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Location shooting

Location shooting is the practice of filming scenes for films, television productions, and other visual media in real-world environments—such as existing buildings, natural landscapes, urban streets, or rural areas—rather than on constructed soundstages, backlots, or studio sets. This approach contrasts with studio-based production by leveraging authentic locations to capture genuine textures, lighting, and atmospheres that contribute to . The origins of location shooting trace back to the earliest days of cinema in the , when filmmakers produced "actualities"—short documentaries depicting real events and scenes in their natural settings—to document everyday life and public spectacles. By the 1910s, as studios emerged to centralize production, location shooting became essential for genres like Westerns, which required expansive outdoor terrains unavailable in controlled studio environments, allowing filmmakers to exploit natural landscapes for visual spectacle. Post-World War II, technological advancements such as portable cameras, improved film stocks like Double-X, and lighting tools like the halogen enabled more flexible on-location work, particularly in urban centers; this shift was exemplified in 1968 by films like and , which were among the first major productions shot entirely on location in , blending gritty realism with cityscapes. In independent filmmaking, location shooting gained prominence from the 1940s onward as a cost-saving , with studios renting out facilities to television, prompting producers to innovate by using real sites to bypass expensive builds. A primary advantage of location shooting is its ability to deliver unparalleled , immersing audiences in believable worlds through natural details like ambient sounds, unpredictable weather, and architectural nuances that studio sets often struggle to replicate. This method can also enhance value economically, especially when suitable sites reduce the need for elaborate , as seen in rural areas where diverse terrains like mountains or swamps provide versatile backdrops at lower costs, bolstered by state tax incentives in regions such as and . However, it introduces challenges including logistical hurdles like securing permits, managing weather disruptions, and coordinating with local communities or limitations in remote areas. In contemporary as of 2025, location shooting remains a cornerstone of global , often combined with virtual production techniques for hybrid efficiency, while continuing to shape cinematic storytelling through iconic sites that double as tourist attractions post-release.

Definition and History

Definition

Location shooting refers to the practice of filming scenes for films, television productions, or other media in real-world environments outside of controlled studio sets or soundstages, such as natural landscapes, urban streets, existing buildings, or historical sites, to capture authentic visuals, atmospheres, and textures that enhance the production's realism. This approach contrasts sharply with studio shooting, where environments are constructed on soundstages to provide predictability, full control over lighting, sound, and other variables, whereas location shooting introduces uncontrolled elements like variable weather, ambient noise from crowds or traffic, and logistical constraints from public spaces. Key concepts in location shooting include the distinction between "exteriors," which typically involve outdoor settings to depict landscapes or street scenes, and "," which may use real indoor spaces like homes or offices for added , rather than built sets. This method plays a crucial role in narrative authenticity by grounding stories in tangible, believable worlds that immerse audiences and support character development, allowing filmmakers to leverage the inherent details of a —such as architectural styles, , or cultural nuances—to convey mood and realism more effectively than artificial recreations. The practice of originated in the early days of during the with actuality films that documented real events and places, evolving alongside genres like Westerns in the 1900s. In the 1910s, as studios emerged, location shooting became essential for genres requiring natural environments, with studios utilizing Southern California's diverse terrains for efficient and visually compelling productions.

