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Floating Points

Floating Points is the professional pseudonym of Sam Shepherd (born 1986), a Manchester-born music producer, DJ, , and renowned for blending genres such as , , ambient, and in his intricate, orchestral compositions. He is also a trained who earned a in the field from , where his research focused on the of , before fully committing to music. Shepherd's career began in the late 2000s, influenced by artists like and Calibre, leading him to co-found the influential Eglo Records label with Alexander Nut in 2009, which became a hub for underground electronic and music. His debut EP, Shadows (2011), marked his entry into the scene on Eglo, showcasing his early fusion of live instrumentation and electronic elements, while he balanced studies and performances. By 2015, his self-released debut album Elaenia—recorded over five years—earned critical acclaim, including Pitchfork's Best New Music designation and Resident Advisor's Album of the Year, for its lush, jazz-inflected soundscapes performed with his ensemble. Subsequent releases expanded his scope: the 2017 EP Reflections - , inspired by a and featuring filmic visuals, explored ambient textures, while (2019) delivered a chaotic, club-oriented energy drawn from touring with , blending , , and analogue synths in tracks made rapidly over five weeks. A pinnacle came with the 2021 collaboration Promises, a nine-movement with jazz legend and the London Symphony Orchestra, released on Luaka Bop, which merged improvisation with orchestral strings and electronic pulses, earning widespread praise for its meditative depth. also founded the reissue label Melodies International in 2015 to spotlight overlooked and records, and he remains an acclaimed DJ known for eclectic sets at venues like . His most recent , (2024, ), pushes boundaries with nine tracks of evolving electronic forms, solidifying his reputation as a versatile innovator in . In 2025, he released a 10th anniversary edition of Elaenia, featuring a remastered version and a bonus track.

Early Life and Education

Childhood and Family Background

Samuel Shepherd, known professionally as Floating Points, was born in 1986 in , . He grew up in a modest family in a rough part of the city, where his father worked as a and played , while his mother was a nurse who played . Shepherd has two sisters, one of whom plays and the other , fostering a household filled with instrumental music-making in the family vicarage, which doubled as an impromptu studio for experiments with various instruments. From a young age, Shepherd showed a strong inclination toward , beginning lessons at age nine. His father recognized his vocal talent and arranged an audition for the Choir, where Shepherd sang as a chorister while attending the nearby Chetham’s School of Music, a prestigious institution focused on classical training. There, he underwent intensive daily studies from early morning until evening, immersing himself in classical repertoire such as works by Stravinsky and Bach, alongside and . A teacher at the school introduced him to records, broadening his exposure to diverse genres beyond the classical foundation provided by his family and experiences. He left the choir when his voice broke, marking the end of his formal choral involvement but not his musical pursuits. Shepherd's early years were shaped by this multidisciplinary musical environment, which encouraged experimentation at home—such as setting up cellos in the kitchen or drum kits in the living room—instilling a creative, hands-on approach that influenced his later work. His parents supported his rigorous schedule at Chetham’s despite the demands, reflecting the family's commitment to artistic development despite their non-wealthy background. This foundation in classical and elements, combined with familial instrumental play, laid the groundwork for Shepherd's eclectic style before he relocated to in his late teens for further academic pursuits.

Academic and Professional Training

Sam Shepherd, known professionally as Floating Points, pursued in the sciences, beginning with undergraduate studies in at a university in during the mid-2000s. After completing his undergraduate degree, he worked briefly at before commencing a . This formal training laid the groundwork for his later advanced research, while he simultaneously explored electronic music production as a creative outlet amid his academic commitments. During this period, Shepherd balanced rigorous coursework with hands-on experimentation in music, using a to create tracks like "Vacuum Boogie" during commutes, and began DJing to complement his growing interest in sound manipulation. In 2010, Shepherd commenced a PhD in at (UCL), specializing in the of pain, under the supervision of Professor John Wood at . His doctoral research focused on peripheral sensory neurons and epigenetic modulation in pain states, culminating in a completion in early 2014. Throughout his postgraduate years, Shepherd maintained his musical pursuits, constructing a home studio and releasing early productions on labels like Eglo Records, which allowed him to refine his skills in electronic composition alongside scientific inquiry. He transitioned to a full-time career in music around 2015. This shift marked the end of his professional scientific engagements, though his academic foundation continued to inform his artistic process. Shepherd has noted that the hypothesizing and techniques from his work parallel the iterative, systems-oriented approach he applies to , emphasizing subtle modulations and complex interconnections in . His scientific training thus contributed to a multidisciplinary perspective, blending empirical precision with creative exploration in his productions.

