Fact-checked by Grok 2 weeks ago

Gary Clail

Gary Clail (born 1959) is an English , record producer, MC, and DJ from , renowned for founding the Gary Clail Sound System and his influential work with the label, where he blended , , electronic, and elements to address social and political themes. Emerging from 's vibrant music scene in the , Clail began as a before immersing himself in sound systems and toasting, forming the Tack Head collective and collaborating with key figures like , Mark Stewart of , Keith Levene of ., and vocalists such as Bim Sherman, alongside producers like Lee "Scratch" Perry. His debut single, "Half Cut for Confidence," appeared in 1985 on , followed by the 1986 release Hard Left with Tack Head, marking his entry into experimental and territories. Clail's commercial breakthrough arrived with the 1990 single "," released on Paul Oakenfold's Perfecto label, which reached number 10 on the and showcased his hard-hitting lyrics over dub-influenced beats. Throughout the 1990s, Clail released albums including End of the Century Party (1990), Dreamstealers (1993), and Keep the Faith (1995) under Gary Clail & On-U Sound System, often tackling issues like racism, inequality, and urban life, often featuring vocalists like Alan Pillay and labels such as BMG and Yelen Musiques. After a period focused on social work—running a guest house in Penzance and supporting the homeless, including at a shelter in Bath and in supported housing in Wiltshire—he revived his musical career in 2013 by forming the Gary Clail Sound System with saxophonist Tony Wrafter, leading to the 2014 album Nail It to the Mast and the 2022 release Violence, which revisited his protest-rooted sound with contemporary electronic production. Clail has been active in live performances since 2023, including festivals in 2024 such as Alice’s Wicked Tea Party, Beautiful Days, and Shambala, and continuing into 2025 with events like the Moovin Festival, drawing from over three decades of material to energize audiences with his virtuoso brass-infused sound system sets.

Early Life and Career Beginnings

Childhood and Early Influences

Gary Clail was born in 1959 in , , into a working-class family of descent whose parents had moved to the city when he was very young. He grew up in the Eastville area, a predominantly black neighborhood centered around Barton Hill and St Pauls, where his mother operated an off-licence on Stapleton Road, a street known for its rough, multicultural vibe. The family home doubled as a hub for local characters, including prostitutes who visited the shop, exposing young Clail to the gritty realities of working-class life in 1960s . From an early age, Clail was drawn to the sounds of Bristol's underground music scene, sneaking out at 13 to attend illegal blues parties in St Pauls. These events, pulsing with Jamaican immigrant culture, introduced him to , , and rhythms, where local DJs practiced toasting—improvisational vocal performances over heavy basslines that foreshadowed . The rhythmic energy of these gatherings, combined with the toasting of Jamaican locals, profoundly shaped his interest in and , blending with his heritage's rebel song traditions to form a bombastic vocal style. As a young adult, Clail took up manual labor, working as a while immersing himself in Bristol's evolving culture during the . This hands-on involvement in local crews allowed him to experiment with music firsthand, creating homemade tapes of improvisational toasting and re-versioning tracks borrowed from mixes. By the late , the city's burgeoning punk scene—fueled by acts in nearby post-punk circles—added raw energy to his influences, merging with reggae's bass-heavy foundations in Bristol's DIY ethos. These formative experiences laid the groundwork for his later professional pursuits in the .

Entry into Music Scene

In the late 1970s and early , during Bristol's vibrant era, Gary Clail began his entry into the music scene by immersing himself in the city's underground club culture, particularly at illegal blues parties in areas like Eastville and St Pauls. As a teenager, he was drawn to the tradition, where DJs and MCs would toast over and rhythms, inspiring him to take up the microphone and perform improvised vocals. This period marked his transition from a day job as a to active participation in Bristol's scene, which blended energy, influences, and emerging elements. Clail formed his own sound system in the early 1980s, hosting sessions where he recorded live performances on cassettes, experimenting with raps layered over tracks by artists such as Dub Syndicate and . These DIY recordings captured the raw energy of Bristol's club nights, where he built a local reputation as a DJ and , drawing from the city's influential culture that emphasized communal and heavy bass-driven sounds. His style reflected the era's fusion of rebellion and Caribbean-rooted rhythms, honed through nights at venues and parties that fostered a tight-knit community of performers. By the mid-1980s, Clail's connections within Bristol's scene led him to , where he linked up with the and community through his acquaintance Mark Stewart of . Introduced to producer via Stewart, Clail began appearing on On-U Sound tapes, improvising socially conscious raps over Sherwood's mixes during studio sessions at the label's headquarters. These early contributions served as warm-up performances for On-U gigs, solidifying his role in the label's live sound system and marking his shift from local DJ sets to a broader experimental network.

