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Fontanka

The Fontanka is an artificial river and canal in central Saint Petersburg, Russia, formed as a southern distributary of the Neva River and spanning approximately 6.7 kilometers from the Summer Garden to the Malaya Neva.^[1]^[2] Originally a marshy stream in the early 18th century, it was engineered during the city's founding under Peter the Great to supply water for the fountains in the Summer Garden, from which it derives its name—a diminutive of "fontan," meaning fountain in Russian.^[3]^[2] Historically, the Fontanka served as the southern boundary of Saint Petersburg until the mid-18th century, separating the affluent northern districts from the more modest southern areas, and it played a key role in the city's early development as a navigable waterway for transport and defense.^[1]^[3] Granite embankments were constructed along its banks between 1780 and 1789 under the direction of architect Alexey Kvasov, transforming it into a picturesque urban feature lined with palaces, such as the Sheremetev Palace and Anichkov Palace, as well as cultural institutions like the Fabergé Museum.^[1]^[3] The river's drawbridges, including the iconic Anichkov Bridge adorned with Klodt's "Horse Tamers" sculptures and the Egyptian Bridge flanked by sphinxes, were vital for maritime traffic until the 19th century, though modern shipping has rendered them largely ornamental with draw mechanisms removed.^[1]^[2] Today, the Fontanka remains a central artery of Saint Petersburg, celebrated for its scenic beauty and historical landmarks, including the Summer Palace of Peter I, Mikhailovsky Castle, and the whimsical Chizhik-Pyzhik sparrow monument installed in 1994.^[3]^[2] With a width varying up to 70 meters and a shallow depth that limits large vessel navigation, it supports recreational boating, seasonal barge tours, and events like the annual Fontanka SUP Festival in July, drawing visitors to explore the city's imperial heritage along its tree-lined quays.^[1]^[3]^[2]

Geography

Course and Dimensions

The Fontanka River originates as a left branch of the Neva River at the Summer Garden in the heart of St. Petersburg, marking the start of its urban course. It follows a meandering path southward through the central districts of the city, spanning a total length of 6.7 km before rejoining the Neva at Gutuyevsky Island near the Smolny Cathedral area.^[1]^[4] Throughout its trajectory, the Fontanka divides central St. Petersburg into northern and southern sections, contributing to the city's distinctive island-like layout formed by its waterways. The river's width varies from 50 m to 70 m, while its depth ranges from 2.6 to 3.5 m, with a maximum of 3.5 m, allowing for small vessel navigation but limiting larger commercial use.^[2]^[1] As a key element of St. Petersburg's canal system within the Neva River delta, the Fontanka's topographic features include gentle curves that integrate with adjacent channels like the Moyka, enhancing the interconnected hydraulic network of the region.^[1]

Hydrology and Connections

The Fontanka River originates as a left distributary branch of the Neva River, diverging near the Summer Garden in central St. Petersburg and rejoining the Neva approximately 6.7 kilometers downstream near Gutuyevsky Island. Its water primarily derives from the Neva's upstream inflow from Lake Ladoga, which sustains the river's base flow through the delta system, though tidal influences from the Gulf of Finland can reverse direction during storm surges. The river has an average discharge of approximately 100 m³/s. As part of the Neva delta's intricate network, the Fontanka integrates with St. Petersburg's urban hydrology, channeling water that supports both navigational and ecological functions within the city.^[5]^[6]^[7] The Fontanka connects directly to the Moyka River via a straightened canal constructed in 1711 near the Summer Garden, facilitating water exchange and enabling bidirectional flow between the two waterways to regulate levels and support early urban drainage. This linkage, part of Peter the Great's initial canalization efforts, enhanced the interconnected hydraulic system of St. Petersburg's rivers and canals, allowing for controlled water movement across the central district. Flow characteristics exhibit seasonal variations, with higher volumes during spring thaws from snowmelt that can elevate levels and pose flood risks through ice jams, contrasted by lower water depths in summer due to reduced precipitation and evaporation. Autumn storm surges from the Gulf of Finland often exacerbate these risks, pushing Neva backflow into the Fontanka and causing overflows.^[8]^[5]^[9] In the 18th century, the Fontanka played a central role in St. Petersburg's hydraulic engineering initiatives, where granite embankments were constructed under Catherine II starting in the 1780s to stabilize banks, prevent flooding from Neva overflows, and supply water for urban fountains and gardens. These works, supervised by engineers like Friedrich Bauer, transformed the river from a natural boundary into a managed canal, mitigating flood propagation while enabling water diversion for city needs such as irrigation and transport. Today, hydrological management relies on the broader Neva Bay flood protection complex, commissioned in 2011, which includes dams, shipping locks, and regulators to control surges affecting the Fontanka indirectly through the Neva; no dedicated locks exist on the Fontanka itself, but the system's 25-kilometer barrier has successfully prevented numerous potential floods since activation.^[5]^[10]^[11]