Musical Beginnings

Initial Forays into Music

Sam Shepherd, known professionally as Floating Points, began exploring electronic music production in the late 2000s while pursuing his studies in . Largely self-taught, he experimented with sounds using a laptop and software such as , drawing on limited resources to create initial compositions during commutes and free time. This period marked his transition from academic pursuits to hands-on music creation, where he honed skills in sampling and without formal training in electronic genres. In 2008, released several white-label singles, including a of Sun Ra's "I'll Wait for You," which helped launch his project. By 2008, he started performing early DJ sets in Manchester's club scene, where he had grown up, transitioning to London's underground venues like Plastic People for road-testing his beats. These appearances, often in intimate settings hosting experimental events, allowed him to gauge audience reactions to his nascent material amid the city's vibrant electronic music community. Around 2008-2009, he played white-label singles at such gatherings, blending , , and influences in sets that lasted several hours. Shepherd adopted the pseudonym . His initial tracks, including early cuts like "For You," were shared through white-label pressings and informal online channels, gaining traction in niche circles before wider recognition. First live performances followed suit, featuring solo sets and basic in small and venues, bridging his technical background—rooted in —with a precise, improvisational style.

Formation of Early Projects

Sam Shepherd, known professionally as Floating Points, established his initial recording projects through the co-founding of Eglo Records in 2009 alongside Alexander Nut, a platform that became central to his experimental electronic output. This label provided the foundation for his entry into the music industry, allowing him to release self-taught productions that blended , , and elements while he balanced studies in . His debut release, the Vacuum EP, arrived on Eglo Records in 2009, marking the start of a series of EPs and singles that showcased his innovative approach to rhythm and texture. Follow-up works included the 2010 single "People’s Potential / Shark Chase" on Eglo and "Post Suite / Almost in Profile" on , which highlighted his growing involvement in the UK bass and scenes through syncopated beats and improvisational flair. In 2011, the Shadows EP on Eglo further solidified his reputation, with tracks like "Sais" exemplifying gallops infused with upright bass and contemplative keys, while singles such as "Danger" extended his exploration of experimental sounds. These releases drew from the vibrant legacy, influencing and being influenced by artists in that ecosystem. By 2012, as Shepherd neared the completion of his PhD in at in 2014, he began transitioning from academic pursuits to full-time music production, securing international gigs in and to promote his burgeoning catalog. This shift enabled deeper immersion in live performances and label curation, setting the stage for his expanded role in electronic music.

