized by the motif of two right hands clasped together, symbolizing faith, trust, friendship, and the enduring bond of marriage or partnership.^[1]^[2] The term "fede" originates from the Italian word for "faith" or "trust," reflecting the ring's role as a pledge of commitment.^[1]^[3] The tradition of exchanging rings originated in ancient Egypt and was adopted by Greece before reaching Rome, where the fede design of two clasped hands emerged in the 3rd to 4th centuries CE, often carved as intaglios into gemstones such as onyx, carnelian, garnet, or amethyst.^[2] These early examples were typically made of gold and served as betrothal or marital symbols, representing unity and the marriage contract.^[2] By the medieval and Renaissance periods, fede rings gained widespread popularity across Europe, crafted in silver or gold with engraved bezels depicting the hands, and sometimes inscribed with religious phrases like “What God has joined together, let no man put asunder” from the New Testament.^[1]^[2] Notable 16th-century specimens, such as those in the Victoria and Albert Museum's collection, illustrate the motif's use in love gifts and wedding jewelry, with dimensions around 2.5 cm in height and features like inscribed shoulders bearing terms of endearment or faith.^[3] The style persisted into the 17th and 18th centuries, influencing variations like gimmel rings—interlocking bands worn separately by betrothed couples and united at the wedding—and later the Irish Claddagh ring, which incorporates a heart and crown alongside the clasped hands.^[2]^[4] Fede rings remain a timeless emblem in antique jewelry, valued for their historical and romantic significance.^[1]

History

Origins in Ancient Rome

The dextrarum iunctio, a motif depicting two right hands clasped together, emerged as a prominent symbol in Roman art and jewelry during the late Republic and early Empire, representing fides (trust or faith) and concordia (harmony or agreement). This design, often rendered in gold or silver on rings and engraved gems, signified pacts, alliances, or personal bonds such as betrothal and friendship, predating any Christian reinterpretations. Archaeological evidence indicates its use on finger rings from the 2nd century AD onward, with the motif appearing on intaglios set into bezels to evoke solemn vows or contracts in Roman society.^[5] In Italy, excavations have uncovered several 2nd- to 3rd-century AD examples, including carnelian and agate gems engraved with clasped hands, likely originating from workshops in Rome or nearby regions. These artifacts, found in contexts like funerary sites and urban deposits, illustrate the motif's role in denoting marital or legal unions, as evidenced by epigraphic associations on related monuments. For instance, a 3rd-century AD carnelian intaglio from Asia Minor, featuring the dextrarum iunctio, was set in a silver ring, highlighting its adaptability for personal adornment. Similar finds from Tunisia, possibly of Italian provenance, date to the 1st-2nd century AD and underscore the design's widespread adoption across the empire for symbolizing fidelity in non-military as well as civic bonds, including an agate gem depicting two Tychai joining hands over a modius with a garbled inscription denoting joy (XARA).^[5]^[6] Further evidence comes from Roman Britain, where the Thetford Hoard, discovered in 1979 near Gallows Hill in Norfolk, includes a pristine 4th-century AD gold ring (British Museum inventory 1981,0201.10) with an oval bezel depicting intertwined hands in filigree. Crafted from a thin undulating hoop bordered by beaded wire and spiral shoulders, this artifact exemplifies late Roman jewelry techniques and served as a token of alliance or betrothal, linking provincial workshops to continental traditions. The hoard's context suggests these rings were exchanged in rituals affirming trust, consistent with broader imperial practices.^[7]