History

Origins and Early Development

The Fontanka River began as a natural swampy stream in the marshy terrain of the Neva River delta during the 17th century, originally known as Bezymyannyi Yerik, or "Anonymous Creek," due to its unnamed status on early maps.^[12] This waterway meandered through boggy lowlands, forming part of the intricate network of streams and backwaters in the sparsely populated Ingrian region, which was captured by Russian forces during the Great Northern War.^[12] With the founding of St. Petersburg by Peter the Great on May 27, 1703, the area encompassing the Fontanka transformed from desolate marshland into the core of a new capital city, strategically positioned in the Neva delta to provide Russia access to the [Baltic Sea](/page/Baltic Sea).^[13] The site's low-lying, flood-prone marshes, rising only 1 to 2 meters above sea level, posed significant challenges, yet Peter envisioned it as a "window to the West," initiating rapid urbanization amid the delta's 42 islands and channels.^[14] As one of the delta's left tributaries branching from the Neva, the Fontanka served as a natural boundary, delineating the nascent northern settlements from the expansive southern marshes and preventing uncontrolled sprawl into the undeveloped wetlands.^[1] Early human modifications commenced in the 1710s to support city expansion, including the construction of Peter the Great's Summer Palace (1710–1714) on its banks, which marked the first permanent structure along the river and necessitated initial channel improvements for access.^[3] By the early 18th century, as St. Petersburg's population surged from a few thousand in 1703 to around 40,000 by 1725, growth along the Fontanka's banks prompted basic infrastructure like wooden embankments erected in the 1720s, which functioned as both navigational aids and rudimentary fortifications against flooding and southern expansion.^[4] Further engineering in the 18th century involved clearing, deepening, and straightening the meandering channel to enhance navigability, transforming the swampy erik into a vital artery for urban development.^[15] In 1719, the river was renamed Fontanka, reflecting its emerging role in channeling water to the Summer Garden's fountains.^[16]