Association with On-U Sound

Initial Recordings

Gary Clail's initial foray into recording came in October 1985 with the release of the 12-inch single "Half Cut for Confidence" on Adrian Sherwood's On-U Sound label (ON-U DP 12). The track, a dub-infused electronic piece with spoken-word vocals, marked Clail's debut on vinyl and featured backing from the core Tackhead lineup, including guitarist Skip McDonald, bassist Doug Wimbish, and drummer Keith LeBlanc, under Sherwood's production. The B-side included a dub version and "Half a Gram a Shout!," showcasing early experimental elements in rhythm and vocal delivery. By 1986, Clail expanded his studio work through collaborations within the On-U Sound ecosystem, often alongside McDonald and LeBlanc on instrumental foundations. These sessions laid groundwork for more structured releases, blending , , and influences in raw, tape-based productions. Clail's contributions gained prominence in 1987 with the Tackhead Tape Time, credited to Gary Clail's Tackhead Sound System and released on Records. He provided lead vocals and across the eight tracks, including "Mind at the End of the Tether," "Reality," "Hard Left," and "Get This," rapping over 's industrial-funk backings engineered by . The album recycled elements from prior singles like "Half Cut Again," a remix of Clail's debut, while highlighting his role as an MC from who had entered the On-U scene via performances. McDonald handled guitar, LeBlanc drums, and Wimbish bass, with Sherwood mixing the tape-loop-driven sound.

Key Collaborations

Gary Clail's entry into the On-U Sound collective laid the groundwork for his pivotal role in several key collaborations during the late 1980s, where he served as DJ, MC, and vocalist, often testing and re-versioning rhythms in live and studio settings. One of his most significant partnerships was the formation of in 1985, a group that fused grooves, echoes, and menace through the talents of Clail alongside producers , Skip McDonald, , and . Clail's contributions as lead vocalist and MC brought a raw, rhythmic edge to the ensemble, emphasizing taut rhythms layered with textures on their debut album Tackhead Tape Time (1987), a compilation of earlier singles that captured the group's explosive sound. Tracks like "" and "Hard Left" exemplified this blend, with Clail's chants driving political critiques over heavy, sample-driven beats. Clail also contributed vocals to experimental dub sessions with African Head Charge and Dub Syndicate, groups central to On-U Sound's dub ecosystem, where he shared rhythms and added layered chants to tracks that explored ritualistic percussion and echoing basslines. For instance, on the track "Two Thieves and a Liar" from End of the Century Party (1989) saw Clail backed by Dub Syndicate members, incorporating Bim Sherman's harmonies into a politically charged narrative over syncopated rhythms. These partnerships profoundly shaped Clail's vocal style, honing a delivery that merged raggamuffin toasting with urgent, spoken-word declarations on themes of political resistance and social rhythm, as seen in critiques of Thatcher-era on tracks like "Privatise." By integrating his Bristol-rooted energy with On-U Sound's multicultural framework, Clail developed a performative intensity that amplified the collective's experimental edge, influencing his approach to rhythmic and thematic depth in subsequent work.

Solo Career and Mainstream Breakthrough

Debut Solo Work

In 1989, Gary Clail transitioned to solo artistry by releasing his debut album, End of the Century Party, under the billing Gary Clail & On-U Sound System through the On-U Sound label. Produced primarily by , the record emphasized dub-heavy tracks characterized by dense rhythms, sampling, and electronic elements that echoed the experimental foundations of Clail's earlier On-U Sound associations. To promote and perform the album's material live, Clail established the Gary Clail On-U Sound System, a collective that infused On-U Sound's performances with heightened energy and his distinctive vocal delivery, marking a shift toward more structured stage presentations in the late 1980s Bristol club scene. Lyrically, the album centered on social commentary rooted in Clail's urban experiences from Bristol's working-class environments, tackling issues like corporate corruption, political disillusionment, and everyday societal tensions through politicized narratives and spoken-word elements. The garnered acclaim within the indie and electronic underground for its bold thematic depth and fusion of with socio-political edge, though it saw only modest traction, building Clail's reputation primarily through club play and niche critical praise rather than mainstream breakthrough.