Medieval and Renaissance Evolution

During the Middle Ages, particularly from the 10th to 15th centuries, the fede ring emerged as a distinct form of betrothal jewelry in Europe, evolving from earlier Roman motifs into a symbol deeply intertwined with Christian marital customs. The term "fede" derives from the Italian phrase "mani in fede," meaning "hands in faith," reflecting the clasped hands design that represented pledges of loyalty and trust.^[8] This evolution marked a shift toward more formalized Christian betrothal practices, where the ring served as a tangible vow exchanged during ceremonies at church doors in the Late Middle Ages.^[8] Christianity profoundly influenced the fede ring's symbolism, associating the clasped hands with biblical themes of fidelity, such as the pledges in marriage rites drawn from scriptural references to unity and covenant. By the 12th century, these rings were integrated into courtly love traditions at influential courts like that of Eleanor of Aquitaine, blending romantic ideals with religious devotion, often inscribed with posies in French or Latin to invoke divine blessing on the union.^[9] In this period, the design emphasized spiritual commitment, with the hands evoking the joining of souls under God's witness, distinct from secular contracts.^[10] Notable examples from the 14th century include Italian betrothal rings featuring enameled clasped hands, produced in workshops influenced by Burgundian goldsmithing techniques and often set with symbolic hearts to denote love's endurance.^[9] In 16th- and 17th-century England, gimmel rings incorporating fede elements—such as interlocking hoops with hand clasps—gained prominence, exemplified by gold examples inscribed with phrases like "As hands be shut so surely knit," blending the dual-hoop structure for shared wear during engagements with the faithful hands motif.^[11] These designs highlighted the ring's role in pre-wedding rituals, where the separate parts could be divided among betrothed parties until the marriage.^[12] The spread of fede rings across medieval and Renaissance Europe occurred primarily through trade routes connecting Italy, England, and France, where major production centers flourished among goldsmiths and merchants. Italian artisans in cities like Florence and Venice exported designs via Mediterranean commerce, while English and French workshops adapted them with local inscriptions and enameling, such as Limoges techniques, making the rings accessible to the emerging bourgeoisie by the mid-14th century despite sumptuary laws restricting luxury goods.^[9] This dissemination solidified the fede ring's status as a pan-European emblem of fidelity during the Renaissance, influencing broader jewelry traditions.^[13]

Later European Adoption

In the 17th and 18th centuries, Fede rings saw continued adoption across Europe, particularly in Georgian England and France, where they served as tokens of mourning, friendship, and fidelity. In England, these rings embodied the era's emphasis on romantic bonds and personal connections, with examples featuring clasped hands often crafted in gold and preserved in museum collections as symbols of enduring friendship.^[14] Surviving artifacts from this period, such as silver-gilt versions, highlight their use in commemorating loss or alliance, reflecting broader sentimental trends in jewelry. In France, Fede rings maintained popularity as betrothal tokens, aligning with cultural traditions of trust and commitment that persisted through the Enlightenment.^[15] Archival records from the 18th century reveal Fede motifs in Dutch and Spanish jewelry inventories, indicating regional adaptations of the clasped hands design. Dutch examples include motifs of clasped hands below a flaming heart on silver objects, underscoring their role in marriage symbolism amid trade influences.^[16] The 19th century brought a Victorian revival of Fede rings, driven by romanticism and advancements in production techniques that enabled mass-manufactured versions in silver and gold. These rings, often featuring intricate engravings or gem settings, symbolized sentimental attachments like eternal love and loyalty, becoming accessible to the emerging middle class.^[1] During the Napoleonic era, they functioned as alliance tokens in France, with interlocking gimmel variants—three banded designs representing unity—exchanged among supporters to signify political or familial bonds.^[17] By the late 19th century, preferences shifted toward diamond engagement rings around 1880, leading to a gradual decline in elaborate Fede styles.^[15]

Design and Symbolism

Core Iconography

The core iconography of the Fede ring revolves around the motif of two right hands clasped together, a design originating from the ancient Roman practice of dextrarum iunctio, meaning "the joining of right hands," which visually represents unity and fidelity.^[11] These hands typically form the bezel of the ring, emerging from decorative cuffs at the wrists to emphasize a formal or ceremonial gesture, as seen in medieval examples where the cuffs are often detailed with enamel or engraving for added ornamentation.^[11] In some variations, the hands project from each edge of the band, creating a symmetrical effect, while others incorporate a heart clasped between the palms, integrating the iconography with additional symbolic elements without altering the central hand-clasp focus.^[8] Variations in hand positioning distinguish subtle evolutions of the motif, with the most common form featuring a palm-to-palm clasp that evokes a solemn handshake or oath, as documented in 15th-century Italian silver examples.^[18] These positional differences maintain the essential dextrarum iunctio while adapting to artistic or regional preferences, ensuring the hands remain the dominant visual element. Inscriptions frequently enhance the iconography, engraved on the inner or outer band to reinforce themes of fidelity and love; common examples include the English phrase "AS HANDS BE SHVT SO SEWERLY KNYT" (meaning "as hands be shut so surely knit"), found inside the hoops of gimmel-style rings from the 16th century.^[11] French and Italian variants often feature "GAGE D'AMITIE" (pledge of friendship) or other Latin sentiments of loyalty, directly tying the clasped hands to vows of loyalty.^[19] Such engravings, typically short and poetic, are positioned to be visible when the ring is worn or exchanged, amplifying the motif's declarative power without overwhelming the hand design.^[20] The ring's structure supports the iconography through a simple yet versatile form, most often a single broad band of gold or silver where the clasped hands serve as the raised bezel, allowing the motif to stand out prominently against the wearer's finger.^[18] A key variation is the gimmel type, consisting of two or three hinged or interlocking hoops that unite at the bezel to form the complete clasped hands, enabling the ring to be separated and shared among multiple wearers during betrothal rituals.^[11] This articulated design, evident in 16th-century gold examples, underscores the motif's interactive nature, as the hands "join" only when the components are assembled.^[13]