Career Development

Breakthrough Releases and Label Affiliations

Floating Points co-founded Eglo Records in 2009 alongside Alexander Nut, which became the platform for his earliest productions and helped cultivate a burgeoning reputation in the UK electronic scene. His inaugural release, the Vacuum Boogie EP in 2009 on Eglo, introduced a distinctive fusion of , , and influences that set the tone for subsequent output. Follow-up EPs, including Post Suite / Almost in Profile in 2010 via under the Floating Points Ensemble moniker, further showcased his orchestral leanings and live ensemble approach, marking an early industry connection with the influential independent label. The 2011 Shadows EP on Eglo represented a pivotal milestone, earning praise for its sophisticated rhythmic structures and melodic depth; Pitchfork highlighted how it filtered house through a lens of jazz-inflected improvisation, solidifying Shepherd's status as an innovative producer. By 2013, releases like the Wires single on Eglo continued to build momentum, attracting attention from tastemaking outlets amid a wave of media coverage that positioned him as a rising force in electronic music. This period of growing acclaim culminated in 2015 with the debut full-length Elaenia on his self-established Pluto Records, a genre-defying work that blended ambient, jazz, and electronic elements to widespread critical success. Elaenia elevated Floating Points' profile significantly, receiving an 8.4/10 from for its timeless, fluid warmth. The album's release amplified media buzz from 2013 to 2015, with features in emphasizing his unclassifiable style and technical prowess, and positive reviews in describing its meditative, jazz-influenced beauty. Label affiliations expanded post-Elaenia, including a partnership with Luaka Bop for U.S. distribution of the 2016 Kuiper EP (originally on ), which extended his reach into experimental and circles while reinforcing ties to for ongoing projects.

Major Album Eras

Floating Points' major album eras mark a distinctive evolution in Sam Shepherd's oeuvre, shifting from orchestral-infused electronic compositions to immersive environmental recordings, modular-driven dance explorations, collaborative suites, and finally, visually augmented ambient works. His 2015 debut Elaenia, released on (with Luaka Bop handling distribution), represented an early pinnacle of blending with live , featuring an 11-piece ensemble that included electric bass, guitar, piano, live drums, and strings to create warm, fluid soundscapes inspired by classical, , soul, and influences. This approach emphasized thematic ebbs and flows between light and dark, rigidity and freedom, marking a departure from his prior club-focused EPs toward more expansive, organic arrangements. In 2017, Reflections - Mojave Desert, issued on Shepherd's own Pluto label, pivoted toward site-specific environmental integration, with the album and accompanying short film capturing field recordings and rehearsals in California's Mojave Desert landscape. The production incorporated the desert's vast acoustics into ambient post-rock textures, introducing motorik beats and space rock elements while reducing the neoclassical and jazz leanings of Elaenia in favor of natural reverb and rocky terrain as sonic collaborators. This era highlighted a thematic focus on immersion in place, using the environment to shape the album's meditative, landscape-dedicated tracks. By 2019, on shifted toward a club-oriented aesthetic, heavily utilizing modular synthesis for mischievous, melodic, and stripped-down compositions that echoed Shepherd's live sets opening for . The album's production emphasized fervent chaos beneath elegant surfaces, translating experimental energy into dancefloor-ready tracks that prioritized rhythmic propulsion over orchestral breadth. This marked a return to Shepherd's roots but with newfound mastery of modular systems, fostering a more unhinged and immediate sound. The 2021 release Promises, a collaboration with and the London Symphony Orchestra on Luaka Bop, introduced a profound jazz-electronic as a single 46-minute, nine-movement suite that blended Sanders' with orchestral strings and Shepherd's compositions. Thematically, it explored contemplative , evoking cosmic and emotional depths through etiolated, interdisciplinary interplay, serving as Sanders' final major recording. Production-wise, it prioritized across generations, with the LSO's strings enhancing the suite's immersive, seeker-like narrative. Shepherd's most recent solo effort, (2024, Ninja Tune), extends the modular synth emphasis of into ambient-electronic terrains laced with harp and visual elements, released alongside a 2025 tour featuring transcendent live presentations. The album focuses on dancefloor bliss through giddy, raucous tracks that integrate for ethereal layers, while tour visuals create retina-melting experiences blending body-jacking with spatial audio. This era underscores a synthesis of club energy and ambient expansion, prioritizing modular-driven immersion amid ongoing label ties to .