Commercial Hits and Challenges

In 1991, Gary Clail achieved his commercial breakthrough with the release of the single "Human Nature" under the Gary Clail On-U Sound System moniker, which peaked at number 10 on the UK Singles Chart and marked the highest chart position for any On-U Sound Records act. The track, featuring vocals by Lanah P and remixes by Paul Oakenfold and Steve Osborne, blended socially conscious lyrics with pulsating rhythms, propelling Clail into the mainstream spotlight following his earlier solo explorations. This success paved the way for Clail's album Emotional Hooligan, also released in 1991 via Perfecto Records in collaboration with BMG, which reached number 35 on the and showcased a fusion of and elements alongside and influences. Produced with contributions from On-U Sound regulars like and members of , the album emphasized Clail's raw, protest-oriented delivery over layered basslines and grooves, reflecting his shift toward more accessible while retaining underground roots. However, the mainstream push brought significant challenges, as Perfecto and BMG exerted pressures to align Clail's sound more closely with commercial dance trends, leading to tensions over artistic direction and promotion. Clail's aspirations for pop stardom clashed with the label's waning interest, exemplified by inadequate support for his follow-up efforts, culminating in a bitter split with BMG in 1993 after the poorly promoted album Dreamstealers. These industry setbacks, compounded by personal disillusionment with mainstream expectations, contributed to Clail's gradual withdrawal from music by the late 1990s, resulting in an extended hiatus during which he pursued non-musical ventures.

Later Career and Gary Clail Sound System

Reformation and Recent Releases

Following a hiatus after the 1990s, Gary Clail reformed the in 2013, emphasizing live and electronic performances with a focus on innovative soundscapes featuring virtuoso brass and wind elements provided by collaborator Tony Wrafter. This revival marked a return to independent production, steering clear of major labels in favor of self-managed outlets to maintain artistic control. The Sound System's debut album, Nail It to the Mast, was released on December 15, 2014, through the independent label Captain Swing Records, comprising original tracks and remixes that blended rhythms, electronics, and influences. Produced by Clail and Andy Chapman at Fairfield Studio in , UK, the album showcased uncompromising political undertones, reflecting Clail's ongoing commitment to socially charged music without commercial constraints. Subsequent releases continued this independent trajectory, with Violence issued on August 1, 2022, via Bandcamp (self-released), featuring ten tracks of dub-influenced beats, samples, and electronic textures. Co-produced by Clail and Andy Chapman, with horn and woodwind contributions from Tony Wrafter, the album critiques systemic violence through incisive lyrics addressing the effects of war (such as in Syria), government corruption, neo-liberalism, and the arrogance of rulers, serving as a call to action for the disenfranchised. Clail's lyrics in this later phase evolved to confront broader issues, particularly political and injustices, building on his earlier work while incorporating reflections on contemporary historical events to underscore themes of resistance and inequality.

Live Performances and Ongoing Activities

Following the reformation of the Gary Clail in , Clail has maintained an active presence on , often supporting On-U with dub-infused sets that blend his classic material with new interpretations. These performances have included regular appearances in , his hometown, where he has anchored local sound system events at venues like The , drawing on the city's underground and heritage. In recent years, Clail's festival outings have highlighted his enduring appeal in the UK indie and electronic scenes. At the Festival in August 2024, held at Escot Park in , he delivered a high-energy set on the Little Big Top stage, mixing tracks from his catalog alongside guest contributions that energized the crowd. Clail performed at the Shiiine On Weekender in from November 14-17, 2025, where the Gary Clail featured on the main stage with a focus on rhythmic explorations. Collaborations have been a staple of Clail's live work, particularly with saxophonist Wrafter, whose elements add a live edge to the Sound System's output. Their partnership shone in events like the 2024 Islington gig supporting and continued at Shiiine On 2025, where Wrafter's improvisations complemented Clail's vocal and DJ delivery. While not exclusively charitable, these joint appearances have supported community-oriented festivals, including Wrafter's input on tracks like "" performed for awareness-raising causes. Clail's ongoing activities center on DJ residencies and sound system clashes within the UK's underground dub and reggae circuits, sustaining his role as a foundational figure in the scene. Through the Gary Clail , he hosts irregular but consistent events in and , incorporating material from his 2022 release into immersive, bass-heavy sessions that attract dedicated followers. These engagements, often at intimate venues or as openers, underscore his commitment to evolving the sound system tradition amid contemporary influences.