Naming and 18th-Century Expansion

The Fontanka River, originally an unnamed creek branching from the Neva, was officially renamed in 1719 to reflect its primary function as a conduit for water to power the fountains in Peter the Great's Summer Garden. This renaming occurred shortly after the installation of a water-lifting machine in 1718, which drew water from the creek to supply the garden's elaborate hydraulic system, a key element of the tsar's vision for a European-style residence. Peter the Great's decrees on urban infrastructure, including the canalization of waterways to support city development, directly facilitated this transformation, turning the natural stream into a engineered channel integrated with the emerging capital's layout.^[17]^[18] Beyond its initial role in the Summer Garden, the Fontanka's utility expanded in the early 18th century to meet broader water needs for the burgeoning city, including household consumption and early industrial uses among the nobility's estates along its banks. As St. Petersburg grew under Peter's directives, the river served as a vital resource for sanitation and daily life, with its regulated flow preventing flooding while distributing water to nearby palaces and gardens. This extension underscored the waterway's evolution from a peripheral feature to an essential urban artery, supporting the tsar's emphasis on hydraulic engineering inspired by Dutch and Venetian models.^[3] By the mid-18th century, the Fontanka demarcated the southern boundary of developed St. Petersburg, confining urban expansion to its northern banks until projects like the embankment construction began shifting the city's limits southward. The rapid population influx, driven by Peter's policies relocating nobility and merchants to the new capital, prompted comprehensive urban planning in the 1750s under Empress Elizabeth, with the river influencing the layout of radiating streets and canals. Key events, such as the 1762–1769 general city development plan led by architect Aleksei Kvasov, integrated the Fontanka into formal grids, marking its transition from a canalized creek to a defined river by the 1760s and spurring neighborhood growth in areas like the Liteyny District.^[19]^[1]^[20]

Infrastructure

Embankments

The embankments of the Fontanka River were initially constructed between 1780 and 1789 under the supervision of architect Andrey Kvasov, in collaboration with engineer Friedrich Wilhelm Bauer, featuring granite facing to provide both flood control and aesthetic enhancement to the urban landscape.^[4] This engineering effort involved high limestone mortar-based stone walls clad in massive granite blocks, supported by wooden pile grillages of alder piles to stabilize the foundations against the river's flow.^[21] The design not only reinforced the banks against erosion but also integrated seamlessly with St. Petersburg's radial grid layout, defining the river as a key boundary in the city's central district.^[21] Spanning approximately 6.7 km in total length to parallel the river's course, the embankments consist of a left (northern) bank measuring about 6.4 km and a right (southern) bank at roughly 5.7 km, with the two sides exhibiting differences in architectural style due to varying historical development and urban pressures on each shore.^[22] The northern bank maintains a more uniform neoclassical profile, while the southern bank incorporates diverse elements reflecting later expansions and adjacent land uses.^[23] In the 19th century, during the reign of Nicholas I (1825–1855), the embankments underwent significant enhancements, including the addition of cast-iron railings with simple forged lattice patterns on granite pedestals, installed around the 1840s under the guidance of architect Andrei Stackenschneider, alongside gas lamps and widened pedestrian paths to improve public access and illumination.^[23] These modifications elevated the embankments from functional barriers to elegant promenades, further aligning them with the city's imperial aesthetic while bolstering their role in erosion prevention.^[23] Today, the Fontanka embankments are preserved as integral components of St. Petersburg's Historic Centre and Related Groups of Monuments, recognized by UNESCO World Heritage status since 1990 for their contribution to the city's 18th- and 19th-century urban ensemble, with ongoing restorations adhering to historical documentation and authentic materials to maintain structural integrity and visual harmony.^[24]