Historical Development

The practice of location shooting emerged in the late with the Lumière brothers' invention of the Cinématographe in 1895, a portable camera-projector that enabled the capture of short actualités—documentary-style films depicting everyday life and events outdoors, such as workers leaving a factory or a train arriving at a station. These early silent films, produced between 1895 and 1900, prioritized real-world settings over staged environments, laying the groundwork for on-location filmmaking by demonstrating the feasibility of shooting in and public spaces without elaborate studio setups. In the and , while increasingly relied on studio-bound productions, location shooting was incorporated for specific genres and scenes, aided by advancements in portable cameras like the Eyemo, which allowed filmmakers to venture beyond backlots for more expansive narratives. This shift was epitomized by James Cruze's (1923), the first major epic Western filmed largely on location in Utah's deserts and rivers, using natural landscapes to depict pioneer migrations and achieving commercial success that encouraged studios to embrace outdoor authenticity for spectacle-driven genres. Following , location shooting surged in the 1950s as adopted widescreen formats like and vibrant color processes, which demanded expansive real environments that studios could not replicate, prompting increased overseas and domestic on-location work by the mid-decade. John Huston's The African Queen (1951) exemplified this trend, with seven weeks of arduous filming along the Ruiki River in the using three-strip to capture the film's tropical authenticity, despite challenges like heat, disease, and equipment failures that highlighted the logistical demands of color location work. European cinema profoundly influenced global practices through in the 1940s, which championed as an ethical commitment to realism amid postwar devastation, favoring actual streets and nonprofessional actors over artificial sets to portray social struggles. Vittorio De Sica's (1948) embodied this approach, filming entirely on Rome's real locations like the market to depict a working-class family's desperate search for a stolen bicycle, underscoring neorealism's emphasis on unadorned authenticity that inspired international filmmakers to prioritize genuine environments. The 1970s New Hollywood era further advanced location shooting as directors sought gritty realism outside studio constraints, with Francis Ford Coppola's (1972) utilizing exteriors—such as Staten Island's Longfellow Road for the Corleone compound and Manhattan's for business scenes—to immerse audiences in an urban Italian-American world, reflecting the movement's rebellion against classical Hollywood's controlled aesthetics. By the 2000s, digital technology revolutionized the practice, enabling guerrilla-style shooting with compact, discreet cameras like the Sony PD-150 Mini DV that allowed small crews to film in uncontrolled public spaces without permits or heavy equipment. Films such as Michael Winterbottom's (2002) exemplified this, using to covertly document Afghan refugees' journeys across , a feat impossible with traditional film due to the medium's portability and low cost.

Advantages and Disadvantages

Advantages

Location shooting enhances the authenticity and immersion of films by capturing genuine environments that provide realistic textures, lighting, and ambient sounds, which deepen viewer engagement compared to constructed sets. For instance, natural echoes in scenes or the subtle play of sunlight through trees can convey emotional depth and spatial that studio recreations often struggle to replicate. This approach draws audiences into the more effectively, as real locations foster a sense of lived-in that elevates . In select cases, particularly for landscape-heavy projects, offers cost savings by avoiding the high expenses of and fabrication for large-scale exteriors. Productions can leverage existing natural or urban sites, which often require minimal modification, leading to reduced budgets through lower labor, material, and permitting costs in favorable regions. For example, rural areas in the provide affordable land and incentives that make on-site filming economically viable without the need for elaborate builds. The creative flexibility of location shooting allows filmmakers to make spontaneous adjustments based on on-site discoveries, enabling innovative shots that would be impossible or prohibitively expensive in controlled studio environments. Directors can improvise with unexpected elements, such as shifting shadows or architectural details, to refine compositions in real time and infuse scenes with organic energy. This adaptability often results in more dynamic visuals and narrative surprises that enhance the film's artistic impact. Promoting a as "filmed on " carries significant appeal, signaling and to audiences while facilitating tie-ins that boost visibility. Such branding highlights the production's commitment to , attracting viewers who value genuine cinematic experiences and generating ancillary through location-based promotions. Iconic sites featured in , like those in , have driven surges, with productions leveraging the city's landmarks to create lasting cultural associations. Finally, location shooting enables seamless environmental integration, where natural elements like weather patterns or seasonal changes add narrative depth without relying on costly enhancements. Unpredictable rain or can serendipitously underscore themes of or , enriching the story's atmosphere and visual in ways that artificial simulations cannot match. This organic incorporation of the surroundings often results in more immersive and thematically resonant films.