Musical Style and Legacy

Genre Innovations

Gary Clail's early work with the On-U Sound collective pioneered a fusion of with and elements, characterized by aggressive, confrontational energy and raw sonic textures. This blending drew on 's echo-laden production techniques, industrial's abrasive percussion and noise, and 's rhythmic drive, resulting in a dense, politically charged that pushed beyond traditional boundaries. For instance, collaborations with members infused heavy funk-metal grooves into frameworks, amplifying the music's intensity and accessibility for audiences. A key innovation in Clail's approach was the integration of vocal sampling and incisive political lyricism, particularly evident in his integrations. He employed sampled spoken-word excerpts—such as preacher rants and media clips critiquing societal ills—to layer over beats, creating a collage-like effect that underscored themes of , , and systemic . These elements were delivered through Clail's own ranting, chant-like vocals, transforming personal outrage into communal anthems and distinguishing his work from conventional toasting by emphasizing narrative disruption and ideological urgency. In the , Clail's hits extended this experimentation into rave culture via house-dub fusions, bridging underground dub with emerging electronic dance scenes. Tracks like "Human Nature," remixed by house producers and , merged dub's bass-heavy delays with acid house synths and four-on-the-floor rhythms, influencing the era's alt-dance movement by injecting political edge into euphoric club environments. This hybridity helped popularize dub's spatial effects in rave settings, contributing to a broader evolution in British electronic music. Clail's later Gary Clail Sound System phase evolved these foundations into modern , incorporating global sonic palettes for a more expansive, contemporary resonance. Recent releases feature -influenced beats interwoven with samples and wind instruments from collaborators like Tony Wrafter, drawing in diverse influences such as brass-driven world rhythms to address ongoing global issues through hard-hitting lyrics. This iteration maintains the core blending of and while adapting to digital production tools, ensuring Clail's innovations remain vital in music's periphery.

Influences and Impact

Gary Clail's musical style was profoundly shaped by reggae pioneers such as , whose innovative dub production techniques influenced the experimental sound of , where Clail frequently collaborated through producer . Sherwood, a key figure in Clail's career, openly cited Perry as a primary influence, integrating Perry's chaotic, effects-heavy methods into On-U projects that Clail contributed to vocally and thematically. The Bristol punk scene further molded Clail's approach, particularly through connections to post-punk agitators like Mark Stewart of , who mentored Clail and bridged punk's raw energy with and elements in the city's . Stewart's collaborations, including work with , exemplified Bristol's fusion of punk rebellion and Caribbean sounds, which Clail absorbed while emerging from scene as a roofer-turned-performer. Additionally, Clail's involvement with introduced hip-hop influences, as the group's core members—Skip McDonald, , and —drew from the city's and sampling traditions to create an industrial hybrid that Clail helped vocalize. Clail's fusion of , , , and elements contributed to the development of dub-electronica hybrids and the broader sound, which influenced the trip-hop genre. His On-U Sound work, blending heavy basslines with electronic experimentation, formed part of the ecosystem that shaped 's musical landscape in the 1990s. Clail's cultural legacy endures in the UK tradition, where he founded the Gary Clail to deliver politically charged performances rooted in reggae's communal, bass-driven gatherings. This approach amplified his activism, as seen in his On-U 's headline slot at the 1991 Cable Street Beat antifascist unity carnival, which drew 10,000 attendees to far-right through and speeches. In the , Clail's influence has seen renewed recognition via retrospectives, including the 2022 album and live revivals at festivals such as the Shiiine On Weekender in 2025 and other venues in 2024, highlighting his enduring role in political and .