Bridges

The Fontanka River in St. Petersburg is crossed by 15 bridges, consisting of fixed structures and historical drawbridge types designed to accommodate navigation along the waterway. These crossings, essential for linking the city's central districts, were predominantly constructed between the 18th and 19th centuries as St. Petersburg expanded rapidly under imperial development. Early wooden spans gave way to more durable stone and metal designs, reflecting advancements in engineering that prioritized both functionality and aesthetic integration with the urban landscape.^[25]^[26]^[27] Among the most iconic is the Anichkov Bridge, rebuilt from 1841 to 1850 under the supervision of Emperor Nicholas I, featuring four dynamic horse-tamer sculptures by artist Peter Klodt installed in 1849–1850 to symbolize the taming of wild forces. This three-arched structure, with its elaborate cast-iron railings, exemplifies neoclassical engineering adapted for heavy urban traffic along Nevsky Prospekt. The Lomonosov Bridge, constructed in 1785–1787 to a standard design for Fontanka crossings, showcases neoclassical elements through its Doric pavilions and basket-handle arches, serving as a pivotal link for pedestrian and vehicular movement. The Egyptian Bridge, erected in 1825–1826 as one of the city's first metal suspension spans, collapsed in 1905 due to overload and was rebuilt in 1908 as a fixed bridge; it is distinguished by its cast-iron sphinx sculptures guarding the granite abutments, embodying the era's fascination with Egyptian Revival motifs. The bridge underwent restoration in 2024, including cleaning of the sphinxes.^[28]^[29]^[30]^[31] Later 19th-century bridges incorporated cast iron for enhanced strength and decorative potential, allowing wider spans and ornate railings that improved load-bearing capacity while facilitating smoother traffic and pedestrian flows across the river's 70-meter average width. These innovations were critical for integrating the Fontanka's embankments into the city's grid, supporting commerce and daily transit without impeding river traffic.^[32]^[27] Several bridges endured significant disruptions during World War II, particularly the Siege of Leningrad (1941–1944), when artillery and bombings caused structural damage. The Anichkov Bridge, for instance, suffered heavy impacts, leading to the temporary removal and burial of its sculptures for protection; it was repaired and the statues reinstalled by 1945 as part of broader post-war restorations. Similar repairs across the Fontanka's spans ensured their preservation, maintaining their role in the city's infrastructure.^[28]^[33]

Landmarks and Architecture

Palaces and Gardens

The Fontanka River, originating from the Summer Garden in central Saint Petersburg, is lined with significant palaces and gardens that exemplify the city's early 18th-century urban development under Peter the Great and his successors. These sites transitioned from modest wooden structures to grand stone edifices, incorporating European architectural influences such as French formal gardens and Italian Baroque elements, reflecting the tsars' ambition to emulate Western monarchies.^[34]^[35] The Summer Garden, founded in 1704 by Peter the Great as his private retreat, marks the river's starting point and embodies the formal French garden style with geometric parterres, alleys, and symmetrical layouts designed by architects like Jean-Baptiste Le Blond and Nicola Michetti. Spanning an island bounded by the Neva, Fontanka, Moika, and Swan Canal, it featured up to 50 fountains in the mid-18th century, supplied by water from the Fontanka—hence the river's name—peaking during the Italian Baroque phase (1727–1762) with elaborate hydraulic systems and sculptures. Despite severe damage from the 1777 flood, which destroyed many fountains and statues, the garden was restored as a public space, preserving its role as a serene green oasis amid the city's palaces.^[34]^[36] Adjacent to the garden's northeast corner stands the Summer Palace of Peter the Great, constructed between 1710 and 1714 by architect Domenico Trezzini as the tsar's modest two-story Baroque residence overlooking the Fontanka. This early stone structure, with its simple yet elegant facades and interiors reflecting Dutch influences, served as Peter's summer retreat for assemblies and personal leisure until his death in 1725, symbolizing the shift from temporary wooden pavilions to permanent imperial architecture along the river.^[34]^[37] Further downstream, the Anichkov Palace, built from 1741 to 1754 near the Anichkov Bridge over the Fontanka, represents a progression to more opulent Baroque design under Empress Elizabeth, with contributions from architects Mikhail Zemtsov, Gavriil Dmitriev, and Francesco Rastrelli. Its front facade directly faces the river, connected by a canal and harbor, and it evolved through Neoclassical additions in the late 18th century by Ivan Starov and Giacomo Quarenghi, before Carlo Rossi's 1809–1814 reconstruction in the Empire style, which included garden pavilions and made it a primary imperial residence for heirs to the throne until 1917.^[38] The Sheremetev Palace, known as the Fountain House, occupies a prominent site at 34 Fontanka River Embankment, granted to Count Boris Sheremetev in 1712 by Peter the Great, with its current Baroque form erected in the late 1740s to 1750s by architect Savva Chevakinsky following designs by Francesco Rastrelli. This two-story stone mansion, expanded with wings in the early 19th century by Karl Meyer and others, featured extensive gardens in the 1750s–1760s designed by Fyodor Argunov, including a grotto, Hermitage pavilion, and Chinese summer house adorned with fountains that inspired its nickname. The palace's cast-iron fence along the embankment underscores its integration with the riverfront, serving as a noble family seat and cultural hub.^[35] Architecturally, the palaces along the Fontanka evolved from Peter's utilitarian Baroque prototypes, influenced by French and Dutch models, to the lavish Rococo and Empire styles of the 18th and 19th centuries, as seen in reconstructions by Rossi and Quarenghi, which replaced wooden elements with durable stone to accommodate growing imperial and aristocratic needs while harmonizing with the river's embankments.^[38]^[35]