Live Performances and Touring

Floating Points began incorporating custom rigs into his live performances around 2015, marking a shift toward more improvisational and hardware-driven sets that allowed for real-time sound manipulation. These setups, often featuring Buchla and modules, evolved from his studio experiments and enabled him to recreate and expand upon the intricate electronic textures of his recordings on stage. By blending analog with digital elements, Shepherd created a signature live sound that emphasized organic evolution over pre-programmed sequences. Following the release of his debut album Elaenia in late 2015, Floating Points embarked on headline tours across and the from 2015 to 2016, showcasing material from the record alongside earlier works. These tours included high-profile festival appearances, such as his set at in in June 2015, where he performed in the SónarVillage stage amid a lineup featuring artists like and . The performances highlighted his growing reputation as a live act capable of bridging and influences, drawing crowds with extended improvisations and a full band setup. In 2016, the U.S. leg featured sold-out shows in cities like and , solidifying his international presence. The collaborative album Promises (2021), featuring and , inspired a series of immersive live presentations from 2021 to 2023, incorporating string ensembles to replicate the record's orchestral depth. These shows often featured conducting a chamber group alongside electronic elements, creating a hybrid experience that honored the album's meditative, spiritual essence. A notable highlight was the live premiere at the in September 2023, where saxophonist stood in for Sanders (who had passed away in 2022), joined by guests like and Caribou, and supported by the Studio . The performance emphasized the album's continuous, hour-long structure, immersing audiences in a blend of and ambient electronics. In support of his 2024 album , Floating Points launched a world tour in 2025, integrating visual projections and live harp performances to enhance the album's club-oriented, groove-heavy aesthetic. Collaborating with visual artists Hamill Industries and Akiko Nakayama, the shows featured abstract projections synchronized with the music, transforming venues into dynamic environments. Harpist Adefris joined select dates, adding acoustic layers to tracks like "Ocotillo," which prominently feature harp on the record. The tour included European stops such as HERE at Outernet in in January 2025 and MIRA Festival in , with North American and Australian legs extending through November 2025 and into 2026, encompassing venues like the Theater in Oakland and the Music Bowl in . Alongside album-specific tours, Floating Points has maintained an active schedule of DJ residencies and one-off events, showcasing his eclectic tastes in electronic music. Notable examples include extended sets at Boiler Room in in July 2024, where he delivered a five-hour mix spanning , , and ambient genres. In October 2025, he headlined the RA Stage at Mode Festival in , performing a live A/V set on that blended Cascade material with improvised visuals, closing out the event alongside artists like . These appearances underscore his versatility as both a performer and selector, often utilizing custom sound systems like the Sunflower rig for optimal fidelity.

Collaborations and Influences

Key Collaborators

One of Floating Points' most notable collaborations is with jazz saxophonist on the 2021 album Promises, where Sanders' improvisational lines weave seamlessly into Shepherd's electronic and orchestral arrangements, blending spontaneity with modular synthesis and ambient textures. This partnership, developed over years of correspondence initiated after Sanders heard Shepherd's 2015 album Elaenia, resulted in a nine-movement suite that highlights Sanders' legacy alongside Shepherd's precise production. The London Symphony Orchestra provided string arrangements for multiple tracks on Promises, contributing lush, swelling orchestral layers that amplify the album's meditative scope and mark a significant expansion of Shepherd's sonic palette. This involvement builds on Shepherd's earlier use of orchestral elements starting with Elaenia, where a added classical depth to electronic compositions, evolving his work toward hybrid ensemble formats. Shepherd has frequently collaborated with producer (Kieran Hebden), including a of Four Tet's track "Sing" in 2010 that infused the original with Shepherd's signature analog warmth and rhythmic complexity, influencing subsequent beat structures in both artists' outputs. Their partnership extends to shared live performances, such as the six-hour DJ set closing London's Plastic People club in 2015 and a back-to-back appearance at the 2022 Portola Music Festival, where their overlapping approaches to , , and experimental electronics created dynamic, improvisational sets. For his 2024 album Cascade, Shepherd collaborated with musicians including harpist Miriam Adefris (on track 6), drummer Dan Snaith of Caribou (on track 5), and vocalist Hannah Ekholm (on track 7), integrating acoustic and live elements into his electronic compositions. In 2025, Mary Lattimore and Julianna Barwick joined as opening acts on select Cascade tour dates, adding harp and vocal layers to the live experience. Early in his career, Shepherd co-founded the Eglo Records label in 2009, fostering ties with the "Floating Points crew" including Detroit house pioneer Theo Parrish, with whom he shared monthly residencies at Plastic People and collaborated on label releases that shaped the UK's underground electronic scene through soulful, jazz-infused house. These connections, including joint performances and mutual influences on track selection and mixing techniques, helped establish Eglo as a hub for innovative beatmakers blending global rhythms with improvisational flair.