Discography

Studio Albums

Gary Clail's studio discography reflects his evolution from and roots to broader and explorations, often in collaboration with producer and the On-U Sound collective. His debut solo album, End of the Century Party (also credited as Gary Clail & On-U Sound System), was released in 1990 by . Featuring 11 tracks, it emphasized -infused rhythms and political lyrics, with Sherwood handling production to create a raw, experimental sound blending , , and elements. In 1991, Clail achieved mainstream attention with Emotional Hooligan (Gary Clail On-U ), issued by Perfecto Records (an imprint). This 11-track release incorporated influences alongside , co-produced by Clail and , and marked a shift toward more accessible dance structures while addressing social issues. The 1993 album Dreamstealers (Gary Clail On-U ), released on Perfecto, contained 10 tracks and continued the dub-electro fusion, with 's production highlighting atmospheric mixes and collaborations featuring vocalists like . Keep the Faith, Clail's 1995 effort on Yelen Musiques (distributed by /), spanned 11 tracks and returned to a -focused aesthetic, produced by with contributions from On-U Sound affiliates, exploring themes of resilience amid rhythmic experimentation. After a long hiatus, Clail revived his sound with Nail It to the Mast in 2014 under the Gary Clail Sound System moniker, self-released via . This 12-track album revived electronic elements with modern and touches, produced by Clail alongside collaborators like Haji. Clail's most recent studio work, (Gary Clail Soundsystem featuring Tony Wrafter), emerged in 2022 as an independent release. Comprising 10 tracks, it addressed social and political themes through -heavy soundscapes, with production emphasizing Wrafter's integrations.

Singles and EPs

Gary Clail's early singles emerged from his collaborations with the On-U Sound System, blending , alternative dance, and politically charged lyrics. His debut single, "Half Cut for Confidence," was released in 1985 on On-U Sound. The 1990 single "Beef," featuring Bim Sherman on vocals and produced by , was released on via Perfecto Records and marked Clail's entry into mainstream attention with its heavy influences and themes of social struggle. It peaked at number 64 on the , spending three weeks in the top 100. In 1991, "," from the album Emotional Hooligan and released on , became Clail's biggest commercial success, reaching number 10 on the and charting for nine weeks. Featuring vocalist Lana Pellay, the track included remixes such as the "On the Mix" and "Perfecto Mix" versions, emphasizing its and elements. The accompanying music video, known for its dramatic and provocative imagery, aired on BBC's and served as the theme for the TV show Snub TV. That same year, "" followed as a on Perfecto , achieving a peak of number 44 on the over three weeks. The release featured dub-oriented versions, including the "On the Case Mix" and instrumental dubs that highlighted the On-U Sound System's production style. "These Things Are Worth Fighting For," another 1991 single tied to Emotional Hooligan, entered the UK chart at number 45 for two weeks, underscoring Clail's focus on resistance-themed lyrics. The 1992 single "Who Pays the Piper?" on Perfecto Records addressed political themes like and , peaking at number 31 on the for three weeks. Remixed by and into a trance-infused "Perfecto Mix," it included a visually striking directed by Nick Burgess-Jones. Earlier works included the 1990 promo EP , an On-U Sound release exploring experimental tracks. Following the reformation of the Gary Clail Sound System in 2013, releases shifted to digital formats. Singles from the 2014 album Nail It to the Mast included "Crazy" and "Is Your Heart Right," both issued digitally on independent labels. The 2022 album Violence, self-released digitally, featured tracks like "Control" and "Ring the Changes" as standalone digital singles, continuing Clail's dub and electronic sound with contemporary production. The 2018 single "Electric Skies," a 10-inch vinyl and digital release, incorporated dub versions such as "Twisted Love (Dub)."

Compilation Albums

Human Nature: The Very Best of Gary Clail, released in 1997 by Camden Records, serves as the principal retrospective compilation of Clail's work. This 14-track album covers his output from 1985 to 1995, drawing from early singles and full-length releases to showcase his evolution within the and scenes. Key selections include hits like "Human Nature (12")" from 1991, which reached number 10 on the , and "Beef (12" Future Mix)" from 1990, alongside deeper cuts such as "Temptation (Parts 1 & 2)" and "Dreamstealers" that highlight rarities from his On-U Sound collaborations. The collection emphasizes Clail's socially charged lyrics and innovative production, providing context for his transition from underground to mainstream dance success. Post-2000, Clail has appeared prominently in On-U Sound's anthology series Pay It All Back, which curates archival and remixed material from the label's roster. Earlier volumes like Pay It All Back Vol. 5 (1995) also spotlight Clail with collaborations such as "One Flesh and Blood" alongside Hari Haran, blending Eastern influences with his signature reggae-electronic fusion, illustrating the series' role in preserving his contributions.