Disadvantages

Location shooting introduces several operational and creative challenges that can complicate compared to controlled studio environments. Unpredictable conditions, such as adverse , ambient from crowds or , and other environmental factors, frequently disrupt schedules and compromise footage quality, often necessitating reshoots or adjustments that inflate budgets. For instance, a $20 million shot in exceeded its budget by $8 million partly due to unaccounted summer delays. Logistical complexities further exacerbate these issues, particularly in remote or unfamiliar sites where transporting heavy equipment demands extensive coordination, heightening safety risks and insurance requirements. Crews must navigate terrain challenges, disruptions, and variable , which can prolong setup times and increase overall expenses without the reliability of studio facilities. A key drawback is the loss of creative control, as external interferences like aircraft flyovers, passing vehicles, or changing light conditions introduce inconsistencies that demand costly corrections, contrasting with the isolation and predictability of soundstages. While location shooting enhances authenticity, these ambient disruptions can undermine narrative precision and extend editing timelines. Environmental and ethical concerns also pose significant risks, with filming activities potentially damaging ecosystems through vegetation trampling, waste generation, and habitat disturbance from noise and light pollution. Such impacts have led to community backlash and environmental concerns, as seen in 2013 controversies in Namibia over the Mad Max: Fury Road production's effects on desert dunes, where environmental groups accused the crew of damaging sensitive ecosystems. Additionally, location shoots contribute substantially to carbon emissions via fuel-intensive travel and generators, with a single hour of scripted drama emitting up to 136 metric tons of CO2 depending on the site. Finally, location shooting imposes greater strain on crews, who endure extended hours in harsh, non-studio conditions that erode morale and reduce productivity. Remote or extreme settings, such as high-altitude sites, amplify physical demands and fatigue, increasing accident risks and necessitating more frequent breaks to maintain performance.

Planning and Preparation

Site Selection and Scouting

Site selection and form the foundational phase of , where production teams identify and evaluate real-world sites that align with the and visual requirements of a or project. This process begins with an in-depth analysis of to pinpoint settings that enhance , such as urban streets for contemporary dramas or remote landscapes for period pieces. Scouts, often led by a , employ a combination of traditional and modern techniques to survey potential sites, ensuring they meet both artistic and practical needs before committing resources. Scouting methods have evolved to include physical visits, aerial surveys, and virtual tools, allowing teams to efficiently identify locations that match script specifications. Physical involves on-the-ground to assess sites in , particularly for historical dramas where period accuracy is crucial, such as verifying architectural details in older buildings to avoid anachronisms. surveys provide overhead perspectives, revealing terrain features and spatial layouts that ground visits might miss, while virtual tools like enable initial remote assessments by offering street-level imagery and models to preview accessibility and composition without travel. As of 2025, tools and (VR) simulations are increasingly integrated into processes to generate predictive visualizations and further optimize site selection. Key criteria for evaluating sites focus on visual suitability, logistical feasibility, and operational to support the production's demands. Visual fit emphasizes natural conditions and compositional potential, where scouts test camera angles to ensure the site frames scenes effectively, such as capturing golden-hour sunlight in outdoor settings. is assessed through proximity to , availability of , and ease of transport for and , preventing delays during setup. Scalability evaluates the site's to accommodate , vehicles, and personnel without overcrowding, including for lights or sequences. These factors ensure the location not only serves the story but also streamlines the shooting process. Collaboration among key creative personnel is integral to aligning selected sites with the project's artistic vision. The provides narrative context, specifying how the location influences character development or mood; the evaluates technical aspects like light diffusion and perspectives; and the assesses integration with set dressing for authenticity. Joint trips facilitate this input, allowing real-time discussions to refine choices, such as adjusting for a 's emphasis on emotional resonance in a scene's backdrop. This interdisciplinary approach minimizes revisions later in . Thorough documentation of scouted sites is essential for pre-visualization and planning, typically compiled into detailed reports or "location bibles" containing photographs from multiple angles, annotated maps, and observational notes on conditions like patterns or ambient . These resources serve as references for storyboarding and virtual rehearsals, enabling the team to simulate shots digitally before arrival. High-quality visuals and , such as GPS coordinates and time-of-day simulations, ensure continuity and aid in communicating site potential to stakeholders. Post-2020, sustainable practices have gained prominence in the film industry, driven by efforts to reduce environmental impact through minimized travel and resource use. and digital tools have become standard for initial surveys, cutting carbon emissions from international flights that were common in traditional scouting, while initiatives from organizations like the promote eco-friendly site choices, such as proximity to production bases to lower logistical footprints. This shift not only supports broader industry goals for greener productions but also enhances efficiency by filtering sites remotely before physical verification. Obtaining permits for location shooting is a critical step that involves securing approvals from relevant authorities to ensure compliance with local regulations and minimize disruptions. , film commissions, such as those operated by cities or states, facilitate the permit process by coordinating with local governments for public spaces, often requiring applications that detail the shoot's scope, duration, and impact on or pedestrians. For private properties, producers must negotiate directly with landowners to obtain written permissions, which may include terms for access, compensation, and site restoration. For union productions under , additional contractual approvals are required, typically submitted 4-6 weeks in advance via a preliminary information form to cover performer agreements during location work. Federal agencies like the issue permits for lands, with requirements for environmental assessments if alterations are involved. Legal risks in location shooting encompass liability for property damage, bystander privacy violations, and intellectual property infringements, necessitating thorough risk assessments. Productions can face liability claims if equipment or crew activities cause injury or damage to third-party property, such as during urban shoots where public access is affected. Privacy concerns arise when filming captures bystanders without consent, potentially leading to invasion of privacy lawsuits, particularly in areas with a reasonable expectation of privacy; however, in public spaces, the U.S. generally protects filming as long as it does not harass or endanger individuals. Intellectual property issues include unauthorized depiction of branded structures or logos, which may result in trademark infringement claims, requiring clearances or alterations to avoid litigation. Insurance is essential to mitigate these risks, providing coverage tailored to location-specific exposures and typically comprising 2-3% of the total . General liability policies protect against third-party claims for bodily injury or property damage on shoot sites, including alterations like temporary set builds. covers crew injuries, while equipment insurance safeguards cameras and gear against loss or damage during transport and on-location use. Errors and omissions (E&O) insurance addresses and privacy-related claims, such as or right of publicity violations from bystander footage. Budgeting for requires allocating funds across permits, fees, , and contingencies to account for variables like site availability and unforeseen delays. Location fees often form a significant line item, with practical urban sites averaging $6,000 per day for rentals, plus permit costs that vary by . and transportation, including and crew relocation, typically consume 15-20% of expenses, while contingencies—such as weather delays or additional insurance riders—should reserve 10-15% of the overall location to cover escalations. For major urban shoots, total location-related costs can vary significantly depending on the production scale, number of sites, and logistical needs, often amounting to substantial portions of the . International variations in regulations highlight contrasts between stricter frameworks and more permissive U.S. approaches, influencing permit and privacy compliance. In the , the General Data Protection Regulation (GDPR) mandates explicit consent for capturing like bystanders' images, treating such footage as regulated , which can complicate public shoots and require data protection impact assessments. In contrast, the U.S. First Amendment provides broader protections for filming in public spaces as expressive activity, with fewer comprehensive data privacy mandates, though state-specific laws may impose additional restrictions. These differences often necessitate location-specific legal consultations for cross-border productions.