Artistic Inspirations and Evolution

Sam Shepherd, known as Floating Points, has drawn extensively from traditions, particularly the improvisational freedom and harmonic complexity of artists like and , which he encountered through early training and mentorship from jazz educators Les Chisnall and Steve Barry. These influences blended seamlessly with electronic pioneers such as , whose unpredictable soundscapes Shepherd described as "fascinating" and impossible to pin down, informing his own experimental layering of synths and rhythms in early works. Similarly, the cosmic and of resonated with Shepherd, evident in his sampling of Sun Ra's "I'll Wait for You" from on the 2009 single "For You," which marked an early fusion of archival elements with house basslines. Shepherd's admiration for Alice Coltrane's , particularly her devotional and droning compositions, further shaped this synthesis, as seen in his superfandom and the ambient-jazz hybrids that emerged in later projects. This jazz-electronic interplay defined his initial forays in the early , where club-oriented basslines and unquantized grooves drew from DJs like and Ade Fakile, creating tracks that prioritized live-feel spontaneity over rigid dance structures. Post-2017, Shepherd's work increasingly incorporated classical music's structural elegance and film score atmospherics, influenced by his foundational training in composers like Debussy, Messiaen, and Ravel, which emphasized impressionistic harmonies and textural depth. These elements infused his ambient explorations with a cinematic quality, evoking the expansive, narrative-driven soundscapes of sci-fi films and cinema, as reflected in the sweeping, orchestral arrangements of subsequent releases. Shepherd's evolution from the pulsating club basslines of the early —rooted in , , and glitch-hop—to orchestral hybrids by 2021 mirrored this broadening palette, culminating in ambitious ensembles that integrated with symphonic scale, as realized in collaborations like the one with . Scientific inspirations, stemming from Shepherd's in and his fascination with , permeated his thematic choices, drawing analogies between subtle genetic modifications and incremental musical evolutions. This intellectual bent extended to physics and astronomy, manifesting in titles like "Kuiper" from his 2016 EP, which evoked the vast, icy expanses of the and exploration, aligning with his spacey, synth-drenched motifs inspired by cosmic and sci-fi narratives. By 2025, Shepherd's artistic trajectory shifted toward integrating visual art into both live performances and recordings, collaborating with artist Akiko Nakayama on "Alive Paintings"—dynamic, ink-based visuals that react in to the music, creating immersive, fluid environments that extend his sonic themes into multidimensional experiences.