Symbolic Meanings

The term "fede," derived from the Italian word for faith, underscores the ring's primary symbolism of fidelity, trust, and unbreakable bonds between individuals, often depicted through the motif of two clasped hands representing a solemn pledge.^[13] This iconography evokes the idea of mutual commitment, where the interlocked hands signify an enduring connection that withstands time and adversity.^[18] In ancient Roman times, the clasped hands motif, known as dextrarum iunctio or the joining of right hands, symbolized legal pledges and contracts, including those of marriage and alliance, serving as a visible affirmation of agreement and loyalty.^[11] During the medieval period, this symbolism evolved within Christian contexts to represent marital vows, echoing the hand-clasping gestures in betrothal ceremonies as outlined in canon law and the 1549 Book of Common Prayer, which emphasized mutual consent through such physical unions.^[11] These layers highlight the ring's transition from secular Roman jurisprudence to a sacred emblem of spiritual and emotional fidelity in European Christian traditions. Beyond formal vows, the fede ring carries emotional connotations of loyalty in friendship, reconciliation after disputes, and eternal love, positioning the clasped hands as a gesture of reconciliation and steadfast support in personal relationships.^[13] For instance, the motif's emphasis on joined hands suggests mending broken ties through renewed trust, a theme resonant in its use as tokens of platonic bonds.^[21] While the fede ring's hand-clasping draws loose parallels to ancient Egyptian and Greek symbols of unity—such as protective hand gestures in amulets or contractual seals—its distinctive evolution occurred in Roman-Italian culture, where it became a refined emblem of interpersonal faith rather than broader mystical or divine protection.^[2] This uniquely European adaptation solidified the design's focus on human covenants, distinguishing it from earlier Mediterranean precedents.^[21]

Materials and Variations in Craft

Fede rings were predominantly crafted from precious metals, with gold favored for rings intended for nobility and higher social classes due to its durability and symbolic value, as seen in 19th-century examples featuring broad gold bands adorned with enamel.^[8] Silver, more accessible to commoners, formed the base for many medieval iterations, often engraved to highlight the clasped hands motif, such as in 15th-century Italian specimens.^[18] Occasional decorative enhancements included enamel inlays—white for the hands and red for hearts in Hungarian gold pieces from the 1800s—and gem settings like crystals or diamonds, which appeared in select 15th-century marriage rings to add luster and personalization.^[8]^[18] Artisanal techniques evolved across periods, beginning with Roman-era repoussé methods where malleable metals like gold or bronze were hammered from the reverse to raise the clasped hands in relief, creating a three-dimensional effect on early prototypes.^[22] By the medieval period, lost-wax casting became standard for forming the ring bands, allowing precise replication of the hoop's shape, while hand-engraving via chip-carving detailed the fingers and wrists, as evidenced in 13th-14th century silver-gilt examples from English sites.^[23] Filigree work emerged in Renaissance variations, particularly on gold bands, where fine twisted wires were soldered into intricate patterns alternating with plain sections to enhance texture and elegance.^[24] These rings were designed for practical wear, typically sized to fit modern equivalents of US 5 to 8, with inner diameters around 15-18 mm to accommodate average adult fingers, ensuring comfort during daily use.^[25] Their construction emphasized durability, employing seamless soldering at joints—often at the "wrist" area—and secondary attachment of bezel elements like hands after band forming, to withstand prolonged handling.^[23] From the 16th century onward, quality was marked by hallmarks indicating origin and purity, such as Italian assay stamps featuring lions or anchors on silver pieces, which verified craftsmanship standards and helped trace provenance in trade networks.^[26] High-skill indicators included symmetrical engraving and even gilding layers, distinguishing elite productions from cruder, asymmetrical common variants.^[23]