Museums and Cultural Sites

The Anna Akhmatova Literary and Memorial Museum is housed in the historic Fountain House, part of the 18th-century Sheremetev Palace located at 34 Fontanka River Embankment. The current stone palace was constructed between 1750 and 1755 for the Sheremetev family (descendants of the original grantee, Field Marshal Boris Sheremetev), under architect Savva Chevakinsky, possibly following designs by Francesco Rastrelli, and later expanded by his descendants, exemplifying late Baroque architecture with its stucco decorations and landscaped gardens overlooking the river.^[35] Following the 1917 October Revolution, the property was nationalized by the Soviet government in 1918, initially serving as communal housing and administrative spaces before being designated a cultural institution in the 1940s; the Akhmatova Museum itself opened in 1989 to commemorate the poet's life and the repressive conditions she endured during the Soviet era.^[39]^[40]^[41] The museum's collections emphasize Akhmatova's personal history, featuring her apartment furnishings, manuscripts, photographs, and correspondence from the 1910s to 1960s, alongside exhibits on Soviet censorship, the Great Purge, and her relationships with contemporaries like Nikolai Gumilev and Osip Mandelstam. Additional sections cover her son, historian Lev Gumilyov, and the broader Silver Age literary movement, with artifacts including rare books and period artwork that highlight the intersection of poetry and politics. This site plays a crucial role in preserving Russia's modernist literary heritage, offering visitors insight into the personal toll of totalitarianism on creative expression. As of 2025, the museum is open Tuesday to Sunday from 10:30 a.m. to 6:00 p.m. (ticket office closes one hour earlier), with Wednesdays from 12:00 p.m. to 8:00 p.m., closed Mondays, and adult admission at 400 RUB, with guided audio tours available in multiple languages.^[39]^[42] Other notable cultural sites near the Fontanka's upper reaches include the Military Historical Museum of Artillery, Engineers, and Signal Corps, situated close to the Summer Garden and a short distance from the Lomonosov Bridge. Established in 1904 on the grounds of the former Peter and Paul Fortress but relocated and expanded post-1917 to its current location at 7 Kronverkskoye Place, the museum showcases engineering innovations from the imperial era, such as 19th-century field artillery, bridge-building models, and signaling devices used in military campaigns along waterways like the Fontanka. Its collections, numbering over 400,000 items, include restored equipment from the Napoleonic Wars and World War I, illustrating the technical advancements in Russian military engineering. As of 2025, it is open Wednesday to Sunday from 11:00 a.m. to 6:00 p.m. (ticket office closes at 5:00 p.m.), closed Mondays and Tuesdays, attracting visitors interested in the practical history of infrastructure development in St. Petersburg.^[43]^[44] The Trinity Cathedral, a prime example of neoclassical design, stands prominently on the Fontanka's embankment near Izmaylovsky Prospekt, constructed between 1828 and 1838 under architect Vasily Stasov to replace a flood-damaged wooden church. Commissioned by Emperor Nicholas I as the regimental cathedral for the Izmailovsky Life Guards, it features a massive Corinthian portico, towering blue domes topped with crosses, and an interior adorned with murals depicting military victories and biblical scenes. Nationalized after the 1917 Revolution and used for storage during the Soviet period, it was restored in the 1990s and reconsecrated in 2002, now serving as an active Orthodox church and cultural venue for concerts and exhibitions. Visitors can access the site daily from 8:00 a.m. to 8:00 p.m., with free entry to the grounds and a modest fee for interior tours, underscoring its role in maintaining St. Petersburg's architectural and spiritual legacy.^[45]^[46] Post-1917 conversions transformed several Fontanka-adjacent palaces and estates into public museums, reflecting the Bolshevik emphasis on cultural democratization; for instance, the Sheremetev Palace initially housed the Museum of Noble Life before specializing in literary and musical collections, while similar repurposings at sites like the nearby Shuvalov Palace (now the Fabergé Museum since 2013) preserved decorative arts from imperial collections. These institutions collectively safeguard St. Petersburg's literary and artistic heritage, particularly through Akhmatova's preserved spaces, which document the resilience of Russian intellectuals amid historical upheavals and draw over 100,000 visitors annually to explore original memorabilia and contextual exhibits.^[41]^[40]