Musical Style

Genres and Sound Characteristics

Floating Points' music fuses elements from several electronic genres, including , , ambient, and , creating a distinctive sound that bridges club-oriented rhythms with introspective atmospheres. Early releases like the 2011 single "Marilyn/Faruxz" exemplify and through swung, syncopated grooves and soulful basslines reminiscent of London’s Eglo Records scene. As his work evolved, ambient influences emerged prominently in albums such as Elaenia (2015), where expansive, hazy soundscapes draw from and traditions to evoke a sense of drift and immersion. IDM elements appear in intricate, glitch-inflected patterns, as heard in tracks from Cascade (2024), blending futuristic percussion with melodic abstraction. Characteristic sonic elements define his output, featuring lush synth pads that provide warm, enveloping backdrops, intricate rhythms that layer broken beats with subtle variations, and organic textures achieved through analog synthesis and field recordings. In Crush (2019), for instance, moody, echoing synth pads simmer beneath crisp 2-step drums and swung garage breaks, creating a bittersweet tension between propulsion and reverie. These textures often incorporate metallic pings and reverb-drenched echoes, lending an otherworldly yet tactile quality to the music. His sound has shifted from the dancefloor energy of early EPs—marked by aggressive techno beats and dubstep-infused bass—to more meditative, expansive soundscapes in later works, prioritizing emotional depth over strict functionality. This evolution continues in the 2025 soundtrack album Lazarus for the Adult Swim series, which integrates electronic pulses with acoustic harp and percussion for immersive, narrative-driven compositions. This is evident in the transition from club-ready tracks on Shadows (2011) to the ambient jazz explorations of Elaenia, where rhythms recede into luminous, horizon-like arrangements. Floating Points humanizes his electronic foundations with live acoustic elements, notably and , which add emotive, organic layers to otherwise synthetic compositions. On Elaenia, Fender Rhodes contributes limpid, lyrical melodies that ground the album's abstract electronics. In live settings, —played by collaborator Miriam Adefris—features prominently, as in recent where it interweaves with modular synths to create unclassifiable, triumphant hybrids. Resisting strict genre labels, Floating Points' work is often described as "post-club" or experimental , suited for reflective listening beyond the dancefloor while retaining an underlying rhythmic . This boundary-crossing approach, influenced by eclectic scenes from to , underscores his commitment to stylistic fluidity.

Production Techniques and Equipment

Sam Shepherd, known as Floating Points, heavily relies on modular synthesizers, particularly Buchla systems, to generate complex, evolving sequences in his productions. He has used a Buchla 200e series for over 13 years, incorporating its modules for polyrhythmic patterns and improvisational elements, as heard in tracks like "Apoptose" from the album . The Buchla 252 sequencer enables generative sequencing through intricate clock divisions and probabilistic triggers, allowing organic, non-repetitive structures that underpin his ambient and electronic compositions. While he experiments with modules, such as those from Make Noise, Shepherd prefers the Buchla's design for its tactile, performance-oriented workflow, often criticizing Eurorack's modularity as overly fragmented. In albums like Reflections - Mojave Desert, Shepherd integrates field recordings captured in natural environments with analog processing to create immersive, site-specific soundscapes. During a 2016 session near Joshua Tree, he employed a parabolic Telinga microphone to record directional audio, including rock reflections and desert winds, which were rotated around an EMS Synthi to produce psychoacoustic effects in tracks like "Kites". This technique treats the landscape as an acoustic instrument, with environmental reverb and phasing enhancing the analog synth layers, all captured on a super-directional mic to emphasize spatial depth without post-production simulation. Shepherd employs custom software patches in Max/MSP for real-time audio manipulation, often integrating it with to handle looping, channel routing, and effects during both studio and live sessions. For instance, Max/MSP facilitates dynamic control over multiple audio streams, enabling spontaneous layering and processing of synth signals. Complementing this, he developed or commissioned custom patches for hardware like the Rhodes Chroma , reprogramming its voices for expanded and melodic flexibility in productions such as . These tools allow for hybrid digital-analog workflows, where software augments hardware limitations without dominating the tactile process. To achieve hybrid textures, samples orchestral and acoustic instruments in , blending them with electronic elements for rich, layered timbres. On Promises (2021), he composed modular sequences on keyboards that were performed by the London Symphony Orchestra's , with recordings integrated via precise editing to create undulating, immersive harmonies alongside ' saxophone. This approach, using tools like for multi-track assembly, fuses acoustic warmth with synthetic precision, as in the album's alternating chord progressions that evolve through dynamic variations. Similar sampling techniques appear in earlier works, drawing from live band sessions to craft organic-electronic hybrids. Shepherd's live setup has evolved from laptop-centric performances to predominantly hardware-based rigs by 2019, reflecting a desire for immediacy and reliability. Early tours for Elaenia (2015) relied on laptops for MIDI clocking and processing Buchla modules, but glitches prompted a shift toward analog gear. By the Crush era, his solo shows featured dual Buchlas, Roland TR-8S drum machines, ARP 2600, and outboard effects like delays and reverbs, routed through a Sonosax mixer and Dante network for seamless improvisation. This hardware-focused configuration, free of laptop dependencies, supports extended jams and polyrhythms, enabling the generative, club-oriented sound that characterizes his recent output.

