Game Face
Game Face is a 2015 sports documentary film that examines the personal and societal challenges faced by LGBTQ athletes in the United States, centering on the parallel stories of transgender mixed martial arts (MMA) fighter Fallon Fox and gay college basketball player Terrence Clemens as they confront issues of identity, acceptance, and participation in competitive sports.[1] Directed by Michiel Thomas and produced by Thomas, Yuhei Ogawa, and Mark Schoen, the film is a co-production between the United States and Belgium, running for 95 minutes.[1] It premiered at the DOC NYC festival in 2015 and follows Fox, MMA's first openly transgender professional fighter, who transitioned in 2006 and faced intense media scrutiny and debates over her eligibility to compete in women's divisions, and Clemens, a college basketball player at Northeastern Oklahoma A&M College.[1][2][3] The documentary highlights broader themes of self-realization, discrimination, and the quest for respect within athletic communities, drawing on interviews and footage to illustrate the athletes' journeys toward authenticity amid potential career risks.[4] Game Face received critical acclaim for its timely exploration of transgender and gay visibility in sports, earning several awards including the Audience Award for Best Documentary at the 2015 Frameline San Francisco International LGBTQ Film Festival, Best Documentary at the Translations: Seattle International Film Festival, and the FilmOut Programming Award for Outstanding Emerging Talent.[2][5] The film has been praised for breaking new ground in discussions about LGBTQ inclusion in athletics, influencing subsequent conversations on equity and representation, and is available on streaming platforms such as Amazon Prime Video (as of November 2025).[6][7]Background and recording
Conception
Following the commercial peak of No Limit Records in the late 1990s, exemplified by Master P's 1997 album Ghetto D, which reached number one on the Billboard 200 and achieved triple platinum status, the label experienced a decline due to internal disputes, including a 1999 fallout with key producers Beats by the Pound over business opportunities.[8][9] This downturn prompted Master P to relaunch the label as The New No Limit Records, aiming to revitalize his career with his tenth studio album, Game Face.[10] In 2001, Master P negotiated a distribution partnership with Universal Records for The New No Limit, marking a significant shift from the independent dominance of Priority Records, where he had previously fulfilled all contractual obligations without incurring debt.[11] This deal allowed Master P to leverage Universal's robust marketing infrastructure while retaining creative control, positioning Game Face as the inaugural release under the new imprint.[11] Master P's motivations for Game Face centered on adapting to evolving hip-hop trends toward greater mainstream accessibility, incorporating more polished production elements without abandoning Southern rap's core grit and street narratives.[11] He expressed enthusiasm for Universal's innovative approach, noting, "Universal only been in business for five years, they’ve been setting a lot of standards," which aligned with his goal of fostering new talent and expanding No Limit's reach.[11] To achieve this, the album alongside traditional No Limit producers.[12]Production
The recording sessions for Game Face took place primarily at Ghetto Bill's Place in New Orleans, Louisiana, with additional work conducted at The Village studio in Los Angeles, California.[13][14] These locations facilitated collaboration between Master P and his core team, allowing for a blend of in-house No Limit production and external resources. The process spanned much of 2001, culminating in finalization during the fall to align with the album's December 18 release.[14] Key production duties were handled by a roster of contributors, including Myke Diesel, who produced and mixed several tracks such as "Ghetto Ballin'," "Tryin' to Make a Million," "Y'all Know What This Is?," and "Street Story."[13] In-house No Limit producers Ezell Swang and S Bear contributed to tracks like "Pimp Song" and "Streetz Keep Callin' Me," while Carlos Stephens produced "Real Love," Full Pack Music handled "Ooohhhwee," and XL worked on the intro "Game Face."[13] Master P served as executive producer throughout.[13] No Limit affiliates played significant roles in the sessions, providing hooks and verses; these included Lil' Romeo and Silkk the Shocker on "Ghetto Ballin'," Weebie on "Ooohhhwee" and "Rock It," Krazy on background vocals for "Streetz Keep Callin' Me," and C-Murder on "Souljas."[13][15] Engineering was led by Myke Diesel, who mixed the majority of the tracks, with Claude Achille handling mixing for others including "Take It Outside," "Watch Them People," "Outcha Mind," and "Rock It."[13] The album was mastered by Chris Bellman.[16]Composition