References

  1. [1]
    Gary Clail
    ### Gary Clail Studio Albums (Chronological)
  2. [2]
    Gary Clail Songs, Albums, Reviews, Bio & More ... - AllMusic
    Explore Gary Clail's discography including top tracks, albums, and reviews. Learn all about Gary Clail on AllMusic.
  3. [3]
    Gary Clail, The People Bristol Archive Records
    I grew up in the Bristol Eastville area and my mother had an off-licence on Stapleton Road. I was 13 years of age when I used to creep out on the weekend and ...
  4. [4]
    Biography – Gary Clail
    The real impact of Gary was to introduce and roadtest new On-U rhythms and tunes, and also to re-version old favourites. Gary lifted X amount of cassettes of ...
  5. [5]
    GARY CLAIL ON-U SOUND SYSTEM Albums - Official Charts
    GARY CLAIL ON-U SOUND SYSTEM songs and albums, peak chart positions ... HUMAN NATURE GARY CLAIL ON-U SOUND SYSTEM. Peak: 10,; Weeks: 9. Read more icon ...
  6. [6]
    Gary Clail – Soundsystem
    The legendary Gary Clail of 'Human Nature' and On-U Sound fame, is back with his exciting and innovative Gary Clail SoundSystem, featuring virtuoso brass and ...
  7. [7]
    bristol's music - red lines
    Clail's bombastic vocal delivery was honed when he grew up in a predominantly black neighbourhood given rhythm by 'Toasting' Jamaican locals. He is of Irish ...
  8. [8]
    Gary Clail
    Gary Clail (born 1959) is an English singer and record producer, and the founder of the Gary Clail Sound System. He was part of On-U Sound Records (and also ...Missing: childhood Bristol
  9. [9]
    The Bristol Sound – How The West Was Won - Classic Pop Magazine
    Aug 19, 2021 · Gary Clail with the On-U Sound System had an unlikely Top 10 hit in 1991 with Human Nature, a passionate protest song that railed against ...Missing: biography childhood
  10. [10]
    On-U Sound In The Area - Gary Clail biography
    A one-time roofer from Bristol at On-U HQ was the unlikely beginning for an artist who went on to provide AMS with his biggest music chart success to date.
  11. [11]
    Gary Clail - Half Cut For Confidence
    ### Summary of Credits and Notes for "Half Cut For Confidence" by Gary Clail
  12. [12]
    Gary Clail's Tackhead Sound System - Tackhead Tape Time
    ### Tracklist
  13. [13]
    https://www.discogs.com/master/14774-Gary-Clails-Tackhead-Sound-System-Tackhead-Tape-Time
  14. [14]
    On-U Sound In The Area - Tackhead / Fats Comet discography
    Album: Gary Clail's Tackhead Sound System - 'Tackhead Tape Time'; 12" single ... Airborn Ranger; Hard Left (with Gary Clail); Stormy Weather; Drum Solo ...
  15. [15]
    http://www.skysaw.org/onu/discography/tackheadfatscometdiscog.html
  16. [16]
    https://www.discogs.com/master/15260-Gary-Clail-On-U-Sound-System-End-Of-The-Century-Party
  17. [17]
    https://www.discogs.com/release/171200-Gary-Clail-On-U-Sound-System-End-Of-The-Century-Party
  18. [18]
    WHERE ARE THEY NOW? Gary Clail - Talk About Pop Music
    Apr 17, 2021 · Producer and songwriter Gary Clail (b.1959) started his professional career as a roofer but made the transition to a DJ in the 1980's.<|control11|><|separator|>
  19. [19]
    End of the Century Party by Gary Clail & On-U Sound System ...
    End of the Century Party, an Album by Gary Clail & On-U Sound System. Released in 1990 on On-U (catalog no. ON-U CD9; CD). Genres: Dub, Alternative Dance.
  20. [20]
    https://rateyourmusic.com/release/album/gary-clail-and-on-u-sound-system/end-of-the-century-party.p/
  21. [21]
    https://www.discogs.com/master/15283-Gary-ClailOn-U-Sound-System-Emotional-Hooligan
  22. [22]
    Review: Gary Clail, The Thunderbolt - Bristol 247
    Nov 23, 2017 · He's referring to a comment about his first hometown appearance in decades last year at Harvey's Wine Cellars, when his political polemic was ...Missing: childhood birth 1959
  23. [23]
    Gary Clail Sound System Violence: Violence