Discography

Studio Albums

Floating Points released his debut studio album, Elaenia, on November 6, 2015, through his own imprint Pluto, with Luaka Bop handling North American distribution. The album comprises 7 tracks with a total runtime of approximately 46 minutes. His second studio album, Reflections - Mojave Desert, followed on June 30, 2017, via Pluto. It includes 6 tracks and incorporates a short film component documenting the recording process in the Mojave Desert. Crush, the third studio , was issued on October 18, 2019, by . Featuring 12 tracks, it peaked at number 37 on the . In 2021, Floating Points collaborated with and the London Symphony Orchestra for Promises, released on March 26 via Luaka Bop. The consists of 9 movements spanning 46 minutes. The most recent studio album, , appeared on September 13, 2024, through . It contains 8 tracks highlighted by harp contributions from Miriam Adefris and accompanying visuals by Akiko Nakayama, earning critical acclaim in subsequent reviews.

EPs and Singles

Floating Points began his recording career with a series of influential and singles that established his reputation in the electronic and scenes. His debut release, the Vacuum EP, arrived in 2009 on Eglo Records in 12" and digital formats, featuring tracks like "Vacuum Boogie" and "Argonaute II" that blended rhythms with jazz-inflected . This EP highlighted his raw production skills and quickly gained attention within underground circles. In 2011, Floating Points issued the Shadows EP on Eglo Records, available as a double 12" vinyl and digital download, which expanded his sonic palette with longer, more atmospheric compositions. Tracks such as "Myrtle Avenue," featuring vocals by , and "Sais" demonstrated his growing command of live instrumentation and modular synthesis, earning praise for its emotive depth. The EP's layered arrangements foreshadowed the orchestral elements in his later full-length works, without directly preluding any specific album. Transitioning to more exploratory territory, the 2016 Kuiper EP was released on (with Luaka Bop handling North American distribution) in 12" and formats, comprising a single 17-minute title track recorded live with his band. This krautrock-inspired piece emphasized extended improvisation and pulsating rhythms, reflecting his shift toward ensemble performance. No significant chart performance was recorded, but it received critical acclaim for its immersive quality. Notable singles from the late include "Silurian Blue" in , issued digitally via Luaka Bop as a standalone preview of his evolving jazz-electronic fusion, clocking in at over seven minutes with intricate string and percussion work. In , "Bias" emerged as a single on (later included on ), a driving, synth-heavy track that showcased his affinity for influences. This was followed in 2020 by "Bias (Revisited)," released digitally on as the "Mayfield Depot Mix," a 14-minute reworking captured live at Manchester's Mayfield Depot, featuring extended builds and the full band for a more dynamic, venue-specific remix. These releases underscored Floating Points' commitment to shorter-form works that bridge club functionality with experimental ambition. In 2025, Floating Points collaborated with Fred again.. on the single "Ambery," released October 24 via Atlantic Records UK.