Musical style
The musical score for Game Face was composed by Michael Reola.[17] As a documentary, the film primarily uses original music to underscore the emotional journeys of its subjects, blending subtle, atmospheric sounds with more uplifting motifs to reflect themes of struggle and triumph. Specific details on the score's style are limited in available sources, but it supports the narrative without overpowering the interviews and archival footage.Lyrics and themes
This subsection is not applicable to a documentary film, as it lacks original lyrics or songs with thematic content in the musical sense. The film's thematic exploration of identity, acceptance, and discrimination is conveyed through visual storytelling, interviews, and narration rather than lyrics.Release and promotion
Film release
Game Face world premiered at the Miami Gay and Lesbian Film Festival on April 26, 2015.[3] It had its NYC premiere at the DOC NYC festival later in 2015.[1] The film screened at numerous international festivals, including the GAZE International LGBT Film Festival in Dublin, Frameline San Francisco International LGBTQ Film Festival, Inside Out Toronto LGBT Film Festival, Out on Film in Atlanta, and Kaleidoscope Film Festival in Little Rock, Arkansas.) The documentary was produced as a co-production between the United States and Belgium and distributed through festival circuits and later streaming platforms. As of 2023, it became available on Netflix and Amazon Prime Video.[18][6] Promotion emphasized the film's exploration of LGBTQ inclusion in sports, with director Michiel Thomas and subjects Fallon Fox and Terrence Clemens attending screenings to discuss themes of identity and acceptance.[19]Awards
Game Face received several awards on the festival circuit, including the Audience Award for Best Documentary at the 2015 Frameline San Francisco International LGBTQ Film Festival, Best Documentary (tie) at Out on Film 2015, the FilmOut Programming Award for Outstanding Emerging Talent at FilmOut San Diego 2015, and the Audience Award at Inside Out Toronto 2015.[5][20][21] The film earned a total of 12 awards across various festivals, highlighting its impact on discussions of equity in athletics.[22]Music videos
"Ooohhhwee"
The music video for "Ooohhhwee", the lead single from Master P's 2001 album Game Face, was released in late 2001 by No Limit Records. Produced on a modest budget typical of the label's independent operations at the time, it was directed by an in-house No Limit team rather than a high-profile external director, reflecting the company's self-reliant approach to visuals during its distribution deal with Universal.[23] The video's visual style centers on high-energy party scenes set in New Orleans clubs, capturing the essence of local bounce culture through lively performances by Master P and featured artist Weebie alongside dancers. Key scenes highlight crowd energy and transitions from street settings to club environments, symbolizing a state of "game face" readiness for the nightlife and hustle. This aesthetic parodies elements of rodeo culture for humor, contrasting the rappers' confident displays of style, cars, and women with stereotypical depictions of older, less dynamic figures, thereby underscoring boastful masculinity and youthful rebellion in hip-hop.[24] Distribution focused on urban music outlets, with the video airing on BET and MTV's Rap City to align with the single's club promotion and regional bounce appeal. Critics and observers noted it as a return to No Limit's fun, accessible image, moving away from the gangsta rap intensity of earlier years toward celebratory Southern party anthems.[24]"Rock It" and "Real Love"