Execution and Logistics

On-Site Filming Techniques

On-site filming techniques in emphasize , adaptability, and efficient use of the environment to capture authentic visuals and audio while contending with unpredictable elements. Crews rely on lightweight, portable equipment to navigate real-world settings, prioritizing setups that minimize setup time and maximize natural resources. These methods allow filmmakers to integrate the site's inherent qualities into the , often requiring quick adjustments to maintain and quality. Camera and lighting setups are designed for versatility in uncontrolled environments. Portable rigs such as the enable smooth, handheld movement through dynamic locations, isolating the camera from operator motion to achieve fluid tracking shots without tracks or dollies, as seen in the extended Steadicam sequences in The Shining (1980). Natural light is harnessed during for its soft, warm illumination, while reflectors bounce sunlight to fill shadows and diffusers soften harsh midday rays, ensuring even exposure in outdoor scenes. Neutral density (ND) filters are essential for controlling overexposure in bright conditions, allowing wider apertures for shallower without compromising , particularly useful for maintaining cinematic in daylight exteriors. Sound management on location focuses on capturing clean amid ambient noise. Boom microphones, equipped with windshields or "dead cats" to mitigate wind interference, are positioned overhead to follow actors closely while reducing environmental sounds like traffic or foliage rustle. Productions often plan for automated replacement () as a , recording guide tracks on-site but anticipating re-dubs for scenes compromised by uncontrollable noise, such as urban bustle or weather. Directing actors leverages the spontaneity of real locations to enhance performances. techniques encourage performers to react organically to the environment, incorporating unexpected elements like or to add , as in scenes where actors adapt to site-specific details. In public spaces, directors instruct actors to interact subtly with passersby, treating them as incidental "extras" to maintain without disrupting the shoot, fostering authentic crowd dynamics. Workflows prioritize efficiency given time constraints from changing light or crowds. Shot lists are adapted dynamically, sequencing coverage to group similar angles and minimize resets, ensuring all essential takes are captured within limited windows like fleeting weather conditions. Multiple cameras are deployed for complex scenes, such as action sequences, to cover various angles simultaneously and reduce retakes, streamlining the schedule in resource-scarce locations. Hybrid approaches blend on-site elements with controlled to overcome site limitations. Location plates—wide establishing shots or background footage—are filmed on-site and composited with green-screen elements for scenes requiring effects like weather simulations or impossible actions, as in car chases where foreground performances are staged in studio against location backgrounds. This method, evident in (1988), preserves environmental authenticity while enabling visual enhancements.