Cultural Significance

Role in Literature and Arts

The Fontanka River, as a central waterway in St. Petersburg, features prominently in 19th-century Russian literature as a backdrop for characters' introspective walks and encounters with urban alienation. In Fyodor Dostoevsky's Crime and Punishment (1866), protagonist Rodion Raskolnikov navigates the city's embankments, including those along the Fontanka, during his tormented peregrinations, symbolizing his psychological descent amid the damp, oppressive atmosphere of the imperial capital. Similarly, Nikolai Gogol's satirical Petersburg tales, such as those in Petersburg Stories (1835–1842), depict the city's canals and rivers like the Fontanka as sites of absurdity and bureaucratic folly, underscoring the grotesque underbelly of Russian society through exaggerated vignettes of everyday life along its banks. Anna Akhmatova's poetry deepens the Fontanka's literary resonance, particularly through her residence at the Fountain House (Sheremetev Palace) on the river's embankment from the mid-1920s to 1952, where she composed much of her work during the Stalinist terror. In her cycle Requiem (1935–1940), written in part at this location, the Fontanka subtly evokes the stifling confinement and quiet despair of Leningrad under repression, with dedications like "1940, the House on the Fontanka" anchoring the poems to the site's historical weight as a witness to personal and collective suffering.^[47] In visual arts, the Fontanka inspired depictions that echoed Venetian styles akin to Canaletto's canal views, capturing St. Petersburg's neoclassical embankments and bridges in luminous, topographical detail during the 19th century; artists like Fyodor Alekseyev rendered scenes such as the view of the Mikhailovsky Castle from the Fontanka River (1800), blending architectural grandeur with watery reflections to highlight the city's engineered elegance.^[48] By the 20th century, photography further immortalized the river's bridges, with early images from the 1880s–1900s, such as those of the Fontanka Embankment near the Vladimir Cathedral, portraying the structures in stark black-and-white tones that convey a fading imperial splendor amid encroaching modernity.^[49] Symbolically, the Fontanka embodies urban melancholy and imperial decay in modernist Russian literature and arts, serving as a liminal space where the Neva's branches mirror the fragmentation of post-revolutionary identity. In Akhmatova's verse and broader Symbolist works, the river's quiet flow contrasts with St. Petersburg's spectral aura, evoking themes of loss and endurance, as seen in Andrei Bely's Petersburg (1913), where canals like the Fontanka amplify the city's apocalyptic unease and historical transience.^[50]