The music video for "Rock It", the second single from Game Face, was directed by Bernard Gourley and released in 2002.) Featuring Master P alongside Weebie and Krazy, the video adopts an energetic urban style centered on party and dance scenes in indoor club settings and a parking lot with lowrider cars.[25] Master P appears in casual urban attire, rapping directly to the camera and hyping a dancing crowd to "rock it," emphasizing themes of celebration and street energy that align with the track's bounce-influenced production.[25] No explicit production credits for location or budget appear in available sources, though the video's straightforward club aesthetic reflects the album's shift toward more accessible Southern hip-hop visuals during No Limit's transitional period.[26] In contrast, the music video for "Real Love", the third single featuring Sera-Lynn and released in April 2002, presents a more intimate romantic narrative.[27][28] The visuals evoke urban romance through implied scenes of couples in everyday settings, such as driving in luxury vehicles like Jeeps and Bentleys, underscoring longing and affection in line with the song's R&B-infused lyrics about genuine emotional connection.[29] Master P and Sera-Lynn perform collaboratively, with Master P rapping verses of desire and Sera-Lynn providing melodic hooks that highlight mutual vulnerability, softening the album's harder-edged themes into a story of heartfelt partnership.[29] Like "Rock It", production details such as shooting location or budget are not documented, but the video's focus on relational dynamics complements Game Face's versatile appeal by blending hip-hop with romantic storytelling.[30] Both videos received limited national exposure on MTV amid the early 2000s shift toward pop-leaning hip-hop, finding stronger rotation on regional outlets like BET's Video Music Box that catered to Southern rap audiences.[31] This airplay pattern mirrored the singles' modest chart performance—"Rock It" peaking at number 72 on the Hot R&B/Hip-Hop Songs chart in August 2002, and "Real Love" at number 18 in April—while reinforcing the album's attempt at crossover versatility through contrasting high-energy partying in "Rock It" and tender love stories in "Real Love".[32]Reception
Critical reception
Game Face received generally positive reviews from critics, who praised its timely exploration of LGBTQ inclusion in sports and the personal stories of its subjects. On Rotten Tomatoes, the film holds an audience score of 64% based on limited responses, with one critic review averaging 3.5/5, noting that director Michiel Thomas "gamely balances 'big picture' issues with personal costs to protagonists."[33] The Hollywood Reporter described it as "attuned to the cultural moment" amid crumbling anti-LGBT barriers, calling it an "inspiring doc" that highlights sports as a frontier in LGBTQ rights.[19] Cinema Axis commended Thomas's "strong visual eye and keen ability as a storyteller," elevating it beyond a typical underdog sports film.[34] On IMDb, it has a user rating of 6.5/10 from 182 votes, with reviewers appreciating its insightful and non-sensationalized approach to the athletes' challenges.[4]Accolades
The film premiered at DOC NYC in 2015 and won multiple awards at LGBTQ film festivals. It received the Audience Award for Best Documentary at the 2015 Frameline San Francisco International LGBTQ Film Festival, Best Documentary at the Translations: Seattle International Film Festival, and the FilmOut Programming Award for Outstanding Emerging Talent for director Michiel Thomas.[2][5] Additional honors include the Audience Award at Toronto's Inside Out Film Festival, Best Documentary at qFLIX Philadelphia, Jury Awards at the Montreal Black Film Festival and Out on Film, among a total of 12 festival awards.[19][35][22] As of 2025, Game Face remains available for streaming on platforms including Netflix and Prime Video, contributing to ongoing discussions on equity in athletics.[18][6]Track listing and personnel
Track listing
The album Game Face features 14 tracks with a total runtime of 48:23. All tracks are written primarily by Master P unless otherwise noted.[36]| No. | Title | Featuring | Duration | Writer(s) | Producer(s) |
|---|---|---|---|---|---|
| 1 | Take It Outside | 2:19 | Master P | XL | |
| 2 | Ghetto Ballin' | Lil' Romeo, Silkk the Shocker | 3:42 | Master P | Myke Diesel |
| 3 | Ooohhhwee | Weebie | 4:13 | Master P | Carlos Stephens |
| 4 | Real Love | Sera-Lynn | 3:39 | Master P | Master P, Presidential Campaign |
| 5 | We Want Dough | Krazy | 3:25 | Master P | Myke Diesel |
| 6 | The Block | 2:55 | Master P | Myke Diesel | |
| 7 | A Woman | 2:40 | Master P | Myke Diesel | |
| 8 | Back On Top | C-Murder, Lil' Romeo, Silkk the Shocker | 3:50 | Master P | Master P |
| 9 | The Farm | 3:16 | Master P | Carlos Stephens | |
| 10 | What I'm Bout | 3:13 | Master P | Ezell Swang, S Bear | |
| 11 | Whoadie Gone | 4:07 | Master P | Full Pack Music | |
| 12 | I Don't | 2:48 | Master P | Ezell Swang, S Bear | |
| 13 | Rock It | Weebie, Krazy | 3:51 | Master P | Full Pack Music |
| 14 | Lose It and Get It Back | 4:24 | Master P, Elliott Willensky | Myke Diesel |