Technical and Environmental Challenges

Location shooting exposes film productions to unpredictable variability, which can abruptly halt filming and escalate costs through idle crew and equipment rentals. Severe storms, for example, have forced extended pauses, as seen in the production of , where a destroyed floating sets and contributed to budget overruns exceeding $70 million beyond initial estimates. To mitigate these risks, productions implement contingency scheduling, often using APIs to anticipate disruptions and rearrange shoots accordingly. Additionally, when natural rain is insufficient for scripted scenes during otherwise clear , crews deploy rain towers—portable structures that simulate precipitation over large areas—to maintain continuity without delaying for actual storms. Managing crowds and traffic during urban or public location shoots requires coordinated security measures to prevent disruptions and ensure safety. Productions frequently hire specialized security guards to erect barriers, direct pedestrian flow, and monitor access points, particularly around high-profile talent. For traffic control, partial road closures are common, executed in collaboration with local to minimize public inconvenience while allowing filming to proceed; off-duty officers are often employed to enforce these restrictions and handle any onlookers. These protocols not only safeguard the set but also comply with municipal regulations, reducing the risk of unauthorized interference. Equipment durability poses ongoing challenges in rugged or adverse environments, necessitating protective measures against , , and uneven . Cameras and lenses are commonly encased in weatherproof housings, such as moulded enclosures with seals that shield against rain and , enabling continued operation in inclement conditions. For dusty or sandy locations, underwater housings serve as effective barriers, while poly bags and rain covers provide quick, on-site protection for gear during sudden exposures; these adaptations prevent costly damage and downtime, especially on remote where replacements are inaccessible. Sustainability concerns in location shooting emphasize waste management and low-impact practices to minimize environmental footprints, guided by frameworks like the British Film Institute's (BFI) 2019 research on UK film production sustainability and more recent initiatives such as BAFTA Albert's 2025 report, which highlights progress including 68% renewable studio grid power and 52% of productions incorporating zero or low-carbon power sources as of November 2025. This study highlighted the sector's high carbon emissions and advocated for standardized protocols, influencing subsequent guidelines that promote on set and reducing single-use plastics. Productions now prioritize eco-friendly waste disposal, such as segregated bins and partnerships with local services, to avoid improper dumping driven by tight schedules; these measures align with broader industry pushes, like those from the Albert sustainability calculator, to track and lower production impacts. Health and safety protocols during location shoots have evolved significantly, incorporating adaptations that extend to broader hazard assessments for ongoing . Remote monitoring technologies, such as live video feeds and virtual direction via platforms like , were widely adopted to limit on-site personnel and reduce transmission risks during the . These tools, including expanded use of cameras for off-site oversight, persist in general protocols to assess environmental hazards like unstable terrain or , with dedicated compliance officers conducting daily evaluations to ensure crew well-being.