    Free deliveryAug 1, 2022 · Brilliant new album by Gary Clail Sound System featuring Gary Clail and Tony Wrafter. Ten brand new recordings by Gary Clail and his Sound ...
  24. [24]
    Gary Clail And On-u Sound System Concert & Tour History
    Gary Clail And On-u Sound System tours & concert list along with photos, videos, and setlists of their live performances.Missing: formation | Show results with:formation<|control11|><|separator|>
  25. [25]
    2024 line-up - Beautiful Days |
    ... GARY CLAIL – MARK XTC – THE BEATLES DUB CLUB – NICK COLES – UP BUSTLE & OUT ... Sign-up to receive news and important information about Beautiful Days ...
  26. [26]
    Gallery - Gary Clail
    Gallery: Gary Clail at Beautiful Days 2024, Gary Clail on stage mixing his tunes with one arm in the air, Gary Clail at Beautiful Days 2024.
  27. [27]
    Shiiine On - Minehead 14/11/2025 | Butlin's Big Weekenders
    Shiiine On Weekender. 14-17 November 2025. Minehead. Book now. OUR HEADLINERS ... Gary Clail Soundsystem | Ian Prowse & Amsterdam | The Others | S*M*A*S*H ...
  28. [28]
    Gigs & Festivals - Gary Clail
    Sat 5th July 2025. DeRanged Festival – SOLD OUT. Drybeck Farm, Armathwaite, Nr Carlisle, Cumbria CA4 9ST. Buy Tickets. Sat 15th November 2025. Shiiine On ...
  29. [29]
    Pop Will Eat Itself & Gary Clail SoundSystem ft Tony Wrafter
    Pop Will Eat Itself & Gary Clail SoundSystem ft Tony Wrafter · Public · Hosted by Gary Clail SoundSystem · Friday, October 4, 2024 at 7:00PM BST · Islington ...
  30. [30]
    We are looking forward to November 15 -- The Gary Clail Sound ...
    We are looking forward to November 15 -- The Gary Clail Sound System (featuring Tony Wrafter) at the Shiiine On Weekender at Butlins Arena, Minehead.
  31. [31]
    [PDF] Made your mind up yet? - E&L Advertiser
    Apr 29, 2021 · band, while Gary Clail. Soundsystem, who scored a huge. 90s club hit with Human Nature, featuring Tony Wrafter, performs in the afternoon.Missing: collaboration | Show results with:collaboration
  32. [32]
    Music - Gary Clail
    Gary Clail live at Beautiful Days 2024. Gary Clail live at London Islington Assembly Hall 2024.
  33. [33]
    Gary Clail / On-U Sound System - Concert - Setlist.fm
    Get Gary Clail / On-U Sound System setlists - view them, share them, discuss them with other Gary Clail / On-U Sound System fans for free on setlist.fm!Missing: formation | Show results with:formation
  34. [34]
    40 Years of Experimental Dub Label On-U Sound Records
    Jul 1, 2020 · The same year that Adrian Sherwood and Bristol emcee Gary Clail teamed up for Tackhead's iconic industrial-funk album Friendly As a Hand Grenade ...
  35. [35]
    End Of The Century Party | Gary Clail & On-U Sound System | Gary ...
    Bristolian MC and one time member of the On-U Sound System. Over instrumental backdrops that alternate between reggae (courtesy of Dub Syndicate) and funk ( ...<|control11|><|separator|>
  36. [36]
    Live Review: A Guy Called Gerald / Gary Clail's On-U Sound System ...
    Feb 9, 1990 · A Guy Called Gerald Unofficial Web Page - Live Review: A Guy Called Gerald / Gary Clail's On-U Sound System, ULU, London, England.Missing: 1980s | Show results with:1980s
  37. [37]
    Adrian Sherwood – On-U Sound A Dr Rob Interview - Test Pressing
    Jan 12, 2022 · Was Mark the hook up to other Bristolians, like Gary Clail, and Andy Fairley? Yes, well Mark knew Clail. He used to bring him along to the ...Missing: early | Show results with:early
  38. [38]
    Adrian Sherwood & On-U Sound - Shfl
    In 1981 Sherwood created a label and studio he called On-U Sound. There he worked with his growing cohort of collaborators in varying combinations.
  39. [39]
    How Mark Stewart set the tone for post-punk protest music
    Apr 22, 2023 · ... Gary Clail's rise from roofer to Top of the Pops; encouraged Martina Topley-Bird to sing, and paired her with Tricky, on whose debut solo ...
  40. [40]