Cultural Significance

Role in Betrothal and Marriage

The Fede ring primarily functioned as a betrothal token in medieval Europe, worn by couples during the engagement period to symbolize their pledged faith prior to formal church weddings. Originating from the Roman tradition of clasped hands representing contractual agreements, these rings were given by the bridegroom to the betrothed, often during ceremonies at the church door, and sometimes exchanged mutually to affirm commitment.^[8] In this context, the ring served as a visible sign of the couple's intent to marry, bridging the gap between secular betrothal and ecclesiastical union.^[10] The marital symbolism of the Fede ring is deeply tied to the clasped hands motif, which directly mirrored the "joining of hands" ritual performed in wedding ceremonies across Europe from the Late Middle Ages onward. This gesture, known as dextrarum iunctio in Roman times and adapted into Christian rites, emphasized fidelity and the unbreakable bond of marriage; the rings were often blessed by clergy and placed on the bride's right hand during the nuptial mass.^[8] The design's heart element, frequently incorporated between the hands, further reinforced themes of love and unity, making the Fede ring a poignant emblem of spousal vows.^[8] Historical customs surrounding Fede rings varied by region but consistently linked them to romantic commitments. In 14th-century Italy, these rings were exchanged as integral parts of dowry agreements, with the clasped hands motif evoking the handshake that sealed familial negotiations for the union.^[10] By the 16th century in England, Fede designs evolved into posy rings inscribed with personal vows or mottos, such as pledges of eternal love, used to express consent to marry and often incorporated into wedding rituals. In the 19th century, simpler plain gold bands gained favor in Western Europe, reflecting a shift toward understated symbolism amid Victorian influences and mass-produced jewelry.^[27]^[28]

Use in Friendship and Reconciliation

Fede rings, featuring the clasped hands motif, were exchanged as tokens of friendship among allies and kin during the medieval and early modern periods, symbolizing bonds of loyalty and mutual support beyond romantic contexts.^[1] In the Middle Ages, these rings often incorporated poesy inscriptions with affectionate phrases, such as "mon cuer avez" (you have my heart).^[14] Beyond friendship, fede rings played a significant role in reconciliation efforts, particularly during the Renaissance, where they signified renewed trust following disputes. This reconciliatory use drew from the ring's core symbolism of fidelity, allowing it to bridge personal rifts in social or familial circles without the exclusivity of marital vows.^[29]^[18]

Regional Traditions Across Europe

In Italy, Fede rings held a central place in betrothal customs, particularly in regions like Tuscany and Venice during the Renaissance, where they served as symbolic pledges of fidelity exchanged between betrothed couples. The term "fede," meaning "faith" in Italian, underscored their role in formalizing marriage agreements, with designs featuring clasped hands representing unbreakable trust. Examples from 15th- and 16th-century Florence, a key center in Tuscany, include nielloed silver rings and gold pieces inscribed with Latin mottos such as "Quod Deus coniunxit homo non separet" (What God has joined together, let no man put asunder), highlighting their integration into local wedding rituals.^[30]^[18] Across the British Isles, Fede rings were used in betrothal contexts, often worn as tokens of loyalty before formal church weddings. Archaeological finds, including 14th-century English gold examples with love inscriptions like "IO SVI ICI EN LIV DE AMI OD CEST PRESENT AVVS" (I am here in the stead of a lover; yours with this gift), illustrate their widespread use in betrothal contexts.^[31]^[30] In continental Europe, Fede rings were adopted among the French nobility as "main en main" (hand in hand) tokens, exchanged in courtly settings to signify alliances and romantic devotion, particularly from the 12th century onward under influences like Eleanor of Aquitaine's promotion of courtly love. Spanish traditions incorporated similar clasped-hand designs, serving as symbols in marital pacts. Germanic folklore enriched the rings' lore, portraying clasped hands as symbols in oaths of fealty.^[9]^[30]