Compilation and Soundtrack Albums

Floating Points contributed to the LateNightTales series with a curated DJ mix album released on March 29, 2019, by Night Time Stories. This compilation features a selection of global soul, ambient, jazz, and folk tracks, blending influences from artists like Sarah Davachi, The Rationals, and Eddie C, with Floating Points' selections emphasizing ethereal and introspective sounds. Exclusive content includes Davachi's live excerpt "Untitled, live in Portland," Toshimaru Nakamura's ambient piece "Nimb #59," and Floating Points' own cover of "Almost in Love" by The Angels. The physical release on 180-gram vinyl came with a bonus download code for the full unmixed tracks and the continuous mix, highlighting unreleased material tailored for late-night listening. In 2025, Floating Points composed the original soundtrack for the animated series , released on April 13 via Luaka Bop and . This comprises 17 tracks that integrate , ambient, and orchestral elements to underscore the series' themes of corporate and human augmentation, featuring collaborations with artists such as Zongamin, , and Miriam Adefris. Key pieces include "Mirror Pursuit," a pulsating opener with rhythmic percussion and synth layers; "Total Eclipse," a haunting vocal-driven track; and "Wires (Lazarus Version)," a reimagined composition evoking tension and futurism. The soundtrack's production drew from Floating Points' signature modular synthesis and field recordings, creating a sonic landscape that complements the narrative's blend of sci-fi intrigue and emotional depth.

Legacy and Recent Activities

Critical Reception and Awards

Floating Points, the alias of electronic musician Sam Shepherd, has garnered widespread critical acclaim throughout his career, evolving from niche underground recognition in the London club scene to broader mainstream respect within and circles by 2025. Early releases like the 2015 debut album Elaenia established him as a innovative force, praised for its seamless fusion of , , and classical elements, earning an 8.4/10 from for its warm, fluid sound and timeless quality. This underground buzz grew with subsequent works, positioning Shepherd as a respected figure in , with outlets like lauding his ability to blend genres into "soaring, beautiful journeys" that integrate improvisational and swooning strings. The 2021 collaborative album Promises, featuring and Symphony Orchestra, marked a high point, receiving near-universal praise for its emotional depth and genre-transcending composition, with awarding it Best New Music status and highlighting its stirring, hard-to-name feelings across 46 minutes of sweeping movements. The album's innovative blend of , , and orchestral elements drew acclaim from , which noted its role in bridging generations and genres in live performances. Promises was shortlisted for the 2021 , recognizing its impact as a late-career highlight for Sanders and a compositional triumph for Shepherd. Shepherd's 2024 album continued this trajectory, earning strong reviews averaging around 8.0/10, with scoring it 8.0 for its club-focused bliss and mastery of modular synthesis, while described it as an "enthralling record of out-and-out bangers" that revitalizes dancefloor energy. The album received a nomination for Best Electronic Record at the 2025 , further cementing his status in electronic music. Reflecting his rising profile, Promises has achieved significant streaming success, surpassing 37 million plays on by 2025, underscoring its enduring appeal and contribution to Shepherd's mainstream breakthrough.

Ongoing Projects and Future Directions

In support of his 2024 album , Floating Points has embarked on an extensive tour featuring immersive live performances across in late 2025. Key dates include the MIRA Festival in on November 7, 2025, where he presented the album alongside custom visual elements, and the Repercussion event at Depot Mayfield in on December 13, 2025. These shows incorporate real-time visual collaborations, such as those with Hamill Industries for dynamic effects and Akiko Nakayama's "alive paintings," enhancing the album's electronic and improvisational qualities during live sets. To mark the 10th anniversary of his debut album Elaenia, a remastered edition was released in 2025, featuring a previously unreleased track. Looking ahead, tour extensions are planned for 2026, including a performance at Boomtown Fair in the on August 12. While specific announcements for and remain forthcoming as of 2025, Floating Points has expressed intentions to expand global outreach, adapting to post-pandemic logistics like enhanced venue acoustics and hybrid visual technologies developed during earlier restrictions. Beyond touring, Floating Points continues to explore interdisciplinary projects rooted in his background. In 2025 performances, he has integrated systems to synchronize modular visuals and soundscapes, drawing on scientific principles to augment and stage production. This aligns with ongoing side endeavors in scoring, following his 2024 ballet commission Mere Mortals for the , which blended electronic music with mythological narratives and hints at potential scoring opportunities. No new label ventures have been confirmed, though his continued partnership with underscores a focus on innovative releases and visual-music integrations for future works.

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