Modern Usage and Ecology

In contemporary St. Petersburg, the Fontanka River primarily functions as a key waterway for tourist boat routes, enabling visitors to explore the city's central landmarks via guided excursions lasting 1 to 2 hours along its course and connected canals.^[51] These routes, operated by various companies, emphasize sightseeing and often include audio commentary on historical sites visible from the water. Commercial navigation remains limited due to the river's numerous low-clearance bridges, which restrict larger vessels and prioritize recreational over freight traffic. The river's embankments have evolved into vibrant pedestrian promenades, fostering urban recreation and social activities amid the city's historic fabric. These walkways attract locals and tourists for evening strolls, particularly during the annual White Nights festival in late June, when extended daylight hours amplify public gatherings and illuminated boat parades along the Fontanka.^[52] The annual Fontanka SUP Festival, held in August as of 2025, draws thousands for stand-up paddleboarding events, blending sport and cultural celebration. Post-2011 updates to flood control, including the full operationalization of the Saint Petersburg Flood Protection Barrier across the Neva Bay, have bolstered resilience for inner channels like the Fontanka by mitigating upstream surge risks during storms.^[53] Ecologically, the Fontanka contends with pollution from urban runoff carrying sediments and contaminants into its waters, a legacy of the city's dense infrastructure. Since the 1990s, restoration initiatives led by Vodokanal of St. Petersburg have addressed these issues by redirecting untreated wastewater discharges—once totaling thousands of cubic meters daily directly into the river—to centralized treatment plants equipped with advanced aeration and filtration systems.^[54] By 2011, the final such outlet along Lotsmanskaya Street was integrated into the network, markedly reducing nutrient loads and improving overall water quality.^[55] Local authorities, including the Committee for Nature Use, Monitoring and Environmental Protection, conduct ongoing monitoring of the river's ecosystem as of 2023, tracking parameters like dissolved oxygen and pollutant levels to support biodiversity, which includes common urban fish species such as roach and perch alongside migratory birds; no major pollution incidents have been reported as of 2025.^[56] Looking ahead, the Fontanka is being incorporated into broader green city initiatives, such as the development of linear green corridors along embankments to enhance ecological connectivity and recreational access. Cleanup projects, supported by international financing like the European Bank for Reconstruction and Development's efforts to purify urban waterways, align with St. Petersburg's UNESCO World Heritage obligations by prioritizing sustainable water management and habitat restoration.^[57]^[58]