European Regional Styles

In Italy during the 14th to 16th centuries, Fede rings often featured elaborate cuffs on the clasped hands, detailed inscriptions such as amatory phrases or religious invocations, and occasional integration of icons like hearts held by the hands to evoke fidelity and divine blessing.^[18] These designs reflected Renaissance influences, with silver-gilt or gold construction emphasizing engraved or sculpted elements for betrothal purposes.^[32] English Fede rings, particularly in the Georgian era (1714–1830), adopted simpler gimmel hinges allowing the ring to separate into interlocking bands for shared wear between partners, often accented with subtle floral motifs on the shoulders or bezel to denote unity without ornate excess.^[33] This practicality suited Protestant marriage customs, favoring durable silver or lower-carat gold over lavish decoration.^[34] French and German styles in the 18th century emphasized enamel detailing in vibrant colors—such as white, black, blue, green, and red—applied to cuffs and hands, with larger, more prominent hand motifs for visibility in courtly settings.^[35] These rings, crafted in gold and used among nobility, incorporated gimmel mechanisms and symbolic hearts, aligning with Baroque and Rococo aesthetics in jewelry.^[36] Material preferences varied regionally: Italian artisans favored gold filigree for its intricate, lightweight openwork that highlighted the clasped hands and inscriptions, evoking opulence in Renaissance pieces.^[37] In contrast, British examples leaned toward silver chasing, a technique of hammered relief patterns that added texture to simpler designs, making them accessible for everyday betrothal use.^[34]

Connection to Claddagh Rings

The Claddagh ring represents a 17th-century Irish evolution of the traditional Fede ring, incorporating the classic clasped hands motif while introducing additional symbolic elements. Originating in the fishing village of Claddagh near Galway, the design emerged around 1700, attributed to goldsmith Richard Joyce, who adapted the Roman-era Fede style—symbolizing faith through intertwined hands—by adding a central heart for love and a crown for loyalty.^[38]^[4] This adaptation built on broader European Fede traditions, transforming the simple handclasp into a trinitarian emblem of friendship (hands), love (heart), and loyalty (crown).^[2] The historical link between Fede rings and the Claddagh is tied to maritime exchanges, particularly the influx of Spanish jewelry following the 1588 wreck of the Armada galleon La Girona off the Irish coast. Recovered artifacts from the site include a 16th-century gold Fede ring depicting hands clasping a heart, inscribed with a romantic sentiment, which exemplifies the continental influences that likely reached Galway's fishermen through salvaged treasures and trade.^[39] These imports inspired local adaptations among Claddagh craftsmen, who were part of a close-knit fishing community reliant on such external motifs for their betrothal jewelry.^[4] Key differences distinguish the Claddagh from its Fede predecessors: while Fede rings typically feature only the clasped hands without further embellishments, the Claddagh integrates the heart and crown as explicit symbols, creating a more narrative design. Additionally, Claddagh wearing conventions signal marital status—pointing toward the heart for engagement or marriage, and away for single status—adding a practical layer absent in most Fede variants.^[38]^[2] By the 19th century, the Claddagh ring had evolved into a distinct national symbol, popularized through Victorian-era literature such as Samuel Carter Hall's Ireland: Its Scenery, Character, &c. (1841–1843), which highlighted its cultural uniqueness. Goldsmith Thomas Dillon further commercialized it from 1850 onward, expanding production in Galway and promoting it beyond local use, solidifying its identity separate from the wider Fede tradition across Europe.^[39]^[38]

Influence on Other Jewelry Motifs

The Fede motif of clasped hands, symbolizing fidelity and union, extended beyond rings to other forms of jewelry, including brooches and pendants, particularly in 18th-century France where it appeared in sentimental lockets designed to hold locks of hair as mementos of loved ones. In architectural and artistic influences, the clasped hands motif permeated Renaissance paintings and Gothic church carvings, representing covenants, faith, and divine fellowship. Similarly, in Gothic ecclesiastical art, handclasps appear in carvings on sarcophagi, capitals, and misericords, symbolizing the dextrarum iunctio—the sacred right-hand clasp of fidelity seen in early Christian scenes like Christ's harrowing of hell or marital rites, as analyzed in scholarly examinations of ancient sacred gestures.^[40] Seal rings bearing the motif were particularly favored in fraternal contexts, their intaglio impressions used to authenticate documents and affirm group loyalty.^[41] The symbolic carryover of the Fede motif influenced Masonic and guild emblems across Europe, where clasped hands became a enduring emblem of fidelity, trust, and fraternal unity. In Freemasonry, the joined right hands—reminiscent of the Roman Fides—symbolized oaths of brotherhood and moral integrity, appearing in lodge vignettes, medals, and rituals from the 18th century onward. Guilds adopted similar iconography in their crests and seals to denote collective allegiance and craftsmanship bonds, perpetuating the motif's ancient connotation of solemn pact.^[42]