Notable Examples and Impact

Iconic Films and Productions

One of the most enduring examples of location shooting in classic cinema is David Lean's Lawrence of Arabia (1962), which extensively utilized the vast Jordanian deserts, particularly , to convey the epic scale of T.E. Lawrence's wartime exploits and the harsh Arabian landscape. The production's on-location filming in , supplemented by sites in and , allowed for authentic wide shots that captured the isolation and grandeur of the terrain, contributing to the film's immersive visual narrative. This approach earned Lawrence of Arabia the (Color) for Freddie Young's work, along with six other Oscars, cementing its legacy as a benchmark for epic filmmaking where real environments amplified the story's themes of adventure and desolation. Francis Ford Coppola's (1979) exemplifies the perils of location shooting in another classic, with principal photography conducted in the dense jungles of the to evoke the Vietnam War's chaotic immersion. Production faced severe setbacks when Olga destroyed much of the sets in 1976, extending the shoot from an anticipated four months to over 15 and ballooning the budget, yet the authentic tropical environments lent visceral realism to the film's descent into madness. Despite these hardships, the location work influenced the film's critical reception, earning the at and for Best Sound and Best Cinematography (Vittorio ), with nominations for Best Picture and Best Director, underscoring how on-site challenges shaped its enduring impact as a war cinema milestone. In modern blockbusters, Peter Jackson's trilogy (2001–2003) leveraged New Zealand's diverse landscapes—from the rolling hills of as the to the volcanic terrains of as —for a seamless blend of practical effects and natural settings that brought J.R.R. Tolkien's to life. Over 150 locations across both islands were scouted and filmed during a 438-day shoot, integrating prosthetics, miniatures, and on-location action to minimize reliance on CGI while enhancing the epic scope. This strategy contributed to the trilogy's 17 , including all 11 nominations for (2003) such as Best Picture and Best Art Direction, with a nomination for Best Cinematography, establishing a template for location-driven fantasy productions that prioritize tangible worlds. Television has also harnessed location shooting for expansive world-building, as seen in HBO's (2011–2019), which filmed key sequences in Northern Ireland's rugged coastlines like the and to depict Westeros's northern realms, and Croatia's as the sun-drenched King's Landing. These diverse sites, spanning eight seasons, allowed for authentic textures—from misty forests to medieval fortifications—that grounded the series' intricate political and fantastical narratives without heavy studio reliance. The locations' role in visual storytelling helped secure 59 , including multiple wins for Outstanding Production Design for a Narrative Period or Fantasy Program, highlighting how on-site filming elevated its production values and cultural footprint. On the independent front, Barry Jenkins's (2016) employed 's Liberty City neighborhoods and beaches, such as , to foster intimate realism in its portrayal of a young Black man's coming-of-age amid poverty and identity struggles, all on a modest $1.5 million budget. Shooting in actual locales like Liberty Square housing project and Jimmy's Eastside Diner captured the humid, vibrant urban texture essential to the film's emotional authenticity, using handheld for close, lived-in perspectives. This grounded approach propelled to three , including Best Picture, with a nomination for Best (James ), affirming location shooting's power in low-budget indies to deliver profound, award-winning intimacy.

Influence on Modern Media

In the digital era, advancements such as drones and (VR) scouting have significantly reduced the physical demands of location selection in , enabling remote aerial assessments and immersive digital explorations that minimize on-site visits and associated costs. Drones facilitate rapid overviews of expansive terrains, while VR platforms allow teams to evaluate and visualize sites in environments before committing resources. Paradoxically, these tools have expanded opportunities for authentic VR experiences, particularly in immersive documentaries that leverage real to create spatially engaging narratives, such as 360-degree films capturing on-the-ground perspectives in conflict areas like bomb shelters. The proliferation of streaming platforms has intensified the strategic use of location shooting to foster global appeal, with Netflix exemplifying this trend by selecting culturally specific sites to enhance narrative authenticity and viewer immersion. In Squid Game (2021), production utilized authentic Korean locations including Seoul's Ssangmun-dong neighborhood and Seongapdo Island off , which grounded the series' dystopian story in real-world settings and propelled its international phenomenon status. Post-COVID hybrid models blending traditional with virtual production techniques, notably LED walls, have gained traction to curb travel while preserving environmental integration. Adopted widely during restrictions to limit crew exposure and logistics, these systems employ game engines to project dynamic backgrounds on set, enabling efficient simulation of remote locales with smaller teams, as demonstrated in visual effects-heavy series. Economic globalization has further propelled location shooting toward tax-incentive hubs, with offering a 20% transferable (plus a 10% uplift for state promotion) that generated $5.54 billion in in 2022 by attracting international projects, and providing a 20% cash rebate (with a 5% uplift for sustainable or high-impact efforts) that boosted GDP through series like Netflix's . Future trends point to AI-assisted site prediction revolutionizing by processing databases to match creative briefs with precise locations, enhancing efficiency in pre-production workflows. Concurrently, eco-friendly mandates are redefining practices, with the pledging a 50% emissions reduction by 2030 via initiatives like elimination and clean energy adoption on sets, alongside similar commitments in the UK and for carbon reporting and net-zero goals.

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