    On-U Sound In The Area - Tackhead / Fats Comet biography
    In 1984, while working on a remix of Akabu's "Watch Yourself" for Tommy Boy, he met Keith LeBlanc. After a productive meeting, McDonald and Wimbish later joined ...
  41. [41]
    Tackhead Tape Time (((Gary Clail's) Tackhead ... - Infinimata Press
    Jan 2, 2005 · Tape Time consists of eight cuts, several of which have surfaced before in vastly stripped-down (or extended) forms as 12” singles credited collectively to ...Missing: contributions 1987
  42. [42]
    Trip Hop: The Mighty Sound Of Bristol
    Jun 30, 2014 · Several other Wild Bunch and Massive Attack associates meanwhile started crafting their own unique interpretations of the Bristol sound. ... Gary ...
  43. [43]
    [PDF] Dub in Babylon The Emergence and Influence of Dub Reggae with ...
    Dub reggae and the techniques associated with it have, since the late-1980s, been used widely by producers of dance and ambient music.
  44. [44]
    Site and sound: when neighbourhoods spawn new forms of music
    Apr 26, 2014 · Massive Attack, Gary Clail, Smith & Mighty, Mark Stewart. Key Bristol-sound names, each collaborated with a man pivotal to the look of its ...<|control11|><|separator|>
  45. [45]
    Through Cable Street Beat, music became a potent antifascist ...
    Jan 29, 2024 · This made it the biggest public antifascist event in a decade. Bands including Gary Clail's On U Sound System, The 25th of May and The Blaggers ...
  46. [46]
    Gary Clail Sound System - Songs, Events and Music Stats - Viberate
    May. 25-28. Bearded Theory ; Dec. 02. Gary Clail Sound System at The I Club ; Oct. 22. Gary Clail Sound System at The Dublin Castle.Missing: 2020s | Show results with:2020s
  47. [47]
    Gary Clail SoundSystem - Facebook
    Gary Clail SoundSystem. 3611 likes · 21 talking about this. Gary Clail Sound system .email edwardclail123@yahoo.co.uk.<|control11|><|separator|>
  48. [48]
    https://www.shiiineon.com/%25E2%258F%25B3-10-weeks-to-go-whats-on-last-chance-for-tickets-%25F0%259F%259A%25A8/
  49. [49]
    https://www.discogs.com/master/15329-Gary-ClailOn-U-Sound-System-Dreamstealers
  50. [50]
    https://www.discogs.com/release/209523-Gary-Clail-Keep-The-Faith
  51. [51]
    https://www.discogs.com/master/15268-Gary-Clail-On-U-Sound-System-Featuring-Bim-Sherman-Beef
  52. [52]
    https://www.officialcharts.com/songs/gary-clail-on-u-sound-system-beef/
  53. [53]
    https://www.officialcharts.com/songs/gary-clail-on-u-sound-system-human-nature/
  54. [54]
    Gary Clail & On-U Sound System - Human Nature
    ### Release Details
  55. [55]
    https://www.officialcharts.com/songs/gary-clail-on-u-sound-system-escape/
  56. [56]
    Gary Clail & On-U Sound System - Escape
    ### Release Details
  57. [57]
    https://www.officialcharts.com/songs/gary-clail-on-u-sound-system-these-things-are-worth-fighting-for/
  58. [58]
    https://www.officialcharts.com/songs/gary-clail-on-u-sound-system-who-pays-the-piper/
  59. [59]
    https://www.discogs.com/master/15305-Gary-Clail-On-U-Sound-System-Who-Pays-The-Piper
  60. [60]
    On-U Sound In The Area - Gary Clail discography
    A personal and unofficial tribute to the driving force behind the On-U Sound record label, Adrian Sherwood, and the acts and individuals he has worked with ...Missing: move early 1980s
  61. [61]
    Gary Clail - Apple Music
    Gary Clail began his career in Bristol where he worked improvising raps on tapes released by On-U artists.
  62. [62]
    Gary Clail Sound System | Spotify
    Gary Clail Sound System · Popular releases · Albums · Singles and EPs · Featuring Gary Clail Sound System · Fans also like.Missing: reformation 2013
  63. [63]
    Gary Clail - Human Nature (The Very Best Of Gary Clail)
    ### Summary
  64. [64]
    https://www.discogs.com/release/233964-Various-Pay-It-All-Back-Volume-5
  65. [65]
    https://www.discogs.com/release/233964-Various-Pay-It-All-Back-Volume-5