References

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Antique Engagement Ring Styles: Timeless Symbols of Love - GIA 4Cs
Jun 6, 2016 · The fede ring has two clasped right hands to symbolize friendship, or the bonds of marriage. Fede (pronounced fey-dey) is Italian for “trust” ...
[2]
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May 8, 2020 · The fede ring, which showed two right hands clasped together, representing friendship, partnership and the marriage contract, were in vogue ...
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Fede Ring | Unknown | V&A Explore The Collections
The clasped hands on the bezel of this ring show that it is a fede ring. This type of ring was known in Roman times and has been used in Europe from the ...
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1700 Claddagh Ring - Fashioning Faith - Wake Forest University
For example, Fede rings (see Figure 2), which refers to “Mani in Fede” or “hands clasped in faith,” date back to Roman times and feature a design with two hands ...
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Discussion: The dextrarum iunctio became a popular device on gems in the late first century B.C., symbolizing concordia and fides, usually with military ...
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finger-ring | British Museum
The motif of clasped hands is common in Roman jewellery as a symbol of friendship or betrothal. Ring 1981,0201.10 in the Thetford group is an important link in ...Missing: 3rd | Show results with:3rd
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fede ring | British Museum
The fede- (or hand-in-hand) ring is said to derive from the Italian 'mani in fede' ('hands in faith') but it was not uncommon in Roman times, when the two ...
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History: Middle Ages | Mani in fede
The Fede symbol became an image for courtly love, the Minne: the consuming, unfulfilled love of a courtly knight for a mostly married, higher-ranking woman.
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Courtship and Betrothal in the Italian Renaissance
Nov 1, 2008 · Rings often took the ancient form of two clasped hands, known in the Renaissance as the fede, or faith, motif. This motif may refer to a ...
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fede ring; gimmel-ring | British Museum
Museum number: 1959,0209.40 · Description: A gold fede and gimmel ring consisting of two interlocking and twisted hoops with clasped hands forming the bezel.Missing: 3rd | Show results with:3rd
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Fede Gimmel rings were became a fashionable and popular form betrothal or wedding rings and this particular one translates the sentiment “faithful until death.” ...
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### Summary of Fede Ring Core Design and Iconography
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### Summary of Fede Rings in Non-Romantic Contexts
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The faith ring has a design of either two holding hands (sometimes holding or hiding a heart), or of two joined hearts, generally set below a crown. The ...
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The first artifacts to be retrieved included an 18th-century. Gouda clay pipe, an ingot of zinc metal, and a wax seal with the initials of a Leiden textile ...
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... ring set with an octahedral diamond as well as bracelets comprising linked agates; this was perhaps a fede ring (fig 4). 17 In Isabella's ring and Helena's ...
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Early 19th Century French Interlocking Fede Ring with Concealed ...
Free delivery over $500 10-day returnsThis remarkable 18k yellow gold ring features two beautifully rendered hands with petaled cuffs in rose and green gold.Missing: silver | Show results with:silver
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Fede Ring | Unknown | V&A Explore The Collections
Feb 16, 2006 · This ring combines the ancient fede( faith ) motif of two hands clasped together, with another motif depicting two hands holding a heart.
[20]
Gimmel Fede Ring with inscription “GAGE D'AMITIE” , Probably ...
Out of stockWhen worn, both hands appear to support the hearts, and, when opened, the middle hoop reveals on one side a finely engraved inscription: “GAGE D'AMITIE.” The ...Missing: common | Show results with:common
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The origin of the engagement ring | Eileen Moylan
The fede ring above is engraved in Latin on the inside ' I am a token of love, do not throw me away'. Gimmel ring, Unassembled, Gold and Ruby Gimmel ring ...
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The history of Fede rings begins in ancient times. The interlaced hands initially symbolized the conclusion of a contract and developed into a sign for ...
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Repoussé - Artefacts-Collector
Repoussé is an ancient metalworking technique in which a malleable metal is shaped by hammering from the reverse side to create intricate, raised designs on ...