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[PDF] history and restoration of the st petersburg summer garden
In 2014 the oldest garden in St Petersburg, Russia, the Summer Garden, celebrated three hundred and ten years since its foundation. The history of the ...Missing: named | Show results with:named
[34]
Saint Petersburg encyclopaedia
### Summary of Sheremetev Palace (Fountain House)
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Summer Garden, St Petersburg – EGHN
The Summer Garden was founded in 1704. Peter the First wanted the garden of his summer residence to be as beautiful as the famous gardens of European Monarchs.
[36]
Palaces and Parks - The Russian Museum
The Summer Garden with its collection of sculpture and the Summer Palace, the first emperor summer residence, form a single museum complex. The Garden was Peter ...
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https://app.rusmuseum.ru/eng/museum/complex/index.html
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The Anna Akhmatova Museum in the Fountain House
Address. Opening hours. Saint-Petersburg, Liteyniy prospect, 53. Daily from 10:30 to 18:30. Wednesday from 12:00 to 20:00. Monday is a day off. Ticket office ...
[39]
Anna Akhmatova Museum at the Fountain House
Akhmatova Apartment Museum at the Fountain House in St Petersburg. Guide to the Akhmatova Museum and other cultural museums in Saint Petersburg, Russia.
[40]
Sheremetev Palace — Museum of Music
34 Fontanka river emb., St. Petersburg Phones: +7 (812) 272–44–41. Web site: https://theatremuseum.ru/. In the halls of the oldest in Saint-Petersburg Palace ...
[41]
Anna Akhmatova Museum at the Fountain House, St. Petersburg
The museum, opened in 1989, shows Anna Akhmatova's life, her works, personal belongings, and sections on her son and Joseph Brodsky. It is an emotive museum.
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Military-Historical Museum of Artillery, Engineer and Signal Corps
phone +7 (812) 232 02 96. booking excursions. Work schedule from 11.00 to 18.00 (the ticket office closes an hour earlier) the entrance of visitors to the ...
[43]
Science and Technology Museums, St. Petersburg, Russia
Housed in the beautiful marble halls of one of Russia's premier engineering colleges, this old-fashioned museum contains historic mining equipment and a wealth ...
[44]
The Trinity Cathedral in St. Petersburg, Russia
Construction of the new church began in May 1828, and despite several accidents hampering the work, the cathedral was consecrated in May 1835. The cathedral ...
[45]
St. Petersburg attractions. Trinity Cathedral. - Visit Russia
The cathedral was built in 1828-1835 by architect Vasily Stasov on a wooden church of the same name, damaged in flood in 1824. The cathedral was restored twice ...
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[PDF] Double Take: The Shock of Urbanization and The Doppelgänger in ...
Apr 30, 2021 · Hans Christian Andersen wrote this story, titled “The Shadow” in 1847, just a year after. Fyodor Dostoyevsky published his novella, The Double.
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"Petersburg Tales" - five famous stories (1835-43) by Nikolai Gogol
Oct 21, 2022 · "Petersburg Tales" - five famous stories (1835-43) by Nikolai Gogol · 1. NEVSKY PROSPECT · 2. THE DIARY OF A MADMAN · 3. THE NOSE · 4. THE PORTRAIT.
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Anna Akhmatova | The Poetry Foundation
Between 1935 and 1940 she composed her long narrative poem Rekviem (1963; translated as Requiem in Selected Poems [1976]), published for the first time in ...
[49]
The Image of St. Petersburg in the Work of Anna Ostroumova ...
St. Petersburg had neither a Piranesi, like Rome, nor a Canaletto, like Venice - the city on the Neva lacked an artist who would devote themselves entirely ...
[50]
St. Petersburg in late 19th – early 20th century photographs
Dec 9, 2019 · Fontanka Embankment. 1880–90s. Photography De Jongh frères, published by A. Felten. Not far from the cathedral runs the Fontanka River ...
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1. Introduction: Modernism and the Spiritual in Russian Art
This volume introduces new interpretations and approaches, and aims to energise debate on issues which have been circulating in scholarship on modern art over ...
[52]
St. Petersburg by Water: Boat Tours Guide - ITMO.news
May 25, 2021 · Organized by different companies, the route itself takes you along the Fontanka and Moika rivers and Kryukov Canal past the most recognized ...Missing: modern | Show results with:modern
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River Fontanka Embankment (2025) - All You Need to ... - Tripadvisor
Rating 4.6 (87) The Fontanka is actually not a river, but a channel of the Neva about seven kilometers long, flowing out of it in the Summer Garden area and flowing back at ...
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The St Petersburg Flood Protection Barrier: design and construction
Apr 2, 2020 · It was opened by the Prime Minister of the Russian Federation in August 2011. This paper describes the planning, design, construction and ...
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History
New sewage network will enable to close the direct discharge to the Fontanka River in Lotsmanskaya Street and to channel wastewater for treatment to the Central ...
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[PDF] 2015
and one – into the Fontanka river, totaling about thousands of cubic meters per day). Today, this wastewater is transported to the Central WWTP to undergo a ...
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[PDF] ANNUAL REPORT
Reduction of nitrogen and phosphorus load on St.Petersburg water bodies ... • construction of the ring tunnels along the fontanka river em- bankment ...
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EBRD hails success of St. Petersburg clean river project
Oct 10, 2013 · EBRD hails success of St. Petersburg clean river project ... International lenders and donors gathered in St. Petersburg today for a milestone ...Missing: UNESCO | Show results with:UNESCO
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St. Petersburg: Towards Integrated and Sustainable Green ...
Rapid urbanisation and new rules of planning require searching for new approaches to design and management of urban green areas in Russian cities.