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Antiquities Scheme records for gold and silver medieval fede rings reveals a significant range of style and skill. Some are very crude, little more than ...
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Medieval jewellery Research Papers - Academia.edu
A description and discussion of a rather showy gold, filigree-decorated finger-ring with a large bezel which may have been decorated with garnet. The finger- ...<|control11|><|separator|>
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italian silver marks and hallmarks kingdom of sardinia (piedmont)
This is a page of A Small Collection of Antique Silver and Objects of vertu, a 1000 pages richly illustrated website offering all you need to know about ...<|separator|>
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Late 16th century-early 17th century. Posy ring; Fede ring ... rings were used to indicate the intent or consent to marry. Gimmel rings ...
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Sep 15, 2014 · Pearls, claddagh, and fede rings remained popular during the 19th century; however, towards the end of the century, most rings were very ...
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A SYMBOL OF OUR LOVE - OC Catholic
Aug 10, 2016 · The ring is a reminder to them of their consent, of their vows. So in the Catholic tradition, it's not a sign of possessing each other.
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Oct 18, 2017 · The motif of two clasped right hands dates back to Roman times. It confirmed an agreement, engagement or friendship. The term 'fede ring' comes ...
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[PDF] SENTIMENTAL EXPRESSION IN JEWELRY DESIGN ... - POLITesi
These rings not only were known for men to give them to each other as a sign of friendship, and were also as wedding or engagement rings. 4. Gold Fede Gimmel ...
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Finger rings are of all materials—gold, silver, bronze, and even glass. They are usually set with a scarab or scaraboid, fixed or revolving on a pivot ...
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fede ring | British Museum
The fede ring is a 14thC gold ring with a diamond crystal, clasped hands, and an inscribed hoop. The inscription translates to "I am here in the stead of a ...Missing: Napoleonic alliance tokens
[37]
Fede Ring | Unknown | V&A Explore The Collections
Silver-gilt ring, the double ridged bezel with a fede and a heart between two quatrefoils, the shoulders inscribed in black letter ave: ch ihs/ et maria., ...
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Georgian Fede Gimmel Ring - Erica Weiner
In stock Free delivery"Fede" rings (from the Italian, for "trust" or "fidelity") or "Gimmel" rings (meaning "twin") were often used as betrothal tokens in 16th and 17th century ...
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Ring | Unknown | V&A Explore The Collections
Aug 19, 2005 · The clasped hands motif, also present on this ring, is known as fede or mani in fede, from the Italian meaning 'hands clasped in trust'. It is ...
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French Early 19th Century 18ct Gold Fede Ring
### Summary of French Fede Ring Details
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Out of stockA delightful, sculpturesque Fede ring conveying love and loyalty. Plain gold hoop with capital-like shoulders decorated with scrolls and floral ornament.Missing: historical regional variations Germany
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It is a variation of a fede. (meaning 'faith') ring, which originated in. Ancient Rome and was popular throughout. Medieval Europe. These fede rings commonly.
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In Ireland, the four earliest extant rings of the Claddagh type are datable to about 1700 and of these, one is by a Galway goldsmith, Richard Joyce (Fig. 2); ...
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French pieces may have a higher quality and propensity for delicate symbolism and in the 18th century mix popular 19th century motifs with contemporary ones.
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Jan 20, 2022 · The Faith Fides By Sandro Botticelli is a painting by Sandro Botticelli which was uploaded on January 20th, 2022. The painting may be ...
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A traditional Roman marriage ring with bezel design of two clasped hands. The woman's hand on the left wears a bracelet. Above, a garland or fillet.
[49]
fede ring; cameo | British Museum
Finger-ring; fede-ring; gold; the hoop a plain wire; applied oval bezel with an emerald glass paste cut in cameo to represent two clasped hands and surrounded ...
[50]
Masonic Encylopedia Entry On Hands, United - The Ashlar Company
Clasped hands are a symbol of Jidelity and trust. A Spanish work was published at Vittoria, in 1774, where three hands are shown united in the vignette on the ...Missing: Fede Europe